{"id":3072,"date":"2017-07-28T13:44:21","date_gmt":"2017-07-28T11:44:21","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=3072"},"modified":"2020-05-07T13:47:29","modified_gmt":"2020-05-07T11:47:29","slug":"jan-bokszczanin-is-part-of-the-bruges-organ-festival","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/","title":{"rendered":"Jan Bokszczanin is part of the bruges organ festival"},"content":{"rendered":"\n

Jan BOKSZCZANIN<\/a>\u00a0presents an almost exclusively Polish programme at the\u00a0Bruges Organ Festival<\/a>. This will provide audiences with the opportunity to (re) discover little-known names which they will nevertheless never forget.\u00a0

PROGRAMME
<\/strong>Jean Sebastian Bach \u2013 Fantasia in G major, BWV 572
Francois Couperin \u2013\u00a0Tierce en taille
<\/em>Wolfgang Amadeus Mozart \u2013\u00a0Fantaisie<\/em>\u00a0in F Minor, KV 608
Mieczys\u0142aw Surzy\u0144ski \u2013\u00a0Improwizacje nt. polskiej pie\u015bni ko\u015bcielnej „\u015awi\u0119ty Bo\u017ce”<\/em>\u00a0(Improvisations on the Polish Sacred Song „\u015awi\u0119ty Bo\u017ce”), op.38
Krzesimir D\u0119bski \u2013\u00a0Letter to John-Paul\u00a0II<\/em>\u00a0(world premiere)
Flor Peeters \u2013\u00a0Aria<\/em>, op.51
Felix Borowski \u2013\u00a01st Organ Sonate\u00a0<\/em>(allegro, adagio, allegro con brio)

PRACTICAL INFORMATION
<\/strong>>>>\u00a0St. Salvator’s Cathedral\u00a0<\/strong>(Sint-Salvatorskoorstraat 8, 8000 Brugge) –\u00a0see map<\/a>\u00a0
<\/span>>>> Friday\u00a028 July\u00a0<\/strong>2017 –\u00a020:30\u00a0
<\/strong><\/span>>>>\u00a0\u20ac<\/strong>9\u00a0
<\/strong><\/span>+++ the list of concerts is\u00a0HERE<\/a><\/span><\/p>\n

\n

<\/a>
Jan BOKSZCZANIN<\/strong>
Polish organist, professor at the Fryderyk Chopin University of Music (Bia\u0142ystok pathway), Bokszczanin studied in the organ class taught by Joachim GRUBICH at the Fryderyk Chopin Music Academy in 2002. He then received a doctoral grant to study at the University of North Texas, supervised by Jesse ESCHBACH. He also took classes with Lenora McCROSKEY. He participated in\u00a0master classes<\/em>\u00a0run by such renowned organists and pedagogues as Guy BOVET, James David CHRISTIE, Alexander FISEKSKY, Bernhard HAAS, Zsigmond SZATHMARY and Harald VOGEL. Jan Bokszczanin regularly gives concerts and performances in Poland and in many other countries. In addition, he is president of the „Ars Liberata” association.
Bokszczanin\u00a0 is the author of works on musiscology collected in a volume entitled\u00a0\u00a0Geneza i tradycje rosyjskiej muzyki organowej<\/em>\u00a0(Genesis and Traditions of the Russian Organ Music<\/em>, Warsaw, 2001) and G\u0142\u00f3wne tendencje w rozwoju rosyjskiej i radzieckiej muzyki organowej (Major trends in the development of Russian and Soviet organ music, Warsaw, 2012). Several publications, articles and publications of scores are dedicated to Marian SAWA, who was the subject of his doctoral thesis entitled\u00a0Technika cantus prius factus w muzyce organowej Mariana Sawy<\/em>\u00a0(The cantus prius factus technique in the organ music of Marian Sawa) published in 2006 in Lodz.<\/p>\n

