{"id":2908,"date":"2017-11-23T17:23:20","date_gmt":"2017-11-23T16:23:20","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=2908"},"modified":"2020-05-04T17:30:05","modified_gmt":"2020-05-04T15:30:05","slug":"east-and-central-european-modernity-rebuilding-in-performing-arts-3","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/","title":{"rendered":"East and Central European Modernity Rebuilding in Performing Arts"},"content":{"rendered":"\n<div class=\"desc\" style=\"margin-right: 0px;margin-bottom: 5px;margin-left: 0px;padding: 0px;font-size: 12px;line-height: 21.6px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<p style=\"font-size: 12px;line-height: 19.2px\">De conferentie<strong style=\"line-height: 19.2px\">\u00a0Remembering 1918: East and Central European Modernity Rebuilding in Performing Arts<\/strong>, die wordt gehouden in\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"https:\/\/www.bellone.be\/\" target=\"_blank\" rel=\"noopener noreferrer\">La Bellone &#8211; het Huis van de Podiumkunsten<\/a>\u00a0<strong style=\"line-height: 19.2px\">op 23 en 24 november<\/strong>\u00a02017, haalt zijn bestaansrecht uit de eeuwviering van de val van de Europese rijken en de daaruitvolgende creatie van de Centraal- en Oost-Europese natiestaten, wat gevierd wordt in 2018. De geboorte van deze nieuwe staten ging gepaard met de dubbele verantwoordelijkheid om zich enerzijds over de moderniteit te buigen en zich anderzijds ook een eigen identiteit aan te meten binnen het concert van een veelsoortig Europa. Er wordt dus intensief nagedacht over de vormen die ze meosten aannemen in de politiek, de maatschappij en de kunst.<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/>De conferentie heeft tot doel dieper in te gaan op de noties van\u00a0<em style=\"line-height: 19.2px\"><strong style=\"line-height: 19.2px\">moderniteit<\/strong><\/em>\u00a0en\u00a0<strong style=\"line-height: 19.2px\">avant-garde<\/strong>\u00a0en hun belichamingen in\u00a0<strong style=\"line-height: 19.2px\">theater<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">dans\u00a0<\/strong>en\u00a0<strong style=\"line-height: 19.2px\">performance\u00a0<\/strong>door middel van een dialoog tussen\u00a0<strong style=\"line-height: 19.2px\">academici en kunstenaars<\/strong>, afkomstig uit Hongarije, Litouwen, Polen, de Tsjechische Republiek, Roemeni\u00eb en Slowakije. De eerste groep (waaronder\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#DK\">Dariusz KOSI\u0143SKI<\/a>,\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#JM\">Justyna MICHALIK<\/a>\u00a0et\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#DW\">Dorota WALCZAK-DELANOIS<\/a>)\u00a0zal er het meest recente onderzoek naar het thema van avant-garde in de podiumkunsten voorstellen.<br style=\"line-height: 19.2px\" \/>De tweede groep\u00a0(met onder meer\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#JL\">Joanna LE\u015aNIEROWSKA<\/a>,\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#MD\">Monika DRO\u017bY\u0143SKA<\/a>,\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.dadateatr.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Katarzyna CHMIELEWSKA-JANKOWSKA et\u00a0Jakub TRUSZKOWSKI<\/a>) daarentegen zal verduidelijken hoe de vernieuwende gedachtenstromen (rond politiek, kunst en esthetiek), die ontstaan zijn aan de vooravond van de Eerste Wereldoorlog, in hun huidig werk weerklinken.<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/>Deze dialoog zal het vertrekpunt vormen voor een\u00a0<em style=\"line-height: 19.2px\">in situ\u00a0<\/em><em style=\"line-height: 19.2px\">performanceparcours<\/em>, exclusief gecre\u00eberd voor het gebouw van het Paleis voor de Schone Kunsten in Brussel, dat zal worden voorgesteld op\u00a0<strong style=\"line-height: 19.2px\">27 mei\u00a0<\/strong>2018 in het kader van het project\u00a0<strong style=\"line-height: 19.2px\">Remembering 1918 \/ European Dreams of Becoming Modern<\/strong>.<br style=\"line-height: 19.2px\" \/>Meer info hierover volgt nog&#8230;<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">PRAKTISCHE INFORMATIE<br style=\"line-height: 19.2px\" \/><\/strong>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">La Bellone &#8211; Het Huis van de Podiumkunsten\u00a0<\/strong>(Vlaamsesteenweg 46, 1000 Brussel) &#8211;\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#map\">zie kaart<\/a><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; donderdag\u00a0<strong style=\"line-height: 19.2px\">23\u00a0<\/strong>en vrijdag<strong style=\"line-height: 19.2px\">\u00a024 november<\/strong>\u00a02017 &#8211;\u00a0<strong style=\"line-height: 19.2px\">10 &gt; 17u<br style=\"line-height: 19.2px\" \/><\/strong>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">gratis toegang<br style=\"line-height: 19.2px\" \/><\/strong>&gt;&gt;&gt;\u00a0<em style=\"line-height: 19.2px\">de conferentie zal uitsluitend in het Engels plaatsvinden<\/em><strong style=\"line-height: 19.2px\"><br style=\"line-height: 19.2px\" \/><\/strong><\/p>\n<hr style=\"line-height: 19.2px\" \/>\n<p style=\"font-size: 12px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"prog\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">PROGRAMMA<\/strong><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\">\u00a0 \u00a0 \u00a0\u00a0 \u00a0<strong style=\"line-height: 19.2px\">\u00a023 november (sessie open voor het publiek)\u00a0 \u00a0 \u00a0\u00a0 \u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">9u30<\/strong>\u00a0\u2013 ontvangst van de deelnemers<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">10u \u2013\u00a0<\/strong>offici\u00eble opening van de conferentie<br style=\"line-height: 19.2px\" \/>Sarah FLOCK (Universit\u00e9 Libre de Bruxelles, ULB)<br style=\"line-height: 19.2px\" \/>Martina PECKOVA \u010cERNA (Arts and Theatre Institute Prague)<br style=\"line-height: 19.2px\" \/>Jitka PANEK JURKOVA (Czech Centre Brussels)<br style=\"line-height: 19.2px\" \/>Anna VONDRACEK (Paleis voor Schone Kunsten)<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\"><br style=\"line-height: 19.2px\" \/>10u45\u00a0\u2013\u00a0BLOK I \u2013 First and Second Avant-Garde: Ruptures or Inspiration for todays\u2019 theatre?