{"id":9109,"date":"2025-04-10T13:40:39","date_gmt":"2025-04-10T11:40:39","guid":{"rendered":"https:\/\/instytutpolski.pl\/berlin\/?p=9109"},"modified":"2025-05-15T15:32:50","modified_gmt":"2025-05-15T13:32:50","slug":"next-young-european-design-2025-eunic-berlin","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/berlin\/2025\/04\/10\/next-young-european-design-2025-eunic-berlin\/","title":{"rendered":"Next! Young European Design 2025 \u2013 EUNIC Berlin"},"content":{"rendered":"\n\n\n\n\n
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Date:<\/b>\u00a0Wednesday, 14.05.2025
Tour of the Aedes Exhibitions<\/b>: 16:30 \u2013 17:30\u00a0
Lab Talk:<\/b>\u00a017:30 \u2013 20:30
Place:<\/b>\u00a0Aedes, Christinenstr. 18-19, 10119 Berlin
Registration:<\/b>\u00a0www.eventbrite.de<\/a>
The event will take place in English. Admittance is free.<\/p>\n

\n

Social upheavals and crises have always sparked new impulses in design \u2013 from the\u00a0Arts and Crafts<\/i>\u00a0movement and the Bauhaus to the emergence of ecological design in the 1970s. How is design in Europe responding and evolving in light of current local and global disruptions? What strategies are emerging to build a more resilient European design culture? How do tradition, innovation, collaboration and artistic expression intersect in this context? And where do Europe\u2019s strengths lie in comparison to other regions?<\/p>\n

The invited designers represent a new generation of European practice. Deeply rooted in the rich design traditions of their countries, they draw on longstanding expertise and established industrial or artisanal structures. At the same time, they look to the future with innovative perspectives, pursuing forward-thinking, imaginative responses to the complex challenges of our time.\u00a0More<\/a><\/p>\n

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PROGRAMME AEDES EXHIBITION TOUR at 16:30<\/b><\/p>\n

Marking the final day of the current Aedes exhibitions \u2013\u00a0Rational Form Making<\/i><\/a>\u00a0by PangArchitect, Hong Kong\/Boston and\u00a0Shaping the Unbuilt Environment \u2013 Working With the Already-There<\/i><\/a>\u00a0by Guti\u00e9rrez-delaFuente Arquitectos, Madrid \u2013 Aedes curators\u00a0Julia Schl\u00fctsmeier-Hage<\/b>\u00a0and\u00a0Mathias Schnell<\/b>\u00a0will lead a guided tour.<\/p>\n

PROGRAMME LAB TALK at 17:30<\/b><\/p>\n

\n
\n

Framed by two panels on social aspects and sustainability, the protagonists will present concise insights into their work, opening up the dialogue through a moderated discussion.<\/p>\n

Welcome<\/b>
Dunya Bouchi<\/b>, Aedes, Berlin
Sa\u0161a \u0160avel Burkart<\/b>, President of EUNIC Berlin \/ Head of the Slovenian Cultural Centre – SKICA Berlin<\/p>\n

Introduction and Moderation<\/b>
Simona Binko<\/b>, Art Historian and Cultural Manager, Berlin<\/p>\n

Panel I \u2013 Design as a Tool for Social Change<\/b>
The first panel delves into projects by interdisciplinary collectives and studios that shape social spaces and processes, rather than products and focus on design as a tool for social change, social innovation and participation.<\/p>\n

Robida<\/b><\/a>\u00a0from\u00a0Slovenia<\/b>\u00a0works in the abandoned village of Topol\u00f2 at the intersection of design, language, media and space. Through the multilingual\u00a0Robida Magazine<\/i>\u00a0and\u00a0Radio Robida<\/i>, the collective explores cultural possibilities in the post-rural space. \u00a0<\/p>\n

Atelier Ad-hoc<\/a><\/b>\u00a0from\u00a0Bucharest<\/b>, Romania, operates an NGO alongside its design practice. The studio develops thoughtful, resource-efficient spaces and intervention strategies for marginalised communities, thereby strengthening urban resilience.\u00a0<\/p>\n

The\u00a0Dutch<\/b>\u00a0platform\u00a0iii Instrument Inventors<\/b><\/a>\u00a0emerged from the\u00a0ArtScience<\/i>\u00a0tradition in The Hague. It combines technological innovation with theoretical reflection and human experience. \u00a0<\/p>\n

Henna Lampinen<\/b><\/a>\u00a0founded the fashion label\u00a0henna<\/i>\u00a0in\u00a0Helsinki<\/b>, Finland, reimagining how fashion can be made more inclusive.<\/p>\n

Panel II \u2013 Resilience in Design\u00a0<\/b>
The second session addresses how materiality and craftsmanship can foster resilience in design and discuss strategies for sustainable and adaptable design in times of global crises.<\/p>\n

Jules P\u00e9an<\/b><\/a>\u00a0from\u00a0Luxembourg<\/b>\u00a0engages in material experimentation through his project\u00a0NEW ROCKS<\/i>, transforming waste from closed local mines into newly formed rocks and sculpting them into functional objects.<\/p>\n

