{"id":2726,"date":"2018-05-26T11:27:56","date_gmt":"2018-05-26T09:27:56","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=2726"},"modified":"2020-05-04T16:44:49","modified_gmt":"2020-05-04T14:44:49","slug":"too-soon-too-late-with-dada-von-bzdulow-and-monika-drozynska","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2018\/05\/26\/too-soon-too-late-with-dada-von-bzdulow-and-monika-drozynska\/","title":{"rendered":"Too Soon Too Late (with Dada von Bzd\u00fcl\u00f6w and Monika Dro\u017cy\u0144ska)"},"content":{"rendered":"\n
\n

For the second part of the series established by the\u00a0Palais des Beaux-Arts de Bruxelles<\/strong>\u00a0(Brussels Centre for Fine Arts) entitled\u00a01918 European Dreams of Modernity. 100 Year On<\/strong><\/a>, artists from Austria, Hungary, Lithuania, Poland, the Czech Republic, Romania and Slovakia, along with Belgian artists, have created a\u00a0performance exhibition<\/strong>\u00a0\u2013 made to measure for the building which houses the Palais des Beaux-Arts \u2013 the core theme of which is\u00a0one hundred years of independence for central European states<\/strong>.

The Polish Institute has invited the group\u00a0Dada von\u00a0Bzd\u00fcl\u00f6w<\/strong><\/a>\u00a0(Leszek BZDYL, Katarzyna CHMIELEWSKA, Piotr STANEK, Anna STELLER, Jakub TRUSZKOWSKI, Katarzyna USTOWSKA) and the artist\u00a0Monika DRO\u017bY\u0143SKA<\/strong><\/a>to participate in this event, the idea of which is to bring together artists from those states which were created at the end of the First World War \u2013 „the war to end war” to quote H.G. Wells \u2013 following the signing of the Treaty of Versailles. These artists have reflected on all of the formative changes which took place over the last 100 years in their respective countries, in the new Europe or in society in general. It is an opportunity to consider the avant-garde years and their legacy, the life and work of three generations, the pursuit of equality for women and much more.

On\u00a0Saturday 26<\/strong>\u00a0and\u00a0Sunday 27 May<\/strong>, the public is invited to wander around to their heart\u2019s content, watching little dance shows, performances and 90-minute video installations which will run on loop. Viewers are free to visit the installations in whichever order they prefer.<\/p>\n


PRACTICAL INFORMATION<\/strong>
>>> Centre for Fine Arts –\u00a0BOZAR<\/strong>\u00a0(Rue Ravenstein 23, 1000 Brussels) –\u00a0see map<\/a>
>>> Saturday\u00a026 May\u00a0<\/strong>2018 –\u00a017h00<\/strong>\u00a0>\u00a018h30<\/strong>
>>> Sunday\u00a027 May\u00a0<\/strong>2018 –\u00a016h00<\/strong>\u00a0>\u00a017h30<\/strong>\u00a0and\u00a019h30<\/strong>\u00a0>\u00a021h<\/strong>
>>>\u00a012\u20ac<\/strong>\u00a0– tickets available\u00a0HERE

<\/a>+++ have a look at the project\u00a0on the site of BOZAR<\/a>
<\/a>
Dada von\u00a0Bzd\u00fcl\u00f6w
<\/strong>Teatr Dada von Bzdul\u00f6w is a contemporary dance group set up in 1992 in Gdansk by producer and choreographer\u00a0Leszek BZDYL<\/strong>\u00a0and dancer and choreographer\u00a0Katarzyna CHMIELEWSKA<\/strong>, a graduate of the Gdansk School of Ballet and the Brussels School of Contemporary Dance. Very committed to the mutual rapport between dancers and the audience, the group doesn\u2019t impose its discourse on anyone, instead allowing it to be interpreted by those who are watching it unfold. In their element at festivals, meet-the-public events and especially when collaborating with others, the group brings its nonsense to bear on those aspects of everyday life which mingle with precious culture, its playful sense of humour and its love of pastiche. What we have here is a balancing act, at the crossroads of influences, forms and styles, often inspired by European literature. Teatr Dada von Bzdul\u00f6w has given almost 50 shows, including Czerwona Trawa.

