{"id":19897,"date":"2026-04-24T15:14:55","date_gmt":"2026-04-24T13:14:55","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=19897"},"modified":"2026-04-24T16:14:44","modified_gmt":"2026-04-24T14:14:44","slug":"film-screening-ashes-and-diamonds-by-andrzej-wajda","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/","title":{"rendered":"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda"},"content":{"rendered":"\n\n\n<p><em>Ashes and Diamonds \/ Popi\u00f3\u0142 i diament<\/em>\u00a0(1958) by <strong>Andrzej Wajda<\/strong> is one of the most important films of the so-called Polish Film School. Set in post-war Poland, it portrays not only the moral and personal dilemmas of the individual, but also the conflict between generations, ideologies, and competing visions for a new Poland. Shot in a distinctive, highly realistic style enriched with powerful symbolism,\u00a0<em>Ashes and Diamonds<\/em>\u00a0has become a classic of Polish cinema, addressing themes of memory, identity, and the cost of ideals.<\/p>\n<h6 style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-19899 size-large\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4-1024x576.jpg\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4-1024x576.jpg 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4-300x169.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4-768x432.jpg 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4-1536x864.jpg 1536w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4-1120x630.jpg 1120w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c09b61366b107acb61040591eaefc55388cbf6a996e78c443414ccb1311851d4.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><strong><span style=\"color: revert;font-size: revert\">\u00a9 mat. Filmu Polskiego<\/span><\/strong><\/h6>\n<p>Set on VE Day, 8 May 1945,\u00a0<em>Ashes and Diamonds<\/em>\u00a0takes place in a provincial Polish town where the end of the war brings not relief but a profound crisis of identity. Adapted from Jerzy Andrzejewski\u2019s novel, the film follows Maciek (Zbigniew Cybulski), a resistance fighter confronting a final assassination mission just as he glimpses the first fragile possibility of life beyond conflict. Poland\u2019s fighters\u2014caught between their wartime loyalties and the uneasy dawn of communist rule\u2014struggle to understand what their sacrifices mean in a landscape where the victors are also former invaders.<\/p>\n<p>The film\u2019s title, taken from lines by poet Cyprian Norwid, poses a haunting question: can any \u201cdiamond\u201d of hope survive the ashes left by war?<\/p>\n<hr \/>\n<p style=\"text-align: center\"><em>The screening will feature English subtitles, an introduction by Kris Van Heuckelom, <br \/>and will be followed by a discussion with Konrad Klejsa.<\/em><\/p>\n<hr \/>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:pb-2\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-19908 alignleft\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/487787737_1128872942583986_729302517704465058_n-300x200.jpg\" alt=\"\" width=\"303\" height=\"202\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/487787737_1128872942583986_729302517704465058_n-300x200.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/487787737_1128872942583986_729302517704465058_n-1024x683.jpg 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/487787737_1128872942583986_729302517704465058_n-768x512.jpg 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/487787737_1128872942583986_729302517704465058_n-1536x1024.jpg 1536w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/487787737_1128872942583986_729302517704465058_n.jpg 2048w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/>Konrad Klejsa, PhD,<\/strong> is an assistant professor in the Department of Film History and Theory at the University of \u0141\u00f3d\u017a. He is the author of <em>Filmowe oblicza kontestacji<\/em>\u00a0(Warsaw, 2008) and co-editor of several collective volumes, including\u00a0<em>Kino polskie: reinterpretacje. Historia \u2013 ideologia \u2013 polityka<\/em> (with Ewelina Nurczy\u0144ska-Fidelska, Krak\u00f3w, 2007). He has received scholarships from the Foundation for Polish Science (2006), the German Academic Exchange Service (DAAD, 2007), the weekly\u00a0<em>Polityka<\/em>\u00a0(2008), and the Polish Ministry of Science and Higher Education (2009). He is a recipient of the Boles\u0142aw Micha\u0142ek Award (for\u00a0<em>Filmowe oblicza kontestacji<\/em>) and the Polish Film Institute (PISF) Award (for\u00a0<em>Kino bez tajemnic<\/em>).<br \/>\u00a9 Maciej Andrzejewski (University of \u0141\u00f3d\u017c)<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-19909 alignleft\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/image-400-798a30e2890e313c9be601ee235e157e-300x229.jpeg\" alt=\"\" width=\"300\" height=\"229\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/image-400-798a30e2890e313c9be601ee235e157e-300x229.jpeg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/image-400-798a30e2890e313c9be601ee235e157e.jpeg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:pb-2\" style=\"text-align: left\"><strong>Kris Van Heuckelom, PhD,<\/strong> has a background in Slavic and Eastern European Studies and teaches in the MA programs in cultural, literary, and translation studies at KU Leuven. He specializes in late modern Polish literature and culture, with a focus on comparative and transnational perspectives. His teaching covers European literatures and cinemas, Polish\u2013Dutch literary translation, and East\u2013West dynamics in contemporary Europe.