{"version":"1.0","provider_name":"Instytut Polski w Bratys\u0142awie","provider_url":"https:\/\/instytutpolski.pl\/bratislava","author_name":"kyselm","author_url":"https:\/\/instytutpolski.pl\/bratislava\/author\/kyselm\/","title":"Quo vadis, po\u013esk\u00e1 kult\u00fara? - Instytut Polski w Bratys\u0142awie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"emetfI4p3a\"><a href=\"https:\/\/instytutpolski.pl\/bratislava\/2024\/10\/02\/quo-vadis-polska-kultura\/\">Quo vadis, po\u013esk\u00e1 kult\u00fara?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/bratislava\/2024\/10\/02\/quo-vadis-polska-kultura\/embed\/#?secret=emetfI4p3a\" width=\"600\" height=\"338\" title=\"&#8222;Quo vadis, po\u013esk\u00e1 kult\u00fara?&#8221; &#8212; Instytut Polski w Bratys\u0142awie\" data-secret=\"emetfI4p3a\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2024\/10\/461298765_1002219218585069_6229608789715273728_n.jpg","thumbnail_width":1920,"thumbnail_height":1005,"description":"Stretn\u00fa sa v nej tri autorky, ktor\u00e9 do \u010d\u00edsla prispeli textom: liter\u00e1rna teoreti\u010dka Magdalena Bystrzak, poetka Zofia Ba\u0142dyga a&nbsp;novin\u00e1rka Katarzyna Pilarska. Re\u010d bude o s\u00fa\u010dasn\u00fdch trendoch v&nbsp;po\u013eskej pr\u00f3ze, po\u00e9zii a&nbsp;divadle, ale aj o tom, \u010d\u00edm \u017eila a&nbsp;s&nbsp;\u010d\u00edm musela bojova\u0165 po\u013esk\u00e1 kult\u00fara v&nbsp;predch\u00e1dzaj\u00facich rokoch. Diskusiou bude sprev\u00e1dza\u0165 Tom\u00e1\u0161 Hu\u010dko. Podujatie je s\u00fa\u010das\u0165ou projektu Perspectives \u2013 novej [&hellip;]"}