{"id":4176,"date":"2021-10-01T10:36:24","date_gmt":"2021-10-01T08:36:24","guid":{"rendered":"https:\/\/instytutpolski.pl\/bratislava\/?p=4176"},"modified":"2021-11-11T09:17:34","modified_gmt":"2021-11-11T08:17:34","slug":"lemov-bestiar-podla-daniela-mroza","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/","title":{"rendered":"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za"},"content":{"rendered":"\n

Najdokonalej\u0161iu grafick\u00fa podobu hrdinom Lemov\u00fdch diel zase poskytol krakovsk\u00fd grafik Daniel Mr\u00f3z<\/strong>. Pre v\u00e4\u010d\u0161inu spisovate\u013eov\u00fdch obdivovate\u013eov sa Mr\u00f3zove ilustr\u00e1cie a Lemove texty zr\u00e1stli do neoddelite\u013en\u00e9ho celku. Okrem umeleckej dokonalosti sa Mr\u00f3zove pr\u00e1ce toti\u017e vyzna\u010dovali aj nejednozna\u010dnos\u0165ou, s\u0165a nesp\u00fatan\u00e1 predstavivos\u0165 a ve\u013ek\u00e1 d\u00e1vka grotesky a absurdn\u00e9ho humoru. Jeho ilustr\u00e1cie pritom nezohr\u00e1vaj\u00fa \u00falohu len ak\u00e9hosi sluhu pre Lemovu pr\u00f3zu; spolu s \u0148ou toti\u017e buduj\u00fa svet, ktor\u00fd je kompatibiln\u00fd a z\u00e1rove\u0148 vlastn\u00fd. V besti\u00e1ri n\u00e1jdeme emancipovan\u00e9 stroje, ktor\u00e9 s\u00fa tak trochu zlovestn\u00e9 a hroziv\u00e9, a z\u00e1rove\u0148 groteskn\u00e9, ktor\u00e9 starostlivo nakreslil majster Mr\u00f3z \u2013 n\u00e1jdete ich spolu s popisom z rom\u00e1nov a poviedok majstra Lema. V\u00fdstava je s\u00fa\u010das\u0165ou Bien\u00e1le ilustr\u00e1ci\u00ed v Bratislave<\/strong>.<\/p>\n\n\n\n

5. \u2013 29. 10.<\/strong> Bratislava<\/strong>, Po\u013esk\u00fd in\u0161tit\u00fat, N\u00e1m. SNP 27<\/strong><\/p>\n\n\n\n

Fantastick\u00e9 bytosti Stanis\u0142awa Lema v\u00a0obrazoch Daniela Mr\u00f3za<\/em><\/strong><\/p>\n

(upraven\u00fd text vyst\u00fapenia na vernis\u00e1\u017ei v\u00fdstavy Lemov Besti\u00e1r pod\u013ea Daniela Mr\u00f3za, Karaffova v\u00e4znica, 15.10.2021, VI. Po\u013esk\u00e9 dni v\u00a0Pre\u0161ove)<\/em><\/p>\n

Nie je to tak d\u00e1vno, ke\u010f pre \u010dloveka v\u00a0na\u0161ich kon\u010din\u00e1ch mohlo by\u0165 nebezpe\u010dn\u00fdch aj nieko\u013eko viet, nehovoriac o\u00a02000 slov\u00e1ch. Nie som si v\u0161ak ist\u00fd, \u010di to niekedy neplat\u00ed i\u00a0v\u00a0s\u00fa\u010dasnosti.<\/em><\/p>\n

\u010clovek sa u\u017e pomerne d\u00e1vno sna\u017e\u00ed vyjadri\u0165, zobrazi\u0165 tajupln\u00e9 javy alebo bytosti v\u00a0n\u00e1zornej, zrozumite\u013enej\u0161ej podobe. Ale aj naopak, nie\u010do jasn\u00e9 a pochopite\u013en\u00e9 dost\u00e1va za\u0161ifrovan\u00fd, metaforick\u00fd tvar. Deje sa to minim\u00e1lne od \u010dias starovek\u00e9ho Egypta a\u00a0jeho bo\u017estiev s\u00a0\u013eudsk\u00fdm telom a\u00a0hlavou zviera\u0165a, mezopot\u00e1mskych okr\u00eddlen\u00fdch b\u00fdkov, antick\u00fdch jednook\u00fdch bytost\u00ed, Minotaura, stredovek\u00fdch mon\u0161tier, nehovoriac o\u00a0podobn\u00fdch javoch v\u00a0mimoeur\u00f3pskych kult\u00farach.<\/em><\/p>\n

