{"id":3051,"date":"2017-09-01T00:59:24","date_gmt":"2017-08-31T22:59:24","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=3051"},"modified":"2020-05-07T01:05:32","modified_gmt":"2020-05-06T23:05:32","slug":"andrzej-wajda-retrospective","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/","title":{"rendered":"Andrzej Wajda retrospective"},"content":{"rendered":"\n<p><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">It will soon be one year since the great filmmaker\u00a0<\/span><a style=\"color: #bdc0c2;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#AW\">Andrzej WAJDA<\/a><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">\u00a0died, bequeathing the world a cinematographic oeuvre which makes him one of the most important directors in the history of Polish cinema. In the spring, Flagey held a retrospective in his honour. Now, cinema lovers in the north of the country will have the chance to (re)discover his creations.<\/span><br style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">Antwerp\u2019s\u00a0<\/span><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">Cinema Zuid<\/strong><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">, in collaboration with the Polish Institute Brussels, will screen one film from the 65-year career of Andrzej WAJDA every Friday in September and October. This retrospective will begin with his war trilogy and then take in his political films before concluding with his historical dramas, including his last work,\u00a0<\/span><em style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">Blue Flowers<\/em><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">\u00a0(Powidoki). The nine films which have been selected as stages in the homage which will be paid to him are:<\/span><\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#1\">A generation<\/a><\/em>\u00a0(Pokolenie)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#2\">Kana\u0142<\/a><\/em>\u00a0<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#3\">Ashes and Diamond<\/a><\/em>\u00a0(Popi\u00f3\u0142 i Diament)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#4\">Everything for Sale<\/a><\/em>\u00a0(Wszystko na sprzeda\u017c)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#5\">Man of Marble<\/a><\/em>\u00a0(Cz\u0142owiek z marmuru)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#6\">Without Anesthesia<\/a><\/em>\u00a0(Bez znieczulenia)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#7\">The Maids of Wilko<\/a>\u00a0<\/em>(Panny z Wilka)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#8\"><em style=\"line-height: 19.2px\">Danton<\/em><\/a><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#9\"><em style=\"line-height: 19.2px\">Afterimage<\/em><\/a>\u00a0(Powidoki)<\/li>\n<\/ul>\n<p><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\"><br style=\"line-height: 19.2px\" \/>PRACTICAL INFORMATION<\/strong><br style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">&gt;&gt;&gt;\u00a0<\/span><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">Cinema Zuid<\/strong><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">\u00a0(Waalsekaai 47, 2000 Antwerp) &#8211; see\u00a0<\/span><a style=\"color: #bdc0c2;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,787,en,Andrzej_Wajda_retrospective#map\">map<\/a><br style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">&gt;&gt;&gt; Friday\u00a0<\/span><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">1st September\u00a0<\/strong><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">&gt; Friday\u00a0<\/span><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">27 October<\/strong><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">\u00a02017<\/span><br style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">&gt;&gt;&gt;\u00a0<\/span><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\u20ac<\/strong><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">5<\/strong><span style=\"color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;font-size: 12px\">\u00a0|\u00a0<\/span><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\u20ac<\/strong><strong style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">3<\/strong><\/p>\n<hr style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"1\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em style=\"line-height: 19.2px\">A Generation<\/em>\u00a0<\/strong>(Pokolenie)<strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; PL\/1955\/BW\/87&#8217;\/ FR-NLundertitles<br style=\"line-height: 19.2px\" \/>A young worker joins the communist resistance fighting the Nazi occupier. He moves very swiftly from theory to action but cannot avoid clashing with the movement\u2019s pro-British fringe. \u00a0Wajda\u2019s first feature-length film is already clearly centred around essential themes, notably the