{"version":"1.0","provider_name":"Instytut Polski w Brukseli","provider_url":"https:\/\/instytutpolski.pl\/brussels","author_name":"dyjakn","author_url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/","title":"Capella Cracoviensis interpr\u00e8te \"Belshazzar\" de H\u00e4ndel - Instytut Polski w Brukseli","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Bp9DQQ5Jp7\"><a href=\"https:\/\/instytutpolski.pl\/brussels\/2016\/08\/13\/capella-cracoviensis-interprete-belshazzar-de-handel\/\">Capella Cracoviensis interpr\u00e8te &#8222;Belshazzar&#8221; de H\u00e4ndel<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/brussels\/2016\/08\/13\/capella-cracoviensis-interprete-belshazzar-de-handel\/embed\/#?secret=Bp9DQQ5Jp7\" width=\"600\" height=\"338\" title=\"&#8222;Capella Cracoviensis interpr\u00e8te &#8222;Belshazzar&#8221; de H\u00e4ndel&#8221; &#8212; Instytut Polski w Brukseli\" data-secret=\"Bp9DQQ5Jp7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-7.jpg","thumbnail_width":572,"thumbnail_height":357,"description":"Ottavio DANTONE\u00a0et son brillant orchestre italien\u00a0Accademia Bizantina\u00a0ont invit\u00e9 les voix polonaises du ch\u0153ur\u00a0CAPELLA CRACOVIENSIS\u00a0pour sublimer l\u2019un des derniers chefs-d\u2019\u0153uvre de George\u00a0Frideric HAENDEL, l\u2019oratorio &#8222;Belshazzar&#8221; HWV 61, dont la premi\u00e8re eut lieu en mars, \u00e0 Cracovie, en clot\u00fbre du festival\u00a0Misteria Paschalia. Le\u00a0MAFestival, le grand \u00e9v\u00e9nement musical brugeois d\u00e9di\u00e9 \u00e0 la Musique ancienne, le pr\u00e9sentera \u00e9galement en [&hellip;]"}