<\/strong><br style=\"line-height: 19.2px\" \/>Moderator: Sarah FLOCK (ULB)<\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;line-height: 19.2px\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#DW\">Dorota WALCZAK-DELANOIS<\/a>\u00a0(ULB):\u00a0<em style=\"line-height: 19.2px\"><span style=\"line-height: 19.2px;color: #0000ff\">Dance Me to the End of My Poem: A Short Story of Synergy between Poets, Dancers and Painters in the Polish Interwar Period<\/span><\/em><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Dagmar KRO\u010cANOV\u00c1 (Comeniusuniversiteit, Bratislava, Slowakije:\u00a0<em style=\"line-height: 19.2px\">Between Appeal and Refusal: Notes on Slovak Literary and Theatre Avant-Garde in the Interwar Period<\/em><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Martina MUSILOV\u00c1 (Masarykuniversiteit, Brno, Tsjechi\u00eb):\u00a0<em style=\"line-height: 19.2px\">As you make your bed so you must lie on it (Czech avant-garde in the period 1920s &#8211; 1950s)<\/em><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#DK\">Dariusz KOSI\u0143SKI<\/a>\u00a0(Theaterinstituut Zbigniew Raszewski, Warschau, Polen):\u00a0<em style=\"line-height: 19.2px\"><span style=\"line-height: 19.2px;color: #0000ff\">Reclaimed Avant-garde<\/span><\/em><\/li>\n<\/ul>\n<p style=\"font-size: 12px;line-height: 19.2px\">13u \u2013\u00a0lunch<strong style=\"line-height: 19.2px\"><br style=\"line-height: 19.2px\" \/><\/strong><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">14u15\u00a0\u00a0\u2013\u00a0BLOK II \u2013 Artists Face the Avant-Garde (Presentations and personal statements of artists involved in\u00a0<\/strong><strong style=\"line-height: 19.2px\">the artistic creation for 2018<br style=\"line-height: 19.2px\" \/><\/strong><\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;line-height: 19.2px\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Mi\u0159enka \u010cECHOV\u00c1 (danseres en toneelregisseuse, Tsjechi\u00eb)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Stanislav DOB\u00c1K (danser, Slowakije)\u00a0<\/li>\n<\/ul>\n<p style=\"font-size: 12px;line-height: 19.2px\">Moderator: Martina PECKOV\u00c1 \u010cERN\u00c1<\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;line-height: 19.2px\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.dadateatr.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Katarzyna CHMIELEWSKA-JANKOWSKA<\/a>\u00a0en\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#JK\">Jakub TRUSZKOWSKI<\/a>\u00a0(dansers, Dada von Bzdulow dance company, Polen)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#JL\">Joanna LE\u015aNIEROWSKA<\/a>\u00a0(Polen)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,810,nl,East_and_Central_European_Modernity_Rebuilding_in_Performing_Arts#MD\">Monika DRO\u017bY\u0143SKA<\/a>\u00a0(Polen)<\/li>\n<\/ul>\n<p style=\"font-size: 12px;line-height: 19.2px\">Moderatoren: Edyta ZIELNIK en Anna GALAS-KOSIL<\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;line-height: 19.2px\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Farid FAIRUZ (Roemeni\u00eb)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Agnia \u0160EIJKO (Litouwen)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Boglarka B\u00d6RCS\u00d6K (Hongarije)\u00a0<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Johanne SAUNIER en Ine CLAES (Belgi\u00eb)<\/li>\n<\/ul>\n<p style=\"font-size: 12px;line-height: 19.2px\">Moderator: Iulia POPOVICI<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\">\u00a0 \u00a0 \u00a0\u00a0 \u00a0<strong style=\"line-height: 19.2px\">\u00a024 november (ochtend open voor publiek)\u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">10u \u2013\u00a0BLOK III \u2013 First and Second Avant-Garde: Ruptures or Inspiration for todays\u2019 theatre?<\/strong>\u00a0(na 1945)<br style=\"line-height: 19.2px\" \/>Moderator: Karel VANHAESENBROUCK<\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;line-height: 19.2px\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Iulia POPOVICI (Kunstuniversiteit van T\u00eergu Mure\u015f\/M\u00e1rosv\u00e1s\u00e1rhely, Roemeni\u00eb):\u00a0<em style=\"line-height: 19.2px\">Legacy of Romanian Avant-Garde<\/em><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Judit GAL\u00c1CZ (ELTE University):\u00a0<em style=\"line-height: 19.2px\">The Hungarian Theatre Avant-Garde and the Green Donkey Theatre<\/em><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Jitka PAVLI\u0160OV\u00c1 (Tsjechi\u00eb):\u00a0<em style=\"line-height: 19.2px\">Czech Dance Avant-Garde in the Context of Modern\/Expressive Dance (R)evolution in Central Europe<\/em><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Justyna MICHALIK (Instituut voor de Kunsten van de Poolse Academie voor de Wetenschap):\u00a0<em style=\"line-height: 19.2px\"><span style=\"line-height: 19.2px;color: #0000ff\">Theater in un-obvious spaces \u2013 Cricot and Cricot 2<\/span><\/em><\/li>\n<\/ul>\n<p style=\"font-size: 12px;line-height: 19.2px\">12u45 \u2013 lunch<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">14u30<\/strong>\u00a0\u2013 Discussie en voorbereiding van de projecten voor 2018 (priv\u00e9sessie)<\/p>\n<hr style=\"line-height: 19.2px\" \/>\n<p style=\"font-size: 12px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"MD\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Monika DRO\u017bY\u0143SKA<\/strong><br style=\"line-height: 19.2px\" \/>An artist, designer and initiator of collaborative projects presented in a public space, among others &#8222;The Point&#8221; (2004-2010), &#8222;Sew your cultural centre&#8221; (2008-2009), &#8222;Urban embroidery&#8221; (2010-2011). She participated in both individual and group exhibitions, among others at the Ujazdowski Castle Centre for Contemporary Art, Zach\u0119ta National Art Gallery (2010-2013), \u0141a\u017ania Centre for Contemporay Art, Gda\u0144sk (2008), Kronika Centre for Contemporary Art, Bytom (2013, 2014), Grand Theatre &#8211; National Opera, Warsaw (2011), MOCAK Museum of Contemporary Art, Cracow (2010). Her works are in the collection of Bunkier Sztuki Gallery of Contemporary Art and National Museum in Cracow. She was a scholarship holder of the Ministry of Culture and National Heritage (2010) and the Visegrad Artist Residency Program (2012). She was a laureate of competitions Kulturysta of the Polish Radio Program 3 (2011) and Kulturalne Odloty of Gazeta Wyborcza (2008). Monika was also nominated to the award &#8222;Polityka&#8221; Passports (2012, 2013). She is a founder of the Hands of Gold Embroidery School for Ladies and Gentlemen and member of the collective Hands of Gold. Monika lives and works in Cracow.