<\/div>\n\n\n\n
\nhttps:\/\/vimeo.com\/58131764\n<\/div><\/figure>\n\n\n\n

Monika DRO\u017bY\u0143SKA
<\/strong>The plastic artist Monika Dro\u017cy\u0144ska was born in 1979 and is the creator of projects which are as individual as they are collective. Her work has been shown in the largest Polish art galleries (notably Zamek Ujazdowski, Zach\u0119ta, \u0141a\u017ania, Kronika, etc.) as well as in theatres (notably with her performance\u00a0FLAGS<\/a>). The winner of several competitions, she has twice been nominated for the prestigious Paszport Polityki (in 2012 and 2013). In her work, Monika uses embroidery as a social, indeed a political, act. Incidentally, she doesn\u2019t hesitate to organise conferences on the subject of politics. She is behind the setting up of the School of Embroidery for Men and Women known as \u2018The Little Golden Hands\u2019 (Z\u0142ote r\u0105czki). At the Brussels Centre for Fine Arts (Palais des Beaux-Arts de Bruxelles), she will be making flags along with members of the public who will lend her a hand!
+++ her portfolio is available\u00a0HERE<\/a>\u00a0(PDF)<\/p>\n

\n


In collaboration with the Brussels Centre for Fine Arts (Palais des Beaux-Arts BOZAR), the theatrical institute Zbigniew Raszewski in Warsaw, the Polish Foundation of Modern Art, Arts and Theatre Institute (CZ), the\u00a0Czech Centre Brussels<\/a>, the Czech Ministry of Culture, Performczech.cz, the Slovakian Theatre Institute, the Slovakian Minstry of Culture, the Hungarian Musuem and Institute of Theatre, the\u00a0Balassi Institute Brussels<\/a>, the Romanian National Dance Centre, the\u00a0Romanian Cultural Institute in Brussels<\/a>, the Lithuanian Institute of Culture, the\u00a0Austrian Cultural Forum Brussels<\/a>, the International Visegrad Fund, PACE.V4 and 100 Years CZ<\/p>\n

Picture gallery<\/h3>\n
\"Dada<\/a>\u00a0\"Monika<\/a>\u00a0\"Dada<\/a>\u00a0\"Dada<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

