{"id":3435,"date":"2022-03-24T13:55:55","date_gmt":"2022-03-24T12:55:55","guid":{"rendered":"https:\/\/instytutpolski.pl\/berlin\/?p=3435"},"modified":"2022-06-08T08:05:09","modified_gmt":"2022-06-08T06:05:09","slug":"darya-koltsova-theory-of-protection","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/","title":{"rendered":"Darya Koltsova: Theory of Protection"},"content":{"rendered":"\n
For now, you must try not to die.<\/em><\/div>\n
\u00a0<\/div>\n
Theory of Protection<\/em> is an installation originally created by the Ukrainian artist Darya Koltsova. The project was first shown in Warsaw, Poland, in 2017 as part of the exhibition State of Danger<\/em> (Pracownia Du\u017cy Pok\u00f3j).<\/div>\n
\u00a0<\/div>\n
Our windows have been covered with taping inspired by Koltsova’s original installation. We want to show our solidarity with Ukrainian people and raise awareness about the tragic war happening in Ukraine right now through the universal language of art.<\/div>\n
The state of emergency in which the inhabitants of Ukraine have lived since 2013 has taken the form of massive-scale warfare. Thus, it is a registration of the new reality in its private (apartment windows), but also in a mass-scale version. The tapes arranged in beautiful patterns can save lives. But they also talk about a wound, a place that hurts, which is still whole but may turn to dust in a moment.<\/div>\n
\u00a0<\/div>\n
\"\"<\/div>\n
\u00a0<\/div>\n
First step: window taping – instructions<\/em><\/strong><\/div>\n
\u00a0<\/div>\n
1. You will need duct tape and a stool if the window is tall. In old tenements, windows are even two and a half meters high. The last fifty centimetres of the window is the vent. This also needs to be taped. It is best if the tape is thick, at least five centimetres wide.<\/div>\n
\u00a0<\/div>\n
2. Tear the tape with your teeth or cut with scissors. Then stick to the glass, first diagonally, from the lower right corner of the window towards the upper left corner, then vice versa. Repeat the same process on the vent.<\/div>\n
\u00a0<\/div>\n
3. Also stick the tape through the centre of the glass, joining its frames from bottom to top and from right to left.<\/div>\n
\u00a0<\/div>\n
4. Repeat the patterns in the form of smaller intersections. This creates numerous intersecting patterns from the tape on the glass.<\/div>\n
\u00a0<\/div>\n
5. When finished, secure the tape, and put it back for reuse.<\/div>\n
\u00a0<\/div>\n
The patterns on the windows are very intricate. Five stripes across, three stripes from bottom to top, two diagonally, would be enough. Meanwhile, those on the windows in Donetsk and Luhansk, Kyiv and Kharkiv, form intricate ornaments that take a whole day to stick. The carriers of faith in salvation, they are both a wound and a bandage. They are beautiful.<\/div>\n
\u00a0<\/div>\n
When the shock wave from the explosion comes, the windows will vibrate. First you will hear the impact, a millisecond later you will notice the vibrating movement of the floor and walls, it will pass through your feet and reach the top of your head, you will feel it in every hair on your body. The windows will vibrate. First the frames, then the long windowsills. You will watch as the vibrations pass from the frames to the strips, which fight with all their lifeless being. At this moment, all your attention will be focused only on them. You will see them tense, the tiny cracks in the glass crawling rapidly from edge to centre, and tugging at the taped bodies, trying to find a free run to release the explosive energy that lurks within them. It will all take ten or twelve seconds. When the wave is gone, you will stroke the smooth surface of the tape with your hand. You will look out on the street; you will see who is dead.<\/div>\n
\u00a0<\/div>\n
\u00a0<\/div>\n
Second step: protective spell – text<\/em><\/strong><\/div>\n
\u00a0<\/div>\n
Dark and silent night. You sit on a brown horse, on a falcon saddle. You close the cell, doors, pigsties, Orthodox churches and monasteries. Close my enemies’ mouths, eyes, and cheeks.<\/div>\n

God our Veles, my word is as hard as this silent hard white stone. Let all hedgehogs, wolves and animals go around it sideways. Let them not see or hear, let them not do any harm.<\/div>\n
\u00a0<\/div>\n
Most Holy Mother, lead us and we will carry your fame into the world. To Veles, to Mokosh, to Perun Perunowich, to brightness and to all gods close to us.<\/div>\n
\u00a0<\/div>\n
Wind gods, protect during the day, at night, at midnight, at dawn and in the mornings. And save in our sleep.<\/div>\n
\u00a0<\/div>\n
\u00a0<\/div>\n
Activity three: waiting<\/em><\/strong><\/div>\n
\u00a0<\/div>\n
Keep your head down and don\u2019t tempt fate. Don’t talk or make noise. Be quiet, don’t go out, don’t get into unnecessary discussions. Don’t lean out, don’t look in the eyes. Pray. Don’t stick out your head. Keep your head down. Away from the windows. Huddled, hidden like a mouse under a broom, hidden like a needle in a haystack, crouching like a cobra in the grass, like a viper in grapes. Silent. Invisible. Absent.<\/div>\n