<br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"DK\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">prof. Dariusz KOSI\u0143SKI<\/strong><br style=\"line-height: 19.2px\" \/>A professor at the Performance Studies Department of the Jagiellonian University, Cracow, Poland. At the beginning of his career he researched the theory and history of 19th century acting, publishing two books on the subject and editing the series of source materials. Later he focused on the tradition he had called the Polish theatre of transformation, developed by the most important Polish artists from Adam Mickiewicz to Jerzy Grotowski. His main publications in the field are: &#8222;Polski teatr przemiany&#8221; (Wroc\u0142aw 2007) i &#8222;Grotowski. Przewodnik&#8221; (Wroc\u0142aw 2009). He is the author of the history of Polish theater and performances &#8222;Teatra polskie. Historie&#8221; (Warsaw 2010) \u2013 the book was also published in German and Chinese. From 2010 till the end of 2013 he was the programme director of the Grotowski Institute in Wroc\u0142aw. He was the member of the editorial board of the Jerzy Grotowski collected texts, published in Polish in 2012. From 2014 he is the research director of the Zbigniew Raszewski Theatre Institute in Warsaw. His latest publications include a book on the performances after the cathastrophy of the presidential plane in Smolensk (Teatra polskie. Rok katastrofy, Warsaw 2013), a monography of the early performances by Jerzy Grotowski (&#8222;Grotowski. Profanacje&#8221;, Wroc\u0142aw 2015) and the collection of essays on performance studies (&#8222;Performatyka. W(y)prowadzenia&#8221;, Cracow 2016).<br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"JL\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Joanna LE\u015aNIEROWSKA<\/strong><br style=\"line-height: 19.2px\" \/>A dramaturge, dance curator and performance maker. She published on dance for major Polish theatre papers and lectured on Polish choreography in universities in Poland (Pozna\u0144 and Cracow) and at numerous conferences abroad; since 2004 she runs performative program of Art Stations Foundation (<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.artstationsfoundation.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.artstationsfoundation.pl<\/a>) in Pozna\u0144 (known as Old Brewery New Dance Programme) which presents the latest achievements in contemporary choreography and strongly supports choreographic development of Polish artists. In years 2011-2014 Lesnierowska was a member of Advisory Board for Music and Dance Institute in Warsaw. Parallel to her curatorial work, Joanna developed practice as an artistic coach to young choreographers and as a dramaturge and light designer to a number of Polish and international artists, including Janusz Orlik, Renata Piotrowska, Anna Nowicka, Arkadi Zaides, Lia Haraki, Jurij Konjar and M\u00e1rta Ladj\u00e1nszki. In 2003-2008 Joanna was coruning a dance collective and association Towarzystwo Gimnastyczne within which she co-created and toured three choreographic works. Since 2011 she creates also her own works (&#8222;reconstruction&#8221;, 2011; &#8222;\u2026(rooms by the sea)&#8221;, 2014; &#8222;Leavening&#8221;, 2016; &#8222;blur&#8221;, 2017). For co-creation of a solo &#8222;Insight&#8221; (together with Janusz Orlik), in a frame of Polish Dance Platform 2014 she received the Polish Minister of Culture\u2019s award for best choreography.<br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"JM\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Justyna MICHALIK<\/strong><br style=\"line-height: 19.2px\" \/>a PhD student at the Institute of Art of the Polish Academy of Sciences, co-editor of numerous books and exhibition catalogues published on the occasion of exhibitions organized by the Centre for the Documentation of the Art of Tadeusz Kantor &#8222;Cricoteka&#8221; in Cracow. Author of the book &#8222;Idea bardzo konsekwentna. Happening i Teatr Happeningowy Tadeusza Kantora&#8221; (Cracow, 2015). Member of Theatre Researchers Forum \u2013 a collective which promotes democratization of the discourse on theatre.<br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"JK\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Jakub TRUSZKOWSKI<\/strong><br style=\"line-height: 19.2px\" \/>Jakub Truszkowski started his dance training in 1987 at the State Ballet School in Gdansk, where he obtained his degree in 1996. Between 1994 and 1996, as a student he performed in several classical pieces at the Opera House of Gdansk. In 1996 he was admitted to Anne Teresa De Keersmaeker\u2019s contemporarry dance school P.A.R.T.S. After graduating in 1999 he joined the company Rosas where between 2000-2006 and 2010-2016, he performed in Drumming, Mozart \/ Concert Arias, Grosse Fuge and Mikrokosmos and participating to the creation of In Real Time, Rain, April Me, Repertory Evening XX, Bitches Brew \/ Tacoma Narrows and Kassandra. In 2007 he joined the company Les Ballets C de la B, dancing in Import Export and Ashes.<br style=\"line-height: 19.2px\" \/>Between 2013-2015 he was a program coordinator at P.A.R.T.S. He is a guest teacher at P.A.R.T.S. And several other places including De Theaterschool \/ Amsterdam and The Folkwang University of the Arts \/ Essen, Springboard \/ Montreal and Rosas dance company.<br style=\"line-height: 19.2px\" \/>As a rehearsal director, he staged Rosas repertory at P.A.R.T.S., Op\u00e9ra de Lyon, Op\u00e9ra de Paris, Gothemburg Opera and Companhia Nacional de Bailado of Portugal.