\n

<\/a>
Organ music in Poland<\/strong>
The first mentions of the organ in Poland date back to the XIIth century. Initially limited to the royal court, the instrument gradually spread across the whole country. From the XVth century onwards, one can trace the building of organs to large Polish cities such as Gdansk (Oliwa), Warsaw, Krakow, Poznan, etc. In parallel to the development of works of music, technical progress in the construction of instruments also increased. Alongside Polish production, we should highlight the fact that large numbers of Italian, German, Flemish or French pieces were also performed. In this dynamic, we can witness in its entirety the sense of cultural openness which characterised golden age Poland. One fact stands out in the story of Polish culture: the resurgence of the organ in the musical compositions of the XIXth century. August FREYER (1803-1883) \u2013 friend of Fryderyck CHOPIN \u2013 or Stanis\u0142aw MONIUSZKO (1819-1872) and Mieczys\u0142aw SURZY\u0143SKI (1886-1924) left wonderful scores for this instrument. At the end of the century, a new generation of composers took up Moniuszko\u2019s torch, amongst them W\u0142adys\u0142aw \u017bELE\u0143SKI (1837-1921), who played a prominent role, and Feliks NOWOWIEJSKI (1877-1946). The organ did not become obsolete, far from it! The contemporary works of Tadeusz PACIORKIEWICZ (1916-1998) and Tadeusz MACHEL (1922-2003) \u2013 who, with hardly any reference being made, received special prizes for his string quartets at the Li\u00e8ge International Composition Competition in 1956 and 1959 \u2013 or Augustyn BLOCH (1929-2006) \u2013 who is probably the the most interesting Polish composer and organist of the XXth century, more than proved this.<\/p>\n

\u00a0<\/div>\n","protected":false},"excerpt":{"rendered":"

