{"id":3199,"date":"2017-03-24T18:30:37","date_gmt":"2017-03-24T17:30:37","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=3199"},"modified":"2020-05-07T18:34:48","modified_gmt":"2020-05-07T16:34:48","slug":"polish-films-at-millenium-2017","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/24\/polish-films-at-millenium-2017\/","title":{"rendered":"Polish films at Millenium 2017"},"content":{"rendered":"\n

The\u00a0<\/span>international documentary film festival MILLENIUM<\/strong>\u00a0is celebrating its ninth edition. Whether this prominent festival in Brussels is shining the spotlight on up-and-coming directors or those whose reputations go before them, the type of guests is as broad as the programme, with films from every continent, which always bring together quality and diversity.<\/span>
This year,\u00a0<\/span>two Polish films<\/strong>\u00a0are on the programme:\u00a0<\/span>You Have no Idea How Much I Love You<\/em><\/a>\u00a0(Nawet nie wiesz, jak bardzo Ci\u0119 kocham) by\u00a0<\/span>Pawe\u0142 \u0141ozi\u0144ski<\/strong>, and\u00a0<\/span>Don Juan<\/em><\/a>\u00a0by\u00a0<\/span>Jerzy \u015aladkowski<\/strong>.\u00a0<\/span>Pawe\u0142 \u0141ozi\u0144ski<\/strong>\u00a0will come to Brussels on\u00a0<\/span>28 March<\/strong>\u00a0for a\u00a0<\/span>Q&A with the public<\/strong>\u00a0and\u00a0<\/span>masterclass<\/strong>\u00a0after the film.<\/span>
After the screening of the film\u00a0<\/span>You Have no Idea How Much I Love You<\/em>\u00a0on Tuesday\u00a0<\/span>28 March<\/strong>\u00a0there will be the masterclass\u00a0<\/span>Experiment in documentary<\/strong><\/em>\u00a0conducted by the director\u00a0<\/span>Pawe\u0142 \u0141ozi\u0144ski<\/strong>\u00a0and the editor\u00a0<\/span>Dorota Ward\u0119szkiewicz<\/strong>.<\/span>
More information about the masterclass\u00a0<\/span>HERE<\/a>.<\/span>

+++ Have a look at the website of\u00a0<\/span>Millenium Film Festival<\/a>

PRACTICAL INFORMATION<\/strong>
Film\u00a0\u00a0You Have no Idea How Much I Love You<\/em><\/strong>\u00a0\u00a0\u00a0<\/strong><\/span>
>>>\u00a0<\/span>BOZAR<\/strong>\u00a0(Rue Ravensteinstraat 23, 1000 Brussels) – see\u00a0<\/span>map<\/a>
>>> Tuesday\u00a0<\/span>28 March<\/strong>\u00a02017 –\u00a0<\/span>19:00<\/strong>
>>> Film will be followed by a\u00a0<\/span>masterclass with Pawe\u0142 \u0141ozi\u0144ski and Dorota Ward\u0119szkiewicz<\/a>
>>>\u00a0<\/span>\u20ac6<\/strong>\u00a0|\u00a0<\/span>\u20ac4<\/strong>\u00a0(\u20ac20 for a pass of 5 films | \u20ac40 for a pass of 10 films)<\/span>

>>>\u00a0<\/span>Cinema Galeries<\/strong>\u00a0(Galerie de la reine 26, 1000 Brussels) – see\u00a0<\/span>map<\/a>
>>> Friday\u00a0<\/span>31 March<\/strong>\u00a02017 –\u00a0<\/span>17:15<\/strong>
>>>\u00a0<\/span>\u20ac6<\/strong>\u00a0|\u00a0<\/span>\u20ac4<\/strong>\u00a0(\u20ac20 for a pass of 5 films | \u20ac40 for a pass of 10 films)<\/span>

