{"id":9258,"date":"2026-03-08T19:05:28","date_gmt":"2026-03-08T18:05:28","guid":{"rendered":"https:\/\/instytutpolski.pl\/bratislava\/?p=9258"},"modified":"2026-04-02T11:41:36","modified_gmt":"2026-04-02T09:41:36","slug":"febiofest-2026","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/","title":{"rendered":"Febiofest 2026"},"content":{"rendered":"\n<p>V r\u00e1mci celove\u010dern\u00fdch filmov sa do programovej ponuky festivalu Febiofest 2026 dostalo to najlep\u0161ie, \u010do za posledn\u00fd rok vzniklo aj na po\u013eskej filmovej sc\u00e9ne. Nebud\u00fa ch\u00fdba\u0165 ani dve sn\u00edmky Andrzeja Wajdu, ktor\u00e9ho 100. v\u00fdro\u010die narodenia si tento rok pripom\u00edname a\u00a0na festivale zabojuj\u00fa aj po\u013esk\u00e9 kr\u00e1tkometr\u00e1\u017ene filmy v\u00a0s\u00fa\u0165a\u017ei kr\u00e1tkych filmov.<\/p>\n\n\n\n<p><strong>11. \u2013 17. 3.<\/strong> <strong>Bratislava<\/strong>, <strong>Kino Lumi\u00e9re, \u0160pit\u00e1lska 4<\/strong><\/p>\n\n\n\n<p><em><a href=\"http:\/\/febiofest.sk\">febiofest.sk<\/a><\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>Sladk\u00fd domov<\/strong> (Dom dobry, re\u017e. Wojciech Smarzowski 2025, 107 min)<br><strong>14. 3. \/ 15:15<\/strong><br><strong>15. 3. \/ 20:15<\/strong><\/p>\n\n\n\n<p>Ke\u010f Go\u015bka spozn\u00e1 Grze\u015bka, je presved\u010den\u00e1, \u017ee kone\u010dne stretla \u201etoho prav\u00e9ho\u201c. Romantick\u00e9 gest\u00e1, z\u00e1snuby v Ben\u00e1tkach a dokonal\u00fd obraz l\u00e1sky v\u0161ak postupne vystriedaj\u00fa strach, manipul\u00e1cia a narastaj\u00face n\u00e1silie. Re\u017eis\u00e9r Wojciech Smarzowski nakr\u00fatil naliehav\u00fa v\u00fdpove\u010f o rodovo podmienenom n\u00e1sil\u00ed, ktor\u00e9 sa \u010dasto odohr\u00e1va za r\u00fa\u0161kom idylick\u00fdch vz\u0165ahov a ktor\u00e9 si okolie bu\u010f nev\u0161imne, alebo nechce v\u0161imn\u00fa\u0165.<\/p>\n\n\n\n<p><strong>Oper\u00e1cia p\u00e1pe\u017e<\/strong> (Zamach na papie\u017ca, re\u017e. W\u0142adys\u0142aw Pasikowski, 116 min)<br><strong>13. 3. \/ 17:15<\/strong><br><strong>15. 3. \/ 14:30<\/strong><\/p>\n\n\n\n<p>Film je in\u0161pirovan\u00fd skuto\u010dn\u00fdmi udalos\u0165ami a pribli\u017euje pozadie jednej z najv\u00e4\u010d\u0161\u00edch oper\u00e1ci\u00ed tajn\u00fdch slu\u017eieb 20. storo\u010dia \u2013 atent\u00e1tu na p\u00e1pe\u017ea J\u00e1na Pavla II. Politick\u00fd triler re\u017eis\u00e9ra W\u0142adys\u0142awa Pasikowsk\u00e9ho sa odohr\u00e1va v roku 1981 v Po\u013esku, ke\u010f z Krem\u013ea prich\u00e1dza rozkaz, odstr\u00e1ni\u0165 p\u00e1pe\u017ea J\u00e1na Pavla II. B\u00fdval\u00fd ostre\u013eova\u010d prez\u00fdvan\u00fd Bruno je don\u00faten\u00fd zapoji\u0165 sa do pr\u00edsne tajnej oper\u00e1cie. Postupne sa ocit\u00e1 v centre z\u00e1kulisn\u00fdch machin\u00e1ci\u00ed, kde vl\u00e1dnu manipulat\u00edvne hry a ne\u013e\u00fatostn\u00fd boj o moc. Rozpolten\u00fd medzi rozkazom a vlastn\u00fdm svedom\u00edm mus\u00ed urobi\u0165 rozhodnutia, ktor\u00e9 m\u00f4\u017eu ovplyvni\u0165 nielen jeho \u017eivot, ale aj chod dej\u00edn.<\/p>\n\n\n\n<p><strong>Na povel <\/strong>(Dobry ch\u0142opiec, re\u017e. Jan Komasa, 110 min.)<br><strong>11. 3. \/ 21:15<\/strong><br><strong>14. 3. \/ 14:30<\/strong><br><strong>15. 3. \/ 17:00<\/strong><\/p>\n\n\n\n<p>Tommy, provokat\u00edvny internetov\u00fd influencer \u0161\u00edriaci n\u00e1silie a bezoh\u013eadnos\u0165, sa po jednej divokej noci prebud\u00ed v zajat\u00ed na od\u013eahlom vidieckom s\u00eddle. Dr\u017e\u00ed ho tam man\u017eelsk\u00fd p\u00e1r, navonok pokojn\u00fd Chris a tich\u00e1 Kathryn, ktor\u00ed mu odober\u00fa telef\u00f3n, izoluj\u00fa ho od vonkaj\u0161ieho sveta a podrobia zvl\u00e1\u0161tnej \u201eprev\u00fdchove\u201c. V dome neplatia be\u017en\u00e9 pravidl\u00e1 a Tommy postupne zis\u0165uje, \u017ee nejde o n\u00e1hodn\u00fd \u00fanos, ale o premyslen\u00fd pl\u00e1n jeho &#8222;mor\u00e1lnej n\u00e1pravy&#8221;. Psychologick\u00fd triler Na povel re\u017eis\u00e9ra Jan Komasa je znepokojivou sondou o moci a manipul\u00e1cii. Komasa op\u00e4\u0165 sk\u00fama temn\u00e9 z\u00e1kutia spolo\u010dnosti, tentoraz svet digit\u00e1lnej agresivity a mor\u00e1lnych hran\u00edc.<\/p>\n\n\n\n<p><strong>Striebro <\/strong>(Silver, re\u017e. Natalia Koniarz, 79 min.) <br><strong>11. 