{"id":17046,"date":"2025-05-08T12:41:42","date_gmt":"2025-05-08T10:41:42","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=17046"},"modified":"2025-08-11T11:32:45","modified_gmt":"2025-08-11T09:32:45","slug":"exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/","title":{"rendered":"Exhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History"},"content":{"rendered":"\n<p style=\"text-align: left\">Ma\u0142gorzata Mirga-Tas, who represented Poland at the 2022 Venice Biennale, will present a large-scale textile work inspired by the collection of the Royal Museums of Art and History in Brussels<span style=\"background-color: #ffffff\">. A monumental tapestry (ca. 425 x 600 cm) entitled <i>Sawore, sawore, sawore (Everything, everything, everything)<\/i>, made with Mirga-Tas&#8217; signature technique, will be hung in the museum&#8217;s gallery of 16th-century tapestries from Brussels. With this artistic intervention, Mirga-Tas rewrites art history by redefining the role and representation of the Romani community in European visual culture.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-17062 size-large\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/Mirga2-1024x224.png\" alt=\"\" width=\"1024\" height=\"224\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/Mirga2-1024x224.png 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/Mirga2-300x66.png 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/Mirga2-768x168.png 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/Mirga2-1536x335.png 1536w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/Mirga2.png 1969w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<hr \/>\n<p>Commissioned by the Adam Mickiewicz Institute, the piece will draw on themes of animals, plants, and the history of the Roma in Europe<span style=\"background-color: #ffffff\">an art, engaging in a dialogue with the museum&#8217;s collection while offering a contemporary perspective. Curated by Wojciech Szyma\u0144ski.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-17054 size-large\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/mirg-1024x342.png\" alt=\"\" width=\"1024\" height=\"342\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/mirg-1024x342.png 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/mirg-300x100.png 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/mirg-768x256.png 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/mirg.png 1450w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<hr \/>\n<p><span style=\"background-color: #ffffff\">Ma\u0142gorzata Mirga-Tas is known for her innovative approach to historical artworks, not just quoting them but reinterpreting them to question the marginal position of the Romani in European art history. She has previously done this with Jacques Callot&#8217;s 17th-century prints (<i>Out of Egypt<\/i>, 2021) and frescoes from the Palazzo Schifanoia (<i>Re-enchanting the World<\/i>, Venice Biennale, 2022), among others. Her recent work at the Uffizi Gallery in Florence, where she created a new interpretation of\u00a0<i>Adoration of the Magi<\/i>\u00a0by Gentile da Fabriano, also follows this tradition of artistic reinterpretation.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-17048 size-large\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/489957290_1017261283837477_4864214198316423631_n-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/489957290_1017261283837477_4864214198316423631_n-1024x683.jpg 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/489957290_1017261283837477_4864214198316423631_n-300x200.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/489957290_1017261283837477_4864214198316423631_n-768x512.jpg 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/489957290_1017261283837477_4864214198316423631_n-1536x1024.jpg 1536w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/489957290_1017261283837477_4864214198316423631_n.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<hr \/>\n<p style=\"text-align: center\"><strong>Exhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History<\/strong><br \/><strong>9 May \u2013 30 June 2025<br \/><\/strong><a href=\"https:\/\/maps.app.goo.gl\/DZPN99jQbyobYcoy5\">Royal Museum of Art and History<\/a><br \/>Brussels<\/p>\n<hr \/>\n<p style=\"text-align: center\">The Adam Mickiewicz Institute in collaboration with the Polish Institute Brussels<\/p>\n<table style=\"border-collapse: collapse;width: 100%\">\n<tbody>\n<tr>\n<td style=\"width: 33.3333%\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15684\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/01\/EU_nazwa_poziom_kolor.pdf-Witryna-internetowa-e1737381175593-300x116.png\" alt=\"\" width=\"300\" height=\"116\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/01\/EU_nazwa_poziom_kolor.pdf-Witryna-internetowa-e1737381175593-300x116.png 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/01\/EU_nazwa_poziom_kolor.pdf-Witryna-internetowa-e1737381175593-1024x395.png 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/01\/EU_nazwa_poziom_kolor.pdf-Witryna-internetowa-e1737381175593-768x296.png 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/01\/EU_nazwa_poziom_kolor.pdf-Witryna-internetowa-e1737381175593-1536x592.png 1536w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/01\/EU_nazwa_poziom_kolor.pdf-Witryna-internetowa-e1737381175593-2048x789.png 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 33.3333%\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-15358\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/12\/IAM_color_eng-300x99.png\" alt=\"\" width=\"300\" height=\"99\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/12\/IAM_color_eng-300x99.png 