Film\u00a0\u00a0Don Juan\u00a0<\/em><\/strong>\u00a0\u00a0<\/strong><\/span>
>>>\u00a0<\/span>Cinema Galeries<\/strong>\u00a0(Galerie de la reine 26, 1000 Brussels) – see\u00a0<\/span>map<\/a>
>>> Tuesday\u00a0<\/span>28 March<\/strong>\u00a02017 –\u00a0<\/span>17:15<\/strong>
>>>\u00a0<\/span>\u20ac6<\/strong>\u00a0|\u00a0<\/span>\u20ac4<\/strong>\u00a0(\u20ac20 for a pass of 5 films | \u20ac40 for a pass of 10 films)<\/span>

>>>\u00a0<\/span>Cinema Galeries<\/strong>\u00a0(Galerie de la reine 26, 1000 Brussels) – see\u00a0<\/span>map<\/a>
>>> Thursday\u00a0<\/span>30 March<\/strong>\u00a02017 –\u00a0<\/span>21:00<\/strong>
>>>\u00a0<\/span>\u20ac6<\/strong>\u00a0|\u00a0<\/span>\u20ac4<\/strong>\u00a0(\u20ac20 for a pass of 5 films | \u20ac40 for a pass of 10 films)<\/span><\/p>\n

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<\/a>
You Have no Idea How Much I Love You<\/strong>\u00a0(Poland, 2016, 76 min, OV – sub EN\/FR)<\/span>
A mother and a daughter, are bonded by painful, complicated emotions. They have a encounter with a third person: a therapist who becomes the intermediary of the unsaid. Pawe\u0142 \u0141ozi\u0144ski The filmmaker, along with his camera, invites us to take part in their therapy sessions. In an intimate conversation between these three people, some old wounds and deeply hidden emotions come to the surface.<\/span><\/p>\n

\u00a0<\/p>\n\n\n\n

\nhttps:\/\/youtu.be\/qK-mFdpfHMM\n<\/div><\/figure>\n\n\n\n

Pawe\u0142 \u0141ozi\u0144ski<\/strong>
<\/a><\/p>\n

Pawe\u0142 \u0141ozi\u0144ski is a Polish director, cameraman and producer of documentary films. He graduated from the Directing Department at the Film School in Lodz. He lectures in documentary film direction at the National Film School in Lodz and Gdynia Film School. \u0141ozi\u0144ski is the author of more than 20 award-winning documentary films at international festivals. He makes distinct and emotionally charged documentaries about people of whom he draws intimate portraits. He is also the author of photography to many of his films. In his films, he is interested in the intricacies of relationships, asks difficult questions about human existence, and, without compromising the dignity of his characters, breaks down barriers and taboos to show close-to-the-bone human issues. He pushes the boundaries of the genre by placing the camera where it is seemingly forbidden, in an often unexplored no man’s land.

+++ Read on\u00a0about Pawe\u0142 \u0141ozi\u0144ski and his films<\/a><\/p>\n

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<\/a>
Don Juan<\/strong>\u00a0(Poland, 2015, 92 min, OV – sub EN\/FR)
Twenty-two-year-old Oleg doesn\u2019t live up to his mother\u2019s expectations, Marina. She thinks of him as a \u201cautistic loafer\u201d, he does not correspond to her masculine ideal. Oleg doesn\u2019t have friends and is scared of having a romantic or sexual relationship. Marina subjects him to a series treatments more absurd one than the other in order to pull him from his lethargic state. Oleg\u2019s salvation eventually comes from an unexpected source: theatre.<\/p>\n

\u00a0<\/p>\n\n\n\n

\nhttps:\/\/youtu.be\/1luWothE9ig\n<\/div><\/figure>\n\n\n\n

Jerzy \u015aladkowski<\/strong>
Jerzy \u015aladkowski produced and directed over 50 films, mainly documentaries, from worldwide locations, with a primary focus on the human condition. People facing dramatic changes, fighting for survival, as well as individuals just trying to live a decent life in an increasingly hardening environment, are the heroes of most films.<\/p>\n

Links<\/h3>\n