{"id":3219,"date":"2017-03-07T18:44:08","date_gmt":"2017-03-07T17:44:08","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=3219"},"modified":"2020-05-07T18:50:37","modified_gmt":"2020-05-07T16:50:37","slug":"andrzej-wajda-retrospective-2","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/","title":{"rendered":"Andrzej Wajda Retrospective"},"content":{"rendered":"\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Several months ago, we lost the great director\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#Wajda\" target=\"_blank\" rel=\"noopener noreferrer\"><strong style=\"line-height: 19.2px\">Andrzej Wajda<\/strong><\/a>, one of the greatest personalities in Polish cinema.\u00a0<strong style=\"line-height: 19.2px\">Cinematek<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Flagey<\/strong>\u00a0and the\u00a0<strong style=\"line-height: 19.2px\">Polish Institute<\/strong>\u00a0are holding a<strong style=\"line-height: 19.2px\">\u00a0retrospective of eight of his films\u00a0<\/strong>which played an important role in his career, drawing a line from his first film\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#pokolenie\">Pokolenie<\/a>\u00a0(<em style=\"line-height: 19.2px\">A Generation<\/em>) to the film which he beqeathed to us this year,\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#powidoki\">Powidoki<\/a>\u00a0(<em style=\"line-height: 19.2px\">Afterimage<\/em>), premiering on\u00a0<strong style=\"line-height: 19.2px\">13 March<\/strong>\u00a02017 at Flagey. The other films are:<\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;font-weight: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#czlowiek1\">Cz\u0142owiek z marmuru<\/a><\/em><\/strong>\u00a0(<em style=\"line-height: 19.2px\">Man of Marble<\/em>)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;font-weight: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#panny\">Panny z Wilka<\/a><\/em><\/strong>\u00a0(<em style=\"line-height: 19.2px\">The Maids of Wilko<\/em>)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;font-weight: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#czlowiek2\">Cz\u0142owiek z \u017celaza<\/a><\/em><\/strong>\u00a0(<em style=\"line-height: 19.2px\">Man of Iron<\/em>)<\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;font-weight: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#danton\">Danton<\/a><\/em><\/strong><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;font-weight: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#les\">Les Poss\u00e9d\u00e9s<\/a><\/em><\/strong><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\"><a style=\"color: #bdc0c2;font-style: normal;font-weight: normal;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#czlowiek3\">Wa\u0142\u0119sa. Cz\u0142owiek z nadziei<\/a><\/em><\/strong>\u00a0(<em style=\"line-height: 19.2px\">Walesa. Man of Hope<\/em>)<\/li>\n<\/ul>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><br style=\"line-height: 19.2px\" \/>+++ This retrospective will be accompanied by the\u00a0<strong style=\"line-height: 19.2px\">photo exhibition<\/strong>\u00a0&#8222;<strong style=\"line-height: 19.2px\">ANDRZEJ WAJDA<\/strong>&#8221; by the Polish photographer\u00a0<strong style=\"line-height: 19.2px\">Czes\u0142aw Czapli\u0144ski<\/strong>. The exhibition will be shown at\u00a0<strong style=\"line-height: 19.2px\">Studio 5<\/strong>\u00a0in\u00a0<strong style=\"line-height: 19.2px\">Flagey<\/strong>. Courtesy of the\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.eesc.europa.eu\/\" target=\"_blank\" rel=\"noopener noreferrer\">European Economic and Social Committee<\/a>.<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">PRACTICAL INFORMATION<br style=\"line-height: 19.2px\" \/><\/strong>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">Flagey<\/strong>\u00a0(Place sainte-croix, 1050 Brussels),\u00a0<strong style=\"line-height: 19.2px\">Studio 5<\/strong>\u00a0\u2013 see\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,758,en,Andrzej_Wajda_Retrospective#map\">MAP<\/a><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; Tuesday\u00a0<strong style=\"line-height: 19.2px\">7 March\u00a0<\/strong>2017 &gt; Wednesday\u00a0<strong style=\"line-height: 19.2px\">17 May\u00a0<\/strong>2017<br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">\u20ac<\/strong><strong