Re\u010d inotajov bola a\u00a0je v\u017edy zauj\u00edmav\u00e1 a\u00a0pr\u00ed\u0165a\u017eliv\u00e1. Vy\u017eaduje si v\u0161ak aspo\u0148 z\u00e1kladn\u00fa pripravenos\u0165 percipienta. Aby sme sa nesmiali, neplakali v\u00a0nespr\u00e1vnom momente alebo v\u00f4bec nereagovali na po\u010dut\u00e9, viden\u00e9, pre\u010d\u00edtan\u00e9.<\/em><\/p>\n

V\u00edzia, predtucha nie\u010doho zvl\u00e1\u0161tneho priviedla Julesa Verna k\u00a0ceste na Mesiac i\u00a0do morsk\u00fdch hlb\u00edn. Karel \u010capek vytvoril Tov\u00e1re\u0148 na absol\u00fatno, zaoberal sa vojnou s\u00a0mlokmi, ale tie\u017e robotmi, ktor\u00e9 dnes za\u010d\u00ednaj\u00fa ma\u0165 podobu \u010dloveka. Nezab\u00fadajme ani na jeho Bielu nemoc.<\/em><\/p>\n

Uchyti\u0165 neuchytite\u013en\u00e9, polapi\u0165 nepolapite\u013en\u00e9 dok\u00e1\u017eu iba v\u00fdnimo\u010dn\u00e9 osobnosti. Od \u010dias imagin\u00e1rneho Kozmu Prutkova po Lama, Lema, Leca, Lenona, Lasicu, Borgesa a\u00a0in\u00fdch.<\/em><\/p>\n

Zastavme sa nieko\u013ek\u00fdmi neu\u010desan\u00fdmi my\u0161lienkami pri Stanis\u0142awowi Lemovi a\u00a0aktu\u00e1lnej v\u00fdstave obrazov k\u00a0jeho textom, ktor\u00e9 vytvoril Daniel Mr\u00f3z.<\/em><\/p>\n

Problematika etick\u00fdch vz\u0165ahov \u010dloveka a\u00a0jeho v\u00fdtvorov sp\u00e1ja Lema s\u00a0postojmi Karla \u010capka. To, \u010do \u010capek iba tu\u0161il, Lem vo ve\u013ekej miere za\u017eil. Koexistencia \u010dloveka, strojov a\u00a0umel\u00fdch bytost\u00ed sprev\u00e1dzaj\u00fa neraz de\u0161truk\u010dn\u00e9, protire\u010div\u00e9 \u010diny. Od ni\u010denia v\u00fdrobn\u00fdch zariaden\u00ed v\u00a0manufakt\u00farach 19. storo\u010dia po n\u00e1lety bezpilotn\u00fdch lietadiel na ur\u010den\u00e9 ciele, neraz s\u00a0nevinn\u00fdmi obe\u0165ami, a\u00a0temn\u00fd priestor internetu dne\u0161nej doby.<\/em><\/p>\n

Autor koncepcie v\u00fdstavy prof. Janusz G\u00f3rski sledoval veci obsiahnut\u00e9 v\u00a0stredovek\u00fdch be\u0161ti\u00e1roch. Verb\u00e1lne obrazy Stanis\u0142awa Lema na\u0161li kongeni\u00e1lnu podobu vo vizu\u00e1lnych obrazoch-ilustr\u00e1ci\u00e1ch Daniela Mr\u00f3za. M\u00f4\u017eu n\u00e1m pripom\u00edna\u0165 detsk\u00fd svet Pinocchia, ale… Napriek nespornej hravosti foriem m\u00e1me do \u010dinenia so sci-fi javmi bl\u00edzkych realite okolo n\u00e1s. Excelentn\u00e9 kresliarske majstrovstvo ilustr\u00e1tora sa stalo prostriedkom na vyjadrenie toho, \u010do sa ned\u00e1 poda\u0165 in\u00fdm sp\u00f4sobom. In\u017einiersky presn\u00e9 linky n\u00e1m d\u00e1vaj\u00fa zabudn\u00fa\u0165, \u017ee je tam iba \u010dierna l\u00ednia a\u00a0biela plocha.<\/em><\/p>\n

