{"id":869,"date":"2017-01-12T10:46:00","date_gmt":"2017-01-12T09:46:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/bratislava\/?p=869"},"modified":"2020-05-29T12:53:22","modified_gmt":"2020-05-29T10:53:22","slug":"malgorzata-mirga-tas-na-pomedzi-3","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/","title":{"rendered":"Ma\u0142gorzata Mirga-Tas: Na pomedz\u00ed"},"content":{"rendered":"\n

Prv\u00e1 tohtoro\u010dn\u00e1 v\u00fdstava v na\u0161ej gal\u00e9rii je tu! U\u017e v stredu V\u00e1s poz\u00fdvame na vernis\u00e1\u017e v\u00fdstavy r\u00f3mskej umelkyne a maliarky Ma\u0142gorzaty Mirgy-Tas. Autorka predstav\u00ed svoju v\u00fdstavu obrazov, ktorej hrdinami s\u00fa predov\u0161etk\u00fdm R\u00f3movia. Jej pr\u00e1ce napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, nalepovan\u00fdch v\u00fdstri\u017ekov z \u010dasopisov, flitrov, kart\u00f3nu, pl\u00e1tna a pod. si mo\u017eno v\u0161imn\u00fa\u0165 prip\u00fatanie k ornament\u00e1lnym form\u00e1m, ktor\u00e9 \u010dasto tvoria pozadie portr\u00e9tov alebo ost\u00e1vaj\u00fa ako dekora\u010dn\u00e1 ilustr\u00e1cia.<\/p>\n

\"\"<\/a><\/p>\n

Ma\u0142gorzata Mirga-Tas<\/strong> sa narodila v roku 1978 v Zakopanom. Je R\u00f3mka a poch\u00e1dza z etnickej skupiny Bergitka. Vyrastala v r\u00f3mskej osade \u010cierna Hora na Spi\u0161i v Po\u013esku. Po absolvovan\u00ed umeleck\u00e9ho Gymn\u00e1zia Antonyho Kenara v Zakopanom v odbore n\u00e1bytk\u00e1rstva sa rozhodla pre Fakultu soch\u00e1rstva na krakovskej Akad\u00e9mii umen\u00ed. V roku 2004 z\u00edskala diplom v ateli\u00e9ri prof. J\u00f3zefa S\u0119kowsk\u00e9ho. Pr\u00e1ve tam zdokonalila svoju techniku tvorenia s\u00f4ch z lepenky. Okrem toho objavila energiu a in\u0161pir\u00e1ciu v r\u00f3mskych kore\u0148och. Vo jej pr\u00e1cach mo\u017eno n\u00e1js\u0165 pre \u0148u charakteristick\u00e9 formy a mot\u00edvy, ktor\u00e9 \u00faspe\u0161ne aplikuje na papier, text\u00edliu alebo soch\u00e1rsku mat\u00e9riu. Najindividu\u00e1lnej\u0161\u00ed charakter maj\u00fa predsa len sochy. Technika zalo\u017een\u00e1 na spracovan\u00ed ve\u013ek\u00fdch zlepen\u00fdch blokov kart\u00f3nu prekvapuje efektom, ak\u00fd vytv\u00e1ra povrch objektu, preto\u017ee ho nemo\u017eno dosiahnu\u0165 v \u017eiadnych in\u00fdch materi\u00e1loch typick\u00fdch pre soch\u00e1rstvo.<\/p>\n

Pr\u00e1ce umelkyne napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, nalepovan\u00fdch v\u00fdstri\u017ekov z \u010dasopisov, flitrov, kart\u00f3nu, pl\u00e1tna a pod. vid\u00edme siln\u00e9 prip\u00fatanie k ornament\u00e1lnym form\u00e1m, ktor\u00e9 \u010dasto tvoria pozadie portr\u00e9tov alebo ost\u00e1vaj\u00fa ako dekora\u010dn\u00e1 ilustr\u00e1cia. Hrdinami jej obrazov s\u00fa R\u00f3movia. Ako tvrd\u00ed sama autorka: \u201eMoja r\u00f3mska identita m\u00e1 ve\u013ek\u00fd vplyv na t\u00e9mu pr\u00e1c. Hrdinami obrazov s\u00fa R\u00f3movia zo s\u00eddlisk a os\u00e1d, ktor\u00fdch som osobne spoznala. Chcem uk\u00e1za\u0165 a predstavi\u0165 r\u00f3msku kult\u00faru tak\u00fdm sp\u00f4sobom, aby vzbudila reflexiu nad situ\u00e1ciou R\u00f3mov v s\u00fa\u010dasnom svete.\u201c<\/p>\n