Magdalena Jugo<\/b><\/a>\u2019s (Poland<\/b>) tableware collection\u00a0Regional Dreaming<\/i>\u00a0blends local materials and techniques \u2014 including ash from organic waste incineration in Pozna\u0144 and the historic Raugo firing method of Baltic tribes \u2014 seamlessly balancing aesthetic excellence with functionality.<\/p>\n

Siim Karro<\/b>\u00a0and his team at\u00a0Myceen<\/a>\u00a0from\u00a0Estonia<\/b>\u00a0investigate the diverse applications of mycelium, ranging from lampshades to CO\u2082-negative building materials.<\/p>\n

Adrienn Kir\u00e1ly<\/b>\u00a0and\u00a0B\u00e1lint Szalai<\/b>\u00a0run the socially driven label\u00a0itthon<\/i><\/a>\u00a0(„at home”) in\u00a0Budapest<\/b>. In collaboration with local artisans, they design everyday objects inspired by traditional techniques from B\u00e1lint\u2019s native region of Vojvodina.<\/p>\n

Anthony Bonnici<\/b>\u00a0(Malta<\/b>) presents the project\u00a0URNA<\/i><\/a>, developed in collaboration with a multinational team. The project introduces a new ritual for handling human remains, responding to the recent legalisation of cremation in Malta. It is featured at the London Design Biennale.<\/p>\n<\/div>\n<\/div>\n

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ABOUT EUNIC Berlin<\/b><\/p>\n<\/div>\n

EUNIC Berlin<\/a>\u00a0is the network of European cultural institutes in Berlin and part of the global EUNIC \u2013 European Union National Institutes for Culture \u2013 network. Clusters have been established in over 90 countries worldwide. EUNIC Berlin comprises 30 full and associate members, along with seven permanent guests. The network is committed to European values and works collaboratively to make Europe\u2019s cultural diversity visible. Within the Berlin cluster, members develop joint cultural projects and engage in constructive exchange. EUNIC Berlin is also an active partner of the EU Representation in Germany.<\/b><\/p>\n

EUNIC Berlin is presenting\u00a0Next!<\/i>\u00a0for the third time as part of Berlin Design Week \u2013 this year for the first time in a new lab talk format in collaboration with Aedes. The following day, the programme will provide participating designers with in-depth internal exchange and valuable insights into Berlin\u2019s design landscape. This part of\u00a0Next!<\/i>\u00a0is being organised in collaboration with the Werkbundarchiv \u2013 Museum der Dinge and other partner institutions.\u00a0\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n