V\u00a0slovenskom prostred\u00ed analogick\u00e9 sna\u017eenie by sme na\u0161li v\u00a0tvorbe Karola Barona. Som presved\u010den\u00fd, \u017ee by si Lem, Mr\u00f3zek a\u00a0Baron rozumeli. Ve\u010f boli \u0161\u013eachticmi ducha.<\/em><\/p>\n

Pok\u00fasme sa teda nasledova\u0165 ich, napl\u0148ova\u0165 ich humanistick\u00fd odkaz. Aby \u010dlovek \u010dloveku skuto\u010dne bol \u010dlovekom. Nie mon\u0161trom, ktor\u00e9 ho iba pripom\u00edna svojou ide\u00e1lne deformovanou podobou.<\/em><\/p>\n

Vladislav Gre\u0161l\u00edk<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Najdokonalej\u0161iu grafick\u00fa podobu hrdinom Lemov\u00fdch diel zase poskytol krakovsk\u00fd grafik Daniel Mr\u00f3z. Pre v\u00e4\u010d\u0161inu spisovate\u013eov\u00fdch obdivovate\u013eov sa Mr\u00f3zove ilustr\u00e1cie a Lemove texty zr\u00e1stli do neoddelite\u013en\u00e9ho celku. Okrem umeleckej dokonalosti sa Mr\u00f3zove pr\u00e1ce toti\u017e vyzna\u010dovali aj nejednozna\u010dnos\u0165ou, s\u0165a nesp\u00fatan\u00e1 predstavivos\u0165 a ve\u013ek\u00e1 d\u00e1vka grotesky a absurdn\u00e9ho humoru. Jeho ilustr\u00e1cie pritom nezohr\u00e1vaj\u00fa \u00falohu len ak\u00e9hosi sluhu pre […]<\/p>\n","protected":false},"author":116,"featured_media":4191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[44],"tags":[],"class_list":["post-4176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vystavy"],"yoast_head":"\nLemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za - Instytut Polski w Bratys\u0142awie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za - Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"og:description\" content=\"Najdokonalej\u0161iu grafick\u00fa podobu hrdinom Lemov\u00fdch diel zase poskytol krakovsk\u00fd grafik Daniel Mr\u00f3z. Pre v\u00e4\u010d\u0161inu spisovate\u013eov\u00fdch obdivovate\u013eov sa Mr\u00f3zove ilustr\u00e1cie a Lemove texty zr\u00e1stli do neoddelite\u013en\u00e9ho celku. Okrem umeleckej dokonalosti sa Mr\u00f3zove pr\u00e1ce toti\u017e vyzna\u010dovali aj nejednozna\u010dnos\u0165ou, s\u0165a nesp\u00fatan\u00e1 predstavivos\u0165 a ve\u013ek\u00e1 d\u00e1vka grotesky a absurdn\u00e9ho humoru. Jeho ilustr\u00e1cie pritom nezohr\u00e1vaj\u00fa \u00falohu len ak\u00e9hosi sluhu pre […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-01T08:36:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-11T08:17:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1356\" \/>\n\t<meta property=\"og:image:height\" content=\"904\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"kyselm\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"kyselm\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/\",\"url\":\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/\",\"name\":\"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem-300x200.png\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem-1024x683.png\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png\",\"datePublished\":\"2021-10-01T08:36:24+02:00\",\"dateModified\":\"2021-11-11T08:17:34+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2021-10-05\",\"endDate\":\"2021-10-29\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Najdokonalej\u0161iu