{"id":3237,"date":"2020-10-29T22:43:28","date_gmt":"2020-10-29T21:43:28","guid":{"rendered":"https:\/\/instytutpolski.pl\/bratislava\/?p=3237"},"modified":"2020-10-29T22:43:30","modified_gmt":"2020-10-29T21:43:30","slug":"umenie-na-internete","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bratislava\/2020\/10\/29\/umenie-na-internete\/","title":{"rendered":"Umenie na internete"},"content":{"rendered":"\n

Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave https:\/\/cyfrowe.mnw.art.pl\/en\/home<\/a> vystavuje a\u017e 60 tis\u00edc m\u00fazejn\u00fdch objektov spomedzi vy\u0161e 800 tis\u00edc artefaktov, ktor\u00e9 sa nach\u00e1dzaj\u00fa v zbierke m\u00fazea. \u201eV\u010faka digitaliz\u00e1cii zbierky m\u00e1 ka\u017ed\u00fd prostredn\u00edctvom po\u010d\u00edta\u010da \u010di mobiln\u00e9ho telef\u00f3nu pr\u00edstup k\u00a0neoby\u010dajn\u00fdm umeleck\u00fdm dielam, a\u00a0aj tak\u00fdm, ktor\u00e9 s\u00fa be\u017ene v\u00a0sklade pre obmedzen\u00fa expozi\u010dn\u00fa plochu \u010di pre citlivos\u0165 materi\u00e1lu,\u201c vysvet\u013euje Karolina Tabak, ved\u00faca Oddelenia digitaliz\u00e1cie a\u00a0vizu\u00e1lnej dokument\u00e1cie N\u00e1rodn\u00e9ho M\u00fazea vo Var\u0161ave.<\/p>\n\n\n\n

V\u010faka nov\u00e9mu port\u00e1lu sa tak m\u00f4\u017ee ka\u017ed\u00fd bez oh\u013eadu na to, kde b\u00fdva, vybra\u0165 na virtu\u00e1lnu prehliadku N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave. Internetov\u00fd port\u00e1l je personalizovan\u00fd. Pou\u017e\u00edvate\u013e si tak m\u00f4\u017ee prezera\u0165 zbierky na \u010dasovej osi alebo vybra\u0165 si konkr\u00e9tne ve\u013ediela, pri\u010dom hist\u00f3riu vlastn\u00e9ho b\u00e1dania si m\u00f4\u017ee n\u00e1sledne ulo\u017ei\u0165 na svojom profile na tomto port\u00e1li. \u201eNajhodnotnej\u0161ie a najv\u00fdznamnej\u0161ie objekty sa nach\u00e1dzaj\u00fa v \u010dasti ve\u013ediela (https:\/\/cyfrowe.mnw.art.pl\/pl\/arcydziela<\/a>),\u201c pribli\u017euje Karolina Tabak. \u201eInternetov\u00fdm n\u00e1v\u0161tevn\u00edkom odpor\u00fa\u010dame aj tematick\u00e9 chodn\u00edky (https:\/\/cyfrowe.mnw.art.pl\/pl\/sciezki-tematyczne<\/a>) \u2013 interakt\u00edvne prezent\u00e1cie o zbierke tohto m\u00fazea, \u010di o r\u00f4znych javoch v r\u00e1mci \u0161iroko vn\u00edmanej kult\u00fary, ako napr. Faras \u2013 poklady p\u00fa\u0161te, Zlo\u010din a smr\u0165, Die\u0165a, V ateli\u00e9ri umelca,\u201c dod\u00e1va. V Digit\u00e1lnom N\u00e1rodnom m\u00fazeu vo Var\u0161ave si m\u00f4\u017eete naozaj detailne pozrie\u0165 napr\u00edklad aj obraz \u201eBitka pri Grunwalde\u201c  Jana Matejku (https:\/\/cyfrowe.mnw.art.pl\/pl\/katalog\/509927<\/a>) , a po kliknut\u00ed na \u0161peci\u00e1lne ikonky sa tie\u017e obozn\u00e1mi\u0165 s postavami, ktor\u00e9 sa na \u0148om nach\u00e1dzaj\u00fa.<\/p>\n\n\n\n