\u00a0<\/div>\n
\u00a0<\/div>\n
Curator & Text: Ewa Su\u0142ek, Lescer Art Center<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"

For now, you must try not to die. \u00a0 Theory of Protection is an installation originally created by the Ukrainian artist Darya Koltsova. The project was first shown in Warsaw, Poland, in 2017 as part of the exhibition State of Danger (Pracownia Du\u017cy Pok\u00f3j). \u00a0 Our windows have been covered with taping inspired by Koltsova’s […]<\/p>\n","protected":false},"author":78,"featured_media":3437,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[149,163],"tags":[313,111,312,126,121,311,170,310],"class_list":["post-3435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiv","category-programm-de","tag-art","tag-ausstellung","tag-instalation","tag-kunst","tag-programm","tag-solidarity","tag-spezial","tag-ukraine"],"yoast_head":"\nDarya Koltsova: Theory of Protection - Instytut Polski w Berlinie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Darya Koltsova: Theory of Protection - Instytut Polski w Berlinie\" \/>\n<meta property=\"og:description\" content=\"For now, you must try not to die. \u00a0 Theory of Protection is an installation originally created by the Ukrainian artist Darya Koltsova. The project was first shown in Warsaw, Poland, in 2017 as part of the exhibition State of Danger (Pracownia Du\u017cy Pok\u00f3j). \u00a0 Our windows have been covered with taping inspired by Koltsova’s […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Berlinie\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-24T12:55:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-08T06:05:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-scaled.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1265\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"mw\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"mw\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/\",\"url\":\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/\",\"name\":\"Darya Koltsova: Theory of Protection\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/berlin\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-scaled.jpeg\",\"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-300x148.jpeg\",\"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-1024x506.jpeg\",\"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-scaled.jpeg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-scaled.jpeg\",\"datePublished\":\"2022-03-24T12:55:55+02:00\",\"dateModified\":\"2022-06-08T06:05:09+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/berlin\/#\/schema\/person\/3343fb63f02034c515fcf9c00d8ad9e4\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2022-03-24\",\"endDate\":\"2022-03-31\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"For now, you must try not to die.\\n\u00a0\\nTheory of Protection is an installation originally created by the Ukrainian artist Darya Koltsova. 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It will all take ten or twelve seconds. When the wave is gone, you will stroke the smooth surface of the tape with your hand. You will look out on the street; you will see who is dead.\\n\u00a0\\n\u00a0\\nSecond step: protective spell - text\\n\u00a0\\nDark and silent night. You sit on a brown horse, on a falcon saddle. You close the cell, doors, pigsties, Orthodox churches and monasteries. Close my enemies' mouths, eyes, and cheeks.\\nGod our Veles, my word is as hard as this silent hard white stone. Let all hedgehogs, wolves and animals go around it sideways. Let them not see or hear, let them not do any harm.\\n\u00a0\\nMost Holy Mother, lead us and we will carry your fame into the world. To Veles, to Mokosh, to Perun Perunowich, to brightness and to all gods close to us.\\n\u00a0\\nWind gods, protect during the day, at night, at midnight, at dawn and in the mornings. 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The project was first shown in Warsaw, Poland, in 2017 as part of the exhibition State of Danger (Pracownia Du\u017cy Pok\u00f3j).\n\u00a0\nOur windows have been covered with taping inspired by Koltsova's original installation. We want to show our solidarity with Ukrainian people and raise awareness about the tragic war happening in Ukraine right now through the universal language of art.\nThe state of emergency in which the inhabitants of Ukraine have lived since 2013 has taken the form of massive-scale warfare. Thus, it is a registration of the new reality in its private (apartment windows), but also in a mass-scale version. The tapes arranged in beautiful patterns can save lives. But they also talk about a wound, a place that hurts, which is still whole but may turn to dust in a moment.\n\u00a0\n\u00a0\nFirst step: window taping - instructions\n\u00a0\n1. You will need duct tape and a stool if the window is tall. In old tenements, windows are even two and a half meters high. The last fifty centimetres of the window is the vent. This also needs to be taped. It is best if the tape is thick, at least five centimetres wide.