grafick\u00fa podobu hrdinom Lemov\u00fdch diel zase poskytol krakovsk\u00fd grafik Daniel Mr\u00f3z. Pre v\u00e4\u010d\u0161inu spisovate\u013eov\u00fdch obdivovate\u013eov sa Mr\u00f3zove ilustr\u00e1cie a Lemove texty zr\u00e1stli do neoddelite\u013en\u00e9ho celku. Okrem umeleckej dokonalosti sa Mr\u00f3zove pr\u00e1ce toti\u017e vyzna\u010dovali aj nejednozna\u010dnos\u0165ou, s\u0165a nesp\u00fatan\u00e1 predstavivos\u0165 a ve\u013ek\u00e1 d\u00e1vka grotesky a absurdn\u00e9ho humoru. Jeho ilustr\u00e1cie pritom nezohr\u00e1vaj\u00fa \u00falohu len ak\u00e9hosi sluhu pre Lemovu pr\u00f3zu; spolu s \u0148ou toti\u017e buduj\u00fa svet, ktor\u00fd je kompatibiln\u00fd a z\u00e1rove\u0148 vlastn\u00fd. V besti\u00e1ri n\u00e1jdeme emancipovan\u00e9 stroje, ktor\u00e9 s\u00fa tak trochu zlovestn\u00e9 a hroziv\u00e9, a z\u00e1rove\u0148 groteskn\u00e9, ktor\u00e9 starostlivo nakreslil majster Mr\u00f3z \u2013 n\u00e1jdete ich spolu s popisom z rom\u00e1nov a poviedok majstra Lema. V\u00fdstava je s\u00fa\u010das\u0165ou Bien\u00e1le ilustr\u00e1ci\u00ed v Bratislave.\\n5. \u2013 29. 10. Bratislava, Po\u013esk\u00fd in\u0161tit\u00fat, N\u00e1m. SNP 27\\nFantastick\u00e9 bytosti Stanis\u0142awa Lema v\u00a0obrazoch Daniela Mr\u00f3za\\n(upraven\u00fd text vyst\u00fapenia na vernis\u00e1\u017ei v\u00fdstavy Lemov Besti\u00e1r pod\u013ea Daniela Mr\u00f3za, Karaffova v\u00e4znica, 15.10.2021, VI. Po\u013esk\u00e9 dni v\u00a0Pre\u0161ove)\\nNie je to tak d\u00e1vno, ke\u010f pre \u010dloveka v\u00a0na\u0161ich kon\u010din\u00e1ch mohlo by\u0165 nebezpe\u010dn\u00fdch aj nieko\u013eko viet, nehovoriac o\u00a02000 slov\u00e1ch. Nie som si v\u0161ak ist\u00fd, \u010di to niekedy neplat\u00ed i\u00a0v\u00a0s\u00fa\u010dasnosti.\\n\u010clovek sa u\u017e pomerne d\u00e1vno sna\u017e\u00ed vyjadri\u0165, zobrazi\u0165 tajupln\u00e9 javy alebo bytosti v\u00a0n\u00e1zornej, zrozumite\u013enej\u0161ej podobe. Ale aj naopak, nie\u010do jasn\u00e9 a pochopite\u013en\u00e9 dost\u00e1va za\u0161ifrovan\u00fd, metaforick\u00fd tvar. Deje sa to minim\u00e1lne od \u010dias starovek\u00e9ho Egypta a\u00a0jeho bo\u017estiev s\u00a0\u013eudsk\u00fdm telom a\u00a0hlavou zviera\u0165a, mezopot\u00e1mskych okr\u00eddlen\u00fdch b\u00fdkov, antick\u00fdch jednook\u00fdch bytost\u00ed, Minotaura, stredovek\u00fdch mon\u0161tier, nehovoriac o\u00a0podobn\u00fdch javoch v\u00a0mimoeur\u00f3pskych kult\u00farach.\\nRe\u010d inotajov bola a\u00a0je v\u017edy zauj\u00edmav\u00e1 a\u00a0pr\u00ed\u0165a\u017eliv\u00e1. Vy\u017eaduje si v\u0161ak aspo\u0148 z\u00e1kladn\u00fa pripravenos\u0165 percipienta. Aby sme sa nesmiali, neplakali v\u00a0nespr\u00e1vnom momente alebo v\u00f4bec nereagovali na po\u010dut\u00e9, viden\u00e9, pre\u010d\u00edtan\u00e9.\\nV\u00edzia, predtucha nie\u010doho zvl\u00e1\u0161tneho priviedla Julesa Verna k\u00a0ceste na Mesiac i\u00a0do morsk\u00fdch hlb\u00edn. Karel \u010capek vytvoril Tov\u00e1re\u0148 na absol\u00fatno, zaoberal sa vojnou s\u00a0mlokmi, ale tie\u017e robotmi, ktor\u00e9 dnes za\u010d\u00ednaj\u00fa ma\u0165 podobu \u010dloveka. Nezab\u00fadajme ani na jeho Bielu nemoc.