<br style=\"line-height: 19.2px\" \/>His personal creations include: Solo For The Projector, Bodyscapes, Walking Duet, Memory Reset, White Noise, Dzisiaj Wszystko.<br style=\"line-height: 19.2px\" \/>He is a co-founder and a performer at The House of Bertha dance collective in Brussels.<br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"DW\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Dorota WALCZAK-DELANOIS<\/strong>, PhD<strong style=\"line-height: 19.2px\"><br style=\"line-height: 19.2px\" \/><\/strong>A lecturer at the ULB, responsible for Polish language and culture who has authored several books on poetry, especially the Polish avant-garde. She serves on numerous editorial and academic boards, and on the Wis\u0142awa Szymborska Award jury. Besides being a painter and poet, she is also a great lover of dancing.<\/p>\n<\/div>\n<h3 class=\"boxTitle\" style=\"margin-top: 20px;margin-bottom: 10px;padding: 0px 0px 0px 5px;font-size: 12px;line-height: 19.2px;clear: both;width: 275px;background-color: #000000;color: #ffffff;font-family: Verdana, Arial, Helvetica, sans-serif\">Fotogalerij<\/h3>\n<div id=\"gallery\" class=\"thumbs\" style=\"margin-top: 0px;margin-right: 0px;margin-left: 0px;padding: 0px;font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" title=\"\" href=\"http:\/\/www.culturepolonaise.eu\/99,99,0,nl?bn=445___La_Bellone815360875137&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=587&amp;height=587\"><img decoding=\"async\" style=\"line-height: 19.2px;margin: 0px 15px 15px 0px\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,nl?bn=445___La_Bellone815360875137&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=550&amp;height=120\" alt=\"\" \/><\/a>\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" title=\"Archives Arts and Theater Institute, Prague\" href=\"http:\/\/www.culturepolonaise.eu\/99,99,0,nl?bn=445___La_Bellone_225414932390&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=587&amp;height=587\"><img decoding=\"async\" style=\"line-height: 19.2px;margin: 0px 15px 15px 0px\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,nl?bn=445___La_Bellone_225414932390&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=550&amp;height=120\" alt=\"Archives Arts and Theater Institute, Prague\" \/><\/a><\/div>\n<div>\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"<p>De conferentie\u00a0Remembering 1918: East and Central European Modernity Rebuilding in Performing Arts, die wordt gehouden in\u00a0La Bellone &#8211; het Huis van de Podiumkunsten\u00a0op 23 en 24 november\u00a02017, haalt zijn bestaansrecht uit de eeuwviering van de val van de Europese rijken en de daaruitvolgende creatie van de Centraal- en Oost-Europese natiestaten, wat gevierd wordt in 2018. [&hellip;]<\/p>\n","protected":false},"author":127,"featured_media":2904,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[122],"tags":[],"class_list":["post-2908","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theater"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>East and Central European Modernity Rebuilding in Performing Arts - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"East and Central European Modernity Rebuilding in Performing Arts - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"De conferentie\u00a0Remembering 1918: East and Central European Modernity Rebuilding in Performing Arts, die wordt gehouden in\u00a0La Bellone &#8211; het Huis van de Podiumkunsten\u00a0op 23 en 24 november\u00a02017, haalt zijn bestaansrecht uit de eeuwviering van de val van de Europese rijken en de daaruitvolgende creatie van de Centraal- en Oost-Europese natiestaten, wat gevierd wordt in 2018. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-23T16:23:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-04T15:30:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"358\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"dyjakn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"dyjakn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/\",\"name\":\"East and Central European Modernity Rebuilding in Performing Arts\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-300x188.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\",\"datePublished\":\"2017-11-23T16:23:20+02:00\",\"dateModified\":\"2020-05-04T15:30:05+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2017-11-23\",\"endDate\":\"2017-11-24\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"De conferentie\u00a0Remembering 1918: East and Central European Modernity Rebuilding in Performing Arts, die wordt gehouden in\u00a0La Bellone - het Huis van de Podiumkunsten\u00a0op 23 en 24 november\u00a02017, haalt zijn bestaansrecht uit de eeuwviering van de val van de Europese rijken en de daaruitvolgende creatie van de Centraal- en Oost-Europese natiestaten, wat gevierd wordt in 2018. De geboorte van deze nieuwe staten ging gepaard met de dubbele verantwoordelijkheid om zich enerzijds over de moderniteit te buigen en zich anderzijds ook een eigen identiteit aan te meten binnen het concert van een veelsoortig Europa. Er wordt dus intensief nagedacht over de vormen die ze meosten aannemen in de politiek, de maatschappij en de kunst.De conferentie heeft tot doel dieper in te gaan op de noties van\u00a0moderniteit\u00a0en\u00a0avant-garde\u00a0en hun belichamingen in\u00a0theater,\u00a0dans\u00a0en\u00a0performance\u00a0door middel van een dialoog tussen\u00a0academici en kunstenaars, afkomstig uit Hongarije, Litouwen, Polen, de Tsjechische Republiek, Roemeni\u00eb en Slowakije. De eerste groep (waaronder\u00a0Dariusz KOSI\u0143SKI,\u00a0Justyna MICHALIK\u00a0et\u00a0Dorota WALCZAK-DELANOIS)\u00a0zal er het meest recente onderzoek naar het thema van avant-garde in de podiumkunsten voorstellen.De tweede groep\u00a0(met onder meer\u00a0Joanna LE\u015aNIEROWSKA,\u00a0Monika DRO\u017bY\u0143SKA,\u00a0Katarzyna CHMIELEWSKA-JANKOWSKA et\u00a0Jakub TRUSZKOWSKI) daarentegen zal verduidelijken hoe de vernieuwende gedachtenstromen (rond politiek, kunst en esthetiek), die ontstaan zijn aan de vooravond van de Eerste Wereldoorlog, in hun huidig werk weerklinken.Deze dialoog zal het vertrekpunt vormen voor