3 \/ 17:30<\/strong><\/p>\n\n\n\n<p>V nehostinnej, takmer mesa\u010dnej krajine \u017eij\u00fa ban\u00edci so svojimi rodinami v tieni striebornej bane, kde ka\u017edodenn\u00e1 pr\u00e1ca prin\u00e1\u0161a aj neust\u00e1le riziko smrti. Film sleduje ich fyzicky vy\u010derp\u00e1vaj\u00facu drinu aj tich\u00e9 ritu\u00e1ly viery, ktor\u00e9 im pom\u00e1haj\u00fa zn\u00e1\u0161a\u0165 realitu pln\u00fa nebezpe\u010denstva a chudoby. Po\u013esk\u00e1 re\u017eis\u00e9rka Natalia Koniarz s empatiou a vizu\u00e1lnou presnos\u0165ou odha\u013euje nielen ka\u017edodennos\u0165 miestnej komunity, ale aj \u0161ir\u0161\u00ed historick\u00fd kontext, koloni\u00e1lne korene eur\u00f3pskeho bohatstva, cenu pokroku a nerovnov\u00e1hu sveta, ktor\u00fd stoj\u00ed na nevidite\u013enej pr\u00e1ci in\u00fdch. Sn\u00edmka z\u00edskala hne\u010f dve ocenenia na Medzin\u00e1rodnom festivale dokument\u00e1rnych filmov Ji.hlava: cenu Opus Bonum za najlep\u0161\u00ed medzin\u00e1rodn\u00fd dokument\u00e1rny film a Opus Bonum \u2013 Cenu za najlep\u0161\u00ed film z vy\u0161ehradsk\u00e9ho regi\u00f3nu.<\/p>\n\n\n\n<p><strong>Sang: Die\u0165a prachu<\/strong> (Dziecko z\u00a0pylu, re\u017e. Weronika Mliczewska 93 min.)<br><strong>11. 3. \/ 10:00<\/strong><br><strong>12. 3. \/ 19:00 (Kino Mlados\u0165)<\/strong><br><strong>13. 3. \/ 16:00<\/strong><br><strong>17. 3. \/ 20:15<\/strong><\/p>\n\n\n\n<p>Deti prachu \u2013 tak sa ozna\u010dovali deti vietnamsk\u00fdch \u017eien a americk\u00fdch vojakov naroden\u00e9 po\u010das vojny vo Vietname. V tomto obdob\u00ed sa narodil aj Sang, ktor\u00fd svojho otca nikdy nepoznal, no ani p\u00e4\u0165desiat rokov po skon\u010den\u00ed vojny sa nevzd\u00e1va n\u00e1deje, \u017ee ho n\u00e1jde. Ke\u010f sa dozvie, \u017ee jeho \u0165a\u017eko chor\u00fd otec \u017eije v Spojen\u00fdch \u0161t\u00e1toch, rozhodne sa vyh\u013eada\u0165 ho \u2013 aj za cenu toho, \u017ee mus\u00ed opusti\u0165 man\u017eelku, dc\u00e9ru a vnuka. V cudzej krajine sa v\u0161ak jeho vysn\u00edvan\u00e9 stretnutie stret\u00e1va s tvrdou realitou, zost\u00e1va cudzincom nielen v americkej spolo\u010dnosti, ale aj v rodine, ktor\u00e1 o jeho existencii netu\u0161ila. Citliv\u00fd portr\u00e9t mu\u017ea h\u013eadaj\u00faceho svoju identitu sleduje emocion\u00e1lne n\u00e1ro\u010dn\u00fa cestu za prijat\u00edm a odpusten\u00edm.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>Zas\u013e\u00faben\u00e1 zem (Ziemia obiecana, re\u017e. Andrzej Wajda, 1974, 179 min.)<\/strong> <br><strong>12. 3. \/ 16:30<\/strong><\/p>\n\n\n\n<p>V industri\u00e1lnej Lod\u017ei konca 19. storo\u010dia sa traja priatelia, Poliak Karol Borowiecki, Nemec Max Baum a \u017did Moritz Welt, rozhodn\u00fa vyu\u017ei\u0165 prudk\u00fd priemyseln\u00fd rozmach a vybudova\u0165 vlastn\u00fa tov\u00e1re\u0148. V prostred\u00ed bezoh\u013eadnej konkurencie, \u0161pekul\u00e1ci\u00ed a spolo\u010densk\u00fdch amb\u00edci\u00ed postupne obetuj\u00fa mor\u00e1lne z\u00e1sady aj osobn\u00e9 vz\u0165ahy v mene \u00faspechu. Andrzej Wajda vo ve\u013ekolepej adapt\u00e1cii rom\u00e1nu nosite\u013ea Nobelovej ceny W\u0142adys\u0142awa Reymonta vykres\u013euje naturalistick\u00fd obraz mesta, kde sa \u0161pina tov\u00e1rn\u00ed stret\u00e1va s ok\u00e1zal\u00fdm luxusom novej bur\u017eo\u00e1zie. Pr\u00edbeh sleduje premenu idealizmu na cynizmus a kladie ot\u00e1zku, ak\u00fa cenu m\u00e1 \u00faspech v svete, ktor\u00fd sa riadi v\u00fdlu\u010dne logikou zisku. Film je pova\u017eovan\u00fd za jedno z vrcholn\u00fdch diel po\u013eskej kinematografie a patr\u00ed medzi najv\u00fdznamnej\u0161ie Wajdove filmy 20. storo\u010dia.<\/p>\n\n\n\n<p><strong>Kronika milostn\u00fdch neh\u00f4d<\/strong> (Kronika wypadk\u00f3w milosnych, re\u017e. Andrzej Wajda, 1986, 114 min.)<br><strong>17.3 \/ 17:45<\/strong><\/p>\n\n\n\n<p>Na sklonku 30. rokov, v atmosf\u00e9re bl\u00ed\u017eiacej sa vojny, pre\u017e\u00edvaj\u00fa dvaja dospievaj\u00faci, Alina a Witek, prv\u00fa l\u00e1sku. Ich city sa rodia v \u010dase, ke\u010f sa svet okolo nich za\u010d\u00edna nebezpe\u010dne meni\u0165 a bezstarostnos\u0165 mladosti nar\u00e1\u017ea na trpk\u00fa realitu. Andrzej Wajda v adapt\u00e1cii rom\u00e1nu Tadeusza Konwick\u00e9ho vytv\u00e1ra melancholick\u00fa, lyrick\u00fa dr\u00e1mu o dospievan\u00ed, pam\u00e4ti a stratenej il\u00fazii. Osobn\u00fd pr\u00edbeh dvoch mlad\u00fdch \u013eud\u00ed sa tu prel\u00edna s pocitom konca jednej epochy tesne predt\u00fdm, ne\u017e Eur\u00f3pu pohlt\u00ed druh\u00e1 svetov\u00e1 vojna.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><strong>Baz\u00e1rov\u00e1 l\u00e1ska<\/strong> (Bazarowe love, re\u017e. Jakub Pycak, 19 min.)<br><strong>14. 3. \/ 17:30<\/strong><br><strong>15. 