{"id":14578,"date":"2024-09-16T13:25:46","date_gmt":"2024-09-16T11:25:46","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=14578"},"modified":"2025-01-13T10:50:53","modified_gmt":"2025-01-13T09:50:53","slug":"agnieszka-polska-flowers-on-the-sun-m-hka-antwerp","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/09\/16\/agnieszka-polska-flowers-on-the-sun-m-hka-antwerp\/","title":{"rendered":"Exhibition: Agnieszka Polska \u2013 Flowers on the Sun @ M HKA Antwerp"},"content":{"rendered":"\n
The first solo exhibition of Berlin-based Polish artist Agnieszka Polska in Belgium, Flowers on the Sun<\/em>, features a selection of recent works, including her latest film, The Book of Flowers<\/em> (2023), created with the assistance of AI-powered tools. The artist initially used stop-motion animation footage of flowers from the 1950s, which was then transformed into AI-generated imagery.

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Based on speculative scenarios blended with elements of science fiction, the exhibition highlights issues related to the relationship of humans, non-humans and technology, posing urgent questions about our perception of time and history. Braudel\u2019s Clock <\/em>ongoing series reflects on the idea of unified time as a social construct, and the world as a complex set of structures evolving at various speeds. In her work Polska also reflects on the individual\u2019s position in the contemporary world.<\/p>\n<\/div>\n<\/div>\n

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Agnieszka Polska, Braudel’s Clock – Hurricane, 2022 \u00a9 Galeria Dawid Radziszewski<\/p><\/div>\n<\/td>\n

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Agnieszka Polska, Braudel’s Clock \u2013 Octopus and Butterfly, 2023 \u00a9 Galeria Dawid Radziszewski<\/p><\/div>\n<\/td>\n

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Agnieszka Polska, Braudel’s Clock – Our Planet, 2023 \u00a9 Galeria Dawid Radziszewski<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n

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\u00a9 Agnieszka Polska<\/p><\/div>\n

About the artist<\/strong><\/p>\n

During her art studies, Agnieszka Polska began creating animations using traditional techniques such as glass table animation. Later, she developed an interest in digital animation and the immersive qualities of the images she creates. Various storytelling formats are crucial to her films. She explores these narratives not only in video works but also in other mediums such as feature film and theater performance. These different forms naturally extend her artistic practice.
For a while, she was interested in the speculative history of avant-garde movements, but now she tends to draw upon stories and inspirations related to planetary socio-technological systems, global changes and contemporary crises. Her influences include visual culture and science fiction works by authors such as Stanis\u0142aw Lem, Ursula K. Le Guin, and Brian Catling, among others.
In her recent projects, she hints at a future of filmmaking that may shift towards world-building rather than traditional storytelling.<\/p>\n

\n

 <\/p>\n\n\n\n\n\n\n
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Agnieszka Polska, Still from \u2018The Book of Flowers\u2019<\/p><\/div>\n<\/td>\n

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Agnieszka Polska, Still from \u2018The Book of Flowers\u2019<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n

About M HKA<\/strong><\/p>\n

The M HKA is a museum for contemporary art, film, and visual culture in its widest sense. It is an open place of encounter for art, artists, and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp\u2019s avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection, and presentation. Central here is the museum\u2019s collection with its ongoing acquisitions, as well as related areas of management and research.<\/p>\n

About IN SITU<\/strong><\/p>\n

Through the IN SITU programme, M HKA invests in the contemporary art scene. Artists from around the world are invited to create new work in the Point Room, the museum\u2019s most atypical space. Experimentation takes centre stage: here, artists can push the boundaries of their practice with the support of the museum. IN SITU highlights the pioneering spirit of both emerging and established talents.<\/p>\n\n\n\n

\n

Agnieszka Polska \u2013 Flowers on the Sun \u2013 In Situ
21 Sep 2024 – 12 Jan 2025<\/strong>
M HKA<\/a><\/strong>
Leuvenstraat 32
2000 Antwerp<\/a><\/p>\n