ideological fault lines which run through Polish society. \u00a0<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\">Tadeusz \u0141omnicki<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Ursula Modrzi\u0144ska<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Tadeusz Janczar<\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\">Friday 1\/09<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">+++ on the website of\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.cinemazuid.be\/programma\/20170901\/een-generatie-pokolenie\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"2\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em style=\"line-height: 19.2px\">Kana\u0142<\/em><\/strong><strong style=\"line-height: 19.2px\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; PL\/1957\/97\u2019\/ FR-NL undertitles<br style=\"line-height: 19.2px\" \/>Warsaw, September 1994. The third Home Army platoon is reduced to 63 people, men and women, and cornered on all sides. Some of them take refuge in the sewers, hoping to escape the Germans. However, it would seem that some of them are like rats&#8230;<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\">Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski<\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\">Friday 8\/09<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">+++ On the website of\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.cinemazuid.be\/programma\/20170908\/kanal\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"3\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em style=\"line-height: 19.2px\">Cendre et Diament<\/em>\u00a0<\/strong>(Popi\u00f3\u0142 i Diament)<strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; PL\/1958\/104\u2019\/ EN\u00a0undertitles<br style=\"line-height: 19.2px\" \/>When the country is liberated, communists try to take power in Poland. The youngest member of a faction of the illegal resistance movement receives the order to kill a communist officer. The night before his murder, he meets a young barmaid who helps him to look at life from a different angle.<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\"><strong style=\"line-height: 19.2px\">Zbigniew Cybulski, Ewa Krzy<\/strong><strong style=\"line-height: 19.2px\">\u017cewska, Wac\u0142aw Zastrze\u017cy\u0144ski<\/strong><\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\"><span style=\"line-height: 19.2px;color: #ff0000\"><strong style=\"line-height: 19.2px\">Thursday 19\/10<\/strong><\/span><\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">20:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">+++ On the website of\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.cinemazuid.be\/programma\/20171019\/as-en-diamant\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"4\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em style=\"line-height: 19.2px\">Tout est \u00e0 vendre\u00a0<\/em><\/strong>(Wszystko na sprzeda\u017c)<strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; PL\/1968\/105\u2019\/ EN\u00a0undertitles<br style=\"line-height: 19.2px\" \/>In this film, Wajda mixes up reality and fiction to pay homage to Zbigniew Cybulski, the young cinema star and the hero of Ashes and Diamonds, who died at a young age and whom the film never mentions by name. This is the story of a director who is putting a film together and finds himself at a dead end when his lead actor is unable to join him.\u00a0<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\">Beata Tyszkiewicz, El\u017cbieta Czy\u017cewska, Andrzej \u0141apicki, Daniel Olbrychski<\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\">Friday 22\/09<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">+++ On the website of\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.cinemazuid.be\/programma\/20170922\/alles-is-te-koop-wszystko-na-sprzedaz\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"5\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em style=\"line-height: 19.2px\">\u00a0Man of Marble\u00a0<\/em><\/strong>(Cz\u0142owiek z marmuru)<strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt;\u00a0PL\/1976\/BW+colors\/160&#8217;\/ FR-NLundertitles<br style=\"line-height: 19.2px\" \/>20 years after the erection of his statue, a young filmmaker wishes to film a portrait of Birkut, the model worker. &#8222;Eastern cinema had never before dared to tackle this taboo subject: the falsification of facts by official History.&#8221; (F. Forestier).