Ma\u0142gorzata Mirga-Tas tvor\u00ed po\u010detn\u00e9 projekty s\u00favisiace s r\u00f3mskymi spolo\u010denstvami. Anga\u017euje sa v rozli\u010dn\u00fdch soci\u00e1lnych \u010di umeleck\u00fdch projektoch, ktor\u00e9 zabra\u0148uj\u00fa vyl\u00fa\u010deniu a rasovej diskrimin\u00e1cii \u010di xenof\u00f3bii. Z\u00fa\u010dast\u0148uje sa konferenci\u00ed a projektov zameran\u00fdch na r\u00f3mske etnikum. Je \u010dlenkou R\u00f3mskeho osvetov\u00e9ho zdru\u017eenia Harangos. Spolu s Martou Kotlarskou pracuje u\u017e 10 rokov na projekte dierkovej komory s n\u00e1zvom Romski Pstryk, v r\u00e1mci ktor\u00e9ho deti z r\u00f3mskych s\u00eddlisk ilustruj\u00fa r\u00f3mske rozpr\u00e1vky. Okrem toho vedie integra\u010dn\u00e9 umeleck\u00e9 workshopy pre r\u00f3mske a ner\u00f3mske deti, je umeleckou tr\u00e9nerkou v soci\u00e1lnych projektoch a kampaniach zameran\u00fdch na R\u00f3mov v Po\u013esku a v zahrani\u010d\u00ed. U\u017e p\u00e4\u0165 rokov organizuje medzin\u00e1rodn\u00fd umeleck\u00fd plen\u00e9r JAW DIKH pre r\u00f3mskych umelcov a aktivistov. Je tie\u017e predsedn\u00ed\u010dkou Umeleckej nad\u00e1cie Jaw Dikh, ktorej cie\u013eom je prezent\u00e1cia r\u00f3mskej kult\u00fary prostredn\u00edctvom rozli\u010dn\u00fdch umeleck\u00fdch prostriedkov: v\u00fdtvarn\u00e9 umenie, ma\u013eba, soch\u00e1rstvo, fotografia \u010di film. Bola \u0161tipendistkou programu americkej vl\u00e1dy International Visitor Leadership Program na t\u00e9mu Promoting Social Good Through the Arts. Bola spoluautorkou v\u00fdstavy Zalikierdo Drom (Preru\u0161en\u00e1 cesta). Je laure\u00e1tkou vyznamenanou na 42. Bien\u00e1le ma\u013eby Bielska jese\u0148 2015. Posledn\u00e9 \u0161tyri roky sa z\u00fa\u010dast\u0148uje projektu Dikh he Na Bister, ktor\u00fd pripom\u00edna genoc\u00eddu R\u00f3mov po\u010das druhej svetovej vojny.<\/p>\n","protected":false},"excerpt":{"rendered":"

Prv\u00e1 tohtoro\u010dn\u00e1 v\u00fdstava v na\u0161ej gal\u00e9rii je tu! U\u017e v stredu V\u00e1s poz\u00fdvame na vernis\u00e1\u017e v\u00fdstavy r\u00f3mskej umelkyne a maliarky Ma\u0142gorzaty Mirgy-Tas. Autorka predstav\u00ed svoju v\u00fdstavu obrazov, ktorej hrdinami s\u00fa predov\u0161etk\u00fdm R\u00f3movia. Jej pr\u00e1ce napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, […]<\/p>\n","protected":false},"author":114,"featured_media":439,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[44],"tags":[],"class_list":["post-869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vystavy"],"yoast_head":"\nMa\u0142gorzata Mirga-Tas: Na pomedz\u00ed - Instytut Polski w Bratys\u0142awie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ma\u0142gorzata Mirga-Tas: Na pomedz\u00ed - Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"og:description\" content=\"Prv\u00e1 tohtoro\u010dn\u00e1 v\u00fdstava v na\u0161ej gal\u00e9rii je tu! U\u017e v stredu V\u00e1s poz\u00fdvame na vernis\u00e1\u017e v\u00fdstavy r\u00f3mskej umelkyne a maliarky Ma\u0142gorzaty Mirgy-Tas. Autorka predstav\u00ed svoju v\u00fdstavu obrazov, ktorej hrdinami s\u00fa predov\u0161etk\u00fdm R\u00f3movia. Jej pr\u00e1ce napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"article:published_time\" content=\"2017-01-12T09:46:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-29T10:53:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"1066\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"gajewskij\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"gajewskij\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/\",\"url\":\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/\",\"name\":\"Ma\u0142gorzata