{"version":"1.0","provider_name":"Instytut Polski w Berlinie","provider_url":"https:\/\/instytutpolski.pl\/berlin","author_name":"Rainer Mende","author_url":"https:\/\/instytutpolski.pl\/berlin\/author\/mender\/","title":"filmPOLSKA Retrospektive: Wandelbarer Stilist - Instytut Polski w Berlinie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"eIRPIm7MUh\"><a href=\"https:\/\/instytutpolski.pl\/berlin\/20-filmpolska\/filmpolska-retrospektive-wojciech-kilar\/\">filmPOLSKA Retrospektive: Wandelbarer Stilist<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/berlin\/20-filmpolska\/filmpolska-retrospektive-wojciech-kilar\/embed\/#?secret=eIRPIm7MUh\" width=\"600\" height=\"338\" title=\"&#8222;filmPOLSKA Retrospektive: Wandelbarer Stilist&#8221; &#8212; Instytut Polski w Berlinie\" data-secret=\"eIRPIm7MUh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2025\/08\/Zrzut-ekranu-2025-08-2-o-04.53.06.png","thumbnail_width":2306,"thumbnail_height":870,"description":"Hommage an Wojciech Kilar Programmschwerpunkt \u201eGeschichte und Bildung\u201c Als besonders wagemutiger Komponist von Liebhaber*innen der europ\u00e4ischen Nachkriegsavantgarde gesch\u00e4tzt, hat der 1932 in Lwiw geborene und 2013 verstorbene Musiker Wojciech Kilar\u00a0auch die Filmmusik nachhaltig gepr\u00e4gt. Sein filmmusikalisches \u0152uvre schlie\u00dft Werke f\u00fcr gro\u00dfe internationale Produktionen wie \u201eBram Stoker&#8217;s Dracula\u201c ebenso ein wie Kompositionen f\u00fcr Autorenfilmer, darunter vor [&hellip;]"}