<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\">Jerzy Radziwi\u0142owicz<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Krystyna Janda<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Tadeusz \u0141omnicki<\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\">Friday 29\/09<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">+++ On the website of\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/culturepolonaise.eu\/http:\/www.cinemazuid.be\/programma\/20170929\/de-man-van-marmer-czlowiek-z-marmuru\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/yVKdrnbmQlU\n<\/div><\/figure>\n\n\n\n<p><strong><em>The Maids of Wilko\u00a0<\/em><\/strong>(Panny z Wilka)<strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>&gt;&gt;&gt;\u00a0PL\/1979\/color\/118&#8217;\/ EN\u00a0undertitles<br \/>A Chekhovian autumnal and nostalgic meditation about how the years and boredom wash things away and beautiful women one once loved. Here, we discover a more poetic Wajda on the theme of the vain pursuit of lost time.<br \/>cast:\u00a0<strong>Daniel Olbrychski,\u00a0Anna Seniuk, Maja Komorowska<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Friday 13\/10<\/td>\n<td width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>+++ On the website of\u00a0<a href=\"http:\/\/www.cinemazuid.be\/programma\/20171013\/de-meisjes-van-wilko-panny-z-wilka\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><\/p>\n<p>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/plL37E0v2sA\n<\/div><\/figure>\n\n\n\n<p><strong>\u00a0\u00a0<em>Danton<\/em><\/strong><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>&gt;&gt;&gt;\u00a0FR, PL\/1982\/color\/136&#8217;\/ NL\u00a0undertitles<br \/>In 1794, whilst the French revolution is grappling with serious problems (First Coalition, various counter-revolutions), Danton is opposed to the violence of Robespierre. With lucidity, Wajda, using the case of the orator, takes apart the eternal mechanics of political trials.<br \/>cast:\u00a0<strong>G\u00e9rard Depardieu<\/strong>,<strong>\u00a0Wojciech Pszoniak<\/strong>,<strong>\u00a0Angela Winkler<\/strong>,\u00a0<strong>Patrice Ch\u00e9reau<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Friday 20\/10<\/td>\n<td width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>+++ On the website of\u00a0<a href=\"http:\/\/www.cinemazuid.be\/programma\/20171020\/danton\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><\/p>\n<p>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/zT4e8D80xXI\n<\/div><\/figure>\n\n\n\n<p><strong><em>Les Fleurs bleues\u00a0<\/em><\/strong>(Powidoki)<strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>&gt;&gt;&gt; PL\/2016\/color\/ NL\u00a0undertitles<br \/>In post-war Poland, the famous painter\u00a0<a href=\"http:\/\/culture.pl\/en\/artist\/wladyslaw-strzeminski\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>W\u0142adys\u0142aw Strzemi\u0144ski<\/strong><\/a>\u00a0taught at the Lodz Academy of Fine Arts. He had achieved notoriety before the world war broke out due to his nature and the \u2018unist\u2019 movement which he helped to found. His students continued to regard him as the &#8222;saviour of modern painting&#8221; but the Ministry of Culture took an entirely different view. Unlike his counterparts who had complied with the party line and accepted the principles of socialist realism, Strzemi\u0144ski refused to compromise when it came to his art. He refused to follow party orders, which led to him being expelled from the university and the Union of Artists. In spite of this, his students continued to visit him and take private lessons with him. They noted his theory of vision and set great store by his opinion on their work. Yet Strzemi\u0144ski, who lost an arm and a leg on WWI, and who subsequently found himself without a source of income, slipped into severe poverty and his health declined. This did not prevent the communist authorities from continuing to work on ruining him.\u00a0<br \/>cast:\u00a0<strong>Bogus\u0142aw Linda<\/strong>,\u00a0<strong>Zofia Wich\u0142acz<\/strong>,\u00a0<strong>Bronis\u0142awa Zamachowska<\/strong>,\u00a0<strong>Andrzej Konopka<\/strong>,\u00a0<strong>Krzysztof Pieczy\u0144ski<\/strong>,\u00a0<strong>Mariusz Bonaszewski<\/strong>,\u00a0<strong>Szymon Bobrowski<\/strong>,\u00a0<strong>Aleksander Fabisiak<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Friday 27\/10<\/td>\n<td width=\"70%\">20:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>+++ On the website of\u00a0<a href=\"http:\/\/www.cinemazuid.be\/programma\/20171027\/afterimage-powidoki\" target=\"_blank\" rel=\"noopener noreferrer\">Cinema Zuid<\/a><\/p>\n<p>\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/6rfzPErD1C0\n<\/div><\/figure>\n\n\n\n<p><strong>Andrzej WAJDA<\/strong><br \/>Film and theatrical director; born March 6th 1926 in Suwa\u0142ki, Poland; Education: Academy of Fine Arts, Krakow; Film School \u0141\u00f3d\u017a; Film Director 1954; Theater Dir. Teatr Stary, Cracow 1962-1998; Man. Dir. Teatr Powszechny Warsaw 1989-90; Hon. mem. Union Polish Artist and Designers (ZPAP) 1977; President Polish Film Assoc. 