Milovn\u00edci umenia si m\u00f4\u017eu stiahnu\u0165 fotografiu objektu, ktor\u00fd sa im zap\u00e1\u010di. Na port\u00e1li n\u00e1jdete pri fotografi\u00e1ch umeleck\u00fdch diel aj inform\u00e1cie o podmienkach ich pou\u017eitia vr\u00e1tane autorsk\u00fdch pr\u00e1v. Zobrazenia objektov na verejnej dom\u00e9ne (ak od smrti tvorcu ubehlo minim\u00e1lne 70 rokov) je mo\u017en\u00e9 s\u0165ahova\u0165, spracov\u00e1va\u0165 a pou\u017e\u00edva\u0165 bez najmen\u0161\u00edch obmedzen\u00ed, a to aj komer\u010dne. Reprodukcie nach\u00e1dzaj\u00face sa na port\u00e1li Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave m\u00f4\u017eu sl\u00fa\u017ei\u0165 aj na vyhotovenie vlastn\u00fdch technick\u00fdch \u010di reklamn\u00fdch v\u00fdrobkov.<\/p>\n\n\n\n

\u201eNov\u00e9 Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave prin\u00e1\u0161a tie\u017e \u00faplne nov\u00fa kvalitu fotografi\u00ed. S\u00fa\u010das\u0165ou projektu bola toti\u017e aj stavba modern\u00e9ho fotografick\u00e9ho pavil\u00f3nu. Zariadenia najnov\u0161ej gener\u00e1cie umo\u017e\u0148uj\u00fa vyhotovova\u0165 fotografie umeleck\u00fdch diel na najvy\u0161\u0161ej \u00farovni,\u201c zd\u00f4raz\u0148uje Karolina Tabak. V procese digitaliz\u00e1cie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave bolo anga\u017eovan\u00fdch dokonca nieko\u013eko desiatok os\u00f4b. Objekty museli by\u0165 n\u00e1le\u017eite technicky pripraven\u00e9, dopraven\u00e9 do fotoateli\u00e9ru, a tie v\u00e4\u010d\u0161ie boli odfotografovan\u00e9 v hlavnom vestibule m\u00fazea \u010di v \u0161peci\u00e1lnom stane pred \u201eKr\u00f3likarniou\u201c. \u201ePo\u010das pr\u00e1c na pr\u00edprave digit\u00e1lnej verzie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave sme mnoho objektov akoby nanovo objavovali, preto\u017ee boli ukryt\u00e9 v skladoch,\u201c pribli\u017euje Karolina Tabak.<\/p>\n\n\n\n

Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave v bud\u00facnosti zjednodu\u0161\u00ed napl\u00e1novanie n\u00e1v\u0161tevy v samotnom m\u00fazeu. Port\u00e1l toti\u017e umo\u017e\u0148uje overi\u0165 si, \u010di sa dan\u00fd objekt nach\u00e1dza v danom momente na v\u00fdstave a kde konkr\u00e9tne sa d\u00e1 n\u00e1js\u0165. Port\u00e1l je dostupn\u00fd v po\u013eskej a anglickej jazykovej verzii. Nov\u00e9 Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave vniklo v r\u00e1mci projektu \u201eOtvoren\u00e9 N\u00e1rodn\u00e9 m\u00fazeum. Digitaliz\u00e1cia a spr\u00edstup\u0148ovanie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave\u201c, financovan\u00e9ho z Eur\u00f3pskeho fondu region\u00e1lneho rozvoja v r\u00e1mci Opera\u010dn\u00e9ho programu Digit\u00e1lne Po\u013esko, \u201eDigit\u00e1lna dostupnos\u0165 a u\u017eito\u010dnos\u0165 inform\u00e1ci\u00ed verejn\u00e9ho sektora\u201c, \u201eDigit\u00e1lne spr\u00edstupnenie kult\u00farnych zdrojov\u201c. Projekt bol tie\u017e financovan\u00fd z prostriedkov Ministerstva kult\u00fary a n\u00e1rodn\u00e9ho dedi\u010dstva Po\u013eskej republiky.<\/p>\n","protected":false},"excerpt":{"rendered":"

Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave https:\/\/cyfrowe.mnw.art.pl\/en\/home vystavuje a\u017e 60 tis\u00edc m\u00fazejn\u00fdch objektov spomedzi vy\u0161e 800 tis\u00edc artefaktov, ktor\u00e9 sa nach\u00e1dzaj\u00fa v zbierke m\u00fazea. \u201eV\u010faka digitaliz\u00e1cii zbierky m\u00e1 ka\u017ed\u00fd prostredn\u00edctvom po\u010d\u00edta\u010da \u010di mobiln\u00e9ho telef\u00f3nu pr\u00edstup k\u00a0neoby\u010dajn\u00fdm umeleck\u00fdm dielam, a\u00a0aj tak\u00fdm, ktor\u00e9 s\u00fa be\u017ene v\u00a0sklade pre obmedzen\u00fa expozi\u010dn\u00fa plochu \u010di pre citlivos\u0165 materi\u00e1lu,\u201c vysvet\u013euje Karolina Tabak, ved\u00faca […]<\/p>\n","protected":false},"author":116,"featured_media":3221,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuality"],"yoast_head":"\nUmenie na internete - Instytut Polski w Bratys\u0142awie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bratislava\/2020\/10\/29\/umenie-na-internete\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Umenie na internete - Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"og:description\" content=\"Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave https:\/\/cyfrowe.mnw.art.pl\/en\/home vystavuje a\u017e 60 tis\u00edc m\u00fazejn\u00fdch objektov spomedzi vy\u0161e 800 tis\u00edc artefaktov, ktor\u00e9 sa nach\u00e1dzaj\u00fa v zbierke m\u00fazea. \u201eV\u010faka digitaliz\u00e1cii zbierky m\u00e1 ka\u017ed\u00fd prostredn\u00edctvom po\u010d\u00edta\u010da \u010di mobiln\u00e9ho telef\u00f3nu pr\u00edstup k\u00a0neoby\u010dajn\u00fdm umeleck\u00fdm dielam, a\u00a0aj tak\u00fdm, ktor\u00e9 s\u00fa be\u017ene v\u00a0sklade pre obmedzen\u00fa expozi\u010dn\u00fa plochu \u010di pre citlivos\u0165 materi\u00e1lu,\u201c vysvet\u013euje Karolina Tabak, ved\u00faca […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bratislava\/2020\/10\/29\/umenie-na-internete\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-29T21:43:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-29T21:43:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2020\/10\/fot_Adam-Oleksiak_MNW_9-gotowe-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1003\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"kyselm\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"kyselm\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" 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N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave https:\/\/cyfrowe.mnw.art.pl\/en\/home vystavuje a\u017e 60 tis\u00edc m\u00fazejn\u00fdch objektov spomedzi vy\u0161e 800 tis\u00edc artefaktov, ktor\u00e9 sa nach\u00e1dzaj\u00fa v zbierke m\u00fazea. \u201eV\u010faka digitaliz\u00e1cii zbierky m\u00e1 ka\u017ed\u00fd