{"id":13369,"date":"2024-01-23T15:51:28","date_gmt":"2024-01-23T14:51:28","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=13369"},"modified":"2024-10-07T10:09:29","modified_gmt":"2024-10-07T08:09:29","slug":"debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/","title":{"rendered":"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n"},"content":{"rendered":"\n<p>The Poland-Belgium musical encounter will unveil the universes of two composers whose poetic aspirations seem to bring them together despite their geographical and temporal differences. Zbigniew Bargielski and Jean-Pierre Deleuze will successively highlight the main characteristics of their musical language through a string quartet they have composed, which will be fully performed by Quatuor Am\u00f4n, the ensemble in residence at the Royal Academy of Belgium.<\/p>\n<p>Each composer will have the opportunity to illustrate their analysis by performing key passages or motifs from the musical composition. Jean-Pierre Deleuze, a composer and member of the Royal Academy of Belgium, will first introduce his work: the string quartet &#8222;Le Pavillon des Songes,&#8221; followed by its complete execution by Quatuor Am\u00f4n.<\/p>\n<p>Next, Zbigniew Bargielski will introduce himself and place his work in the historical and cultural context of Poland. Additionally, the musical analysis of his String Quartet No. 1 &#8222;Alpine&#8221; will precede its performance. Towards the end of the session, there will be an interaction with the audience in the form of spontaneous questions and answers.<\/p>\n<p><strong>Programme:<\/strong><\/p>\n<ul>\n<li>J. P. Deleuze, First String Quartet, &#8222;Le Pavillon des Songes&#8221; (2016)<\/li>\n<li>Z. Bargielski, String Quartet No. 1, &#8222;Alpine&#8221; (1976)<\/li>\n<\/ul>\n<hr \/>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13375 alignleft\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-3-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-3-300x300.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-3-1024x1024.jpg 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-3-150x150.jpg 150w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-3-768x768.jpg 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-3.jpg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><a href=\"https:\/\/www.polmic.pl\/index.php?option=com_mwosoby&amp;id=40&amp;litera=0&amp;view=czlowiek&amp;Itemid=5&amp;lang=en\">Zbigniew Bargielski<\/a><\/strong><\/p>\n<p>Bargielski&#8217;s work, with its distinctive sonic universe, stands as an independent force in contemporary Polish music, transcending prevalent trends. Over the years, he has developed his unique system for arranging a constellation of sounds and shaping the architecture of his compositions. His repertoire spans orchestral pieces, concertos (particularly for percussion), chamber music, and solo instrument compositions. Notably, he has also ventured into operatic realms with works such as &#8222;Danton&#8221; (1968\/69), &#8222;The Little Prince&#8221; inspired by Saint-Exup\u00e9ry (1970), and &#8222;Alice in Wonderland&#8221; (1971\/72), the latter two crafted for a youthful audience. Alongside his role as a composer, Bargielski has built a career as a professor at the Feliks Nowowiejski Academy of Music in Bydgoszcz.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><a href=\"https:\/\/creationmusicale.be\/fr\/compositeurs\/jean_pierre_deleuze\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13376 alignleft\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-1-300x300.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-1-1024x1024.jpg 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-1-150x150.jpg 150w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-1-768x768.jpg 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Bargielski-feed-1.jpg 1080w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Jean-Pierre Deleuze<\/strong><\/a><\/p>\n<p>Initially influenced by the profound works of Alexander Scriabin, Deleuze later delved into microtonality. Shaped by spectral aesthetics and a fascination with the East, his compositions evolve to express a contemplative imagination, as seen in &#8222;Espaces Oniriques I&#8221; (2001) for piano. His works increasingly incorporate explicit and numerous references to Eastern musical traditions, as evident in pieces like &#8222;Quatre Ha\u00efku, \u00e9vocations po\u00e9tiques pour orgue&#8221; (2004), &#8222;\u00c2lap&#8221; (2005) for bansuri, arpeggione, and guitar, and &#8222;Vues sur le jardin de lumi\u00e8re&#8221; (2009) for piano and string quartet, among others.<\/p>\n<p>In January 2007, Deleuze was honored with membership in the Royal Academy of Belgium.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-13353 size-full\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/amon-e1706021019696.png\" alt=\"\" width=\"800\" height=\"529\" \/><\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/quatuoramon.com\/\"><strong>Quatuor Am\u00f4n<\/strong><\/a> \u2013 Aymeric de Villoutreys, violin \/ Julien Poli, violin \/ \u00c9va Pusker, viola \/ Anne-Gabrielle Lia-Aragnouet, cello<\/p>\n<p style=\"text-align: center\">Established in 2008, Quatuor Am\u00f4n is currently the ensemble in residence at the Royal Academy of Belgium.