For the second part of the series established by the\u00a0Palais des Beaux-Arts de Bruxelles\u00a0(Brussels Centre for Fine Arts) entitled\u00a01918 European Dreams of Modernity. 100 Year On, artists from Austria, Hungary, Lithuania, Poland, the Czech Republic, Romania and Slovakia, along with Belgian artists, have created a\u00a0performance exhibition\u00a0\u2013 made to measure for the building which houses the […]<\/p>\n","protected":false},"author":127,"featured_media":2724,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[90,293],"tags":[],"class_list":["post-2726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-history"],"yoast_head":"\nToo Soon Too Late 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the second part of the series established by the\u00a0Palais des Beaux-Arts de Bruxelles\u00a0(Brussels Centre for Fine Arts) entitled\u00a01918 European Dreams of Modernity. 100 Year On, artists from Austria, Hungary, Lithuania, Poland, the Czech Republic, Romania and Slovakia, along with Belgian artists, have created a\u00a0performance exhibition\u00a0\u2013 made to measure for the building which houses the Palais des Beaux-Arts \u2013 the core theme of which is\u00a0one hundred years of independence for central European states.The Polish Institute has invited the group\u00a0Dada von\u00a0Bzd\u00fcl\u00f6w\u00a0(Leszek BZDYL, Katarzyna CHMIELEWSKA, Piotr STANEK, Anna STELLER, Jakub TRUSZKOWSKI, Katarzyna USTOWSKA) and the artist\u00a0Monika DRO\u017bY\u0143SKAto participate in this event, the idea of which is to bring together artists from those states which were created at the end of the First World War \u2013 \\\"the war to end war\\\" to quote H.G. Wells \u2013 following the signing of the Treaty of Versailles. These artists have reflected on all of the formative changes which took place over the last 100 years in their respective countries, in the new Europe or in society in general. It is an opportunity to consider the avant-garde years and their legacy, the life and work of three generations, the pursuit of equality for women and much more.On\u00a0Saturday 26\u00a0and\u00a0Sunday 27 May, the public is invited to wander around to their heart\u2019s content, watching little dance shows, performances and 90-minute video installations which will run on loop. Viewers are free to visit the installations in whichever order they prefer.\\nPRACTICAL INFORMATION>>> Centre for Fine Arts -\u00a0BOZAR\u00a0(Rue Ravenstein 23, 1000 Brussels) -\u00a0see map>>> Saturday\u00a026 May\u00a02018 -\u00a017h00\u00a0>\u00a018h30>>> Sunday\u00a027 May\u00a02018 -\u00a016h00\u00a0>\u00a017h30\u00a0and\u00a019h30\u00a0>\u00a021h>>>\u00a012\u20ac\u00a0- tickets available\u00a0HERE+++ have a look at the project\u00a0on the site of BOZARDada von\u00a0Bzd\u00fcl\u00f6wTeatr Dada von Bzdul\u00f6w is a contemporary dance group set up in 1992 in Gdansk by producer and choreographer\u00a0Leszek BZDYL\u00a0and dancer and choreographer\u00a0Katarzyna CHMIELEWSKA, a graduate of the Gdansk School of Ballet and the Brussels School of Contemporary Dance. Very committed to the mutual rapport between dancers and the audience, the group doesn\u2019t impose its discourse on anyone, instead allowing it to be interpreted by those who are watching it unfold. In their element at festivals, meet-the-public events and especially when collaborating with others, the group brings its nonsense to bear on those aspects of everyday life which mingle with precious culture, its playful sense of humour and its love of pastiche. What we have here is a balancing act, at the crossroads of influences, forms and styles, often inspired by European literature. Teatr Dada von Bzdul\u00f6w has given almost 50 shows, including Czerwona Trawa.\\nMonika DRO\u017bY\u0143SKAThe plastic artist Monika Dro\u017cy\u0144ska was born in 1979 and is the creator of projects which are as individual as they are collective. Her work has been shown in the largest Polish art galleries (notably Zamek Ujazdowski, Zach\u0119ta, \u0141a\u017ania, Kronika, etc.) as well as in theatres (notably with her performance\u00a0FLAGS). The winner of several competitions, she has twice been nominated for the prestigious Paszport Polityki (in 2012 and 2013). In her work, Monika uses embroidery as a social, indeed a political, act. Incidentally, she doesn\u2019t hesitate to organise conferences on the subject of politics. She is behind the setting up of the School of Embroidery for Men and Women known as \u2018The Little Golden Hands\u2019 (Z\u0142ote r\u0105czki). At the Brussels Centre for Fine Arts (Palais des Beaux-Arts de Bruxelles), she will be making flags along with members of the public who will lend her a hand!+++ her portfolio is available\u00a0HERE\u00a0(PDF)\\nIn collaboration with the Brussels Centre for Fine Arts (Palais des Beaux-Arts BOZAR), the theatrical institute Zbigniew Raszewski in Warsaw, the Polish Foundation of Modern Art, Arts and Theatre Institute (CZ), the\u00a0Czech Centre Brussels, the Czech Ministry of Culture, Performczech.cz, the Slovakian Theatre Institute, the Slovakian Minstry of Culture, the Hungarian Musuem and Institute of Theatre, the\u00a0Balassi Institute Brussels, the Romanian National Dance Centre, the\u00a0Romanian Cultural Institute in Brussels, the Lithuanian Institute of Culture, the\u00a0Austrian Cultural Forum Brussels, the International Visegrad Fund, PACE.V4 and 100 Years CZ\\nPicture gallery\\n\u00a0\u00a0\u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2018\/05\/26\/too-soon-too-late-with-dada-von-bzdulow-and-monika-drozynska\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/04\/99990fr-2-2.