prostredn\u00edctvom po\u010d\u00edta\u010da \u010di mobiln\u00e9ho telef\u00f3nu pr\u00edstup k\u00a0neoby\u010dajn\u00fdm umeleck\u00fdm dielam, a\u00a0aj tak\u00fdm, ktor\u00e9 s\u00fa be\u017ene v\u00a0sklade pre obmedzen\u00fa expozi\u010dn\u00fa plochu \u010di pre citlivos\u0165 materi\u00e1lu,\u201c vysvet\u013euje Karolina Tabak, ved\u00faca Oddelenia digitaliz\u00e1cie a\u00a0vizu\u00e1lnej dokument\u00e1cie N\u00e1rodn\u00e9ho M\u00fazea vo Var\u0161ave.\\nV\u010faka nov\u00e9mu port\u00e1lu sa tak m\u00f4\u017ee ka\u017ed\u00fd bez oh\u013eadu na to, kde b\u00fdva, vybra\u0165 na virtu\u00e1lnu prehliadku N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave. Internetov\u00fd port\u00e1l je personalizovan\u00fd. Pou\u017e\u00edvate\u013e si tak m\u00f4\u017ee prezera\u0165 zbierky na \u010dasovej osi alebo vybra\u0165 si konkr\u00e9tne ve\u013ediela, pri\u010dom hist\u00f3riu vlastn\u00e9ho b\u00e1dania si m\u00f4\u017ee n\u00e1sledne ulo\u017ei\u0165 na svojom profile na tomto port\u00e1li. \u201eNajhodnotnej\u0161ie a najv\u00fdznamnej\u0161ie objekty sa nach\u00e1dzaj\u00fa v \u010dasti ve\u013ediela (https:\/\/cyfrowe.mnw.art.pl\/pl\/arcydziela),\u201c pribli\u017euje Karolina Tabak. \u201eInternetov\u00fdm n\u00e1v\u0161tevn\u00edkom odpor\u00fa\u010dame aj tematick\u00e9 chodn\u00edky (https:\/\/cyfrowe.mnw.art.pl\/pl\/sciezki-tematyczne) \u2013 interakt\u00edvne prezent\u00e1cie o zbierke tohto m\u00fazea, \u010di o r\u00f4znych javoch v r\u00e1mci \u0161iroko vn\u00edmanej kult\u00fary, ako napr. Faras \u2013 poklady p\u00fa\u0161te, Zlo\u010din a smr\u0165, Die\u0165a, V ateli\u00e9ri umelca,\u201c dod\u00e1va. V Digit\u00e1lnom N\u00e1rodnom m\u00fazeu vo Var\u0161ave si m\u00f4\u017eete naozaj detailne pozrie\u0165 napr\u00edklad aj obraz \u201eBitka pri Grunwalde\u201c Jana Matejku (https:\/\/cyfrowe.mnw.art.pl\/pl\/katalog\/509927) , a po kliknut\u00ed na \u0161peci\u00e1lne ikonky sa tie\u017e obozn\u00e1mi\u0165 s postavami, ktor\u00e9 sa na \u0148om nach\u00e1dzaj\u00fa.\\nMilovn\u00edci umenia si m\u00f4\u017eu stiahnu\u0165 fotografiu objektu, ktor\u00fd sa im zap\u00e1\u010di. Na port\u00e1li n\u00e1jdete pri fotografi\u00e1ch umeleck\u00fdch diel aj inform\u00e1cie o podmienkach ich pou\u017eitia vr\u00e1tane autorsk\u00fdch pr\u00e1v. Zobrazenia objektov na verejnej dom\u00e9ne (ak od smrti tvorcu ubehlo minim\u00e1lne 70 rokov) je mo\u017en\u00e9 s\u0165ahova\u0165, spracov\u00e1va\u0165 a pou\u017e\u00edva\u0165 bez najmen\u0161\u00edch obmedzen\u00ed, a to aj komer\u010dne. Reprodukcie nach\u00e1dzaj\u00face sa na port\u00e1li Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave m\u00f4\u017eu sl\u00fa\u017ei\u0165 aj na vyhotovenie vlastn\u00fdch technick\u00fdch \u010di reklamn\u00fdch v\u00fdrobkov.