\n\u00a0\n2. Tear the tape with your teeth or cut with scissors. Then stick to the glass, first diagonally, from the lower right corner of the window towards the upper left corner, then vice versa. Repeat the same process on the vent.\n\u00a0\n3. Also stick the tape through the centre of the glass, joining its frames from bottom to top and from right to left.\n\u00a0\n4. Repeat the patterns in the form of smaller intersections. This creates numerous intersecting patterns from the tape on the glass.\n\u00a0\n5. When finished, secure the tape, and put it back for reuse.\n\u00a0\nThe patterns on the windows are very intricate. Five stripes across, three stripes from bottom to top, two diagonally, would be enough. Meanwhile, those on the windows in Donetsk and Luhansk, Kyiv and Kharkiv, form intricate ornaments that take a whole day to stick. The carriers of faith in salvation, they are both a wound and a bandage. They are beautiful.\n\u00a0\nWhen the shock wave from the explosion comes, the windows will vibrate. First you will hear the impact, a millisecond later you will notice the vibrating movement of the floor and walls, it will pass through your feet and reach the top of your head, you will feel it in every hair on your body. The windows will vibrate. First the frames, then the long windowsills. You will watch as the vibrations pass from the frames to the strips, which fight with all their lifeless being. At this moment, all your attention will be focused only on them. You will see them tense, the tiny cracks in the glass crawling rapidly from edge to centre, and tugging at the taped bodies, trying to find a free run to release the explosive energy that lurks within them. It will all take ten or twelve seconds. When the wave is gone, you will stroke the smooth surface of the tape with your hand. You will look out on the street; you will see who is dead.\n\u00a0\n\u00a0\nSecond step: protective spell - text\n\u00a0\nDark and silent night. You sit on a brown horse, on a falcon saddle. You close the cell, doors, pigsties, Orthodox churches and monasteries. Close my enemies' mouths, eyes, and cheeks.\nGod our Veles, my word is as hard as this silent hard white stone. Let all hedgehogs, wolves and animals go around it sideways. Let them not see or hear, let them not do any harm.\n\u00a0\nMost Holy Mother, lead us and we will carry your fame into the world. To Veles, to Mokosh, to Perun Perunowich, to brightness and to all gods close to us.\n\u00a0\nWind gods, protect during the day, at night, at midnight, at dawn and in the mornings. And save in our sleep.\n\u00a0\n\u00a0\nActivity three: waiting\n\u00a0\nKeep your head down and don\u2019t tempt fate. Don't talk or make noise. Be quiet, don't go out, don't get into unnecessary discussions. Don't lean out, don't look in the eyes. Pray. Don't stick out your head. Keep your head down. Away from the windows. Huddled, hidden like a mouse under a broom, hidden like a needle in a haystack, crouching like a cobra in the grass, like a viper in grapes. Silent. Invisible. Absent.\n\u00a0\n\u00a0\nCurator & Text: Ewa Su\u0142ek, Lescer Art Center"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/#primaryimage","url":"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-scaled.jpeg","contentUrl":"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2022\/03\/852C7855-B2C6-4014-AAFA-A321C92DA994-scaled.jpeg","width":2560,"height":1265},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/berlin\/2022\/03\/24\/darya-koltsova-theory-of-protection\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/berlin\/"},{"@type":"ListItem","position":2,"name":"Darya Koltsova: Theory of Protection"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/berlin\/#website","url":"https:\/\/instytutpolski.pl\/berlin\/","name":"Instytut Polski w Berlinie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/berlin\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/berlin\/#\/schema\/person\/3343fb63f02034c515fcf9c00d8ad9e4","name":"mw","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/berlin\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5a4eeb726e07f96e3a3a64f932124c40?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5a4eeb726e07f96e3a3a64f932124c40?s=96&d=mm&r=g","caption":"mw"},"url":"https:\/\/instytutpolski.pl\/berlin\/author\/witkowskam\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/posts\/3435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/users\/78"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/comments?post=3435"}],"version-history":[{"count":5,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/posts\/3435\/revisions"}],"predecessor-version":[{"id":4020,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/posts\/3435\/revisions\/4020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/media\/3437"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/media?parent=3435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/categories?post=3435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/berlin\/wp-json\/wp\/v2\/tags?post=3435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}