Mirga-Tas: Na pomedz\u00ed\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387-300x267.jpg\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387-1024x910.jpg\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg\",\"datePublished\":\"2017-01-12T09:46:00+02:00\",\"dateModified\":\"2020-05-29T10:53:22+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/e44501a0c128f3655fceb60044392594\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2017-01-12\",\"endDate\":\"2017-01-27\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Prv\u00e1 tohtoro\u010dn\u00e1 v\u00fdstava v na\u0161ej gal\u00e9rii je tu! U\u017e v stredu V\u00e1s poz\u00fdvame na vernis\u00e1\u017e v\u00fdstavy r\u00f3mskej umelkyne a maliarky Ma\u0142gorzaty Mirgy-Tas. Autorka predstav\u00ed svoju v\u00fdstavu obrazov, ktorej hrdinami s\u00fa predov\u0161etk\u00fdm R\u00f3movia. Jej pr\u00e1ce napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, nalepovan\u00fdch v\u00fdstri\u017ekov z \u010dasopisov, flitrov, kart\u00f3nu, pl\u00e1tna a pod. si mo\u017eno v\u0161imn\u00fa\u0165 prip\u00fatanie k ornament\u00e1lnym form\u00e1m, ktor\u00e9 \u010dasto tvoria pozadie portr\u00e9tov alebo ost\u00e1vaj\u00fa ako dekora\u010dn\u00e1 ilustr\u00e1cia.\\nMa\u0142gorzata Mirga-Tas sa narodila v roku 1978 v Zakopanom. Je R\u00f3mka a poch\u00e1dza z etnickej skupiny Bergitka. Vyrastala v r\u00f3mskej osade \u010cierna Hora na Spi\u0161i v Po\u013esku. Po absolvovan\u00ed umeleck\u00e9ho Gymn\u00e1zia Antonyho Kenara v Zakopanom v odbore n\u00e1bytk\u00e1rstva sa rozhodla pre Fakultu soch\u00e1rstva na krakovskej Akad\u00e9mii umen\u00ed. V roku 2004 z\u00edskala diplom v ateli\u00e9ri prof. J\u00f3zefa S\u0119kowsk\u00e9ho. Pr\u00e1ve tam zdokonalila svoju techniku tvorenia s\u00f4ch z lepenky. Okrem toho objavila energiu a in\u0161pir\u00e1ciu v r\u00f3mskych kore\u0148och. Vo jej pr\u00e1cach mo\u017eno n\u00e1js\u0165 pre \u0148u charakteristick\u00e9 formy a mot\u00edvy, ktor\u00e9 \u00faspe\u0161ne aplikuje na papier, text\u00edliu alebo soch\u00e1rsku mat\u00e9riu. Najindividu\u00e1lnej\u0161\u00ed charakter maj\u00fa predsa len sochy. Technika zalo\u017een\u00e1 na spracovan\u00ed ve\u013ek\u00fdch zlepen\u00fdch blokov kart\u00f3nu prekvapuje efektom, ak\u00fd vytv\u00e1ra povrch objektu, preto\u017ee ho nemo\u017eno dosiahnu\u0165 v \u017eiadnych in\u00fdch materi\u00e1loch typick\u00fdch pre soch\u00e1rstvo.\\nPr\u00e1ce umelkyne napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, nalepovan\u00fdch v\u00fdstri\u017ekov z \u010dasopisov, flitrov, kart\u00f3nu, pl\u00e1tna a pod. vid\u00edme siln\u00e9 prip\u00fatanie k ornament\u00e1lnym form\u00e1m, ktor\u00e9 \u010dasto tvoria pozadie portr\u00e9tov alebo ost\u00e1vaj\u00fa ako dekora\u010dn\u00e1 ilustr\u00e1cia. Hrdinami jej obrazov s\u00fa R\u00f3movia. Ako tvrd\u00ed sama autorka: \u201eMoja r\u00f3mska identita m\u00e1 ve\u013ek\u00fd vplyv na t\u00e9mu pr\u00e1c. Hrdinami obrazov s\u00fa R\u00f3movia zo s\u00eddlisk a os\u00e1d, ktor\u00fdch som osobne spoznala. Chcem uk\u00e1za\u0165 a predstavi\u0165 r\u00f3msku kult\u00faru tak\u00fdm sp\u00f4sobom, aby vzbudila reflexiu nad situ\u00e1ciou R\u00f3mov v s\u00fa\u010dasnom svete.