1978-83; \u201dSolidarity\u201d Lech Wa\u0142\u0119sa Council 1981-89; Senator of the Republic of Poland 1989-91; Presidential Council for Culture 1992-94; Founder: Center of Japanese Art and Technology, Krakow 1994;<br \/>Dr. h. c.: American University Washington 1981; University Bologna 1988; Jagiellonian University Krakow 1989; University Lyon 1995; University Libre Bruxelle 1995; Gda\u0144sk University 2004; University of Warsaw 2005; Membre Institut de France 1997;<br \/><br \/><strong>Prizes:<br \/><\/strong>&#8211; State First Class Prize 1974;<br \/>&#8211; Order of the Banner of Labor (second class) 1975;<br \/>&#8211; Konrad Swinarski Prize 1976;<br \/>&#8211; Premio\u00a0 David di Donatello Luchino Visconti, Italy 1978;<br \/>&#8211; Officer\u2019s Cross of Order of Polonia Restituta;<br \/>&#8211; Order of\u00a0 Kirill and Methodus (first class), Bulgaria 1978;<br \/>&#8211; BAFTA Fellowship 1982;<br \/>&#8211; Onassis Prize, Greece 1982;<br \/>&#8211; Oficier, Legion d`honneur 1982 France;<br \/>&#8211; Cesar Award, France 1983;<br \/>&#8211; Pirandello Artistic Award, Italy 1986;<br \/>&#8211; Kyoto Prize, Japan 1987;<br \/>&#8211; Felix European Film Awards \u2013 Lifetime Achievement Award 1990;<br \/>&#8211; Order of Rising Sun, Japan 1995; Premium Imperiale, Japan 1997;<br \/>&#8211; Golden Lion Life Achievement Award, Venice, 1998;<br \/>&#8211; OSCAR\u00ae American Film Academy &#8211; Lifetime Achievement Award 2000;<br \/>&#8211; Commandeur, Legion d`honneur\u00a0 France 2001;<br \/>&#8211; Golden Bear Life Achievement Award, IFF Berlin 2006;<br \/>&#8211; European Film Award Prix FIPRESCI 2009.<\/p>\n<h3 class=\"boxTitle\">Links<\/h3>\n<ul class=\"linkList\">\n<li><img decoding=\"async\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=CinemaZuid161406479942115476&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=128&amp;height=64\" alt=\"\" \/>\u00a0Cinema Zuid:\u00a0<a href=\"http:\/\/www.cinemazuid.be\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.cinemazuid.be\/<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>It will soon be one year since the great filmmaker\u00a0Andrzej WAJDA\u00a0died, bequeathing the world a cinematographic oeuvre which makes him one of the most important directors in the history of Polish cinema. In the spring, Flagey held a retrospective in his honour. Now, cinema lovers in the north of the country will have the chance [&hellip;]<\/p>\n","protected":false},"author":127,"featured_media":3049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[100],"tags":[],"class_list":["post-3051","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrzej Wajda retrospective - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrzej Wajda retrospective - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"It will soon be one year since the great filmmaker\u00a0Andrzej WAJDA\u00a0died, bequeathing the world a cinematographic oeuvre which makes him one of the most important directors in the history of Polish cinema. In the spring, Flagey held a retrospective in his honour. Now, cinema lovers in the north of the country will have the chance [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2017-08-31T22:59:24+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-06T23:05:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"355\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"dyjakn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"dyjakn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/\",\"name\":\"Andrzej Wajda retrospective\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2-300x186.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"datePublished\":\"2017-08-31T22:59:24+02:00\",\"dateModified\":\"2020-05-06T23:05:32+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2017-09-01\",\"endDate\":\"2017-10-27\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"It will soon be one year since the great filmmaker\u00a0Andrzej WAJDA\u00a0died, bequeathing the world a cinematographic oeuvre which makes him one of the most important directors in the history of Polish cinema. In the spring, Flagey held a retrospective in his honour. Now, cinema lovers in the north of the country will have the chance to (re)discover his creations.Antwerp\u2019s\u00a0Cinema Zuid, in collaboration with the Polish Institute Brussels, will screen one film from the 65-year career of Andrzej WAJDA every Friday in September and October. This retrospective will begin with his war trilogy and then take in his political films before concluding with his historical dramas, including his last work,\u00a0Blue Flowers\u00a0(Powidoki). The nine films which have been selected as stages in the homage which will be paid to him are:\\nA generation\u00a0(Pokolenie)\\nKana\u0142\u00a0\\nAshes and Diamond\u00a0(Popi\u00f3\u0142 i Diament)\\nEverything for Sale\u00a0(Wszystko na sprzeda\u017c)\\nMan of