een\u00a0in situ\u00a0performanceparcours, exclusief gecre\u00eberd voor het gebouw van het Paleis voor de Schone Kunsten in Brussel, dat zal worden voorgesteld op\u00a027 mei\u00a02018 in het kader van het project\u00a0Remembering 1918 \/ European Dreams of Becoming Modern.Meer info hierover volgt nog...PRAKTISCHE INFORMATIE&gt;&gt;&gt;\u00a0La Bellone - Het Huis van de Podiumkunsten\u00a0(Vlaamsesteenweg 46, 1000 Brussel) -\u00a0zie kaart&gt;&gt;&gt; donderdag\u00a023\u00a0en vrijdag\u00a024 november\u00a02017 -\u00a010 &gt; 17u&gt;&gt;&gt;\u00a0gratis toegang&gt;&gt;&gt;\u00a0de conferentie zal uitsluitend in het Engels plaatsvinden\\nPROGRAMMA\u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a023 november (sessie open voor het publiek)\u00a0 \u00a0 \u00a0\u00a0 \u00a09u30\u00a0\u2013 ontvangst van de deelnemers10u \u2013\u00a0offici\u00eble opening van de conferentieSarah FLOCK (Universit\u00e9 Libre de Bruxelles, ULB)Martina PECKOVA \u010cERNA (Arts and Theatre Institute Prague)Jitka PANEK JURKOVA (Czech Centre Brussels)Anna VONDRACEK (Paleis voor Schone Kunsten)10u45\u00a0\u2013\u00a0BLOK I \u2013 First and Second Avant-Garde: Ruptures or Inspiration for todays\u2019 theatre?Moderator: Sarah FLOCK (ULB)\\nDorota WALCZAK-DELANOIS\u00a0(ULB):\u00a0Dance Me to the End of My Poem: A Short Story of Synergy between Poets, Dancers and Painters in the Polish Interwar Period\\nDagmar KRO\u010cANOV\u00c1 (Comeniusuniversiteit, Bratislava, Slowakije:\u00a0Between Appeal and Refusal: Notes on Slovak Literary and Theatre Avant-Garde in the Interwar Period\\nMartina MUSILOV\u00c1 (Masarykuniversiteit, Brno, Tsjechi\u00eb):\u00a0As you make your bed so you must lie on it (Czech avant-garde in the period 1920s - 1950s)\\nDariusz KOSI\u0143SKI\u00a0(Theaterinstituut Zbigniew Raszewski, Warschau, Polen):\u00a0Reclaimed Avant-garde\\n13u \u2013\u00a0lunch14u15\u00a0\u00a0\u2013\u00a0BLOK II \u2013 Artists Face the Avant-Garde (Presentations and personal statements of artists involved in\u00a0the artistic creation for 2018\\nMi\u0159enka \u010cECHOV\u00c1 (danseres en toneelregisseuse, Tsjechi\u00eb)\\nStanislav DOB\u00c1K (danser, Slowakije)\u00a0\\nModerator: Martina PECKOV\u00c1 \u010cERN\u00c1\\nKatarzyna CHMIELEWSKA-JANKOWSKA\u00a0en\u00a0Jakub TRUSZKOWSKI\u00a0(dansers, Dada von Bzdulow dance company, Polen)\\nJoanna LE\u015aNIEROWSKA\u00a0(Polen)\\nMonika DRO\u017bY\u0143SKA\u00a0(Polen)\\nModeratoren: Edyta ZIELNIK en Anna GALAS-KOSIL\\nFarid FAIRUZ (Roemeni\u00eb)\\nAgnia \u0160EIJKO (Litouwen)\\nBoglarka B\u00d6RCS\u00d6K (Hongarije)\u00a0\\nJohanne SAUNIER en Ine CLAES (Belgi\u00eb)\\nModerator: Iulia POPOVICI\u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a024 november (ochtend open voor publiek)\u00a0 \u00a0 \u00a0 \u00a010u \u2013\u00a0BLOK III \u2013 First and Second Avant-Garde: Ruptures or Inspiration for todays\u2019 theatre?\u00a0(na 1945)Moderator: Karel VANHAESENBROUCK\\nIulia POPOVICI (Kunstuniversiteit van T\u00eergu Mure\u015f\/M\u00e1rosv\u00e1s\u00e1rhely, Roemeni\u00eb):\u00a0Legacy of Romanian Avant-Garde\\nJudit GAL\u00c1CZ (ELTE University):\u00a0The Hungarian Theatre Avant-Garde and the Green Donkey Theatre\\nJitka PAVLI\u0160OV\u00c1 (Tsjechi\u00eb):\u00a0Czech Dance Avant-Garde in the Context of Modern\/Expressive Dance (R)evolution in Central Europe\\nJustyna MICHALIK (Instituut voor de Kunsten van de Poolse Academie voor de Wetenschap):\u00a0Theater in un-obvious spaces \u2013 Cricot and Cricot 2\\n12u45 \u2013 lunch14u30\u00a0\u2013 Discussie en voorbereiding van de projecten voor 2018 (priv\u00e9sessie)\\nMonika DRO\u017bY\u0143SKAAn artist, designer and initiator of collaborative projects presented in a public space, among others \\\"The Point\\\" (2004-2010), \\\"Sew your cultural centre\\\" (2008-2009), \\\"Urban embroidery\\\" (2010-2011). She participated in both individual and group exhibitions, among others at the Ujazdowski Castle Centre for Contemporary Art, Zach\u0119ta National Art Gallery (2010-2013), \u0141a\u017ania Centre for Contemporay Art, Gda\u0144sk (2008), Kronika Centre for Contemporary Art, Bytom (2013, 2014), Grand Theatre - National Opera, Warsaw (2011), MOCAK Museum of Contemporary Art, Cracow (2010). Her works are in the collection of Bunkier Sztuki Gallery of Contemporary Art and National Museum in Cracow. She was a scholarship holder of the Ministry of Culture and National Heritage (2010) and the Visegrad Artist Residency Program (2012). She was a laureate of competitions Kulturysta of the Polish Radio Program 3 (2011) and Kulturalne Odloty of Gazeta Wyborcza (2008). Monika was also nominated to the award \\\"Polityka\\\" Passports (2012, 2013). She is a founder of the Hands of Gold Embroidery School for Ladies and Gentlemen and member of the collective Hands of Gold. Monika lives and works in Cracow.prof. Dariusz KOSI\u0143SKIA professor at the Performance Studies Department of the Jagiellonian University, Cracow, Poland. At the beginning of his career he researched the theory and history of 19th century acting, publishing two books on the subject and editing the series of source materials. Later he focused on the tradition he had called the Polish theatre of transformation, developed by the most important Polish artists from Adam Mickiewicz to Jerzy Grotowski. His main publications in the field are: \\\"Polski teatr przemiany\\\" (Wroc\u0142aw 2007) i \\\"Grotowski. Przewodnik\\\" (Wroc\u0142aw 2009). He is the author of the history of Polish theater and performances \\\"Teatra polskie. Historie\\\" (Warsaw 2010) \u2013 the book was also published in German and Chinese. From 2010 till the end of 2013 he was the programme director of the Grotowski Institute in Wroc\u0142aw. He was the member of the editorial board of the Jerzy Grotowski collected texts, published in Polish in 2012. From 2014 he is the research director of the Zbigniew Raszewski Theatre Institute in Warsaw. His latest publications include a book on the performances after the cathastrophy of the presidential plane in Smolensk (Teatra polskie. Rok katastrofy, Warsaw 2013), a monography of the early performances by Jerzy Grotowski (\\\"Grotowski. Profanacje\\\", Wroc\u0142aw 2015) and the collection of essays on performance studies (\\\"Performatyka. W(y)prowadzenia\\\", Cracow 2016).Joanna LE\u015aNIEROWSKAA dramaturge, dance curator and performance maker. She published on dance for major Polish theatre papers and lectured on Polish choreography in universities in Poland (Pozna\u0144 and Cracow) and at numerous conferences abroad; since 2004 she runs performative program of Art Stations Foundation (www.artstationsfoundation.pl) in Pozna\u0144 (known as Old Brewery New Dance Programme) which presents the latest achievements in contemporary choreography and strongly supports choreographic development of Polish artists. In years 2011-2014 Lesnierowska was a member of Advisory Board for Music and Dance Institute in Warsaw. Parallel to her curatorial work, Joanna developed practice as an artistic coach to young choreographers and as a dramaturge and light designer to a number of Polish and international artists, including Janusz Orlik, Renata Piotrowska, Anna Nowicka, Arkadi Zaides, Lia Haraki, Jurij Konjar and M\u00e1rta Ladj\u00e1nszki. In 2003-2008 Joanna was coruning a dance collective and association Towarzystwo Gimnastyczne within which she co-created and toured three choreographic works. Since 2011 she creates also her own works (\\\"reconstruction\\\", 2011; \\\"\u2026(rooms by the sea)\\\", 2014; \\\"Leavening\\\", 2016; \\\"blur\\\", 2017). For co-creation of a solo \\\"Insight\\\" (together with Janusz Orlik), in a frame of Polish Dance Platform 2014 she received the Polish Minister of Culture\u2019s award for best choreography.Justyna MICHALIKa PhD student at the Institute of Art of the Polish Academy of Sciences, co-editor of numerous books and exhibition catalogues published on the occasion of exhibitions organized by the Centre for the Documentation of the Art of Tadeusz Kantor \\\"Cricoteka\\\" in Cracow. Author of the book \\\"Idea bardzo konsekwentna. Happening i Teatr Happeningowy Tadeusza Kantora\\\" (Cracow, 2015). Member of Theatre Researchers Forum \u2013 a collective which promotes democratization of the discourse on theatre.Jakub TRUSZKOWSKIJakub Truszkowski started his dance training in 1987 at the State Ballet School in Gdansk, where he obtained his degree in 1996. Between 1994 and 1996, as a student he performed in several classical pieces at the Opera House of Gdansk. In 1996 he was admitted to Anne Teresa De Keersmaeker\u2019s contemporarry dance school P.A.R.T.S. After graduating in 1999 he joined the company Rosas where between 2000-2006 and 2010-2016, he performed in Drumming, Mozart \/ Concert Arias, Grosse Fuge and Mikrokosmos and participating to the creation of In Real Time, Rain, April Me, Repertory Evening XX, Bitches Brew \/ Tacoma Narrows and Kassandra. In 2007 he joined the company Les Ballets C de la B, dancing in Import Export and Ashes.Between 2013-2015 he was a program coordinator at P.A.R.T.S. He is a guest teacher at P.A.R.T.S. And several other places including De Theaterschool \/ Amsterdam and The Folkwang University of the Arts \/ Essen, Springboard \/ Montreal and Rosas dance company.As a rehearsal director, he staged Rosas repertory at P.A.R.T.S., Op\u00e9ra de Lyon, Op\u00e9ra de Paris, Gothemburg Opera and Companhia Nacional de Bailado of Portugal.His personal creations include: Solo For The Projector, Bodyscapes, Walking Duet, Memory Reset, White Noise, Dzisiaj Wszystko.He is a co-founder and a performer at The House of Bertha dance collective in Brussels.Dorota WALCZAK-DELANOIS, PhDA lecturer at the ULB, responsible for Polish language and culture who has authored several books on poetry, especially the Polish avant-garde. She serves on numerous editorial and academic boards, and on the Wis\u0142awa Szymborska Award jury. Besides being a painter and poet, she is also a great lover of dancing.\\nFotogalerij\\n\u00a0\\n\u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg\",\"width\":572,\"height\":358},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"East and Central European Modernity Rebuilding in Performing Arts\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"East and Central European Modernity Rebuilding in Performing Arts - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/","og_locale":"pl_PL","og_type":"article","og_title":"East and Central European Modernity Rebuilding in Performing Arts - Instytut Polski w Brukseli","og_description":"De conferentie\u00a0Remembering 1918: East and Central European Modernity Rebuilding in Performing Arts, die wordt gehouden in\u00a0La Bellone &#8211; het Huis van de Podiumkunsten\u00a0op 23 en 24 november\u00a02017, haalt zijn bestaansrecht uit de eeuwviering van de val van de Europese rijken en de daaruitvolgende creatie van de Centraal- en Oost-Europese natiestaten, wat gevierd wordt in 2018. [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/","og_site_name":"Instytut Polski w Brukseli","article_published_time":"2017-11-23T16:23:20+00:00","article_modified_time":"2020-05-04T15:30:05+00:00","og_image":[{"width":572,"height":358,"url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg","type":"image\/jpeg"}],"author":"dyjakn","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"dyjakn","Szacowany czas czytania":"8 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/","url":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/","name":"East and Central European Modernity Rebuilding in Performing Arts","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-300x188.jpg","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg","datePublished":"2017-11-23T16:23:20+02:00","dateModified":"2020-05-04T15:30:05+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/"]}],"@context":"https:\/\/schema.org","startDate":"2017-11-23","endDate":"2017-11-24","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"De conferentie\u00a0Remembering 1918: East and Central European Modernity Rebuilding in Performing Arts, die wordt gehouden in\u00a0La Bellone - het Huis van de Podiumkunsten\u00a0op 23 en 24 november\u00a02017, haalt zijn bestaansrecht uit de eeuwviering van de val van de Europese rijken en de