3. \/ 16:45<\/strong><\/p>\n\n\n\n<p>Malwina, slobodn\u00e1 matka talentovan\u00e9ho mlad\u00e9ho pingpongov\u00e9ho \u0161ampi\u00f3na, sa po rozvode sna\u017e\u00ed za\u010da\u0165 odznova. Pres\u0165ahuje sa do nov\u00e9ho mesta a na miestnom trhu si otvor\u00ed st\u00e1nok s bieliz\u0148ou, kde spozn\u00e1 Jaceka, majite\u013ea sexshopu, pri ktorom sa po dlhom \u010dase c\u00edti bezpe\u010dne a prirodzene. Do ich vz\u0165ahu v\u0161ak vstupuje jej syn Maciek, ktor\u00fd st\u00e1le t\u00fa\u017ei po otcovi a nov\u00e9ho partnera svojej matky vyzve na symbolick\u00fd s\u00faboj \u2013 z\u00e1pas v stolnom tenise.<\/p>\n\n\n\n<p><strong>Hajfongpol<\/strong> (re\u017e. Leon Korzy\u0144ski, 17 min.)<br><strong>11. 3. \/ 17:15<\/strong><br><strong>12. 3. \/ 19:15<\/strong><\/p>\n\n\n\n<p>Drew, vietnamsk\u00fd imigrant \u017eij\u00faci vo Var\u0161ave, je zviazan\u00fd pr\u00edsnymi o\u010dak\u00e1vaniami svojej matky. Za zatvoren\u00fdmi dverami v\u0161ak vedie tajn\u00fd \u017eivot ako nechtov\u00fd dizajn\u00e9r. V\u0161etko sa zmen\u00ed, ke\u010f do jeho \u017eivota vst\u00fapi odv\u00e1\u017eny a talentovan\u00fd Bo, ktor\u00fd sa stane jeho m\u00fazou aj spojencom. Drew je tak n\u00faten\u00fd postavi\u0165 sa matkinmu vplyvu a prija\u0165 svoju identitu.<\/p>\n\n\n\n<p><strong>Ladi\u010di<\/strong> (Stroiciele, re\u017e. Pawe\u0142 Chorz\u0119pa, 20 min.)<br><strong>12. 3. \/ 17:15<\/strong><br><strong>13. 3. \/ 19:45<\/strong><\/p>\n\n\n\n<p>Vo Var\u0161ave, v tieni jednej z najprest\u00ed\u017enej\u0161\u00edch klav\u00edrnych s\u00fa\u0165a\u017e\u00ed na svete, skupina sk\u00fasen\u00fdch ladi\u010dov z\u00e1pas\u00ed o dokonal\u00fd t\u00f3n. Ich cie\u013eom je pripravi\u0165 hudobn\u00fd n\u00e1stroj tak, aby na \u0148om v\u00ed\u0165azn\u00fd klavirista dosiahol absol\u00fatnu dokonalos\u0165. Film sleduje nap\u00e4tie, prec\u00edznos\u0165 a nevidite\u013en\u00fa pr\u00e1cu t\u00fdch, ktor\u00ed stoja v z\u00e1kulis\u00ed ve\u013ek\u00e9ho hudobn\u00e9ho triumfu.<\/p>\n\n\n\n<p><strong>Trhliny<\/strong> (Rozdarcia, re\u017e. Paulina Ziolkowska, 9 min.)<br><strong>14. 3. \/ 17:30<\/strong><br><strong>15. 3. \/ 16:45<\/strong><\/p>\n\n\n\n<p>Film o neschopnosti urobi\u0165 rozhodnutie a o \u017eene, ktor\u00e1 sa vo svete plnom mo\u017enost\u00ed nevie, a mo\u017eno ani nechce, rozhodn\u00fa\u0165.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>V r\u00e1mci celove\u010dern\u00fdch filmov sa do programovej ponuky festivalu Febiofest 2026 dostalo to najlep\u0161ie, \u010do za posledn\u00fd rok vzniklo aj na po\u013eskej filmovej sc\u00e9ne. Nebud\u00fa ch\u00fdba\u0165 ani dve sn\u00edmky Andrzeja Wajdu, ktor\u00e9ho 100. v\u00fdro\u010die narodenia si tento rok pripom\u00edname a\u00a0na festivale zabojuj\u00fa aj po\u013esk\u00e9 kr\u00e1tkometr\u00e1\u017ene filmy v\u00a0s\u00fa\u0165a\u017ei kr\u00e1tkych filmov. 11. \u2013 17. 3. Bratislava, Kino [&hellip;]<\/p>\n","protected":false},"author":116,"featured_media":9252,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[36],"tags":[],"class_list":["post-9258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Febiofest 2026 - Instytut Polski w Bratys\u0142awie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Febiofest 2026 - Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"og:description\" content=\"V r\u00e1mci celove\u010dern\u00fdch filmov sa do programovej ponuky festivalu Febiofest 2026 dostalo to najlep\u0161ie, \u010do za posledn\u00fd rok vzniklo aj na po\u013eskej filmovej sc\u00e9ne. Nebud\u00fa ch\u00fdba\u0165 ani dve sn\u00edmky Andrzeja Wajdu, ktor\u00e9ho 100. v\u00fdro\u010die narodenia si tento rok pripom\u00edname a\u00a0na festivale zabojuj\u00fa aj po\u013esk\u00e9 kr\u00e1tkometr\u00e1\u017ene filmy v\u00a0s\u00fa\u0165a\u017ei kr\u00e1tkych filmov. 11. \u2013 17. 3. Bratislava, Kino [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bratys\u0142awie\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-08T18:05:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-02T09:41:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"kyselm\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"kyselm\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/\",\"url\":\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/\",\"name\":\"Febiofest 2026\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1-300x169.png\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1-1024x576.png\",\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png\",\"datePublished\":\"2026-03-08T18:05:28+02:00\",\"dateModified\":\"2026-04-02T09:41:36+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2026-03-11\",\"endDate\":\"2026-03-17\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"V r\u00e1mci celove\u010dern\u00fdch filmov sa do programovej ponuky festivalu Febiofest 2026 dostalo to najlep\u0161ie, \u010do za posledn\u00fd rok vzniklo aj na po\u013eskej filmovej sc\u00e9ne. Nebud\u00fa ch\u00fdba\u0165 ani dve sn\u00edmky Andrzeja Wajdu, ktor\u00e9ho 100. v\u00fdro\u010die narodenia si tento rok pripom\u00edname a\u00a0na festivale zabojuj\u00fa aj po\u013esk\u00e9 kr\u00e1tkometr\u00e1\u017ene filmy v\u00a0s\u00fa\u0165a\u017ei kr\u00e1tkych filmov.