Marble\u00a0(Cz\u0142owiek z marmuru)\\nWithout Anesthesia\u00a0(Bez znieczulenia)\\nThe Maids of Wilko\u00a0(Panny z Wilka)\\nDanton\\nAfterimage\u00a0(Powidoki)\\nPRACTICAL INFORMATION&gt;&gt;&gt;\u00a0Cinema Zuid\u00a0(Waalsekaai 47, 2000 Antwerp) - see\u00a0map&gt;&gt;&gt; Friday\u00a01st September\u00a0&gt; Friday\u00a027 October\u00a02017&gt;&gt;&gt;\u00a0\u20ac5\u00a0|\u00a0\u20ac3\\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0A Generation\u00a0(Pokolenie)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1955\/BW\/87'\/ FR-NLundertitlesA young worker joins the communist resistance fighting the Nazi occupier. He moves very swiftly from theory to action but cannot avoid clashing with the movement\u2019s pro-British fringe. \u00a0Wajda\u2019s first feature-length film is already clearly centred around essential themes, notably the ideological fault lines which run through Polish society. \u00a0cast:\u00a0Tadeusz \u0141omnicki,\u00a0Ursula Modrzi\u0144ska,\u00a0Tadeusz Janczar\\nFriday 1\/09\\n20:30\\n+++ on the website of\u00a0Cinema Zuid\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Kana\u0142\u00a0 \u00a0 \u00a0 \u00a0 \u00a0&gt;&gt;&gt; PL\/1957\/97\u2019\/ FR-NL undertitlesWarsaw, September 1994. The third Home Army platoon is reduced to 63 people, men and women, and cornered on all sides. Some of them take refuge in the sewers, hoping to escape the Germans. However, it would seem that some of them are like rats...cast:\u00a0Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski\\nFriday 8\/09\\n20:30\\n+++ On the website of\u00a0Cinema Zuid\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cendre et Diament\u00a0(Popi\u00f3\u0142 i Diament)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1958\/104\u2019\/ EN\u00a0undertitlesWhen the country is liberated, communists try to take power in Poland. The youngest member of a faction of the illegal resistance movement receives the order to kill a communist officer. The night before his murder, he meets a young barmaid who helps him to look at life from a different angle.cast:\u00a0Zbigniew Cybulski, Ewa Krzy\u017cewska, Wac\u0142aw Zastrze\u017cy\u0144ski\\nThursday 19\/10\\n20:00\\n+++ On the website of\u00a0Cinema Zuid\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Tout est \u00e0 vendre\u00a0(Wszystko na sprzeda\u017c)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1968\/105\u2019\/ EN\u00a0undertitlesIn this film, Wajda mixes up reality and fiction to pay homage to Zbigniew Cybulski, the young cinema star and the hero of Ashes and Diamonds, who died at a young age and whom the film never mentions by name. This is the story of a director who is putting a film together and finds himself at a dead end when his lead actor is unable to join him.\u00a0cast:\u00a0Beata Tyszkiewicz, El\u017cbieta Czy\u017cewska, Andrzej \u0141apicki, Daniel Olbrychski\\nFriday 22\/09\\n20:30\\n+++ On the website of\u00a0Cinema Zuid\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Man of Marble\u00a0(Cz\u0142owiek z marmuru)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1976\/BW+colors\/160'\/ FR-NLundertitles20 years after the erection of his statue, a young filmmaker wishes to film a portrait of Birkut, the model worker. \\\"Eastern cinema had never before dared to tackle this taboo subject: the falsification of facts by official History.\\\" (F. Forestier).cast:\u00a0Jerzy Radziwi\u0142owicz,\u00a0Krystyna Janda,\u00a0Tadeusz \u0141omnicki\\nFriday 29\/09\\n20:30\\n\u00a0\\n+++ On the website of\u00a0Cinema Zuid\\nThe Maids of Wilko\u00a0(Panny z Wilka)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1979\/color\/118'\/ EN\u00a0undertitlesA Chekhovian autumnal and nostalgic meditation about how the years and boredom wash things away and beautiful women one once loved. Here, we discover a more poetic Wajda on the theme of the vain pursuit of lost time.cast:\u00a0Daniel Olbrychski,\u00a0Anna Seniuk, Maja Komorowska\\nFriday 13\/10\\n20:30\\n+++ On the website of\u00a0Cinema Zuid\\n\u00a0\\n\u00a0\u00a0Danton\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0FR, PL\/1982\/color\/136'\/ NL\u00a0undertitlesIn 1794, whilst the French revolution is grappling with serious problems (First Coalition, various counter-revolutions), Danton is opposed to the violence of Robespierre. With lucidity, Wajda, using the case of the orator, takes apart the eternal mechanics of political trials.cast:\u00a0G\u00e9rard Depardieu,\u00a0Wojciech Pszoniak,\u00a0Angela Winkler,\u00a0Patrice Ch\u00e9reau\\nFriday 20\/10\\n20:30\\n+++ On the website of\u00a0Cinema Zuid\\n\u00a0\\nLes Fleurs bleues\u00a0(Powidoki)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/2016\/color\/ NL\u00a0undertitlesIn post-war Poland, the famous painter\u00a0W\u0142adys\u0142aw Strzemi\u0144ski\u00a0taught at the Lodz Academy of Fine