daaruitvolgende creatie van de Centraal- en Oost-Europese natiestaten, wat gevierd wordt in 2018. De geboorte van deze nieuwe staten ging gepaard met de dubbele verantwoordelijkheid om zich enerzijds over de moderniteit te buigen en zich anderzijds ook een eigen identiteit aan te meten binnen het concert van een veelsoortig Europa. Er wordt dus intensief nagedacht over de vormen die ze meosten aannemen in de politiek, de maatschappij en de kunst.De conferentie heeft tot doel dieper in te gaan op de noties van\u00a0moderniteit\u00a0en\u00a0avant-garde\u00a0en hun belichamingen in\u00a0theater,\u00a0dans\u00a0en\u00a0performance\u00a0door middel van een dialoog tussen\u00a0academici en kunstenaars, afkomstig uit Hongarije, Litouwen, Polen, de Tsjechische Republiek, Roemeni\u00eb en Slowakije. De eerste groep (waaronder\u00a0Dariusz KOSI\u0143SKI,\u00a0Justyna MICHALIK\u00a0et\u00a0Dorota WALCZAK-DELANOIS)\u00a0zal er het meest recente onderzoek naar het thema van avant-garde in de podiumkunsten voorstellen.De tweede groep\u00a0(met onder meer\u00a0Joanna LE\u015aNIEROWSKA,\u00a0Monika DRO\u017bY\u0143SKA,\u00a0Katarzyna CHMIELEWSKA-JANKOWSKA et\u00a0Jakub TRUSZKOWSKI) daarentegen zal verduidelijken hoe de vernieuwende gedachtenstromen (rond politiek, kunst en esthetiek), die ontstaan zijn aan de vooravond van de Eerste Wereldoorlog, in hun huidig werk weerklinken.Deze dialoog zal het vertrekpunt vormen voor een\u00a0in situ\u00a0performanceparcours, exclusief gecre\u00eberd voor het gebouw van het Paleis voor de Schone Kunsten in Brussel, dat zal worden voorgesteld op\u00a027 mei\u00a02018 in het kader van het project\u00a0Remembering 1918 \/ European Dreams of Becoming Modern.Meer info hierover volgt nog...PRAKTISCHE INFORMATIE&gt;&gt;&gt;\u00a0La Bellone - Het Huis van de Podiumkunsten\u00a0(Vlaamsesteenweg 46, 1000 Brussel) -\u00a0zie kaart&gt;&gt;&gt; donderdag\u00a023\u00a0en vrijdag\u00a024 november\u00a02017 -\u00a010 &gt; 17u&gt;&gt;&gt;\u00a0gratis toegang&gt;&gt;&gt;\u00a0de conferentie zal uitsluitend in het Engels plaatsvinden\nPROGRAMMA\u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a023 november (sessie open voor het publiek)\u00a0 \u00a0 \u00a0\u00a0 \u00a09u30\u00a0\u2013 ontvangst van de deelnemers10u \u2013\u00a0offici\u00eble opening van de conferentieSarah FLOCK (Universit\u00e9 Libre de Bruxelles, ULB)Martina PECKOVA \u010cERNA (Arts and Theatre Institute Prague)Jitka PANEK JURKOVA (Czech Centre Brussels)Anna VONDRACEK (Paleis voor Schone Kunsten)10u45\u00a0\u2013\u00a0BLOK I \u2013 First and Second Avant-Garde: Ruptures or Inspiration for todays\u2019 theatre?Moderator: Sarah FLOCK (ULB)\nDorota WALCZAK-DELANOIS\u00a0(ULB):\u00a0Dance Me to the End of My Poem: A Short Story of Synergy between Poets, Dancers and Painters in the Polish Interwar Period\nDagmar KRO\u010cANOV\u00c1 (Comeniusuniversiteit, Bratislava, Slowakije:\u00a0Between Appeal and Refusal: Notes on Slovak Literary and Theatre Avant-Garde in the Interwar Period\nMartina MUSILOV\u00c1 (Masarykuniversiteit, Brno, Tsjechi\u00eb):\u00a0As you make your bed so you must lie on it (Czech avant-garde in the period 1920s - 1950s)\nDariusz KOSI\u0143SKI\u00a0(Theaterinstituut Zbigniew Raszewski, Warschau, Polen):\u00a0Reclaimed Avant-garde\n13u \u2013\u00a0lunch14u15\u00a0\u00a0\u2013\u00a0BLOK II \u2013 Artists Face the Avant-Garde (Presentations and personal statements of artists involved in\u00a0the artistic creation for 2018\nMi\u0159enka \u010cECHOV\u00c1 (danseres en toneelregisseuse, Tsjechi\u00eb)\nStanislav DOB\u00c1K (danser, Slowakije)\u00a0\nModerator: Martina PECKOV\u00c1 \u010cERN\u00c1\nKatarzyna CHMIELEWSKA-JANKOWSKA\u00a0en\u00a0Jakub TRUSZKOWSKI\u00a0(dansers, Dada von Bzdulow dance company, Polen)\nJoanna LE\u015aNIEROWSKA\u00a0(Polen)\nMonika DRO\u017bY\u0143SKA\u00a0(Polen)\nModeratoren: Edyta ZIELNIK en Anna GALAS-KOSIL\nFarid FAIRUZ (Roemeni\u00eb)\nAgnia \u0160EIJKO (Litouwen)\nBoglarka B\u00d6RCS\u00d6K (Hongarije)\u00a0\nJohanne SAUNIER en Ine CLAES (Belgi\u00eb)\nModerator: Iulia POPOVICI\u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a024 november (ochtend open voor publiek)\u00a0 \u00a0 \u00a0 \u00a010u \u2013\u00a0BLOK III \u2013 First and Second Avant-Garde: Ruptures or Inspiration for todays\u2019 theatre?\u00a0(na 1945)Moderator: Karel VANHAESENBROUCK\nIulia POPOVICI (Kunstuniversiteit van T\u00eergu Mure\u015f\/M\u00e1rosv\u00e1s\u00e1rhely, Roemeni\u00eb):\u00a0Legacy of Romanian Avant-Garde\nJudit GAL\u00c1CZ (ELTE University):\u00a0The Hungarian Theatre Avant-Garde and the Green Donkey Theatre\nJitka PAVLI\u0160OV\u00c1 (Tsjechi\u00eb):\u00a0Czech Dance Avant-Garde in the Context of Modern\/Expressive Dance (R)evolution in Central Europe\nJustyna MICHALIK (Instituut voor de Kunsten van de Poolse Academie voor de Wetenschap):\u00a0Theater in un-obvious spaces \u2013 Cricot and Cricot 2\n12u45 \u2013 lunch14u30\u00a0\u2013 Discussie en voorbereiding van de projecten voor 2018 (priv\u00e9sessie)\nMonika DRO\u017bY\u0143SKAAn artist, designer and initiator of collaborative projects presented in a public space, among others \"The Point\" (2004-2010), \"Sew your cultural centre\" (2008-2009), \"Urban embroidery\" (2010-2011). She participated in both individual and group exhibitions, among others at the Ujazdowski Castle Centre for Contemporary Art, Zach\u0119ta National Art Gallery (2010-2013), \u0141a\u017ania Centre for Contemporay Art, Gda\u0144sk (2008), Kronika Centre for Contemporary Art, Bytom (2013, 2014), Grand Theatre - National Opera, Warsaw (2011), MOCAK Museum of Contemporary Art, Cracow (2010). Her works are in the collection of Bunkier Sztuki Gallery of Contemporary Art and National Museum in Cracow. She was a scholarship holder of the Ministry of Culture and National Heritage (2010) and the Visegrad Artist Residency Program (2012). She was a laureate of competitions Kulturysta of the Polish Radio Program 3 (2011) and Kulturalne Odloty of Gazeta Wyborcza (2008). Monika was also nominated to the award \"Polityka\" Passports (2012, 2013). She is a founder of the Hands of Gold Embroidery School for Ladies and Gentlemen and member of the