Open from Tuesday till Sunday, from 11:00 to 18:00

<\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

The first solo exhibition of Berlin-based Polish artist Agnieszka Polska in Belgium, Flowers on the Sun, features a selection of recent works, including her latest film, The Book of Flowers (2023), created with the assistance of AI-powered tools. The artist initially used stop-motion animation footage of flowers from the 1950s, which was then transformed into AI-generated imagery. Based […]<\/p>\n","protected":false},"author":163,"featured_media":14582,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[90,1],"tags":[],"class_list":["post-14578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-news"],"yoast_head":"\nExhibition: Agnieszka Polska \u2013 Flowers on the Sun @ M HKA Antwerp - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/09\/16\/agnieszka-polska-flowers-on-the-sun-m-hka-antwerp\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibition: Agnieszka Polska \u2013 Flowers on the Sun @ M HKA Antwerp - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"The first solo exhibition of Berlin-based Polish artist Agnieszka Polska in Belgium, Flowers on the Sun, features a selection of recent works, including her latest film, The Book of Flowers (2023), created with the assistance of AI-powered tools. 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In her work Polska also reflects on the individual\u2019s position in the contemporary world.\\n \\n[caption id=\\\"attachment_14587\\\" align=\\\"alignnone\\\" width=\\\"300\\\"] Agnieszka Polska, Braudel's Clock - Hurricane, 2022 \u00a9 Galeria Dawid Radziszewski[\/caption]\\n[caption id=\\\"attachment_14588\\\" align=\\\"alignnone\\\" width=\\\"300\\\"] Agnieszka Polska, Braudel's Clock \u2013 Octopus and Butterfly, 2023 \u00a9 Galeria Dawid Radziszewski[\/caption]\\n[caption id=\\\"attachment_14589\\\" align=\\\"alignnone\\\" width=\\\"300\\\"] Agnieszka Polska, Braudel's Clock - Our Planet, 2023 \u00a9 Galeria Dawid Radziszewski[\/caption]\\n \\n[caption id=\\\"attachment_14591\\\" align=\\\"alignleft\\\" width=\\\"215\\\"] \u00a9 Agnieszka Polska[\/caption]\\nAbout the artist\\nDuring her art studies, Agnieszka Polska began creating animations using traditional techniques such as glass table animation. 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Le Guin, and Brian Catling, among others.In her recent projects, she hints at a future of filmmaking that may shift towards world-building rather than traditional storytelling.\\n \\n[caption id=\\\"attachment_14594\\\" align=\\\"alignright\\\" width=\\\"415\\\"] Agnieszka Polska, Still from \u2018The Book of Flowers\u2019[\/caption]\\n[caption id=\\\"attachment_14595\\\" align=\\\"alignleft\\\" width=\\\"400\\\"] Agnieszka Polska, Still from \u2018The Book of Flowers\u2019[\/caption]\\nAbout M HKA\\nThe M HKA is a museum for contemporary art, film, and visual culture in its widest sense. It is an open place of encounter for art, artists, and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp\u2019s avant-garde tradition. 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The artist initially used stop-motion animation footage of flowers from the 1950s, which was then transformed into AI-generated imagery.\nBased on speculative scenarios blended with elements of science fiction, the exhibition highlights issues related to the relationship of humans, non-humans and technology, posing urgent questions about our perception of time and history. Braudel\u2019s Clock ongoing series reflects on the idea of unified time as a social construct, and the world as a complex set of structures evolving at various speeds. In her work Polska also reflects on the individual\u2019s position in the contemporary world.\n \n[caption id=\"attachment_14587\" align=\"alignnone\" width=\"300\"] Agnieszka Polska, Braudel's Clock - Hurricane, 2022 \u00a9 Galeria Dawid Radziszewski[\/caption]\n[caption id=\"attachment_14588\" align=\"alignnone\" width=\"300\"] Agnieszka Polska, Braudel's Clock \u2013 Octopus and Butterfly, 2023 \u00a9 Galeria Dawid Radziszewski[\/caption]\n[caption id=\"attachment_14589\" align=\"alignnone\" width=\"300\"] Agnieszka Polska, Braudel's Clock - Our Planet, 2023 \u00a9 Galeria Dawid Radziszewski[\/caption]\n \n[caption id=\"attachment_14591\" align=\"alignleft\" width=\"215\"] \u00a9 Agnieszka Polska[\/caption]\nAbout the artist\nDuring her art studies, Agnieszka Polska began creating animations using traditional techniques such as glass table animation. Later, she developed an interest in digital animation and the immersive qualities of the images she creates. Various storytelling formats are crucial to her films. She explores these narratives not only in video works but also in other mediums such as feature film and theater performance. These different forms naturally extend her artistic practice.For a while, she was interested in the speculative history of avant-garde movements, but now she tends to draw upon stories and inspirations related to planetary socio-technological systems, global changes and contemporary crises. Her influences include visual culture and science fiction works by authors such as Stanis\u0142aw Lem, Ursula K. Le Guin, and Brian Catling, among others.In her recent projects, she hints at a future of filmmaking that may shift towards world-building rather than traditional storytelling.\n \n[caption id=\"attachment_14594\" align=\"alignright\" width=\"415\"] Agnieszka Polska, Still from \u2018The Book of Flowers\u2019[\/caption]\n[caption id=\"attachment_14595\" align=\"alignleft\" width=\"400\"] Agnieszka Polska, Still from \u2018The Book of Flowers\u2019[\/caption]\nAbout M HKA\nThe M HKA is a museum for contemporary art, film, and visual culture in its widest sense. It is an open place of encounter for art, artists, and the public. The M HKA aspires to play a leading role in Flanders and to extend its international profile by building upon Antwerp\u2019s avant-garde tradition. The M HKA bridges the relationship between artistic questions and wider societal issues, between the international and the regional, artists and public, tradition and innovation, reflection, and presentation. Central here is the museum\u2019s collection with its ongoing acquisitions, as well as related areas of management and research.\nAbout IN SITU\nThrough the IN SITU programme, M HKA invests in the contemporary art scene. Artists from around the world are invited to create new work in the Point Room, the museum\u2019s most atypical space. Experimentation takes centre stage: here, artists can push the boundaries of their practice with the support of the museum. IN SITU highlights the pioneering spirit of both emerging and established talents.\nAgnieszka Polska \u2013 Flowers on the Sun \u2013 In Situ 21 Sep 2024 - 12 Jan 2025M HKALeuvenstraat 32 2000 Antwerp\nOpen from Tuesday till Sunday, from 11:00 to 18:00"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/09\/16\/agnieszka-polska-flowers-on-the-sun-m-hka-antwerp\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/09\/The-Book-of-Flowers-8_A.Polska.jpg","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/09\/The-Book-of-Flowers-8_A.Polska.jpg","width":1306,"height":974},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2024\/09\/16\/agnieszka-polska-flowers-on-the-sun-m-hka-antwerp\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Exhibition: Agnieszka Polska \u2013 Flowers on the Sun @ M HKA Antwerp"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/7fb78e4d06f525f8cb5bfcf79350da60","name":"poltowiczk","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/6db42d486d12e2ae54e70b476b4b772c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6db42d486d12e2ae54e70b476b4b772c?s=96&d=mm&r=g","caption":"poltowiczk"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/poltowiczk\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/14578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/163"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=14578"}],"version-history":[{"count":30,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/14578\/revisions"}],"predecessor-version":[{"id":14737,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/14578\/revisions\/14737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/14582"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=14578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=14578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=14578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}