Jan BOKSZCZANIN\u00a0presents an almost exclusively Polish programme at the\u00a0Bruges Organ Festival. This will provide audiences with the opportunity to (re) discover little-known names which they will nevertheless never forget.\u00a0PROGRAMMEJean Sebastian Bach \u2013 Fantasia in G major, BWV 572Francois Couperin \u2013\u00a0Tierce en tailleWolfgang Amadeus Mozart \u2013\u00a0Fantaisie\u00a0in F Minor, KV 608Mieczys\u0142aw Surzy\u0144ski \u2013\u00a0Improwizacje nt. polskiej pie\u015bni ko\u015bcielnej […]<\/p>\n","protected":false},"author":127,"featured_media":3070,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[96],"tags":[],"class_list":["post-3072","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"yoast_head":"\nJan Bokszczanin is part of the bruges organ festival - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jan Bokszczanin is part of the bruges organ festival - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"Jan BOKSZCZANIN\u00a0presents an almost exclusively Polish programme at the\u00a0Bruges Organ Festival. This will provide audiences with the opportunity to (re) discover little-known names which they will nevertheless never forget.\u00a0PROGRAMMEJean Sebastian Bach \u2013 Fantasia in G major, BWV 572Francois Couperin \u2013\u00a0Tierce en tailleWolfgang Amadeus Mozart \u2013\u00a0Fantaisie\u00a0in F Minor, KV 608Mieczys\u0142aw Surzy\u0144ski \u2013\u00a0Improwizacje nt. polskiej pie\u015bni ko\u015bcielnej […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2017-07-28T11:44:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-07T11:47:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"382\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"dyjakn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"dyjakn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/\",\"name\":\"Jan Bokszczanin is part of the bruges organ festival\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3-300x200.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\",\"datePublished\":\"2017-07-28T11:44:21+02:00\",\"dateModified\":\"2020-05-07T11:47:29+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2017-07-28\",\"endDate\":\"2017-07-28\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Jan BOKSZCZANIN\u00a0presents an almost exclusively Polish programme at the\u00a0Bruges Organ Festival. This will provide audiences with the opportunity to (re) discover little-known names which they will nevertheless never forget.\u00a0PROGRAMMEJean Sebastian Bach \u2013 Fantasia in G major, BWV 572Francois Couperin \u2013\u00a0Tierce en tailleWolfgang Amadeus Mozart \u2013\u00a0Fantaisie\u00a0in F Minor, KV 608Mieczys\u0142aw Surzy\u0144ski \u2013\u00a0Improwizacje nt. polskiej pie\u015bni ko\u015bcielnej \\\"\u015awi\u0119ty Bo\u017ce\\\"\u00a0(Improvisations on the Polish Sacred Song \\\"\u015awi\u0119ty Bo\u017ce\\\"), op.38Krzesimir D\u0119bski \u2013\u00a0Letter to John-Paul\u00a0II\u00a0(world premiere)Flor Peeters \u2013\u00a0Aria, op.51Felix Borowski \u2013\u00a01st Organ Sonate\u00a0(allegro, adagio, allegro con brio)PRACTICAL INFORMATION>>>\u00a0St. Salvator's Cathedral\u00a0(Sint-Salvatorskoorstraat 8, 8000 Brugge) -\u00a0see map\u00a0>>> Friday\u00a028 July\u00a02017 -\u00a020:30\u00a0>>>\u00a0\u20ac9\u00a0+++ the list of concerts is\u00a0HERE\\nJan BOKSZCZANINPolish organist, professor at the Fryderyk Chopin University of Music (Bia\u0142ystok pathway), Bokszczanin studied in the organ class taught by Joachim GRUBICH at the Fryderyk Chopin Music Academy in 2002. He then received a doctoral grant to study at the University of North Texas, supervised by Jesse ESCHBACH. He also took classes with Lenora McCROSKEY. He participated in\u00a0master classes\u00a0run by such renowned organists and pedagogues as Guy BOVET, James David CHRISTIE, Alexander FISEKSKY, Bernhard HAAS, Zsigmond SZATHMARY and Harald VOGEL. Jan Bokszczanin regularly gives concerts and performances in Poland and in many other countries. In addition, he is president of the \\\"Ars Liberata\\\" association.Bokszczanin\u00a0 is the author of works on musiscology collected in a volume entitled\u00a0\u00a0Geneza i tradycje rosyjskiej muzyki organowej\u00a0(Genesis and Traditions of the Russian Organ Music, Warsaw, 2001) and G\u0142\u00f3wne tendencje w rozwoju rosyjskiej i radzieckiej muzyki organowej (Major trends in the development of Russian and Soviet organ music, Warsaw, 2012). Several publications, articles and publications of scores are dedicated to Marian SAWA, who was the subject of his doctoral thesis entitled\u00a0Technika cantus prius factus w muzyce organowej Mariana Sawy\u00a0(The cantus prius factus technique in the organ music of Marian Sawa) published in 2006 in Lodz.\\nOrgan music in PolandThe first mentions of the organ in Poland date back to the XIIth century. Initially limited to the royal court, the instrument gradually spread across the whole country. From the XVth century onwards, one can trace the building of organs to large Polish cities such as Gdansk (Oliwa), Warsaw, Krakow, Poznan, etc. In parallel to the development of works of music, technical progress in the construction of instruments also increased. Alongside Polish production, we should highlight the fact that large numbers of Italian, German, Flemish or French pieces were also performed. In this dynamic, we can witness in its entirety the sense of cultural openness which characterised golden age Poland. One fact stands out in the story of Polish culture: the resurgence of the organ in the musical compositions of the XIXth century. August FREYER (1803-1883) \u2013 friend of Fryderyck CHOPIN \u2013 or Stanis\u0142aw MONIUSZKO (1819-1872) and Mieczys\u0142aw SURZY\u0143SKI (1886-1924) left wonderful scores for this instrument. At the end of the century, a new generation of composers took up Moniuszko\u2019s torch, amongst them W\u0142adys\u0142aw \u017bELE\u0143SKI (1837-1921), who played a prominent role, and Feliks NOWOWIEJSKI (1877-1946). The organ did not become obsolete, far from it! The contemporary works of Tadeusz PACIORKIEWICZ (1916-1998) and Tadeusz MACHEL (1922-2003) \u2013 who, with hardly any reference being made, received special prizes for his string quartets at the Li\u00e8ge International Composition Competition in 1956 and 1959 \u2013 or Augustyn BLOCH (1929-2006) \u2013 who is probably the the most interesting Polish composer and organist of the XXth century, more than proved this.