\\n11. \u2013 17. 3. Bratislava, Kino Lumi\u00e9re, \u0160pit\u00e1lska 4\\nfebiofest.sk\\nSladk\u00fd domov (Dom dobry, re\u017e. Wojciech Smarzowski 2025, 107 min)14. 3. \/ 15:1515. 3. \/ 20:15\\nKe\u010f Go\u015bka spozn\u00e1 Grze\u015bka, je presved\u010den\u00e1, \u017ee kone\u010dne stretla \u201etoho prav\u00e9ho\u201c. Romantick\u00e9 gest\u00e1, z\u00e1snuby v Ben\u00e1tkach a dokonal\u00fd obraz l\u00e1sky v\u0161ak postupne vystriedaj\u00fa strach, manipul\u00e1cia a narastaj\u00face n\u00e1silie. Re\u017eis\u00e9r Wojciech Smarzowski nakr\u00fatil naliehav\u00fa v\u00fdpove\u010f o rodovo podmienenom n\u00e1sil\u00ed, ktor\u00e9 sa \u010dasto odohr\u00e1va za r\u00fa\u0161kom idylick\u00fdch vz\u0165ahov a ktor\u00e9 si okolie bu\u010f nev\u0161imne, alebo nechce v\u0161imn\u00fa\u0165.\\nOper\u00e1cia p\u00e1pe\u017e (Zamach na papie\u017ca, re\u017e. W\u0142adys\u0142aw Pasikowski, 116 min)13. 3. \/ 17:1515. 3. \/ 14:30\\nFilm je in\u0161pirovan\u00fd skuto\u010dn\u00fdmi udalos\u0165ami a pribli\u017euje pozadie jednej z najv\u00e4\u010d\u0161\u00edch oper\u00e1ci\u00ed tajn\u00fdch slu\u017eieb 20. storo\u010dia \u2013 atent\u00e1tu na p\u00e1pe\u017ea J\u00e1na Pavla II. Politick\u00fd triler re\u017eis\u00e9ra W\u0142adys\u0142awa Pasikowsk\u00e9ho sa odohr\u00e1va v roku 1981 v Po\u013esku, ke\u010f z Krem\u013ea prich\u00e1dza rozkaz, odstr\u00e1ni\u0165 p\u00e1pe\u017ea J\u00e1na Pavla II. B\u00fdval\u00fd ostre\u013eova\u010d prez\u00fdvan\u00fd Bruno je don\u00faten\u00fd zapoji\u0165 sa do pr\u00edsne tajnej oper\u00e1cie. Postupne sa ocit\u00e1 v centre z\u00e1kulisn\u00fdch machin\u00e1ci\u00ed, kde vl\u00e1dnu manipulat\u00edvne hry a ne\u013e\u00fatostn\u00fd boj o moc. Rozpolten\u00fd medzi rozkazom a vlastn\u00fdm svedom\u00edm mus\u00ed urobi\u0165 rozhodnutia, ktor\u00e9 m\u00f4\u017eu ovplyvni\u0165 nielen jeho \u017eivot, ale aj chod dej\u00edn.\\nNa povel (Dobry ch\u0142opiec, re\u017e. Jan Komasa, 110 min.)11. 3. \/ 21:1514. 3. \/ 14:3015. 3. \/ 17:00\\nTommy, provokat\u00edvny internetov\u00fd influencer \u0161\u00edriaci n\u00e1silie a bezoh\u013eadnos\u0165, sa po jednej divokej noci prebud\u00ed v zajat\u00ed na od\u013eahlom vidieckom s\u00eddle. Dr\u017e\u00ed ho tam man\u017eelsk\u00fd p\u00e1r, navonok pokojn\u00fd Chris a tich\u00e1 Kathryn, ktor\u00ed mu odober\u00fa telef\u00f3n, izoluj\u00fa ho od vonkaj\u0161ieho sveta a podrobia zvl\u00e1\u0161tnej \u201eprev\u00fdchove\u201c. V dome neplatia be\u017en\u00e9 pravidl\u00e1 a Tommy postupne zis\u0165uje, \u017ee nejde o n\u00e1hodn\u00fd \u00fanos, ale o premyslen\u00fd pl\u00e1n jeho \\\"mor\u00e1lnej n\u00e1pravy\\\". Psychologick\u00fd triler Na povel re\u017eis\u00e9ra Jan Komasa je znepokojivou sondou o moci a manipul\u00e1cii. Komasa op\u00e4\u0165 sk\u00fama temn\u00e9 z\u00e1kutia spolo\u010dnosti, tentoraz svet digit\u00e1lnej agresivity a mor\u00e1lnych hran\u00edc.\\nStriebro (Silver, re\u017e. Natalia Koniarz, 79 min.) 11. 3 \/ 17:30\\nV nehostinnej, takmer mesa\u010dnej krajine \u017eij\u00fa ban\u00edci so svojimi rodinami v tieni striebornej bane, kde ka\u017edodenn\u00e1 pr\u00e1ca prin\u00e1\u0161a aj neust\u00e1le riziko smrti. Film sleduje ich fyzicky vy\u010derp\u00e1vaj\u00facu drinu aj tich\u00e9 ritu\u00e1ly viery, ktor\u00e9 im pom\u00e1haj\u00fa zn\u00e1\u0161a\u0165 realitu pln\u00fa nebezpe\u010denstva a chudoby. Po\u013esk\u00e1 re\u017eis\u00e9rka Natalia Koniarz s empatiou a vizu\u00e1lnou presnos\u0165ou odha\u013euje nielen ka\u017edodennos\u0165 miestnej komunity, ale aj \u0161ir\u0161\u00ed historick\u00fd kontext, koloni\u00e1lne korene eur\u00f3pskeho bohatstva, cenu pokroku a nerovnov\u00e1hu sveta, ktor\u00fd stoj\u00ed na nevidite\u013enej pr\u00e1ci in\u00fdch. Sn\u00edmka z\u00edskala hne\u010f dve ocenenia na Medzin\u00e1rodnom festivale dokument\u00e1rnych filmov Ji.hlava: cenu Opus Bonum za najlep\u0161\u00ed medzin\u00e1rodn\u00fd dokument\u00e1rny film a Opus Bonum \u2013 Cenu za najlep\u0161\u00ed film z vy\u0161ehradsk\u00e9ho regi\u00f3nu.