{"version":"1.0","provider_name":"Instytut Polski w Brukseli","provider_url":"https:\/\/instytutpolski.pl\/brussels","author_name":"dyjakn","author_url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/","title":"Exposition \"All the Brutes\" de Radek SZLAGA - Instytut Polski w Brukseli","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"MOyLC0Xo8I\"><a href=\"https:\/\/instytutpolski.pl\/brussels\/2015\/06\/05\/exposition-all-the-brutes-de-radek-szlaga\/\">Exposition &#8222;All the Brutes&#8221; de Radek SZLAGA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/brussels\/2015\/06\/05\/exposition-all-the-brutes-de-radek-szlaga\/embed\/#?secret=MOyLC0Xo8I\" width=\"600\" height=\"338\" title=\"&#8222;Exposition &#8222;All the Brutes&#8221; de Radek SZLAGA&#8221; &#8212; Instytut Polski w Brukseli\" data-secret=\"MOyLC0Xo8I\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-4-8.png","thumbnail_width":572,"thumbnail_height":358,"description":"Le peintre\u00a0Radek SZLAGA\u00a0pr\u00e9sente une nouvelle s\u00e9rie de cr\u00e9ations traitant de diff\u00e9rents th\u00e8mes issus du livre\u00a0Au c\u0153ur des t\u00e9n\u00e8bres\u00a0du c\u00e9l\u00e8bre \u00e9crivain d\u2019origine polonaise\u00a0Joseph CONRAD. Chacune de ses \u0153uvres renverra \u00e0 des questions soulev\u00e9es par le texte, telles que les formes prises par le colonialisme culturel, mais \u00e9galement \u00e0 des appropriations artistiques de fragments du roman ou [&hellip;]"}