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2024\/12\/IAM_color_eng.png 512w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"width: 33.3333%\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-17056\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/05\/images.png\" alt=\"\" width=\"103\" height=\"107\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Ma\u0142gorzata Mirga-Tas, who represented Poland at the 2022 Venice Biennale, will present a large-scale textile work inspired by the collection of the Royal Museums of Art and History in Brussels. A monumental tapestry (ca. 425 x 600 cm) entitled Sawore, sawore, sawore (Everything, everything, everything), made with Mirga-Tas&#8217; signature technique, will be hung in the [&hellip;]<\/p>\n","protected":false},"author":212,"featured_media":17034,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[90,1],"tags":[],"class_list":["post-17046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Exhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"Ma\u0142gorzata Mirga-Tas, who represented Poland at the 2022 Venice Biennale, will present a large-scale textile work inspired by the collection of the Royal Museums of Art and History in Brussels. A monumental tapestry (ca. 425 x 600 cm) entitled Sawore, sawore, sawore (Everything, everything, everything), made with Mirga-Tas&#8217; signature technique, will be hung in the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-08T10:41:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-11T09:32:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1365\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"lemanczykp\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"lemanczykp\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/\",\"name\":\"Exhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga-300x200.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga-1024x683.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga.jpg\",\"datePublished\":\"2025-05-08T10:41:42+02:00\",\"dateModified\":\"2025-08-11T09:32:45+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/189bcd8821552f49e45a6efb38dfefd2\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2025-05-09\",\"endDate\":\"2025-06-30\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Ma\u0142gorzata Mirga-Tas, who represented Poland at the 2022 Venice Biennale, will present a large-scale textile work inspired by the collection of the Royal Museums of Art and History in Brussels. 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A monumental tapestry (ca. 425 x 600 cm) entitled Sawore, sawore, sawore (Everything, everything, everything), made with Mirga-Tas' signature technique, will be hung in the museum's gallery of 16th-century tapestries from Brussels. With this artistic intervention, Mirga-Tas rewrites art history by redefining the role and representation of the Romani community in European visual culture.\nCommissioned by the Adam Mickiewicz Institute, the piece will draw on themes of animals, plants, and the history of the Roma in European art, engaging in a dialogue with the museum's collection while offering a contemporary perspective. Curated by Wojciech Szyma\u0144ski.\nMa\u0142gorzata Mirga-Tas is known for her innovative approach to historical artworks, not just quoting them but reinterpreting them to question the marginal position of the Romani in European art history. She has previously done this with Jacques Callot's 17th-century prints (Out of Egypt, 2021) and frescoes from the Palazzo Schifanoia (Re-enchanting the World, Venice Biennale, 2022), among others. Her recent work at the Uffizi Gallery in Florence, where she created a new interpretation of\u00a0Adoration of the Magi\u00a0by Gentile da Fabriano, also follows this tradition of artistic reinterpretation.\nExhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History9 May \u2013 30 June 2025Royal Museum of Art and HistoryBrussels\nThe Adam Mickiewicz Institute in collaboration with the Polish Institute Brussels\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga.jpg","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2025\/04\/Mirga.jpg","width":2048,"height":1365},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2025\/05\/08\/exhibition-of-work-by-malgorzata-mirga-tas-in-royal-museum-of-art-and-history\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Exhibition of work by Ma\u0142gorzata Mirga-Tas in Royal Museum of Art and History"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/189bcd8821552f49e45a6efb38dfefd2","name":"lemanczykp","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/c1e8f012eccfa768a7328187848d023b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/c1e8f012eccfa768a7328187848d023b?s=96&d=mm&r=g","caption":"lemanczykp"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/lemanczykp\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/17046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/212"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=17046"}],"version-history":[{"count":17,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/17046\/revisions"}],"predecessor-version":[{"id":17605,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/17046\/revisions\/17605"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/17034"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=17046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=17046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=17046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}