<\/p>\n<hr \/>\n<p style=\"text-align: center\">Debate &amp; concert<br \/><strong>Deux visages du quatuor \u00e0 cordes<\/strong><br \/><strong>Fabruary 1, 2024<\/strong><br \/><strong>17:00<\/strong><br \/><strong>Palais des Acad\u00e9mies \u2013 Galerie de Marbre<\/strong><br \/>Rue Ducale 1, 1000 Brussels<\/p>\n<p style=\"text-align: center\"><strong><a href=\"https:\/\/academieroyale.be\/fr\/activites-detail\/dates-heures-lieux\/b-conference-concertb-brdeux-visages-du-quatuor-cordes-01-02-2024-17-00\/\">More info | Registration<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Poland-Belgium musical encounter will unveil the universes of two composers whose poetic aspirations seem to bring them together despite their geographical and temporal differences. Zbigniew Bargielski and Jean-Pierre Deleuze will successively highlight the main characteristics of their musical language through a string quartet they have composed, which will be fully performed by Quatuor Am\u00f4n, [&hellip;]<\/p>\n","protected":false},"author":191,"featured_media":13383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[76,96,1],"tags":[],"class_list":["post-13369","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-en","category-music","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"The Poland-Belgium musical encounter will unveil the universes of two composers whose poetic aspirations seem to bring them together despite their geographical and temporal differences. Zbigniew Bargielski and Jean-Pierre Deleuze will successively highlight the main characteristics of their musical language through a string quartet they have composed, which will be fully performed by Quatuor Am\u00f4n, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2024-01-23T14:51:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-07T08:09:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"strzelkak\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"strzelkak\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/\",\"name\":\"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7-300x169.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7-1024x576.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png\",\"datePublished\":\"2024-01-23T14:51:28+02:00\",\"dateModified\":\"2024-10-07T08:09:29+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/984dd022fbfcd6067a7db18507c1a8a0\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2024-01-23\",\"endDate\":\"2024-01-23\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"The Poland-Belgium musical encounter will unveil the universes of two composers whose poetic aspirations seem to bring them together despite their geographical and temporal differences. Zbigniew Bargielski and Jean-Pierre Deleuze will successively highlight the main characteristics of their musical language through a string quartet they have composed, which will be fully performed by Quatuor Am\u00f4n, the ensemble in residence at the Royal Academy of Belgium.\\nEach composer will have the opportunity to illustrate their analysis by performing key passages or motifs from the musical composition. Jean-Pierre Deleuze, a composer and member of the Royal Academy of Belgium, will first introduce his work: the string quartet \\\"Le Pavillon des Songes,\\\" followed by its complete execution by Quatuor Am\u00f4n.\\nNext, Zbigniew Bargielski will introduce himself and place his work in the historical and cultural context of Poland. Additionally, the musical analysis of his String Quartet No. 1 \\\"Alpine\\\" will precede its performance. Towards the end of the session, there will be an interaction with the audience in the form of spontaneous questions and answers.\\nProgramme:\\nJ. P. Deleuze, First String Quartet, \\\"Le Pavillon des Songes\\\" (2016)\\nZ. Bargielski, String Quartet No. 1, \\\"Alpine\\\" (1976)\\nZbigniew Bargielski\\nBargielski's work, with its distinctive sonic universe, stands as an independent force in contemporary Polish music, transcending prevalent trends. Over the years, he has developed his unique system for arranging a constellation of sounds and shaping the architecture of his compositions. His repertoire spans orchestral pieces, concertos (particularly for percussion), chamber music, and solo instrument compositions. Notably, he has also ventured into operatic realms with works such as \\\"Danton\\\" (1968\/69), \\\"The Little Prince\\\" inspired by Saint-Exup\u00e9ry (1970), and \\\"Alice in Wonderland\\\" (1971\/72), the latter two crafted for a youthful audience. Alongside his role as a composer, Bargielski has built a career as a professor at the Feliks Nowowiejski Academy of Music in Bydgoszcz.\\n\u00a0\\n\u00a0\\nJean-Pierre Deleuze\\nInitially influenced by the profound works of Alexander Scriabin, Deleuze later delved into microtonality. Shaped by spectral aesthetics and a fascination with the East, his compositions evolve to express a contemplative imagination, as seen in \\\"Espaces Oniriques I\\\" (2001) for piano. His works increasingly incorporate explicit and numerous references to Eastern musical traditions, as evident in pieces like \\\"Quatre Ha\u00efku, \u00e9vocations po\u00e9tiques pour orgue\\\" (2004), \\\"\u00c2lap\\\" (2005) for bansuri, arpeggione, and guitar, and \\\"Vues sur le jardin de lumi\u00e8re\\\" (2009) for piano and string quartet, among others.\\nIn January 2007, Deleuze was honored with membership in the Royal Academy of Belgium.\\n\u00a0\\n\u00a0\\nQuatuor Am\u00f4n \u2013 Aymeric de Villoutreys, violin \/ Julien Poli, violin \/ \u00c9va Pusker, viola \/ Anne-Gabrielle Lia-Aragnouet, cello\\nEstablished in 2008, Quatuor Am\u00f4n is currently the ensemble in residence at the Royal Academy of Belgium.