\\n\u201eNov\u00e9 Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave prin\u00e1\u0161a tie\u017e \u00faplne nov\u00fa kvalitu fotografi\u00ed. S\u00fa\u010das\u0165ou projektu bola toti\u017e aj stavba modern\u00e9ho fotografick\u00e9ho pavil\u00f3nu. Zariadenia najnov\u0161ej gener\u00e1cie umo\u017e\u0148uj\u00fa vyhotovova\u0165 fotografie umeleck\u00fdch diel na najvy\u0161\u0161ej \u00farovni,\u201c zd\u00f4raz\u0148uje Karolina Tabak. V procese digitaliz\u00e1cie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave bolo anga\u017eovan\u00fdch dokonca nieko\u013eko desiatok os\u00f4b. Objekty museli by\u0165 n\u00e1le\u017eite technicky pripraven\u00e9, dopraven\u00e9 do fotoateli\u00e9ru, a tie v\u00e4\u010d\u0161ie boli odfotografovan\u00e9 v hlavnom vestibule m\u00fazea \u010di v \u0161peci\u00e1lnom stane pred \u201eKr\u00f3likarniou\u201c. \u201ePo\u010das pr\u00e1c na pr\u00edprave digit\u00e1lnej verzie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave sme mnoho objektov akoby nanovo objavovali, preto\u017ee boli ukryt\u00e9 v skladoch,\u201c pribli\u017euje Karolina Tabak.\\nDigit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave v bud\u00facnosti zjednodu\u0161\u00ed napl\u00e1novanie n\u00e1v\u0161tevy v samotnom m\u00fazeu. Port\u00e1l toti\u017e umo\u017e\u0148uje overi\u0165 si, \u010di sa dan\u00fd objekt nach\u00e1dza v danom momente na v\u00fdstave a kde konkr\u00e9tne sa d\u00e1 n\u00e1js\u0165. Port\u00e1l je dostupn\u00fd v po\u013eskej a anglickej jazykovej verzii. 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Internetov\u00fd port\u00e1l je personalizovan\u00fd. Pou\u017e\u00edvate\u013e si tak m\u00f4\u017ee prezera\u0165 zbierky na \u010dasovej osi alebo vybra\u0165 si konkr\u00e9tne ve\u013ediela, pri\u010dom hist\u00f3riu vlastn\u00e9ho b\u00e1dania si m\u00f4\u017ee n\u00e1sledne ulo\u017ei\u0165 na svojom profile na tomto port\u00e1li. \u201eNajhodnotnej\u0161ie a najv\u00fdznamnej\u0161ie objekty sa nach\u00e1dzaj\u00fa v \u010dasti ve\u013ediela (https:\/\/cyfrowe.mnw.art.pl\/pl\/arcydziela),\u201c pribli\u017euje Karolina Tabak. \u201eInternetov\u00fdm n\u00e1v\u0161tevn\u00edkom odpor\u00fa\u010dame aj tematick\u00e9 chodn\u00edky (https:\/\/cyfrowe.mnw.art.pl\/pl\/sciezki-tematyczne) \u2013 interakt\u00edvne prezent\u00e1cie o zbierke tohto m\u00fazea, \u010di o r\u00f4znych javoch v r\u00e1mci \u0161iroko vn\u00edmanej kult\u00fary, ako napr. Faras \u2013 poklady p\u00fa\u0161te, Zlo\u010din a smr\u0165, Die\u0165a, V ateli\u00e9ri umelca,\u201c dod\u00e1va. V Digit\u00e1lnom N\u00e1rodnom m\u00fazeu vo Var\u0161ave si m\u00f4\u017eete naozaj detailne pozrie\u0165 napr\u00edklad aj obraz \u201eBitka pri Grunwalde\u201c Jana Matejku (https:\/\/cyfrowe.mnw.art.pl\/pl\/katalog\/509927) , a po kliknut\u00ed na \u0161peci\u00e1lne ikonky sa tie\u017e obozn\u00e1mi\u0165 s postavami, ktor\u00e9 sa na \u0148om nach\u00e1dzaj\u00fa.