style=\"line-height: 19.2px\">7<\/strong>\u00a0|\u00a0<strong style=\"line-height: 19.2px\">\u20ac<\/strong><strong style=\"line-height: 19.2px\">5,50<\/strong><\/p>\n<hr style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"pokolenie\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em style=\"line-height: 19.2px\">Pokolenie<\/em>\u00a0<\/strong>(A Generation)<strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt; PL\/1955\/NB\/87&#8217;\/st:FR-NL<br style=\"line-height: 19.2px\" \/>A young worker joins the communist resistance fighting the Nazi occupier. He moves very swiftly from theory to action but cannot avoid clashing with the movement\u2019s pro-British fringe. \u00a0Wajda\u2019s first feature-length film is already clearly centred around essential themes, notably the ideological fault lines which run through Polish society. \u00a0<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\">Tadeusz \u0141omnicki<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Ursula Modrzi\u0144ska<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Tadeusz Janczar<\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\">Friday 10\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">21:45<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Saturday 11\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">21:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Saturday 25\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">17:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Friday 31\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">19:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Tuesday 11\/04<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">17:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Thursday 20\/04<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">21:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"czlowiek1\"><\/a><br style=\"line-height: 19.2px\" \/><span style=\"line-height: 19.2px;color: #ffffff;background-color: #ff0000\"><strong style=\"line-height: 19.2px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em style=\"line-height: 19.2px\">Cz\u0142owiek z marmuru<\/em>\u00a0<\/strong>(Man of Marble)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt;\u00a0PL\/1976\/NB+color\/160&#8217;\/st:FR-NL<br style=\"line-height: 19.2px\" \/>20 years after the erection of his statue, a young filmmaker wishes to film a portrait of Birkut, the model worker. &#8222;Eastern cinema had never before dared to tackle this taboo subject: the falsification of facts by official History.&#8221; (F. Forestier).<br style=\"line-height: 19.2px\" \/>cast:\u00a0<strong style=\"line-height: 19.2px\">Jerzy Radziwi\u0142owicz<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Krystyna Janda<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Tadeusz \u0141omnicki<\/strong><\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif;width: 571.111px\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"30%\">Sunday 12\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\" width=\"70%\">15:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Sunday 26\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">20:00<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Monday 27\/03<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">17:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Monday 10\/04<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">17:30<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Sunday 16\/04<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">19:00<\/td>\n<\/tr>\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Saturday 22\/04<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">15:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/yVKdrnbmQlU\n<\/div><\/figure>\n\n\n\n<p><strong>\u00a0<em>Panny z Wilka\u00a0<\/em><\/strong>(The Maids of Wilko)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>&gt;&gt;&gt;\u00a0PL\/1979\/couleur\/118&#8217;\/st:EN<br \/>A Chekhovian autumnal and nostalgic meditation about how the years and boredom wash things away and beautiful women one once loved. Here, we discover a more poetic Wajda on the theme of the vain pursuit of lost time.