<br \/>As a literary translator, he co-edited a Dutch translation of Bruno Schulz\u2019s letters (2017) and several anthologies of contemporary Polish poetry, including works by Adam Zagajewski and Ryszard Krynicki. He is secretary of the Flemish Association for Literary Studies and serves on the editorial board of\u00a0<em>Cahier voor Literatuurwetenschap<\/em>.<br \/>\u00a9 KULeuven<\/p>\n<hr \/>\n<p class=\"my-2 [&amp;+p]:mt-4 [&amp;_strong:has(+br)]:inline-block [&amp;_strong:has(+br)]:pb-2\" style=\"text-align: center\"><strong>SCREENING:<br \/><\/strong><strong><span style=\"color: #ff0000\">Monday, May 9 at 5 PM<\/span><br \/><\/strong>Film introduction by prof. <strong>Kris Van Hueckelom<br \/><\/strong>Q&amp;A with prof. <strong>Konrad Klejsa<br \/><\/strong><strong>Cinema ZED Leuven<br \/><\/strong>Andreas Vesaliusstraat 9C, 3000 Leuven<br \/><a href=\"https:\/\/apps.ticketmatic.com\/widgets\/cinema_zed\/addtickets?event=67650&amp;edit=yes&amp;flow=basketwithcheckout&amp;returnurl=https%3A%2F%2Fwww.cinemazed.be&amp;saleschannelid=10001&amp;skinid=10001&amp;accesskey=ea4c082d9bdbaff6caf34ea3&amp;signature=eeac8e538363ef9ab1d4520952dbf25b6852df1ca186dca3f335c5955dad037f#!\/addtickets\">TICKETS<\/a><\/p>\n<p style=\"text-align: center\"><em><br \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-19916\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c5e35c4c-e8ad-41da-8a41-30e10581e448-300x127.jpg\" alt=\"\" width=\"300\" height=\"127\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c5e35c4c-e8ad-41da-8a41-30e10581e448-300x127.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c5e35c4c-e8ad-41da-8a41-30e10581e448-1024x432.jpg 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c5e35c4c-e8ad-41da-8a41-30e10581e448-768x324.jpg 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/c5e35c4c-e8ad-41da-8a41-30e10581e448.jpg 1460w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><br \/>Projection is organized as part of the programme \u201c2026 \u2013 The Year of Andrzej Wajda\u201d<br \/><\/em><\/p>\n<p style=\"text-align: center\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-19902\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/eb2fc62d-4a74-4fb2-9c7d-44c19149b6a5-300x300.png\" alt=\"\" width=\"114\" height=\"114\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/eb2fc62d-4a74-4fb2-9c7d-44c19149b6a5-300x300.png 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/eb2fc62d-4a74-4fb2-9c7d-44c19149b6a5-1024x1024.png 1024w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/eb2fc62d-4a74-4fb2-9c7d-44c19149b6a5-150x150.png 150w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/eb2fc62d-4a74-4fb2-9c7d-44c19149b6a5-768x768.png 768w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/eb2fc62d-4a74-4fb2-9c7d-44c19149b6a5.png 1200w\" sizes=\"auto, (max-width: 114px) 100vw, 114px\" \/>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-19903\" src=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/shop_cinema-zed-thumbnail-300x223.jpg\" alt=\"\" width=\"155\" height=\"115\" srcset=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/shop_cinema-zed-thumbnail-300x223.jpg 300w, https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/shop_cinema-zed-thumbnail.jpg 360w\" sizes=\"auto, (max-width: 155px) 100vw, 155px\" \/><br \/><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ashes and Diamonds \/ Popi\u00f3\u0142 i diament\u00a0(1958) by Andrzej Wajda is one of the most important films of the so-called Polish Film School. Set in post-war Poland, it portrays not only the moral and personal dilemmas of the individual, but also the conflict between generations, ideologies, and competing visions for a new Poland. Shot in [&hellip;]<\/p>\n","protected":false},"author":227,"featured_media":19900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[76,100,1],"tags":[],"class_list":["post-19897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-en","category-film","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"Ashes and Diamonds \/ Popi\u00f3\u0142 i diament\u00a0(1958) by Andrzej Wajda is one of the most important films of the so-called Polish Film School. Set in post-war Poland, it portrays not only the moral and personal dilemmas of the individual, but also the conflict between generations, ideologies, and competing visions for a new Poland. Shot in [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-24T13:14:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-24T14:14:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1134\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"missonea\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"missonea\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/\",\"name\":\"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl-300x213.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl-1024x726.