deSingel, Antwerp<\/p>\n
Work by the\u00a0Belgium-based Polish architect and graphic designer Malgorzata Maria Olchowska<\/strong>\u00a0is on view until June 16, 2019 in\u00a0„The Vanished City”<\/strong>, an exhibition organized by deSingel in Antwerp.<\/p>\n \u00a0<\/p>\n
About „The Vanished City”<\/strong>
How can we experience a space? And how can we archive a changing city?<\/strong>
In the exhibition \u2018The Vanished City\u2019, the\u00a0architect Malgorzata Maria Olchowska plays with the idea that houses are witnesses to time<\/strong>.\u00a0She regards buildings as part of the collective memory that focuses on events, and thus transcends architecture\u2019s often technical approach. \u201cHouses become carriers of a soul, of stories and meanings.\u201d In \u2018The Vanished City\u2019, Olchowska starts with a homemade model that is translated into images in a variety of ways.<\/p>\n
About Malgorzata Maria Olchowska<\/strong>\u00a0
Malgorzata Maria Olchowska<\/a>\u00a0is an architect and graphic artist. Alongside her own practice, she is an assistant at UGent and KU Leuven (Architecture Faculty). The relationship between graphic art and architecture is a common thread running through her work. For Olchowska, the two disciplines are equivalent: \u201cBoth arise from a love of craftsmanship in which the design process plays a central role. With both graphic art and architecture, you build something and then allow it to lead its own life.\u201d\u00a0<\/em><\/p>\n
PRACTICAL INFORMATION<\/strong>
>>>\u00a0Where<\/span>: deSingel, Desguinlei 25, 2018 Antwerp –\u00a0map\u00a0<\/a>
>>>\u00a0When<\/span>:\u00a0March 12 – June 16, 2019<\/strong>
>>>\u00a0FREE ENTRY<\/strong>
>>> More information\u00a0here<\/a><\/p>\n