PARTNERS
EUNIC Berlin, \u00a0Aedes Metropolitan Laboratory
IN COOPERATION WITH
Berlin Design Week | Werkbundarchiv \u2013 Museum der Dinge
EUNIC MEMBERS
Collegium Hungaricum Berlin | Polish Institute | Finnish Institute | Embassy of the Kingdom of the Netherlands | Embassy of the Republic of Malta | Embassy of the Republic of Estonia | Slovenian Cultural Centre \u2013 SKICA Berlin | Romanian Cultural Institute | Grand Duchy of Luxembourg \u2013 Embassy in Berlin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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How is […]<\/p>\n","protected":false},"author":78,"featured_media":9280,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[149,163],"tags":[111,335,324],"class_list":["post-9109","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archiv","category-programm-de","tag-ausstellung","tag-design","tag-programm-de"],"yoast_head":"\nNext! 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Admittance is free.\nSocial upheavals and crises have always sparked new impulses in design \u2013 from the\u00a0Arts and Crafts\u00a0movement and the Bauhaus to the emergence of ecological design in the 1970s. How is design in Europe responding and evolving in light of current local and global disruptions? What strategies are emerging to build a more resilient European design culture? How do tradition, innovation, collaboration and artistic expression intersect in this context? And where do Europe\u2019s strengths lie in comparison to other regions?\nThe invited designers represent a new generation of European practice. Deeply rooted in the rich design traditions of their countries, they draw on longstanding expertise and established industrial or artisanal structures. At the same time, they look to the future with innovative perspectives, pursuing forward-thinking, imaginative responses to the complex challenges of our time.\u00a0More\nPROGRAMME AEDES EXHIBITION TOUR at 16:30\nMarking the final day of the current Aedes exhibitions \u2013\u00a0Rational Form Making\u00a0by PangArchitect, Hong Kong\/Boston and\u00a0Shaping the Unbuilt Environment \u2013 Working With the Already-There\u00a0by Guti\u00e9rrez-delaFuente Arquitectos, Madrid \u2013 Aedes curators\u00a0Julia Schl\u00fctsmeier-Hage\u00a0and\u00a0Mathias Schnell\u00a0will lead a guided tour.\nPROGRAMME LAB TALK at 17:30\nFramed by two panels on social aspects and sustainability, the protagonists will present concise insights into their work, opening up the dialogue through a moderated discussion.\nWelcomeDunya Bouchi, Aedes, BerlinSa\u0161a \u0160avel Burkart, President of EUNIC Berlin \/ Head of the Slovenian Cultural Centre - SKICA Berlin\nIntroduction and ModerationSimona Binko, Art Historian and Cultural Manager, Berlin\nPanel I \u2013 Design as a Tool for Social ChangeThe first panel delves into projects by interdisciplinary collectives and studios that shape social spaces and processes, rather than products and focus on design as a tool for social change, social innovation and participation.\nRobida\u00a0from\u00a0Slovenia\u00a0works in the abandoned village of Topol\u00f2 at the intersection of design, language, media and space. Through the multilingual\u00a0Robida Magazine\u00a0and\u00a0Radio Robida, the collective explores cultural possibilities in the post-rural space. \u00a0\nAtelier Ad-hoc\u00a0from\u00a0Bucharest, Romania, operates an NGO alongside its design practice. The studio develops thoughtful, resource-efficient spaces and intervention strategies for marginalised communities, thereby strengthening urban resilience.\u00a0\nThe\u00a0Dutch\u00a0platform\u00a0iii Instrument Inventors\u00a0emerged from the\u00a0ArtScience\u00a0tradition in The Hague. It combines technological innovation with theoretical reflection and human experience. \u00a0\nHenna Lampinen\u00a0founded the fashion label\u00a0henna\u00a0in\u00a0Helsinki, Finland, reimagining how fashion can be made more inclusive.\nPanel II \u2013 Resilience in Design\u00a0The second session addresses how materiality and craftsmanship can foster resilience in design and discuss strategies for sustainable and adaptable design in times of global crises.\nJules P\u00e9an\u00a0from\u00a0Luxembourg\u00a0engages in material experimentation through his project\u00a0NEW ROCKS, transforming waste from closed local mines into newly formed rocks and sculpting them into functional objects.\nMagdalena Jugo\u2019s (Poland) tableware collection\u00a0Regional Dreaming\u00a0blends local materials and techniques \u2014 including ash from organic waste incineration in Pozna\u0144 and the historic Raugo firing method of Baltic tribes \u2014 seamlessly balancing aesthetic excellence with functionality.\nSiim Karro\u00a0and his team at\u00a0Myceen\u00a0from\u00a0Estonia\u00a0investigate the diverse applications of mycelium, ranging from lampshades to CO\u2082-negative building materials.\nAdrienn Kir\u00e1ly\u00a0and\u00a0B\u00e1lint Szalai\u00a0run the socially driven label\u00a0itthon\u00a0(\"at home\") in\u00a0Budapest. In collaboration with local artisans, they design everyday objects inspired by traditional techniques from B\u00e1lint\u2019s native region of Vojvodina.\nAnthony Bonnici\u00a0(Malta) presents the project\u00a0URNA, developed in collaboration with a multinational team. The project introduces a new ritual for handling human remains, responding to the recent legalisation of cremation in Malta. It is featured at the London Design Biennale.\nABOUT EUNIC Berlin\nEUNIC Berlin\u00a0is the network of European cultural institutes in Berlin and part of the global EUNIC \u2013 European Union National Institutes for Culture \u2013 network. Clusters have been established in over 90 countries worldwide. EUNIC Berlin comprises 30 full and associate members, along with seven permanent guests. The network is committed to European values and works collaboratively to make Europe\u2019s cultural diversity visible. Within the Berlin cluster, members develop joint cultural projects and engage in constructive exchange. EUNIC Berlin is also an active partner of the EU Representation in Germany.\nEUNIC Berlin is presenting\u00a0Next!\u00a0for the third time as part of Berlin Design Week \u2013 this year for the first time in a new lab talk format in collaboration with Aedes. The following day, the programme will provide participating designers with in-depth internal exchange and valuable insights into Berlin\u2019s design landscape. This part of\u00a0Next!\u00a0is being organised in collaboration with the Werkbundarchiv \u2013 Museum der Dinge and other partner institutions.\u00a0\u00a0\nPARTNERSEUNIC Berlin, \u00a0Aedes Metropolitan LaboratoryIN COOPERATION WITHBerlin Design Week | Werkbundarchiv \u2013 Museum der DingeEUNIC MEMBERSCollegium Hungaricum Berlin | Polish Institute | Finnish Institute | Embassy of the Kingdom of the Netherlands | Embassy of the Republic of Malta | Embassy of the Republic of Estonia | Slovenian Cultural Centre \u2013 SKICA Berlin | Romanian Cultural Institute | Grand Duchy of Luxembourg \u2013 Embassy in Berlin"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/berlin\/2025\/04\/10\/next-young-european-design-2025-eunic-berlin\/#primaryimage","url":"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2025\/04\/Newsletter.png","contentUrl":"https:\/\/instytutpolski.pl\/berlin\/wp-content\/uploads\/sites\/3\/2025\/04\/Newsletter.png","width":1536,"height":864},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/berlin\/2025\/04\/10\/next-young-european-design-2025-eunic-berlin\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/berlin\/"},{"@type":"ListItem","position":2,"name":"Next! 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