\u201c\\nMa\u0142gorzata Mirga-Tas tvor\u00ed po\u010detn\u00e9 projekty s\u00favisiace s r\u00f3mskymi spolo\u010denstvami. Anga\u017euje sa v rozli\u010dn\u00fdch soci\u00e1lnych \u010di umeleck\u00fdch projektoch, ktor\u00e9 zabra\u0148uj\u00fa vyl\u00fa\u010deniu a rasovej diskrimin\u00e1cii \u010di xenof\u00f3bii. Z\u00fa\u010dast\u0148uje sa konferenci\u00ed a projektov zameran\u00fdch na r\u00f3mske etnikum. Je \u010dlenkou R\u00f3mskeho osvetov\u00e9ho zdru\u017eenia Harangos. Spolu s Martou Kotlarskou pracuje u\u017e 10 rokov na projekte dierkovej komory s n\u00e1zvom Romski Pstryk, v r\u00e1mci ktor\u00e9ho deti z r\u00f3mskych s\u00eddlisk ilustruj\u00fa r\u00f3mske rozpr\u00e1vky. Okrem toho vedie integra\u010dn\u00e9 umeleck\u00e9 workshopy pre r\u00f3mske a ner\u00f3mske deti, je umeleckou tr\u00e9nerkou v soci\u00e1lnych projektoch a kampaniach zameran\u00fdch na R\u00f3mov v Po\u013esku a v zahrani\u010d\u00ed. U\u017e p\u00e4\u0165 rokov organizuje medzin\u00e1rodn\u00fd umeleck\u00fd plen\u00e9r JAW DIKH pre r\u00f3mskych umelcov a aktivistov. Je tie\u017e predsedn\u00ed\u010dkou Umeleckej nad\u00e1cie Jaw Dikh, ktorej cie\u013eom je prezent\u00e1cia r\u00f3mskej kult\u00fary prostredn\u00edctvom rozli\u010dn\u00fdch umeleck\u00fdch prostriedkov: v\u00fdtvarn\u00e9 umenie, ma\u013eba, soch\u00e1rstvo, fotografia \u010di film. Bola \u0161tipendistkou programu americkej vl\u00e1dy International Visitor Leadership Program na t\u00e9mu Promoting Social Good Through the Arts. Bola spoluautorkou v\u00fdstavy Zalikierdo Drom (Preru\u0161en\u00e1 cesta). Je laure\u00e1tkou vyznamenanou na 42. Bien\u00e1le ma\u013eby Bielska jese\u0148 2015. 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U\u017e v stredu V\u00e1s poz\u00fdvame na vernis\u00e1\u017e v\u00fdstavy r\u00f3mskej umelkyne a maliarky Ma\u0142gorzaty Mirgy-Tas. Autorka predstav\u00ed svoju v\u00fdstavu obrazov, ktorej hrdinami s\u00fa predov\u0161etk\u00fdm R\u00f3movia. Jej pr\u00e1ce napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, […]","og_url":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/","og_site_name":"Instytut Polski w Bratys\u0142awie","article_published_time":"2017-01-12T09:46:00+00:00","article_modified_time":"2020-05-29T10:53:22+00:00","og_image":[{"width":1200,"height":1066,"url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg","type":"image\/jpeg"}],"author":"gajewskij","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"gajewskij","Szacowany czas czytania":"4 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/","url":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/","name":"Ma\u0142gorzata Mirga-Tas: Na pomedz\u00ed","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387-300x267.jpg","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387-1024x910.jpg","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg","datePublished":"2017-01-12T09:46:00+02:00","dateModified":"2020-05-29T10:53:22+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/e44501a0c128f3655fceb60044392594"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/"]}],"@context":"https:\/\/schema.org","startDate":"2017-01-12","endDate":"2017-01-27","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Prv\u00e1 