\\nSang: Die\u0165a prachu (Dziecko z\u00a0pylu, re\u017e. Weronika Mliczewska 93 min.)11. 3. \/ 10:0012. 3. \/ 19:00 (Kino Mlados\u0165)13. 3. \/ 16:0017. 3. \/ 20:15\\nDeti prachu \u2013 tak sa ozna\u010dovali deti vietnamsk\u00fdch \u017eien a americk\u00fdch vojakov naroden\u00e9 po\u010das vojny vo Vietname. V tomto obdob\u00ed sa narodil aj Sang, ktor\u00fd svojho otca nikdy nepoznal, no ani p\u00e4\u0165desiat rokov po skon\u010den\u00ed vojny sa nevzd\u00e1va n\u00e1deje, \u017ee ho n\u00e1jde. Ke\u010f sa dozvie, \u017ee jeho \u0165a\u017eko chor\u00fd otec \u017eije v Spojen\u00fdch \u0161t\u00e1toch, rozhodne sa vyh\u013eada\u0165 ho \u2013 aj za cenu toho, \u017ee mus\u00ed opusti\u0165 man\u017eelku, dc\u00e9ru a vnuka. V cudzej krajine sa v\u0161ak jeho vysn\u00edvan\u00e9 stretnutie stret\u00e1va s tvrdou realitou, zost\u00e1va cudzincom nielen v americkej spolo\u010dnosti, ale aj v rodine, ktor\u00e1 o jeho existencii netu\u0161ila. Citliv\u00fd portr\u00e9t mu\u017ea h\u013eadaj\u00faceho svoju identitu sleduje emocion\u00e1lne n\u00e1ro\u010dn\u00fa cestu za prijat\u00edm a odpusten\u00edm.\\nZas\u013e\u00faben\u00e1 zem (Ziemia obiecana, re\u017e. Andrzej Wajda, 1974, 179 min.) 12. 3. \/ 16:30\\nV industri\u00e1lnej Lod\u017ei konca 19. storo\u010dia sa traja priatelia, Poliak Karol Borowiecki, Nemec Max Baum a \u017did Moritz Welt, rozhodn\u00fa vyu\u017ei\u0165 prudk\u00fd priemyseln\u00fd rozmach a vybudova\u0165 vlastn\u00fa tov\u00e1re\u0148. V prostred\u00ed bezoh\u013eadnej konkurencie, \u0161pekul\u00e1ci\u00ed a spolo\u010densk\u00fdch amb\u00edci\u00ed postupne obetuj\u00fa mor\u00e1lne z\u00e1sady aj osobn\u00e9 vz\u0165ahy v mene \u00faspechu. Andrzej Wajda vo ve\u013ekolepej adapt\u00e1cii rom\u00e1nu nosite\u013ea Nobelovej ceny W\u0142adys\u0142awa Reymonta vykres\u013euje naturalistick\u00fd obraz mesta, kde sa \u0161pina tov\u00e1rn\u00ed stret\u00e1va s ok\u00e1zal\u00fdm luxusom novej bur\u017eo\u00e1zie. Pr\u00edbeh sleduje premenu idealizmu na cynizmus a kladie ot\u00e1zku, ak\u00fa cenu m\u00e1 \u00faspech v svete, ktor\u00fd sa riadi v\u00fdlu\u010dne logikou zisku. Film je pova\u017eovan\u00fd za jedno z vrcholn\u00fdch diel po\u013eskej kinematografie a patr\u00ed medzi najv\u00fdznamnej\u0161ie Wajdove filmy 20. storo\u010dia.\\nKronika milostn\u00fdch neh\u00f4d (Kronika wypadk\u00f3w milosnych, re\u017e. Andrzej Wajda, 1986, 114 min.)17.3 \/ 17:45\\nNa sklonku 30. rokov, v atmosf\u00e9re bl\u00ed\u017eiacej sa vojny, pre\u017e\u00edvaj\u00fa dvaja dospievaj\u00faci, Alina a Witek, prv\u00fa l\u00e1sku. Ich city sa rodia v \u010dase, ke\u010f sa svet okolo nich za\u010d\u00edna nebezpe\u010dne meni\u0165 a bezstarostnos\u0165 mladosti nar\u00e1\u017ea na trpk\u00fa realitu. Andrzej Wajda v adapt\u00e1cii rom\u00e1nu Tadeusza Konwick\u00e9ho vytv\u00e1ra melancholick\u00fa, lyrick\u00fa dr\u00e1mu o dospievan\u00ed, pam\u00e4ti a stratenej il\u00fazii. Osobn\u00fd pr\u00edbeh dvoch mlad\u00fdch \u013eud\u00ed sa tu prel\u00edna s pocitom konca jednej epochy tesne predt\u00fdm, ne\u017e Eur\u00f3pu pohlt\u00ed druh\u00e1 svetov\u00e1 vojna.\\nBaz\u00e1rov\u00e1 l\u00e1ska (Bazarowe love, re\u017e. Jakub Pycak, 19 min.)14. 3. \/ 17:3015. 3. \/ 16:45\\nMalwina, slobodn\u00e1 matka talentovan\u00e9ho mlad\u00e9ho pingpongov\u00e9ho \u0161ampi\u00f3na, sa po rozvode sna\u017e\u00ed za\u010da\u0165 odznova. Pres\u0165ahuje sa do nov\u00e9ho mesta a na miestnom trhu si otvor\u00ed st\u00e1nok s bieliz\u0148ou, kde spozn\u00e1 Jaceka, majite\u013ea sexshopu, pri ktorom sa po dlhom \u010dase c\u00edti bezpe\u010dne a prirodzene. Do ich vz\u0165ahu v\u0161ak vstupuje jej syn Maciek, ktor\u00fd st\u00e1le t\u00fa\u017ei po otcovi a nov\u00e9ho partnera svojej matky vyzve na symbolick\u00fd s\u00faboj \u2013 z\u00e1pas v stolnom tenise.\\nHajfongpol (re\u017e. Leon Korzy\u0144ski, 17 min.)11. 3. \/ 17:1512. 3. \/ 19:15\\nDrew, vietnamsk\u00fd imigrant \u017eij\u00faci vo Var\u0161ave, je zviazan\u00fd pr\u00edsnymi o\u010dak\u00e1vaniami svojej matky. Za zatvoren\u00fdmi dverami v\u0161ak vedie tajn\u00fd \u017eivot ako nechtov\u00fd dizajn\u00e9r. V\u0161etko sa zmen\u00ed, ke\u010f do jeho \u017eivota vst\u00fapi odv\u00e1\u017eny a talentovan\u00fd Bo, ktor\u00fd sa stane jeho m\u00fazou aj spojencom. Drew je tak n\u00faten\u00fd postavi\u0165 sa matkinmu vplyvu a prija\u0165 svoju identitu.\\nLadi\u010di (Stroiciele, re\u017e. Pawe\u0142 Chorz\u0119pa, 20 min.)12. 