Arts. He had achieved notoriety before the world war broke out due to his nature and the \u2018unist\u2019 movement which he helped to found. His students continued to regard him as the \\\"saviour of modern painting\\\" but the Ministry of Culture took an entirely different view. Unlike his counterparts who had complied with the party line and accepted the principles of socialist realism, Strzemi\u0144ski refused to compromise when it came to his art. He refused to follow party orders, which led to him being expelled from the university and the Union of Artists. In spite of this, his students continued to visit him and take private lessons with him. They noted his theory of vision and set great store by his opinion on their work. Yet Strzemi\u0144ski, who lost an arm and a leg on WWI, and who subsequently found himself without a source of income, slipped into severe poverty and his health declined. This did not prevent the communist authorities from continuing to work on ruining him.\u00a0cast:\u00a0Bogus\u0142aw Linda,\u00a0Zofia Wich\u0142acz,\u00a0Bronis\u0142awa Zamachowska,\u00a0Andrzej Konopka,\u00a0Krzysztof Pieczy\u0144ski,\u00a0Mariusz Bonaszewski,\u00a0Szymon Bobrowski,\u00a0Aleksander Fabisiak\\nFriday 27\/10\\n20:30\\n+++ On the website of\u00a0Cinema Zuid\\n\u00a0\\nAndrzej WAJDAFilm and theatrical director; born March 6th 1926 in Suwa\u0142ki, Poland; Education: Academy of Fine Arts, Krakow; Film School \u0141\u00f3d\u017a; Film Director 1954; Theater Dir. Teatr Stary, Cracow 1962-1998; Man. Dir. Teatr Powszechny Warsaw 1989-90; Hon. mem. Union Polish Artist and Designers (ZPAP) 1977; President Polish Film Assoc. 1978-83; \u201dSolidarity\u201d Lech Wa\u0142\u0119sa Council 1981-89; Senator of the Republic of Poland 1989-91; Presidential Council for Culture 1992-94; Founder: Center of Japanese Art and Technology, Krakow 1994;Dr. h. c.: American University Washington 1981; University Bologna 1988; Jagiellonian University Krakow 1989; University Lyon 1995; University Libre Bruxelle 1995; Gda\u0144sk University 2004; University of Warsaw 2005; Membre Institut de France 1997;Prizes:- State First Class Prize 1974;- Order of the Banner of Labor (second class) 1975;- Konrad Swinarski Prize 1976;- Premio\u00a0 David di Donatello Luchino Visconti, Italy 1978;- Officer\u2019s Cross of Order of Polonia Restituta;- Order of\u00a0 Kirill and Methodus (first class), Bulgaria 1978;- BAFTA Fellowship 1982;- Onassis Prize, Greece 1982;- Oficier, Legion d`honneur 1982 France;- Cesar Award, France 1983;- Pirandello Artistic Award, Italy 1986;- Kyoto Prize, Japan 1987;- Felix European Film Awards \u2013 Lifetime Achievement Award 1990;- Order of Rising Sun, Japan 1995; Premium Imperiale, Japan 1997;- Golden Lion Life Achievement Award, Venice, 1998;- OSCAR\u00ae American Film Academy - Lifetime Achievement Award 2000;- Commandeur, Legion d`honneur\u00a0 France 2001;- Golden Bear Life Achievement Award, IFF Berlin 2006;- European Film Award Prix FIPRESCI 2009.\\nLinks\\n\u00a0Cinema Zuid:\u00a0http:\/\/www.cinemazuid.be\/\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"width\":572,\"height\":355,\"caption\":\"Andrzej Wajda\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Andrzej Wajda retrospective\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Andrzej Wajda retrospective - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/","og_locale":"pl_PL","og_type":"article","og_title":"Andrzej Wajda retrospective - Instytut Polski w Brukseli","og_description":"It will soon be one year since the great filmmaker\u00a0Andrzej WAJDA\u00a0died, bequeathing the world a cinematographic oeuvre which makes him one of the most important directors in the history of Polish cinema. In the spring, Flagey held a retrospective in his honour. Now, cinema lovers in the north of the country will have the chance [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/","og_site_name":"Instytut Polski w Brukseli","article_published_time":"2017-08-31T22:59:24+00:00","article_modified_time":"2020-05-06T23:05:32+00:00","og_image":[{"width":572,"height":355,"url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","type":"image\/png"}],"author":"dyjakn","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"dyjakn","Szacowany czas czytania":"6 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/","url":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/","name":"Andrzej Wajda retrospective","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2-300x186.