tohtoro\u010dn\u00e1 v\u00fdstava v na\u0161ej gal\u00e9rii je tu! U\u017e v stredu V\u00e1s poz\u00fdvame na vernis\u00e1\u017e v\u00fdstavy r\u00f3mskej umelkyne a maliarky Ma\u0142gorzaty Mirgy-Tas. Autorka predstav\u00ed svoju v\u00fdstavu obrazov, ktorej hrdinami s\u00fa predov\u0161etk\u00fdm R\u00f3movia. Jej pr\u00e1ce napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, nalepovan\u00fdch v\u00fdstri\u017ekov z \u010dasopisov, flitrov, kart\u00f3nu, pl\u00e1tna a pod. si mo\u017eno v\u0161imn\u00fa\u0165 prip\u00fatanie k ornament\u00e1lnym form\u00e1m, ktor\u00e9 \u010dasto tvoria pozadie portr\u00e9tov alebo ost\u00e1vaj\u00fa ako dekora\u010dn\u00e1 ilustr\u00e1cia.\nMa\u0142gorzata Mirga-Tas sa narodila v roku 1978 v Zakopanom. Je R\u00f3mka a poch\u00e1dza z etnickej skupiny Bergitka. Vyrastala v r\u00f3mskej osade \u010cierna Hora na Spi\u0161i v Po\u013esku. Po absolvovan\u00ed umeleck\u00e9ho Gymn\u00e1zia Antonyho Kenara v Zakopanom v odbore n\u00e1bytk\u00e1rstva sa rozhodla pre Fakultu soch\u00e1rstva na krakovskej Akad\u00e9mii umen\u00ed. V roku 2004 z\u00edskala diplom v ateli\u00e9ri prof. J\u00f3zefa S\u0119kowsk\u00e9ho. Pr\u00e1ve tam zdokonalila svoju techniku tvorenia s\u00f4ch z lepenky. Okrem toho objavila energiu a in\u0161pir\u00e1ciu v r\u00f3mskych kore\u0148och. Vo jej pr\u00e1cach mo\u017eno n\u00e1js\u0165 pre \u0148u charakteristick\u00e9 formy a mot\u00edvy, ktor\u00e9 \u00faspe\u0161ne aplikuje na papier, text\u00edliu alebo soch\u00e1rsku mat\u00e9riu. Najindividu\u00e1lnej\u0161\u00ed charakter maj\u00fa predsa len sochy. Technika zalo\u017een\u00e1 na spracovan\u00ed ve\u013ek\u00fdch zlepen\u00fdch blokov kart\u00f3nu prekvapuje efektom, ak\u00fd vytv\u00e1ra povrch objektu, preto\u017ee ho nemo\u017eno dosiahnu\u0165 v \u017eiadnych in\u00fdch materi\u00e1loch typick\u00fdch pre soch\u00e1rstvo.\nPr\u00e1ce umelkyne napriek abstraktn\u00fdm a v istom zmysle aj dekora\u010dn\u00fdm form\u00e1m pon\u00fakaj\u00fa siln\u00e9 asoci\u00e1cie so skuto\u010dn\u00fdm svetom. V kresbe aj ma\u013ebe, ktor\u00fdch technika je spojen\u00edm pastelov, r\u00f4zneho druhu farieb, nalepovan\u00fdch v\u00fdstri\u017ekov z \u010dasopisov, flitrov, kart\u00f3nu, pl\u00e1tna a pod. vid\u00edme siln\u00e9 prip\u00fatanie k ornament\u00e1lnym form\u00e1m, ktor\u00e9 \u010dasto tvoria pozadie portr\u00e9tov alebo ost\u00e1vaj\u00fa ako dekora\u010dn\u00e1 ilustr\u00e1cia. Hrdinami jej obrazov s\u00fa R\u00f3movia. Ako tvrd\u00ed sama autorka: \u201eMoja r\u00f3mska identita m\u00e1 ve\u013ek\u00fd vplyv na t\u00e9mu pr\u00e1c. Hrdinami obrazov s\u00fa R\u00f3movia zo s\u00eddlisk a os\u00e1d, ktor\u00fdch som osobne spoznala. Chcem uk\u00e1za\u0165 a predstavi\u0165 r\u00f3msku kult\u00faru tak\u00fdm sp\u00f4sobom, aby vzbudila reflexiu nad situ\u00e1ciou R\u00f3mov v s\u00fa\u010dasnom svete.