\\nDebate &amp; concertDeux visages du quatuor \u00e0 cordesFabruary 1, 202417:00Palais des Acad\u00e9mies \u2013 Galerie de MarbreRue Ducale 1, 1000 Brussels\\nMore info | Registration\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png\",\"width\":1920,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/984dd022fbfcd6067a7db18507c1a8a0\",\"name\":\"strzelkak\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/9298b7f62ba7ec82cb10b70cf5a60e1a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/9298b7f62ba7ec82cb10b70cf5a60e1a?s=96&d=mm&r=g\",\"caption\":\"strzelkak\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/strzelkak\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/","og_locale":"pl_PL","og_type":"article","og_title":"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n - Instytut Polski w Brukseli","og_description":"The Poland-Belgium musical encounter will unveil the universes of two composers whose poetic aspirations seem to bring them together despite their geographical and temporal differences. 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Zbigniew Bargielski and Jean-Pierre Deleuze will successively highlight the main characteristics of their musical language through a string quartet they have composed, which will be fully performed by Quatuor Am\u00f4n, the ensemble in residence at the Royal Academy of Belgium.\nEach composer will have the opportunity to illustrate their analysis by performing key passages or motifs from the musical composition. Jean-Pierre Deleuze, a composer and member of the Royal Academy of Belgium, will first introduce his work: the string quartet \"Le Pavillon des Songes,\" followed by its complete execution by Quatuor Am\u00f4n.\nNext, Zbigniew Bargielski will introduce himself and place his work in the historical and cultural context of Poland. Additionally, the musical analysis of his String Quartet No. 1 \"Alpine\" will precede its performance. Towards the end of the session, there will be an interaction with the audience in the form of spontaneous questions and answers.\nProgramme:\nJ. P. Deleuze, First String Quartet, \"Le Pavillon des Songes\" (2016)\nZ. Bargielski, String Quartet No. 1, \"Alpine\" (1976)\nZbigniew Bargielski\nBargielski's work, with its distinctive sonic universe, stands as an independent force in contemporary Polish music, transcending prevalent trends. Over the years, he has developed his unique system for arranging a constellation of sounds and shaping the architecture of his compositions. His repertoire spans orchestral pieces, concertos (particularly for percussion), chamber music, and solo instrument compositions. Notably, he has also ventured into operatic realms with works such as \"Danton\" (1968\/69), \"The Little Prince\" inspired by Saint-Exup\u00e9ry (1970), and \"Alice in Wonderland\" (1971\/72), the latter two crafted for a youthful audience. Alongside his role as a composer, Bargielski has built a career as a professor at the Feliks Nowowiejski Academy of Music in Bydgoszcz.\n\u00a0\n\u00a0\nJean-Pierre Deleuze\nInitially influenced by the profound works of Alexander Scriabin, Deleuze later delved into microtonality. Shaped by spectral aesthetics and a fascination with the East, his compositions evolve to express a contemplative imagination, as seen in \"Espaces Oniriques I\" (2001) for piano. His works increasingly incorporate explicit and numerous references to Eastern musical traditions, as evident in pieces like \"Quatre Ha\u00efku, \u00e9vocations po\u00e9tiques pour orgue\" (2004), \"\u00c2lap\" (2005) for bansuri, arpeggione, and guitar, and \"Vues sur le jardin de lumi\u00e8re\" (2009) for piano and string quartet, among others.\nIn January 2007, Deleuze was honored with membership in the Royal Academy of Belgium.\n\u00a0\n\u00a0\nQuatuor Am\u00f4n \u2013 Aymeric de Villoutreys, violin \/ Julien Poli, violin \/ \u00c9va Pusker, viola \/ Anne-Gabrielle Lia-Aragnouet, cello\nEstablished in 2008, Quatuor Am\u00f4n is currently the ensemble in residence at the Royal Academy of Belgium.\nDebate &amp; concertDeux visages du quatuor \u00e0 cordesFabruary 1, 202417:00Palais des Acad\u00e9mies \u2013 Galerie de MarbreRue Ducale 1, 1000 Brussels\nMore info | Registration"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/01\/Untitled-design-7.png","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/01\/23\/debate-concert-deux-visages-du-quatuor-a-cordes-zbigniew-bargielski-and-jean-pierre-deleuze-performed-by-quatuor-amon\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Debate &amp; concert: Deux visages du quatuor \u00e0 cordes | Zbigniew Bargielski and Jean-Pierre Deleuze performed by Quatuor Am\u00f4n"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/984dd022fbfcd6067a7db18507c1a8a0","name":"strzelkak","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9298b7f62ba7ec82cb10b70cf5a60e1a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9298b7f62ba7ec82cb10b70cf5a60e1a?s=96&d=mm&r=g","caption":"strzelkak"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/strzelkak\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/13369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/191"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=13369"}],"version-history":[{"count":4,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/13369\/revisions"}],"predecessor-version":[{"id":13418,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/13369\/revisions\/13418"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/13383"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=13369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=13369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=13369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}