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg\",\"datePublished\":\"2026-04-24T13:14:55+02:00\",\"dateModified\":\"2026-04-24T14:14:44+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/f41db53be78e91d342f7df407326d8f7\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2026-05-04T05:00:00+02:00\",\"endDate\":\"2026-05-04T07:00:00+02:00\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Ashes and Diamonds \/ Popi\u00f3\u0142 i diament\u00a0(1958) by Andrzej Wajda is one of the most important films of the so-called Polish Film School. Set in post-war Poland, it portrays not only the moral and personal dilemmas of the individual, but also the conflict between generations, ideologies, and competing visions for a new Poland. Shot in a distinctive, highly realistic style enriched with powerful symbolism,\u00a0Ashes and Diamonds\u00a0has become a classic of Polish cinema, addressing themes of memory, identity, and the cost of ideals.\\n\u00a9 mat. Filmu Polskiego\\nSet on VE Day, 8 May 1945,\u00a0Ashes and Diamonds\u00a0takes place in a provincial Polish town where the end of the war brings not relief but a profound crisis of identity. Adapted from Jerzy Andrzejewski\u2019s novel, the film follows Maciek (Zbigniew Cybulski), a resistance fighter confronting a final assassination mission just as he glimpses the first fragile possibility of life beyond conflict. Poland\u2019s fighters\u2014caught between their wartime loyalties and the uneasy dawn of communist rule\u2014struggle to understand what their sacrifices mean in a landscape where the victors are also former invaders.\\nThe film\u2019s title, taken from lines by poet Cyprian Norwid, poses a haunting question: can any \u201cdiamond\u201d of hope survive the ashes left by war?\\nThe screening will feature English subtitles, an introduction by Kris Van Heuckelom, and will be followed by a discussion with Konrad Klejsa.\\nKonrad Klejsa, PhD, is an assistant professor in the Department of Film History and Theory at the University of \u0141\u00f3d\u017a. He is the author of Filmowe oblicza kontestacji\u00a0(Warsaw, 2008) and co-editor of several collective volumes, including\u00a0Kino polskie: reinterpretacje. Historia \u2013 ideologia \u2013 polityka (with Ewelina Nurczy\u0144ska-Fidelska, Krak\u00f3w, 2007). He has received scholarships from the Foundation for Polish Science (2006), the German Academic Exchange Service (DAAD, 2007), the weekly\u00a0Polityka\u00a0(2008), and the Polish Ministry of Science and Higher Education (2009). He is a recipient of the Boles\u0142aw Micha\u0142ek Award (for\u00a0Filmowe oblicza kontestacji) and the Polish Film Institute (PISF) Award (for\u00a0Kino bez tajemnic).\u00a9 Maciej Andrzejewski (University of \u0141\u00f3d\u017c)\\nKris Van Heuckelom, PhD, has a background in Slavic and Eastern European Studies and teaches in the MA programs in cultural, literary, and translation studies at KU Leuven. He specializes in late modern Polish literature and culture, with a focus on comparative and transnational perspectives. His teaching covers European literatures and cinemas, Polish\u2013Dutch literary translation, and East\u2013West dynamics in contemporary Europe.As a literary translator, he co-edited a Dutch translation of Bruno Schulz\u2019s letters (2017) and several anthologies of contemporary Polish poetry, including works by Adam Zagajewski and Ryszard Krynicki. He is secretary of the Flemish Association for Literary Studies and serves on the editorial board of\u00a0Cahier voor Literatuurwetenschap.\u00a9 KULeuven\\nSCREENING:Monday, May 9 at 5 PMFilm introduction by prof. Kris Van HueckelomQ&amp;A with prof. Konrad KlejsaCinema ZED LeuvenAndreas Vesaliusstraat 9C, 3000 LeuvenTICKETS\\nProjection is organized as part of the programme \u201c2026 \u2013 The Year of Andrzej Wajda\u201d\\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg\",\"width\":1600,\"height\":1134},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/f41db53be78e91d342f7df407326d8f7\",\"name\":\"missonea\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a34ccb132d984086e65e1c2c896f1bc7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a34ccb132d984086e65e1c2c896f1bc7?s=96&d=mm&r=g\",\"caption\":\"missonea\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/missonea\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/","og_locale":"pl_PL","og_type":"article","og_title":"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda - Instytut Polski w Brukseli","og_description":"Ashes and Diamonds \/ Popi\u00f3\u0142 i diament\u00a0(1958) by Andrzej Wajda is one of the most important films of the so-called Polish Film School. Set in post-war Poland, it portrays not only the moral and personal dilemmas of the individual, but also the conflict between generations, ideologies, and competing visions for a new Poland. Shot in [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/","og_site_name":"Instytut Polski w Brukseli","article_published_time":"2026-04-24T13:14:55+00:00","article_modified_time":"2026-04-24T14:14:44+00:00","og_image":[{"width":1600,"height":1134,"url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg","type":"image\/jpeg"}],"author":"missonea","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"missonea","Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/","url":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/","name":"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl-300x213.jpg","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl-1024x726.jpg","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg","datePublished":"2026-04-24T13:14:55+02:00","dateModified":"2026-04-24T14:14:44+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/f41db53be78e91d342f7df407326d8f7"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/"]}],"@context":"https:\/\/schema.org","startDate":"2026-05-04T05:00:00+02:00","endDate":"2026-05-04T07:00:00+02:00","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Ashes