{"version":"1.0","provider_name":"Instytut Polski w Brukseli","provider_url":"https:\/\/instytutpolski.pl\/brussels","author_name":"dyjakn","author_url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/","title":"DEKALOG van KIE\u015aLOWSKI in beeld en muziek - Instytut Polski w Brukseli","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HhdSOOtOOo\"><a href=\"https:\/\/instytutpolski.pl\/brussels\/nl\/2016\/03\/09\/dekalog-van-kieslowski-in-beeld-en-muziek\/\">DEKALOG van KIE\u015aLOWSKI in beeld en muziek<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/brussels\/nl\/2016\/03\/09\/dekalog-van-kieslowski-in-beeld-en-muziek\/embed\/#?secret=HhdSOOtOOo\" width=\"600\" height=\"338\" title=\"&#8222;DEKALOG van KIE\u015aLOWSKI in beeld en muziek&#8221; &#8212; Instytut Polski w Brukseli\" data-secret=\"HhdSOOtOOo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-9-1.png","thumbnail_width":572,"thumbnail_height":359,"description":"Het\u00a0KLARAFESTIVAL\u00a0zet de integrale\u00a0DEKALOG\u00a0(de\u00a0Dekaloog) van\u00a0Krzysztof KIE\u015aLOWSKI\u00a0op het programma. De regisseur bracht deze reeks van tien middellange films uit op het einde van de jaren 1980, het moment dat het communistisch regime haar macht afstond ten voordele van de democratie. Met deze films brak hij door en dat werd later bevestigd met zijn Trilogie\u00a0Bleu,\u00a0Blanc\u00a0en\u00a0Rouge) en\u00a0La Double Vie [&hellip;]"}