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/04\/99990fr-2-2.png\",\"width\":572,\"height\":361,\"caption\":\"Dada Death #2 (George Grosz meets Monika Dro\u017cy\u0144ska)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2018\/05\/26\/too-soon-too-late-with-dada-von-bzdulow-and-monika-drozynska\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Too Soon Too Late (with Dada von Bzd\u00fcl\u00f6w and Monika Dro\u017cy\u0144ska)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Too Soon Too Late (with Dada von Bzd\u00fcl\u00f6w and Monika Dro\u017cy\u0144ska) - 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Wells \u2013 following the signing of the Treaty of Versailles. These artists have reflected on all of the formative changes which took place over the last 100 years in their respective countries, in the new Europe or in society in general. It is an opportunity to consider the avant-garde years and their legacy, the life and work of three generations, the pursuit of equality for women and much more.On\u00a0Saturday 26\u00a0and\u00a0Sunday 27 May, the public is invited to wander around to their heart\u2019s content, watching little dance shows, performances and 90-minute video installations which will run on loop. Viewers are free to visit the installations in whichever order they prefer.\nPRACTICAL INFORMATION>>> Centre for Fine Arts -\u00a0BOZAR\u00a0(Rue Ravenstein 23, 1000 Brussels) -\u00a0see map>>> Saturday\u00a026 May\u00a02018 -\u00a017h00\u00a0>\u00a018h30>>> Sunday\u00a027 May\u00a02018 -\u00a016h00\u00a0>\u00a017h30\u00a0and\u00a019h30\u00a0>\u00a021h>>>\u00a012\u20ac\u00a0- tickets available\u00a0HERE+++ have a look at the project\u00a0on the site of BOZARDada von\u00a0Bzd\u00fcl\u00f6wTeatr Dada von Bzdul\u00f6w is a contemporary dance group set up in 1992 in Gdansk by producer and choreographer\u00a0Leszek BZDYL\u00a0and dancer and choreographer\u00a0Katarzyna CHMIELEWSKA, a graduate of the Gdansk School of Ballet and the Brussels School of Contemporary Dance. Very committed to the mutual rapport between dancers and the audience, the group doesn\u2019t impose its discourse on anyone, instead allowing it to be interpreted by those who are watching it unfold. In their element at festivals, meet-the-public events and especially when collaborating with others, the group brings its nonsense to bear on those aspects of everyday life which mingle with precious culture, its playful sense of humour and its love of pastiche. What we have here is a balancing act, at the crossroads of influences, forms and styles, often inspired by European literature. Teatr Dada von Bzdul\u00f6w has given almost 50 shows, including Czerwona Trawa.\nMonika DRO\u017bY\u0143SKAThe plastic artist Monika Dro\u017cy\u0144ska was born in 1979 and is the creator of projects which are as individual as they are collective. Her work has been shown in the largest Polish art galleries (notably Zamek Ujazdowski, Zach\u0119ta, \u0141a\u017ania, Kronika, etc.) as well as in theatres (notably with her performance\u00a0FLAGS). The winner of several competitions, she has twice been nominated for the prestigious Paszport Polityki (in 2012 and 2013). In her work, Monika uses embroidery as a social, indeed a political, act. Incidentally, she doesn\u2019t hesitate to organise conferences on the subject of politics. She is behind the setting up of the School of Embroidery for Men and Women known as \u2018The Little Golden Hands\u2019 (Z\u0142ote r\u0105czki). At the Brussels Centre for Fine Arts (Palais des Beaux-Arts de Bruxelles), she will be making flags along with members of the public who will lend her a hand!+++ her portfolio is available\u00a0HERE\u00a0(PDF)\nIn collaboration with the Brussels Centre for Fine Arts (Palais des Beaux-Arts BOZAR), the theatrical institute Zbigniew Raszewski in Warsaw, the Polish Foundation of Modern Art, Arts and Theatre Institute (CZ), the\u00a0Czech Centre Brussels, the Czech Ministry of Culture, Performczech.cz, the Slovakian Theatre Institute, the Slovakian Minstry of Culture, the Hungarian Musuem and Institute of Theatre, the\u00a0Balassi Institute Brussels, the Romanian National Dance Centre, the\u00a0Romanian Cultural Institute in Brussels, the Lithuanian Institute of Culture, the\u00a0Austrian Cultural Forum Brussels, the International Visegrad Fund, PACE.V4 and 100 Years CZ\nPicture gallery\n\u00a0\u00a0\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2018\/05\/26\/too-soon-too-late-with-dada-von-bzdulow-and-monika-drozynska\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/04\/99990fr-2-2.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/04\/99990fr-2-2.png","width":572,"height":361,"caption":"Dada Death #2 (George Grosz meets Monika Dro\u017cy\u0144ska)"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2018\/05\/26\/too-soon-too-late-with-dada-von-bzdulow-and-monika-drozynska\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Too Soon Too Late (with Dada von Bzd\u00fcl\u00f6w and Monika Dro\u017cy\u0144ska)"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/2726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=2726"}],"version-history":[{"count":5,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/2726\/revisions"}],"predecessor-version":[{"id":2865,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/2726\/revisions\/2865"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/2724"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=2726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=2726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=2726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}