and Diamonds \/ Popi\u00f3\u0142 i diament\u00a0(1958) by Andrzej Wajda is one of the most important films of the so-called Polish Film School. Set in post-war Poland, it portrays not only the moral and personal dilemmas of the individual, but also the conflict between generations, ideologies, and competing visions for a new Poland. Shot in a distinctive, highly realistic style enriched with powerful symbolism,\u00a0Ashes and Diamonds\u00a0has become a classic of Polish cinema, addressing themes of memory, identity, and the cost of ideals.\n\u00a9 mat. Filmu Polskiego\nSet on VE Day, 8 May 1945,\u00a0Ashes and Diamonds\u00a0takes place in a provincial Polish town where the end of the war brings not relief but a profound crisis of identity. Adapted from Jerzy Andrzejewski\u2019s novel, the film follows Maciek (Zbigniew Cybulski), a resistance fighter confronting a final assassination mission just as he glimpses the first fragile possibility of life beyond conflict. Poland\u2019s fighters\u2014caught between their wartime loyalties and the uneasy dawn of communist rule\u2014struggle to understand what their sacrifices mean in a landscape where the victors are also former invaders.\nThe film\u2019s title, taken from lines by poet Cyprian Norwid, poses a haunting question: can any \u201cdiamond\u201d of hope survive the ashes left by war?\nThe screening will feature English subtitles, an introduction by Kris Van Heuckelom, and will be followed by a discussion with Konrad Klejsa.\nKonrad Klejsa, PhD, is an assistant professor in the Department of Film History and Theory at the University of \u0141\u00f3d\u017a. He is the author of Filmowe oblicza kontestacji\u00a0(Warsaw, 2008) and co-editor of several collective volumes, including\u00a0Kino polskie: reinterpretacje. Historia \u2013 ideologia \u2013 polityka (with Ewelina Nurczy\u0144ska-Fidelska, Krak\u00f3w, 2007). He has received scholarships from the Foundation for Polish Science (2006), the German Academic Exchange Service (DAAD, 2007), the weekly\u00a0Polityka\u00a0(2008), and the Polish Ministry of Science and Higher Education (2009). He is a recipient of the Boles\u0142aw Micha\u0142ek Award (for\u00a0Filmowe oblicza kontestacji) and the Polish Film Institute (PISF) Award (for\u00a0Kino bez tajemnic).\u00a9 Maciej Andrzejewski (University of \u0141\u00f3d\u017c)\nKris Van Heuckelom, PhD, has a background in Slavic and Eastern European Studies and teaches in the MA programs in cultural, literary, and translation studies at KU Leuven. He specializes in late modern Polish literature and culture, with a focus on comparative and transnational perspectives. His teaching covers European literatures and cinemas, Polish\u2013Dutch literary translation, and East\u2013West dynamics in contemporary Europe.As a literary translator, he co-edited a Dutch translation of Bruno Schulz\u2019s letters (2017) and several anthologies of contemporary Polish poetry, including works by Adam Zagajewski and Ryszard Krynicki. He is secretary of the Flemish Association for Literary Studies and serves on the editorial board of\u00a0Cahier voor Literatuurwetenschap.\u00a9 KULeuven\nSCREENING:Monday, May 9 at 5 PMFilm introduction by prof. Kris Van HueckelomQ&amp;A with prof. Konrad KlejsaCinema ZED LeuvenAndreas Vesaliusstraat 9C, 3000 LeuvenTICKETS\nProjection is organized as part of the programme \u201c2026 \u2013 The Year of Andrzej Wajda\u201d\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2026\/04\/xxl.jpg","width":1600,"height":1134},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2026\/04\/24\/film-screening-ashes-and-diamonds-by-andrzej-wajda\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Film Screening : \u00ab Ashes and Diamonds \u00bb by Andrzej Wajda"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/f41db53be78e91d342f7df407326d8f7","name":"missonea","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a34ccb132d984086e65e1c2c896f1bc7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a34ccb132d984086e65e1c2c896f1bc7?s=96&d=mm&r=g","caption":"missonea"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/missonea\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/19897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/227"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=19897"}],"version-history":[{"count":12,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/19897\/revisions"}],"predecessor-version":[{"id":19918,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/19897\/revisions\/19918"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/19900"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=19897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=19897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=19897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}