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","datePublished":"2017-08-31T22:59:24+02:00","dateModified":"2020-05-06T23:05:32+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/"]}],"@context":"https:\/\/schema.org","startDate":"2017-09-01","endDate":"2017-10-27","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"It will soon be one year since the great filmmaker\u00a0Andrzej WAJDA\u00a0died, bequeathing the world a cinematographic oeuvre which makes him one of the most important directors in the history of Polish cinema. In the spring, Flagey held a retrospective in his honour. Now, cinema lovers in the north of the country will have the chance to (re)discover his creations.Antwerp\u2019s\u00a0Cinema Zuid, in collaboration with the Polish Institute Brussels, will screen one film from the 65-year career of Andrzej WAJDA every Friday in September and October. This retrospective will begin with his war trilogy and then take in his political films before concluding with his historical dramas, including his last work,\u00a0Blue Flowers\u00a0(Powidoki). The nine films which have been selected as stages in the homage which will be paid to him are:\nA generation\u00a0(Pokolenie)\nKana\u0142\u00a0\nAshes and Diamond\u00a0(Popi\u00f3\u0142 i Diament)\nEverything for Sale\u00a0(Wszystko na sprzeda\u017c)\nMan of Marble\u00a0(Cz\u0142owiek z marmuru)\nWithout Anesthesia\u00a0(Bez znieczulenia)\nThe Maids of Wilko\u00a0(Panny z Wilka)\nDanton\nAfterimage\u00a0(Powidoki)\nPRACTICAL INFORMATION&gt;&gt;&gt;\u00a0Cinema Zuid\u00a0(Waalsekaai 47, 2000 Antwerp) - see\u00a0map&gt;&gt;&gt; Friday\u00a01st September\u00a0&gt; Friday\u00a027 October\u00a02017&gt;&gt;&gt;\u00a0\u20ac5\u00a0|\u00a0\u20ac3\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0A Generation\u00a0(Pokolenie)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1955\/BW\/87'\/ FR-NLundertitlesA young worker joins the communist resistance fighting the Nazi occupier. He moves very swiftly from theory to action but cannot avoid clashing with the movement\u2019s pro-British fringe. \u00a0Wajda\u2019s first feature-length film is already clearly centred around essential themes, notably the ideological fault lines which run through Polish society. \u00a0cast:\u00a0Tadeusz \u0141omnicki,\u00a0Ursula Modrzi\u0144ska,\u00a0Tadeusz Janczar\nFriday 1\/09\n20:30\n+++ on the website of\u00a0Cinema Zuid\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Kana\u0142\u00a0 \u00a0 \u00a0 \u00a0 \u00a0&gt;&gt;&gt; PL\/1957\/97\u2019\/ FR-NL undertitlesWarsaw, September 1994. The third Home Army platoon is reduced to 63 people, men and women, and cornered on all sides. Some of them take refuge in the sewers, hoping to escape the Germans. However, it would seem that some of them are like rats...cast:\u00a0Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski\nFriday 8\/09\n20:30\n+++ On the website of\u00a0Cinema Zuid\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cendre et Diament\u00a0(Popi\u00f3\u0142 i Diament)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1958\/104\u2019\/ EN\u00a0undertitlesWhen the country is liberated, communists try to take power in Poland. The youngest member of a faction of the illegal resistance movement receives the order to kill a communist officer. The night before his murder, he meets a young barmaid who helps him to look at life from a different angle.cast:\u00a0Zbigniew Cybulski, Ewa Krzy\u017cewska, Wac\u0142aw Zastrze\u017cy\u0144ski\nThursday 19\/10\n20:00\n+++ On the website of\u00a0Cinema Zuid\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Tout est \u00e0 vendre\u00a0(Wszystko na sprzeda\u017c)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1968\/105\u2019\/ EN\u00a0undertitlesIn this film, Wajda mixes up reality and fiction to pay homage to Zbigniew Cybulski, the young cinema star and the hero of Ashes and Diamonds, who died at a young age and whom the film never mentions by name. This is the story of a director who is putting a film together and finds himself at a dead end when his lead actor is unable to join him.\u00a0cast:\u00a0Beata Tyszkiewicz, El\u017cbieta Czy\u017cewska, Andrzej \u0141apicki, Daniel Olbrychski\nFriday 22\/09\n20:30\n+++ On the website of\u00a0Cinema Zuid\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Man of Marble\u00a0(Cz\u0142owiek z marmuru)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1976\/BW+colors\/160'\/ FR-NLundertitles20 years after the erection of his statue, a young filmmaker wishes to film a portrait of Birkut, the model worker. \"Eastern cinema had never before dared to tackle this taboo subject: the falsification of facts by official History.