3. \/ 17:1513. 3. \/ 19:45\\nVo Var\u0161ave, v tieni jednej z najprest\u00ed\u017enej\u0161\u00edch klav\u00edrnych s\u00fa\u0165a\u017e\u00ed na svete, skupina sk\u00fasen\u00fdch ladi\u010dov z\u00e1pas\u00ed o dokonal\u00fd t\u00f3n. Ich cie\u013eom je pripravi\u0165 hudobn\u00fd n\u00e1stroj tak, aby na \u0148om v\u00ed\u0165azn\u00fd klavirista dosiahol absol\u00fatnu dokonalos\u0165. Film sleduje nap\u00e4tie, prec\u00edznos\u0165 a nevidite\u013en\u00fa pr\u00e1cu t\u00fdch, ktor\u00ed stoja v z\u00e1kulis\u00ed ve\u013ek\u00e9ho hudobn\u00e9ho triumfu.\\nTrhliny (Rozdarcia, re\u017e. 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Nebud\u00fa ch\u00fdba\u0165 ani dve sn\u00edmky Andrzeja Wajdu, ktor\u00e9ho 100. v\u00fdro\u010die narodenia si tento rok pripom\u00edname a\u00a0na festivale zabojuj\u00fa aj po\u013esk\u00e9 kr\u00e1tkometr\u00e1\u017ene filmy v\u00a0s\u00fa\u0165a\u017ei kr\u00e1tkych filmov. 11. \u2013 17. 3. Bratislava, Kino [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/","og_site_name":"Instytut Polski w Bratys\u0142awie","article_published_time":"2026-03-08T18:05:28+00:00","article_modified_time":"2026-04-02T09:41:36+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png","type":"image\/png"}],"author":"kyselm","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"kyselm","Szacowany czas czytania":"7 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/","url":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/","name":"Febiofest 2026","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1-300x169.png","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1-1024x576.png","https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png","datePublished":"2026-03-08T18:05:28+02:00","dateModified":"2026-04-02T09:41:36+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/"]}],"@context":"https:\/\/schema.org","startDate":"2026-03-11","endDate":"2026-03-17","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"V r\u00e1mci celove\u010dern\u00fdch filmov sa do programovej ponuky festivalu Febiofest 2026 dostalo to najlep\u0161ie, \u010do za posledn\u00fd rok vzniklo aj na po\u013eskej filmovej sc\u00e9ne. Nebud\u00fa ch\u00fdba\u0165 ani dve sn\u00edmky Andrzeja Wajdu, ktor\u00e9ho 100. v\u00fdro\u010die narodenia si tento rok pripom\u00edname a\u00a0na festivale zabojuj\u00fa aj po\u013esk\u00e9 kr\u00e1tkometr\u00e1\u017ene filmy v\u00a0s\u00fa\u0165a\u017ei kr\u00e1tkych filmov.\n11. \u2013 17. 3. Bratislava, Kino Lumi\u00e9re, \u0160pit\u00e1lska 4\nfebiofest.sk\nSladk\u00fd domov (Dom dobry, re\u017e. Wojciech Smarzowski 2025, 107 min)14. 3. \/ 15:1515. 3. \/ 20:15\nKe\u010f Go\u015bka spozn\u00e1 Grze\u015bka, je presved\u010den\u00e1, \u017ee kone\u010dne stretla \u201etoho prav\u00e9ho\u201c. Romantick\u00e9 gest\u00e1, z\u00e1snuby v Ben\u00e1tkach a dokonal\u00fd obraz l\u00e1sky v\u0161ak postupne vystriedaj\u00fa strach, manipul\u00e1cia a narastaj\u00face n\u00e1silie. Re\u017eis\u00e9r Wojciech Smarzowski nakr\u00fatil naliehav\u00fa v\u00fdpove\u010f o rodovo podmienenom n\u00e1sil\u00ed, ktor\u00e9 sa \u010dasto odohr\u00e1va za r\u00fa\u0161kom idylick\u00fdch vz\u0165ahov a ktor\u00e9 si okolie bu\u010f nev\u0161imne, alebo nechce v\u0161imn\u00fa\u0165.\nOper\u00e1cia p\u00e1pe\u017e (Zamach na papie\u017ca, re\u017e. W\u0142adys\u0142aw Pasikowski, 116 min)13. 3. \/ 17:1515. 3. \/ 14:30\nFilm je in\u0161pirovan\u00fd skuto\u010dn\u00fdmi udalos\u0165ami a pribli\u017euje pozadie jednej z najv\u00e4\u010d\u0161\u00edch oper\u00e1ci\u00ed tajn\u00fdch slu\u017eieb 20. storo\u010dia \u2013 atent\u00e1tu na p\u00e1pe\u017ea J\u00e1na Pavla II. Politick\u00fd triler re\u017eis\u00e9ra W\u0142adys\u0142awa Pasikowsk\u00e9ho sa odohr\u00e1va v roku 1981 v Po\u013esku, ke\u010f z Krem\u013ea prich\u00e1dza rozkaz, odstr\u00e1ni\u0165 p\u00e1pe\u017ea J\u00e1na Pavla II. B\u00fdval\u00fd ostre\u013eova\u010d prez\u00fdvan\u00fd Bruno je don\u00faten\u00fd zapoji\u0165 sa do pr\u00edsne tajnej oper\u00e1cie. Postupne sa ocit\u00e1 v centre z\u00e1kulisn\u00fdch machin\u00e1ci\u00ed, kde vl\u00e1dnu manipulat\u00edvne hry a ne\u013e\u00fatostn\u00fd boj o moc. Rozpolten\u00fd medzi rozkazom a vlastn\u00fdm svedom\u00edm mus\u00ed urobi\u0165 rozhodnutia, ktor\u00e9 m\u00f4\u017eu ovplyvni\u0165 nielen jeho \u017eivot, ale aj chod dej\u00edn.\nNa povel (Dobry ch\u0142opiec, re\u017e. Jan Komasa, 110 min.)11. 3. \/ 21:1514. 3. \/ 14:3015. 