\\n\u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg\",\"width\":572,\"height\":382,\"caption\":\"Jan Bokszczanin (c) Wiktor Filipow\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Jan Bokszczanin is part of the bruges organ festival\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Jan Bokszczanin is part of the bruges organ festival - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/","og_locale":"pl_PL","og_type":"article","og_title":"Jan Bokszczanin is part of the bruges organ festival - Instytut Polski w Brukseli","og_description":"Jan BOKSZCZANIN\u00a0presents an almost exclusively Polish programme at the\u00a0Bruges Organ Festival. 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This will provide audiences with the opportunity to (re) discover little-known names which they will nevertheless never forget.\u00a0PROGRAMMEJean Sebastian Bach \u2013 Fantasia in G major, BWV 572Francois Couperin \u2013\u00a0Tierce en tailleWolfgang Amadeus Mozart \u2013\u00a0Fantaisie\u00a0in F Minor, KV 608Mieczys\u0142aw Surzy\u0144ski \u2013\u00a0Improwizacje nt. polskiej pie\u015bni ko\u015bcielnej \"\u015awi\u0119ty Bo\u017ce\"\u00a0(Improvisations on the Polish Sacred Song \"\u015awi\u0119ty Bo\u017ce\"), op.38Krzesimir D\u0119bski \u2013\u00a0Letter to John-Paul\u00a0II\u00a0(world premiere)Flor Peeters \u2013\u00a0Aria, op.51Felix Borowski \u2013\u00a01st Organ Sonate\u00a0(allegro, adagio, allegro con brio)PRACTICAL INFORMATION>>>\u00a0St. Salvator's Cathedral\u00a0(Sint-Salvatorskoorstraat 8, 8000 Brugge) -\u00a0see map\u00a0>>> Friday\u00a028 July\u00a02017 -\u00a020:30\u00a0>>>\u00a0\u20ac9\u00a0+++ the list of concerts is\u00a0HERE\nJan BOKSZCZANINPolish organist, professor at the Fryderyk Chopin University of Music (Bia\u0142ystok pathway), Bokszczanin studied in the organ class taught by Joachim GRUBICH at the Fryderyk Chopin Music Academy in 2002. He then received a doctoral grant to study at the University of North Texas, supervised by Jesse ESCHBACH. He also took classes with Lenora McCROSKEY. He participated in\u00a0master classes\u00a0run by such renowned organists and pedagogues as Guy BOVET, James David CHRISTIE, Alexander FISEKSKY, Bernhard HAAS, Zsigmond SZATHMARY and Harald VOGEL. Jan Bokszczanin regularly gives concerts and performances in Poland and in many other countries. In addition, he is president of the \"Ars Liberata\" association.Bokszczanin\u00a0 is the author of works on musiscology collected in a volume entitled\u00a0\u00a0Geneza i tradycje rosyjskiej muzyki organowej\u00a0(Genesis and Traditions of the Russian Organ Music, Warsaw, 2001) and G\u0142\u00f3wne tendencje w rozwoju rosyjskiej i radzieckiej muzyki organowej (Major trends in the development of Russian and Soviet organ music, Warsaw, 2012). Several publications, articles and publications of scores are dedicated to Marian SAWA, who was the subject of his doctoral thesis entitled\u00a0Technika cantus prius factus w muzyce organowej Mariana Sawy\u00a0(The cantus prius factus technique in the organ music of Marian Sawa) published in 2006 in Lodz.\nOrgan music in PolandThe first mentions of the organ in Poland date back to the XIIth century. Initially limited to the royal court, the instrument gradually spread across the whole country. From the XVth century onwards, one can trace the building of organs to large Polish cities such as Gdansk (Oliwa), Warsaw, Krakow, Poznan, etc. In parallel to the development of works of music, technical progress in the construction of instruments also increased. Alongside Polish production, we should highlight the fact that large numbers of Italian, German, Flemish or French pieces were also performed. In this dynamic, we can witness in its entirety the sense of cultural openness which characterised golden age Poland. One fact stands out in the story of Polish culture: the resurgence of the organ in the musical compositions of the XIXth century. August FREYER (1803-1883) \u2013 friend of Fryderyck CHOPIN \u2013 or Stanis\u0142aw MONIUSZKO (1819-1872) and Mieczys\u0142aw SURZY\u0143SKI (1886-1924) left wonderful scores for this instrument. At the end of the century, a new generation of composers took up Moniuszko\u2019s torch, amongst them W\u0142adys\u0142aw \u017bELE\u0143SKI (1837-1921), who played a prominent role, and Feliks NOWOWIEJSKI (1877-1946). The organ did not become obsolete, far from it! The contemporary works of Tadeusz PACIORKIEWICZ (1916-1998) and Tadeusz MACHEL (1922-2003) \u2013 who, with hardly any reference being made, received special prizes for his string quartets at the Li\u00e8ge International Composition Competition in 1956 and 1959 \u2013 or Augustyn BLOCH (1929-2006) \u2013 who is probably the the most interesting Polish composer and organist of the XXth century, more than proved this.\n\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-2-3.jpg","width":572,"height":382,"caption":"Jan Bokszczanin (c) Wiktor Filipow"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/07\/28\/jan-bokszczanin-is-part-of-the-bruges-organ-festival\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Jan Bokszczanin is part of the bruges organ festival"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3072","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=3072"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3072\/revisions"}],"predecessor-version":[{"id":3073,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3072\/revisions\/3073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/3070"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=3072"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=3072"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=3072"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}