collective Hands of Gold. Monika lives and works in Cracow.prof. Dariusz KOSI\u0143SKIA professor at the Performance Studies Department of the Jagiellonian University, Cracow, Poland. At the beginning of his career he researched the theory and history of 19th century acting, publishing two books on the subject and editing the series of source materials. Later he focused on the tradition he had called the Polish theatre of transformation, developed by the most important Polish artists from Adam Mickiewicz to Jerzy Grotowski. His main publications in the field are: \"Polski teatr przemiany\" (Wroc\u0142aw 2007) i \"Grotowski. Przewodnik\" (Wroc\u0142aw 2009). He is the author of the history of Polish theater and performances \"Teatra polskie. Historie\" (Warsaw 2010) \u2013 the book was also published in German and Chinese. From 2010 till the end of 2013 he was the programme director of the Grotowski Institute in Wroc\u0142aw. He was the member of the editorial board of the Jerzy Grotowski collected texts, published in Polish in 2012. From 2014 he is the research director of the Zbigniew Raszewski Theatre Institute in Warsaw. His latest publications include a book on the performances after the cathastrophy of the presidential plane in Smolensk (Teatra polskie. Rok katastrofy, Warsaw 2013), a monography of the early performances by Jerzy Grotowski (\"Grotowski. Profanacje\", Wroc\u0142aw 2015) and the collection of essays on performance studies (\"Performatyka. W(y)prowadzenia\", Cracow 2016).Joanna LE\u015aNIEROWSKAA dramaturge, dance curator and performance maker. She published on dance for major Polish theatre papers and lectured on Polish choreography in universities in Poland (Pozna\u0144 and Cracow) and at numerous conferences abroad; since 2004 she runs performative program of Art Stations Foundation (www.artstationsfoundation.pl) in Pozna\u0144 (known as Old Brewery New Dance Programme) which presents the latest achievements in contemporary choreography and strongly supports choreographic development of Polish artists. In years 2011-2014 Lesnierowska was a member of Advisory Board for Music and Dance Institute in Warsaw. Parallel to her curatorial work, Joanna developed practice as an artistic coach to young choreographers and as a dramaturge and light designer to a number of Polish and international artists, including Janusz Orlik, Renata Piotrowska, Anna Nowicka, Arkadi Zaides, Lia Haraki, Jurij Konjar and M\u00e1rta Ladj\u00e1nszki. In 2003-2008 Joanna was coruning a dance collective and association Towarzystwo Gimnastyczne within which she co-created and toured three choreographic works. Since 2011 she creates also her own works (\"reconstruction\", 2011; \"\u2026(rooms by the sea)\", 2014; \"Leavening\", 2016; \"blur\", 2017). For co-creation of a solo \"Insight\" (together with Janusz Orlik), in a frame of Polish Dance Platform 2014 she received the Polish Minister of Culture\u2019s award for best choreography.Justyna MICHALIKa PhD student at the Institute of Art of the Polish Academy of Sciences, co-editor of numerous books and exhibition catalogues published on the occasion of exhibitions organized by the Centre for the Documentation of the Art of Tadeusz Kantor \"Cricoteka\" in Cracow. Author of the book \"Idea bardzo konsekwentna. Happening i Teatr Happeningowy Tadeusza Kantora\" (Cracow, 2015). Member of Theatre Researchers Forum \u2013 a collective which promotes democratization of the discourse on theatre.Jakub TRUSZKOWSKIJakub Truszkowski started his dance training in 1987 at the State Ballet School in Gdansk, where he obtained his degree in 1996. Between 1994 and 1996, as a student he performed in several classical pieces at the Opera House of Gdansk. In 1996 he was admitted to Anne Teresa De Keersmaeker\u2019s contemporarry dance school P.A.R.T.S. After graduating in 1999 he joined the company Rosas where between 2000-2006 and 2010-2016, he performed in Drumming, Mozart \/ Concert Arias, Grosse Fuge and Mikrokosmos and participating to the creation of In Real Time, Rain, April Me, Repertory Evening XX, Bitches Brew \/ Tacoma Narrows and Kassandra. In 2007 he joined the company Les Ballets C de la B, dancing in Import Export and Ashes.Between 2013-2015 he was a program coordinator at P.A.R.T.S. He is a guest teacher at P.A.R.T.S. And several other places including De Theaterschool \/ Amsterdam and The Folkwang University of the Arts \/ Essen, Springboard \/ Montreal and Rosas dance company.As a rehearsal director, he staged Rosas repertory at P.A.R.T.S., Op\u00e9ra de Lyon, Op\u00e9ra de Paris, Gothemburg Opera and Companhia Nacional de Bailado of Portugal.His personal creations include: Solo For The Projector, Bodyscapes, Walking Duet, Memory Reset, White Noise, Dzisiaj Wszystko.He is a co-founder and a performer at The House of Bertha dance collective in Brussels.Dorota WALCZAK-DELANOIS, PhDA lecturer at the ULB, responsible for Polish language and culture who has authored several books on poetry, especially the Polish avant-garde. She serves on numerous editorial and academic boards, and on the Wis\u0142awa Szymborska Award jury. Besides being a painter and poet, she is also a great lover of dancing.\nFotogalerij\n\u00a0\n\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2.jpg","width":572,"height":358},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/nl\/2017\/11\/23\/east-and-central-european-modernity-rebuilding-in-performing-arts-3\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"East and Central European Modernity Rebuilding in Performing Arts"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/2908","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=2908"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/2908\/revisions"}],"predecessor-version":[{"id":2909,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/2908\/revisions\/2909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/2904"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=2908"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=2908"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=2908"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}