3. \/ 17:00\nTommy, provokat\u00edvny internetov\u00fd influencer \u0161\u00edriaci n\u00e1silie a bezoh\u013eadnos\u0165, sa po jednej divokej noci prebud\u00ed v zajat\u00ed na od\u013eahlom vidieckom s\u00eddle. Dr\u017e\u00ed ho tam man\u017eelsk\u00fd p\u00e1r, navonok pokojn\u00fd Chris a tich\u00e1 Kathryn, ktor\u00ed mu odober\u00fa telef\u00f3n, izoluj\u00fa ho od vonkaj\u0161ieho sveta a podrobia zvl\u00e1\u0161tnej \u201eprev\u00fdchove\u201c. V dome neplatia be\u017en\u00e9 pravidl\u00e1 a Tommy postupne zis\u0165uje, \u017ee nejde o n\u00e1hodn\u00fd \u00fanos, ale o premyslen\u00fd pl\u00e1n jeho \"mor\u00e1lnej n\u00e1pravy\". Psychologick\u00fd triler Na povel re\u017eis\u00e9ra Jan Komasa je znepokojivou sondou o moci a manipul\u00e1cii. Komasa op\u00e4\u0165 sk\u00fama temn\u00e9 z\u00e1kutia spolo\u010dnosti, tentoraz svet digit\u00e1lnej agresivity a mor\u00e1lnych hran\u00edc.\nStriebro (Silver, re\u017e. Natalia Koniarz, 79 min.) 11. 3 \/ 17:30\nV nehostinnej, takmer mesa\u010dnej krajine \u017eij\u00fa ban\u00edci so svojimi rodinami v tieni striebornej bane, kde ka\u017edodenn\u00e1 pr\u00e1ca prin\u00e1\u0161a aj neust\u00e1le riziko smrti. Film sleduje ich fyzicky vy\u010derp\u00e1vaj\u00facu drinu aj tich\u00e9 ritu\u00e1ly viery, ktor\u00e9 im pom\u00e1haj\u00fa zn\u00e1\u0161a\u0165 realitu pln\u00fa nebezpe\u010denstva a chudoby. Po\u013esk\u00e1 re\u017eis\u00e9rka Natalia Koniarz s empatiou a vizu\u00e1lnou presnos\u0165ou odha\u013euje nielen ka\u017edodennos\u0165 miestnej komunity, ale aj \u0161ir\u0161\u00ed historick\u00fd kontext, koloni\u00e1lne korene eur\u00f3pskeho bohatstva, cenu pokroku a nerovnov\u00e1hu sveta, ktor\u00fd stoj\u00ed na nevidite\u013enej pr\u00e1ci in\u00fdch. Sn\u00edmka z\u00edskala hne\u010f dve ocenenia na Medzin\u00e1rodnom festivale dokument\u00e1rnych filmov Ji.hlava: cenu Opus Bonum za najlep\u0161\u00ed medzin\u00e1rodn\u00fd dokument\u00e1rny film a Opus Bonum \u2013 Cenu za najlep\u0161\u00ed film z vy\u0161ehradsk\u00e9ho regi\u00f3nu.\nSang: Die\u0165a prachu (Dziecko z\u00a0pylu, re\u017e. Weronika Mliczewska 93 min.)11. 3. \/ 10:0012. 3. \/ 19:00 (Kino Mlados\u0165)13. 3. \/ 16:0017. 3. \/ 20:15\nDeti prachu \u2013 tak sa ozna\u010dovali deti vietnamsk\u00fdch \u017eien a americk\u00fdch vojakov naroden\u00e9 po\u010das vojny vo Vietname. V tomto obdob\u00ed sa narodil aj Sang, ktor\u00fd svojho otca nikdy nepoznal, no ani p\u00e4\u0165desiat rokov po skon\u010den\u00ed vojny sa nevzd\u00e1va n\u00e1deje, \u017ee ho n\u00e1jde. Ke\u010f sa dozvie, \u017ee jeho \u0165a\u017eko chor\u00fd otec \u017eije v Spojen\u00fdch \u0161t\u00e1toch, rozhodne sa vyh\u013eada\u0165 ho \u2013 aj za cenu toho, \u017ee mus\u00ed opusti\u0165 man\u017eelku, dc\u00e9ru a vnuka. V cudzej krajine sa v\u0161ak jeho vysn\u00edvan\u00e9 stretnutie stret\u00e1va s tvrdou realitou, zost\u00e1va cudzincom nielen v americkej spolo\u010dnosti, ale aj v rodine, ktor\u00e1 o jeho existencii netu\u0161ila. Citliv\u00fd portr\u00e9t mu\u017ea h\u013eadaj\u00faceho svoju identitu sleduje emocion\u00e1lne n\u00e1ro\u010dn\u00fa cestu za prijat\u00edm a odpusten\u00edm.\nZas\u013e\u00faben\u00e1 zem (Ziemia obiecana, re\u017e. Andrzej Wajda, 1974, 179 min.) 12. 3. \/ 16:30\nV industri\u00e1lnej Lod\u017ei konca 19. storo\u010dia sa traja priatelia, Poliak Karol Borowiecki, Nemec Max Baum a \u017did Moritz Welt, rozhodn\u00fa vyu\u017ei\u0165 prudk\u00fd priemyseln\u00fd rozmach a vybudova\u0165 vlastn\u00fa tov\u00e1re\u0148. V prostred\u00ed bezoh\u013eadnej konkurencie, \u0161pekul\u00e1ci\u00ed a spolo\u010densk\u00fdch amb\u00edci\u00ed postupne obetuj\u00fa mor\u00e1lne z\u00e1sady aj osobn\u00e9 vz\u0165ahy v mene \u00faspechu. Andrzej Wajda vo ve\u013ekolepej adapt\u00e1cii rom\u00e1nu nosite\u013ea Nobelovej ceny W\u0142adys\u0142awa Reymonta vykres\u013euje naturalistick\u00fd obraz mesta, kde sa \u0161pina tov\u00e1rn\u00ed stret\u00e1va s ok\u00e1zal\u00fdm luxusom novej bur\u017eo\u00e1zie. Pr\u00edbeh sleduje premenu idealizmu na cynizmus a kladie ot\u00e1zku, ak\u00fa cenu m\u00e1 \u00faspech v svete, ktor\u00fd sa riadi v\u00fdlu\u010dne logikou zisku. Film je pova\u017eovan\u00fd za jedno z vrcholn\u00fdch diel po\u013eskej kinematografie a patr\u00ed medzi najv\u00fdznamnej\u0161ie Wajdove filmy 20. storo\u010dia.