\nMilovn\u00edci umenia si m\u00f4\u017eu stiahnu\u0165 fotografiu objektu, ktor\u00fd sa im zap\u00e1\u010di. Na port\u00e1li n\u00e1jdete pri fotografi\u00e1ch umeleck\u00fdch diel aj inform\u00e1cie o podmienkach ich pou\u017eitia vr\u00e1tane autorsk\u00fdch pr\u00e1v. Zobrazenia objektov na verejnej dom\u00e9ne (ak od smrti tvorcu ubehlo minim\u00e1lne 70 rokov) je mo\u017en\u00e9 s\u0165ahova\u0165, spracov\u00e1va\u0165 a pou\u017e\u00edva\u0165 bez najmen\u0161\u00edch obmedzen\u00ed, a to aj komer\u010dne. Reprodukcie nach\u00e1dzaj\u00face sa na port\u00e1li Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave m\u00f4\u017eu sl\u00fa\u017ei\u0165 aj na vyhotovenie vlastn\u00fdch technick\u00fdch \u010di reklamn\u00fdch v\u00fdrobkov.\n\u201eNov\u00e9 Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave prin\u00e1\u0161a tie\u017e \u00faplne nov\u00fa kvalitu fotografi\u00ed. S\u00fa\u010das\u0165ou projektu bola toti\u017e aj stavba modern\u00e9ho fotografick\u00e9ho pavil\u00f3nu. Zariadenia najnov\u0161ej gener\u00e1cie umo\u017e\u0148uj\u00fa vyhotovova\u0165 fotografie umeleck\u00fdch diel na najvy\u0161\u0161ej \u00farovni,\u201c zd\u00f4raz\u0148uje Karolina Tabak. V procese digitaliz\u00e1cie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave bolo anga\u017eovan\u00fdch dokonca nieko\u013eko desiatok os\u00f4b. Objekty museli by\u0165 n\u00e1le\u017eite technicky pripraven\u00e9, dopraven\u00e9 do fotoateli\u00e9ru, a tie v\u00e4\u010d\u0161ie boli odfotografovan\u00e9 v hlavnom vestibule m\u00fazea \u010di v \u0161peci\u00e1lnom stane pred \u201eKr\u00f3likarniou\u201c. \u201ePo\u010das pr\u00e1c na pr\u00edprave digit\u00e1lnej verzie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave sme mnoho objektov akoby nanovo objavovali, preto\u017ee boli ukryt\u00e9 v skladoch,\u201c pribli\u017euje Karolina Tabak.\nDigit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave v bud\u00facnosti zjednodu\u0161\u00ed napl\u00e1novanie n\u00e1v\u0161tevy v samotnom m\u00fazeu. Port\u00e1l toti\u017e umo\u017e\u0148uje overi\u0165 si, \u010di sa dan\u00fd objekt nach\u00e1dza v danom momente na v\u00fdstave a kde konkr\u00e9tne sa d\u00e1 n\u00e1js\u0165. Port\u00e1l je dostupn\u00fd v po\u013eskej a anglickej jazykovej verzii. Nov\u00e9 Digit\u00e1lne N\u00e1rodn\u00e9 m\u00fazeum vo Var\u0161ave vniklo v r\u00e1mci projektu \u201eOtvoren\u00e9 N\u00e1rodn\u00e9 m\u00fazeum. Digitaliz\u00e1cia a spr\u00edstup\u0148ovanie zbierky N\u00e1rodn\u00e9ho m\u00fazea vo Var\u0161ave\u201c, financovan\u00e9ho z Eur\u00f3pskeho fondu region\u00e1lneho rozvoja v r\u00e1mci Opera\u010dn\u00e9ho programu Digit\u00e1lne Po\u013esko, \u201eDigit\u00e1lna dostupnos\u0165 a u\u017eito\u010dnos\u0165 inform\u00e1ci\u00ed verejn\u00e9ho sektora\u201c, \u201eDigit\u00e1lne spr\u00edstupnenie kult\u00farnych zdrojov\u201c. 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