\\nUchyti\u0165 neuchytite\u013en\u00e9, polapi\u0165 nepolapite\u013en\u00e9 dok\u00e1\u017eu iba v\u00fdnimo\u010dn\u00e9 osobnosti. Od \u010dias imagin\u00e1rneho Kozmu Prutkova po Lama, Lema, Leca, Lenona, Lasicu, Borgesa a\u00a0in\u00fdch.\\nZastavme sa nieko\u013ek\u00fdmi neu\u010desan\u00fdmi my\u0161lienkami pri Stanis\u0142awowi Lemovi a\u00a0aktu\u00e1lnej v\u00fdstave obrazov k\u00a0jeho textom, ktor\u00e9 vytvoril Daniel Mr\u00f3z.\\nProblematika etick\u00fdch vz\u0165ahov \u010dloveka a\u00a0jeho v\u00fdtvorov sp\u00e1ja Lema s\u00a0postojmi Karla \u010capka. To, \u010do \u010capek iba tu\u0161il, Lem vo ve\u013ekej miere za\u017eil. Koexistencia \u010dloveka, strojov a\u00a0umel\u00fdch bytost\u00ed sprev\u00e1dzaj\u00fa neraz de\u0161truk\u010dn\u00e9, protire\u010div\u00e9 \u010diny. Od ni\u010denia v\u00fdrobn\u00fdch zariaden\u00ed v\u00a0manufakt\u00farach 19. storo\u010dia po n\u00e1lety bezpilotn\u00fdch lietadiel na ur\u010den\u00e9 ciele, neraz s\u00a0nevinn\u00fdmi obe\u0165ami, a\u00a0temn\u00fd priestor internetu dne\u0161nej doby.\\nAutor koncepcie v\u00fdstavy prof. Janusz G\u00f3rski sledoval veci obsiahnut\u00e9 v\u00a0stredovek\u00fdch be\u0161ti\u00e1roch. Verb\u00e1lne obrazy Stanis\u0142awa Lema na\u0161li kongeni\u00e1lnu podobu vo vizu\u00e1lnych obrazoch-ilustr\u00e1ci\u00e1ch Daniela Mr\u00f3za. M\u00f4\u017eu n\u00e1m pripom\u00edna\u0165 detsk\u00fd svet Pinocchia, ale... Napriek nespornej hravosti foriem m\u00e1me do \u010dinenia so sci-fi javmi bl\u00edzkych realite okolo n\u00e1s. Excelentn\u00e9 kresliarske majstrovstvo ilustr\u00e1tora sa stalo prostriedkom na vyjadrenie toho, \u010do sa ned\u00e1 poda\u0165 in\u00fdm sp\u00f4sobom. In\u017einiersky presn\u00e9 linky n\u00e1m d\u00e1vaj\u00fa zabudn\u00fa\u0165, \u017ee je tam iba \u010dierna l\u00ednia a\u00a0biela plocha.\\nV\u00a0slovenskom prostred\u00ed analogick\u00e9 sna\u017eenie by sme na\u0161li v\u00a0tvorbe Karola Barona. Som presved\u010den\u00fd, \u017ee by si Lem, Mr\u00f3zek a\u00a0Baron rozumeli. Ve\u010f boli \u0161\u013eachticmi ducha.\\nPok\u00fasme sa teda nasledova\u0165 ich, napl\u0148ova\u0165 ich humanistick\u00fd odkaz. Aby \u010dlovek \u010dloveku skuto\u010dne bol \u010dlovekom. Nie mon\u0161trom, ktor\u00e9 ho iba pripom\u00edna svojou ide\u00e1lne deformovanou podobou.\\nVladislav Gre\u0161l\u00edk\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png\",\"width\":1356,\"height\":904},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bratislava\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bratislava\/\",\"name\":\"Instytut Polski w Bratys\u0142awie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bratislava\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720\",\"name\":\"kyselm\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ba96f7f4a6104a2e2f0328f9863f506d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/ba96f7f4a6104a2e2f0328f9863f506d?s=96&d=mm&r=g\",\"caption\":\"kyselm\"},\"url\":\"https:\/\/instytutpolski.pl\/bratislava\/author\/kyselm\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za - Instytut Polski w Bratys\u0142awie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/","og_locale":"pl_PL","og_type":"article","og_title":"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za - Instytut Polski w Bratys\u0142awie","og_description":"Najdokonalej\u0161iu grafick\u00fa podobu hrdinom Lemov\u00fdch diel zase poskytol krakovsk\u00fd grafik Daniel Mr\u00f3z. Pre v\u00e4\u010d\u0161inu spisovate\u013eov\u00fdch obdivovate\u013eov sa Mr\u00f3zove ilustr\u00e1cie a Lemove texty zr\u00e1stli do neoddelite\u013en\u00e9ho celku. Okrem umeleckej dokonalosti sa Mr\u00f3zove pr\u00e1ce toti\u017e vyzna\u010dovali aj nejednozna\u010dnos\u0165ou, s\u0165a nesp\u00fatan\u00e1 predstavivos\u0165 a ve\u013ek\u00e1 d\u00e1vka grotesky a absurdn\u00e9ho humoru. Jeho ilustr\u00e1cie pritom nezohr\u00e1vaj\u00fa \u00falohu len ak\u00e9hosi sluhu pre […]","og_url":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/","og_site_name":"Instytut Polski w Bratys\u0142awie","article_published_time":"2021-10-01T08:36:24+00:00","article_modified_time":"2021-11-11T08:17:34+00:00","og_image":[{"width":1356,"height":904,"url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png","type":"image\/png"}],"author":"kyselm","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"kyselm","Szacowany czas czytania":"3 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/","url":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/","name":"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem-300x200.png","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem-1024x683.png","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png","datePublished":"2021-10-01T08:36:24+02:00","dateModified":"2021-11-11T08:17:34+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/"]}],"@context":"https:\/\/schema.org","startDate":"2021-10-05","endDate":"2021-10-29","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Najdokonalej\u0161iu grafick\u00fa podobu hrdinom Lemov\u00fdch diel zase poskytol krakovsk\u00fd grafik Daniel Mr\u00f3z. Pre v\u00e4\u010d\u0161inu spisovate\u013eov\u00fdch obdivovate\u013eov sa Mr\u00f3zove ilustr\u00e1cie a Lemove texty zr\u00e1stli do neoddelite\u013en\u00e9ho celku. Okrem umeleckej dokonalosti sa Mr\u00f3zove pr\u00e1ce toti\u017e vyzna\u010dovali aj nejednozna\u010dnos\u0165ou, s\u0165a nesp\u00fatan\u00e1 predstavivos\u0165 a ve\u013ek\u00e1 d\u00e1vka grotesky a absurdn\u00e9ho humoru. Jeho ilustr\u00e1cie pritom nezohr\u00e1vaj\u00fa \u00falohu len ak\u00e9hosi sluhu pre Lemovu pr\u00f3zu; spolu s \u0148ou toti\u017e buduj\u00fa svet, ktor\u00fd je kompatibiln\u00fd a z\u00e1rove\u0148 vlastn\u00fd. V besti\u00e1ri n\u00e1jdeme emancipovan\u00e9 stroje, ktor\u00e9 s\u00fa tak trochu zlovestn\u00e9 a hroziv\u00e9, a z\u00e1rove\u0148 groteskn\u00e9, ktor\u00e9 starostlivo nakreslil majster Mr\u00f3z \u2013 n\u00e1jdete ich spolu s popisom z rom\u00e1nov a poviedok majstra Lema. V\u00fdstava je s\u00fa\u010das\u0165ou Bien\u00e1le ilustr\u00e1ci\u00ed v Bratislave.