\nKronika milostn\u00fdch neh\u00f4d (Kronika wypadk\u00f3w milosnych, re\u017e. Andrzej Wajda, 1986, 114 min.)17.3 \/ 17:45\nNa sklonku 30. rokov, v atmosf\u00e9re bl\u00ed\u017eiacej sa vojny, pre\u017e\u00edvaj\u00fa dvaja dospievaj\u00faci, Alina a Witek, prv\u00fa l\u00e1sku. Ich city sa rodia v \u010dase, ke\u010f sa svet okolo nich za\u010d\u00edna nebezpe\u010dne meni\u0165 a bezstarostnos\u0165 mladosti nar\u00e1\u017ea na trpk\u00fa realitu. Andrzej Wajda v adapt\u00e1cii rom\u00e1nu Tadeusza Konwick\u00e9ho vytv\u00e1ra melancholick\u00fa, lyrick\u00fa dr\u00e1mu o dospievan\u00ed, pam\u00e4ti a stratenej il\u00fazii. Osobn\u00fd pr\u00edbeh dvoch mlad\u00fdch \u013eud\u00ed sa tu prel\u00edna s pocitom konca jednej epochy tesne predt\u00fdm, ne\u017e Eur\u00f3pu pohlt\u00ed druh\u00e1 svetov\u00e1 vojna.\nBaz\u00e1rov\u00e1 l\u00e1ska (Bazarowe love, re\u017e. Jakub Pycak, 19 min.)14. 3. \/ 17:3015. 3. \/ 16:45\nMalwina, slobodn\u00e1 matka talentovan\u00e9ho mlad\u00e9ho pingpongov\u00e9ho \u0161ampi\u00f3na, sa po rozvode sna\u017e\u00ed za\u010da\u0165 odznova. Pres\u0165ahuje sa do nov\u00e9ho mesta a na miestnom trhu si otvor\u00ed st\u00e1nok s bieliz\u0148ou, kde spozn\u00e1 Jaceka, majite\u013ea sexshopu, pri ktorom sa po dlhom \u010dase c\u00edti bezpe\u010dne a prirodzene. Do ich vz\u0165ahu v\u0161ak vstupuje jej syn Maciek, ktor\u00fd st\u00e1le t\u00fa\u017ei po otcovi a nov\u00e9ho partnera svojej matky vyzve na symbolick\u00fd s\u00faboj \u2013 z\u00e1pas v stolnom tenise.\nHajfongpol (re\u017e. Leon Korzy\u0144ski, 17 min.)11. 3. \/ 17:1512. 3. \/ 19:15\nDrew, vietnamsk\u00fd imigrant \u017eij\u00faci vo Var\u0161ave, je zviazan\u00fd pr\u00edsnymi o\u010dak\u00e1vaniami svojej matky. Za zatvoren\u00fdmi dverami v\u0161ak vedie tajn\u00fd \u017eivot ako nechtov\u00fd dizajn\u00e9r. V\u0161etko sa zmen\u00ed, ke\u010f do jeho \u017eivota vst\u00fapi odv\u00e1\u017eny a talentovan\u00fd Bo, ktor\u00fd sa stane jeho m\u00fazou aj spojencom. Drew je tak n\u00faten\u00fd postavi\u0165 sa matkinmu vplyvu a prija\u0165 svoju identitu.\nLadi\u010di (Stroiciele, re\u017e. Pawe\u0142 Chorz\u0119pa, 20 min.)12. 3. \/ 17:1513. 3. \/ 19:45\nVo Var\u0161ave, v tieni jednej z najprest\u00ed\u017enej\u0161\u00edch klav\u00edrnych s\u00fa\u0165a\u017e\u00ed na svete, skupina sk\u00fasen\u00fdch ladi\u010dov z\u00e1pas\u00ed o dokonal\u00fd t\u00f3n. Ich cie\u013eom je pripravi\u0165 hudobn\u00fd n\u00e1stroj tak, aby na \u0148om v\u00ed\u0165azn\u00fd klavirista dosiahol absol\u00fatnu dokonalos\u0165. Film sleduje nap\u00e4tie, prec\u00edznos\u0165 a nevidite\u013en\u00fa pr\u00e1cu t\u00fdch, ktor\u00ed stoja v z\u00e1kulis\u00ed ve\u013ek\u00e9ho hudobn\u00e9ho triumfu.\nTrhliny (Rozdarcia, re\u017e. Paulina Ziolkowska, 9 min.)14. 3. \/ 17:3015. 3. \/ 16:45\nFilm o neschopnosti urobi\u0165 rozhodnutie a o \u017eene, ktor\u00e1 sa vo svete plnom mo\u017enost\u00ed nevie, a mo\u017eno ani nechce, rozhodn\u00fa\u0165."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png","contentUrl":"https:\/\/instytutpolski.pl\/bratislava\/wp-content\/uploads\/sites\/13\/2026\/03\/FF2026_ENslider-1.png","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bratislava\/2026\/03\/08\/febiofest-2026\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bratislava\/"},{"@type":"ListItem","position":2,"name":"Febiofest 2026"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bratislava\/#website","url":"https:\/\/instytutpolski.pl\/bratislava\/","name":"Instytut Polski w Bratys\u0142awie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bratislava\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/9ec657f865a156712552ca9f0ad27720","name":"kyselm","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bratislava\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ba96f7f4a6104a2e2f0328f9863f506d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ba96f7f4a6104a2e2f0328f9863f506d?s=96&d=mm&r=g","caption":"kyselm"},"url":"https:\/\/instytutpolski.pl\/bratislava\/author\/kyselm\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/9258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/users\/116"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/comments?post=9258"}],"version-history":[{"count":3,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/9258\/revisions"}],"predecessor-version":[{"id":9381,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/posts\/9258\/revisions\/9381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/media\/9252"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/media?parent=9258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/categories?post=9258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bratislava\/wp-json\/wp\/v2\/tags?post=9258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}