{"version":"1.0","provider_name":"Instytut Polski w Brukseli","provider_url":"https:\/\/instytutpolski.pl\/brussels","author_name":"dyjakn","author_url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/","title":"And you must suffer \/ Johannespassie - Instytut Polski w Brukseli","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"sPgJTafMW8\"><a href=\"https:\/\/instytutpolski.pl\/brussels\/nl\/2016\/03\/10\/and-you-must-suffer-johannespassie\/\">And you must suffer \/ Johannespassie<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/brussels\/nl\/2016\/03\/10\/and-you-must-suffer-johannespassie\/embed\/#?secret=sPgJTafMW8\" width=\"600\" height=\"338\" title=\"&#8222;And you must suffer \/ Johannespassie&#8221; &#8212; Instytut Polski w Brukseli\" data-secret=\"sPgJTafMW8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-8-2.png","thumbnail_width":572,"thumbnail_height":358,"description":"De\u00a0Passies\u00a0van\u00a0Johann Sebastian BACH\u00a0blijven fascineren bij het westerse publiek. Dat is de reden waarom het\u00a0KLARAFESTIVAL\u00a0dit jaar het accent legt met dit muzikaal theater op religie en spiritualiteit, en op hun rol, zowel positief als negatief, in de maatschappij. De regisseur\u00a0Pierre AUDI\u00a0mengt zangers met beelden van het\u00a0Via Crucis\u00a0van de Belgische beeldende kunstenaar\u00a0Wim DELVOYE. Het Belgische barokorkest\u00a0B&#8217;Rock\u00a0zal begeleid [&hellip;]"}