\n5. \u2013 29. 10. Bratislava, Po\u013esk\u00fd in\u0161tit\u00fat, N\u00e1m. SNP 27\nFantastick\u00e9 bytosti Stanis\u0142awa Lema v\u00a0obrazoch Daniela Mr\u00f3za\n(upraven\u00fd text vyst\u00fapenia na vernis\u00e1\u017ei v\u00fdstavy Lemov Besti\u00e1r pod\u013ea Daniela Mr\u00f3za, Karaffova v\u00e4znica, 15.10.2021, VI. Po\u013esk\u00e9 dni v\u00a0Pre\u0161ove)\nNie je to tak d\u00e1vno, ke\u010f pre \u010dloveka v\u00a0na\u0161ich kon\u010din\u00e1ch mohlo by\u0165 nebezpe\u010dn\u00fdch aj nieko\u013eko viet, nehovoriac o\u00a02000 slov\u00e1ch. Nie som si v\u0161ak ist\u00fd, \u010di to niekedy neplat\u00ed i\u00a0v\u00a0s\u00fa\u010dasnosti.\n\u010clovek sa u\u017e pomerne d\u00e1vno sna\u017e\u00ed vyjadri\u0165, zobrazi\u0165 tajupln\u00e9 javy alebo bytosti v\u00a0n\u00e1zornej, zrozumite\u013enej\u0161ej podobe. Ale aj naopak, nie\u010do jasn\u00e9 a pochopite\u013en\u00e9 dost\u00e1va za\u0161ifrovan\u00fd, metaforick\u00fd tvar. Deje sa to minim\u00e1lne od \u010dias starovek\u00e9ho Egypta a\u00a0jeho bo\u017estiev s\u00a0\u013eudsk\u00fdm telom a\u00a0hlavou zviera\u0165a, mezopot\u00e1mskych okr\u00eddlen\u00fdch b\u00fdkov, antick\u00fdch jednook\u00fdch bytost\u00ed, Minotaura, stredovek\u00fdch mon\u0161tier, nehovoriac o\u00a0podobn\u00fdch javoch v\u00a0mimoeur\u00f3pskych kult\u00farach.\nRe\u010d inotajov bola a\u00a0je v\u017edy zauj\u00edmav\u00e1 a\u00a0pr\u00ed\u0165a\u017eliv\u00e1. Vy\u017eaduje si v\u0161ak aspo\u0148 z\u00e1kladn\u00fa pripravenos\u0165 percipienta. Aby sme sa nesmiali, neplakali v\u00a0nespr\u00e1vnom momente alebo v\u00f4bec nereagovali na po\u010dut\u00e9, viden\u00e9, pre\u010d\u00edtan\u00e9.\nV\u00edzia, predtucha nie\u010doho zvl\u00e1\u0161tneho priviedla Julesa Verna k\u00a0ceste na Mesiac i\u00a0do morsk\u00fdch hlb\u00edn. Karel \u010capek vytvoril Tov\u00e1re\u0148 na absol\u00fatno, zaoberal sa vojnou s\u00a0mlokmi, ale tie\u017e robotmi, ktor\u00e9 dnes za\u010d\u00ednaj\u00fa ma\u0165 podobu \u010dloveka. Nezab\u00fadajme ani na jeho Bielu nemoc.\nUchyti\u0165 neuchytite\u013en\u00e9, polapi\u0165 nepolapite\u013en\u00e9 dok\u00e1\u017eu iba v\u00fdnimo\u010dn\u00e9 osobnosti. Od \u010dias imagin\u00e1rneho Kozmu Prutkova po Lama, Lema, Leca, Lenona, Lasicu, Borgesa a\u00a0in\u00fdch.\nZastavme sa nieko\u013ek\u00fdmi neu\u010desan\u00fdmi my\u0161lienkami pri Stanis\u0142awowi Lemovi a\u00a0aktu\u00e1lnej v\u00fdstave obrazov k\u00a0jeho textom, ktor\u00e9 vytvoril Daniel Mr\u00f3z.\nProblematika etick\u00fdch vz\u0165ahov \u010dloveka a\u00a0jeho v\u00fdtvorov sp\u00e1ja Lema s\u00a0postojmi Karla \u010capka. To, \u010do \u010capek iba tu\u0161il, Lem vo ve\u013ekej miere za\u017eil. Koexistencia \u010dloveka, strojov a\u00a0umel\u00fdch bytost\u00ed sprev\u00e1dzaj\u00fa neraz de\u0161truk\u010dn\u00e9, protire\u010div\u00e9 \u010diny. Od ni\u010denia v\u00fdrobn\u00fdch zariaden\u00ed v\u00a0manufakt\u00farach 19. storo\u010dia po n\u00e1lety bezpilotn\u00fdch lietadiel na ur\u010den\u00e9 ciele, neraz s\u00a0nevinn\u00fdmi obe\u0165ami, a\u00a0temn\u00fd priestor internetu dne\u0161nej doby.