\" (F. Forestier).cast:\u00a0Jerzy Radziwi\u0142owicz,\u00a0Krystyna Janda,\u00a0Tadeusz \u0141omnicki\nFriday 29\/09\n20:30\n\u00a0\n+++ On the website of\u00a0Cinema Zuid\nThe Maids of Wilko\u00a0(Panny z Wilka)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1979\/color\/118'\/ EN\u00a0undertitlesA Chekhovian autumnal and nostalgic meditation about how the years and boredom wash things away and beautiful women one once loved. Here, we discover a more poetic Wajda on the theme of the vain pursuit of lost time.cast:\u00a0Daniel Olbrychski,\u00a0Anna Seniuk, Maja Komorowska\nFriday 13\/10\n20:30\n+++ On the website of\u00a0Cinema Zuid\n\u00a0\n\u00a0\u00a0Danton\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0FR, PL\/1982\/color\/136'\/ NL\u00a0undertitlesIn 1794, whilst the French revolution is grappling with serious problems (First Coalition, various counter-revolutions), Danton is opposed to the violence of Robespierre. With lucidity, Wajda, using the case of the orator, takes apart the eternal mechanics of political trials.cast:\u00a0G\u00e9rard Depardieu,\u00a0Wojciech Pszoniak,\u00a0Angela Winkler,\u00a0Patrice Ch\u00e9reau\nFriday 20\/10\n20:30\n+++ On the website of\u00a0Cinema Zuid\n\u00a0\nLes Fleurs bleues\u00a0(Powidoki)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/2016\/color\/ NL\u00a0undertitlesIn post-war Poland, the famous painter\u00a0W\u0142adys\u0142aw Strzemi\u0144ski\u00a0taught at the Lodz Academy of Fine Arts. He had achieved notoriety before the world war broke out due to his nature and the \u2018unist\u2019 movement which he helped to found. His students continued to regard him as the \"saviour of modern painting\" but the Ministry of Culture took an entirely different view. Unlike his counterparts who had complied with the party line and accepted the principles of socialist realism, Strzemi\u0144ski refused to compromise when it came to his art. He refused to follow party orders, which led to him being expelled from the university and the Union of Artists. In spite of this, his students continued to visit him and take private lessons with him. They noted his theory of vision and set great store by his opinion on their work. Yet Strzemi\u0144ski, who lost an arm and a leg on WWI, and who subsequently found himself without a source of income, slipped into severe poverty and his health declined. This did not prevent the communist authorities from continuing to work on ruining him.\u00a0cast:\u00a0Bogus\u0142aw Linda,\u00a0Zofia Wich\u0142acz,\u00a0Bronis\u0142awa Zamachowska,\u00a0Andrzej Konopka,\u00a0Krzysztof Pieczy\u0144ski,\u00a0Mariusz Bonaszewski,\u00a0Szymon Bobrowski,\u00a0Aleksander Fabisiak\nFriday 27\/10\n20:30\n+++ On the website of\u00a0Cinema Zuid\n\u00a0\nAndrzej WAJDAFilm and theatrical director; born March 6th 1926 in Suwa\u0142ki, Poland; Education: Academy of Fine Arts, Krakow; Film School \u0141\u00f3d\u017a; Film Director 1954; Theater Dir. Teatr Stary, Cracow 1962-1998; Man. Dir. Teatr Powszechny Warsaw 1989-90; Hon. mem. Union Polish Artist and Designers (ZPAP) 1977; President Polish Film Assoc. 1978-83; \u201dSolidarity\u201d Lech Wa\u0142\u0119sa Council 1981-89; Senator of the Republic of Poland 1989-91; Presidential Council for Culture 1992-94; Founder: Center of Japanese Art and Technology, Krakow 1994;Dr. h. c.: American University Washington 1981; University Bologna 1988; Jagiellonian University Krakow 1989; University Lyon 1995; University Libre Bruxelle 1995; Gda\u0144sk University 2004; University of Warsaw 2005; Membre Institut de France 1997;Prizes:- State First Class Prize 1974;- Order of the Banner of Labor (second class) 1975;- Konrad Swinarski Prize 1976;- Premio\u00a0 David di Donatello Luchino Visconti, Italy 1978;- Officer\u2019s Cross of Order of Polonia Restituta;- Order of\u00a0 Kirill and Methodus (first class), Bulgaria 1978;- BAFTA Fellowship 1982;- Onassis Prize, Greece 1982;- Oficier, Legion d`honneur 1982 France;- Cesar Award, France 1983;- Pirandello Artistic Award, Italy 1986;- Kyoto Prize, Japan 1987;- Felix European Film Awards \u2013 Lifetime Achievement Award 1990;- Order of Rising Sun, Japan 1995; Premium Imperiale, Japan 1997;- Golden Lion Life Achievement Award, Venice, 1998;- OSCAR\u00ae American Film Academy - Lifetime Achievement Award 2000;- Commandeur, Legion d`honneur\u00a0 France 2001;- Golden Bear Life Achievement Award, IFF Berlin 2006;- European Film Award Prix FIPRESCI 2009.\nLinks\n\u00a0Cinema Zuid:\u00a0http:\/\/www.cinemazuid.be\/"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","width":572,"height":355,"caption":"Andrzej Wajda"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/09\/01\/andrzej-wajda-retrospective\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Andrzej Wajda retrospective"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3051","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=3051"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3051\/revisions"}],"predecessor-version":[{"id":3052,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3051\/revisions\/3052"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/3049"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=3051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=3051"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=3051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}