\u201c\nMa\u0142gorzata Mirga-Tas tvor\u00ed po\u010detn\u00e9 projekty s\u00favisiace s r\u00f3mskymi spolo\u010denstvami. Anga\u017euje sa v rozli\u010dn\u00fdch soci\u00e1lnych \u010di umeleck\u00fdch projektoch, ktor\u00e9 zabra\u0148uj\u00fa vyl\u00fa\u010deniu a rasovej diskrimin\u00e1cii \u010di xenof\u00f3bii. Z\u00fa\u010dast\u0148uje sa konferenci\u00ed a projektov zameran\u00fdch na r\u00f3mske etnikum. Je \u010dlenkou R\u00f3mskeho osvetov\u00e9ho zdru\u017eenia Harangos. Spolu s Martou Kotlarskou pracuje u\u017e 10 rokov na projekte dierkovej komory s n\u00e1zvom Romski Pstryk, v r\u00e1mci ktor\u00e9ho deti z r\u00f3mskych s\u00eddlisk ilustruj\u00fa r\u00f3mske rozpr\u00e1vky. Okrem toho vedie integra\u010dn\u00e9 umeleck\u00e9 workshopy pre r\u00f3mske a ner\u00f3mske deti, je umeleckou tr\u00e9nerkou v soci\u00e1lnych projektoch a kampaniach zameran\u00fdch na R\u00f3mov v Po\u013esku a v zahrani\u010d\u00ed. U\u017e p\u00e4\u0165 rokov organizuje medzin\u00e1rodn\u00fd umeleck\u00fd plen\u00e9r JAW DIKH pre r\u00f3mskych umelcov a aktivistov. Je tie\u017e predsedn\u00ed\u010dkou Umeleckej nad\u00e1cie Jaw Dikh, ktorej cie\u013eom je prezent\u00e1cia r\u00f3mskej kult\u00fary prostredn\u00edctvom rozli\u010dn\u00fdch umeleck\u00fdch prostriedkov: v\u00fdtvarn\u00e9 umenie, ma\u013eba, soch\u00e1rstvo, fotografia \u010di film. Bola \u0161tipendistkou programu americkej vl\u00e1dy International Visitor Leadership Program na t\u00e9mu Promoting Social Good Through the Arts. Bola spoluautorkou v\u00fdstavy Zalikierdo Drom (Preru\u0161en\u00e1 cesta). Je laure\u00e1tkou vyznamenanou na 42. Bien\u00e1le ma\u013eby Bielska jese\u0148 2015. Posledn\u00e9 \u0161tyri roky sa z\u00fa\u010dast\u0148uje projektu Dikh he Na Bister, ktor\u00fd pripom\u00edna genoc\u00eddu R\u00f3mov po\u010das druhej svetovej vojny."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg","contentUrl":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2019\/06\/SZUM-20151216-17-387.jpg","width":1200,"height":1066},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bratislava\/2017\/01\/12\/malgorzata-mirga-tas-na-pomedzi-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bratislava\/"},{"@type":"ListItem","position":2,"name":"Ma\u0142gorzata Mirga-Tas: Na pomedz\u00ed"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bratislava\/#website","url":"https:\/\/instytutpolski.pl\/bratislava\/","name":"Instytut Polski w Bratys\u0142awie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bratislava\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/e44501a0c128f3655fceb60044392594","name":"gajewskij","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6647862b6ea4b6ae94e41c553d1af301?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6647862b6ea4b6ae94e41c553d1af301?s=96&d=mm&r=g","caption":"gajewskij"},"url":"https:\/\/instytutpolski.pl\/bratislava\/author\/gajewskij\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/users\/114"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/comments?post=869"}],"version-history":[{"count":2,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/869\/revisions"}],"predecessor-version":[{"id":1029,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/869\/revisions\/1029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/media\/439"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/media?parent=869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/categories?post=869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/tags?post=869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}