\nAutor koncepcie v\u00fdstavy prof. Janusz G\u00f3rski sledoval veci obsiahnut\u00e9 v\u00a0stredovek\u00fdch be\u0161ti\u00e1roch. Verb\u00e1lne obrazy Stanis\u0142awa Lema na\u0161li kongeni\u00e1lnu podobu vo vizu\u00e1lnych obrazoch-ilustr\u00e1ci\u00e1ch Daniela Mr\u00f3za. M\u00f4\u017eu n\u00e1m pripom\u00edna\u0165 detsk\u00fd svet Pinocchia, ale... Napriek nespornej hravosti foriem m\u00e1me do \u010dinenia so sci-fi javmi bl\u00edzkych realite okolo n\u00e1s. Excelentn\u00e9 kresliarske majstrovstvo ilustr\u00e1tora sa stalo prostriedkom na vyjadrenie toho, \u010do sa ned\u00e1 poda\u0165 in\u00fdm sp\u00f4sobom. In\u017einiersky presn\u00e9 linky n\u00e1m d\u00e1vaj\u00fa zabudn\u00fa\u0165, \u017ee je tam iba \u010dierna l\u00ednia a\u00a0biela plocha.\nV\u00a0slovenskom prostred\u00ed analogick\u00e9 sna\u017eenie by sme na\u0161li v\u00a0tvorbe Karola Barona. Som presved\u010den\u00fd, \u017ee by si Lem, Mr\u00f3zek a\u00a0Baron rozumeli. Ve\u010f boli \u0161\u013eachticmi ducha.\nPok\u00fasme sa teda nasledova\u0165 ich, napl\u0148ova\u0165 ich humanistick\u00fd odkaz. Aby \u010dlovek \u010dloveku skuto\u010dne bol \u010dlovekom. Nie mon\u0161trom, ktor\u00e9 ho iba pripom\u00edna svojou ide\u00e1lne deformovanou podobou.\nVladislav Gre\u0161l\u00edk"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png","contentUrl":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2021\/10\/lem.png","width":1356,"height":904},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bratislava\/2021\/10\/01\/lemov-bestiar-podla-daniela-mroza\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bratislava\/"},{"@type":"ListItem","position":2,"name":"Lemov besti\u00e1r pod\u013ea Daniela Mr\u00f3za"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bratislava\/#website","url":"https:\/\/instytutpolski.pl\/bratislava\/","name":"Instytut Polski w Bratys\u0142awie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bratislava\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720","name":"kyselm","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ba96f7f4a6104a2e2f0328f9863f506d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ba96f7f4a6104a2e2f0328f9863f506d?s=96&d=mm&r=g","caption":"kyselm"},"url":"https:\/\/instytutpolski.pl\/bratislava\/author\/kyselm\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/4176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/users\/116"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/comments?post=4176"}],"version-history":[{"count":4,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/4176\/revisions"}],"predecessor-version":[{"id":4308,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/4176\/revisions\/4308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/media\/4191"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/media?parent=4176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/categories?post=4176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/tags?post=4176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}