<br \/>cast:\u00a0<strong>Daniel Olbrychski<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Saturday 15\/04<\/td>\n<td width=\"70%\">21:30<\/td>\n<\/tr>\n<tr>\n<td>Tuesday 18\/04<\/td>\n<td>19:30<\/td>\n<\/tr>\n<tr>\n<td>Friday 21\/04<\/td>\n<td>21:45<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/plL37E0v2sA\n<\/div><\/figure>\n\n\n\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Cz\u0142owiek z \u017celaza<\/em>\u00a0<\/strong>(Man of Iron)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>&gt;&gt;&gt;\u00a0PL\/1981\/colour\/151&#8217;\/st:FR-NL<br \/>During the strikes held at the Gdansk shipyards at the beginning of the 1980\u2019s, Maciej Tomczyk, a worker marked by the death of his father, stands up for social rights. A thinly-veiled hagiography of Lech Wa\u0142\u0119sa.<br \/>This film is the sequel to\u00a0<em>Man of Marble<\/em>.<br \/>Cast:\u00a0<strong>Jerzy Radziwi\u0142owicz<\/strong>,\u00a0<strong>Krystyna Janda<\/strong>,\u00a0<strong>Marian Opania<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Sunday 12\/03<\/td>\n<td width=\"70%\">20:00<\/td>\n<\/tr>\n<tr>\n<td>Monday 14\/03<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Sunday 02\/04<\/td>\n<td>15:30<\/td>\n<\/tr>\n<tr>\n<td>Thursday 13\/04<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Monday 17\/04<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Saturday 22\/04<\/td>\n<td>18:15<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><br \/><a name=\"danton\"><\/a><br \/><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Danton<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>&gt;&gt;&gt;\u00a0FR, PL\/1982\/colour\/136&#8217;\/st:NL<br \/>In 1794, whilst the French revolution is grappling with serious problems (First Coalition, various counter-revolutions), Danton is opposed to the violence of Robespierre. With lucidity, Wajda, using the case of the orator, takes apart the eternal mechanics of political trials.<br \/>cast:\u00a0<strong>G\u00e9rard Depardieu<\/strong>,<strong>\u00a0Wojciech Pszoniak<\/strong>,<strong>\u00a0Angela Winkler<\/strong>,\u00a0<strong>Patrice Ch\u00e9reau<\/strong><\/p>\n<table style=\"width: 100%;height: 168px\">\n<tbody>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\" width=\"30%\">Tuesday 07\/03<\/td>\n<td style=\"height: 24px\" width=\"70%\">17:30<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\">Friday 10\/03<\/td>\n<td style=\"height: 24px\">17:30<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\">Saturday 18\/03<\/td>\n<td style=\"height: 24px\">15:30<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\">Monday 03\/04<\/td>\n<td style=\"height: 24px\">20:30<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\">Wednesday 12\/04<\/td>\n<td style=\"height: 24px\">17:30<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\">Monday 17\/04<\/td>\n<td style=\"height: 24px\">20:15<\/td>\n<\/tr>\n<tr style=\"height: 24px\">\n<td style=\"height: 24px\">Saturday 22\/04<\/td>\n<td style=\"height: 24px\">21:00<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/zT4e8D80xXI\n<\/div><\/figure>\n\n\n\n<p><strong><em>Les poss\u00e9d\u00e9s<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>&gt;&gt;&gt; FR, PL\/1987\/colour\/116&#8217;\/st:NL<br \/><span lang=\"FR-BE\">In 1870\u2019s Russia, a group of nihilist revolutionaries decide to make their union irreversible by committing a sacrificial act. Dostoevsky\u2019s apocalyptic novel was shot in France\u00a0<span lang=\"EN-GB\">and transformed into a prestigious film made by Wajda<\/span>.<\/span><br \/>cast:\u00a0<strong>Lambert Wilson<\/strong>,\u00a0<strong>Jerzy Radziwi\u0142owicz<\/strong>,\u00a0<strong>Isabelle Huppert<\/strong>,\u00a0<strong>Omar Sharif<\/strong>,\u00a0<strong>Bernard Blier<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Sunday 23\/04<\/td>\n<td width=\"70%\">15:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/PYe849rhTkY\n<\/div><\/figure>\n\n\n\n<p><strong><em>Wa\u0142\u0119sa. Cz\u0142owiek z nadziei<\/em>\u00a0<\/strong>(Walesa. Man of Hope)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>&gt;&gt;&gt; PL\/2013\/colour\/127&#8217;\/st:FR-NL<br \/><span lang=\"FR-BE\">60 years after he began his career, Wajda is still talking about resistance, but, as historical irony has it, this time it\u2019s about the trade union\u2019s battle against communism. Centred around the interview with Lech Wa\u0142\u0119sa by the Italian journalist Oriana Falacci, this enlightening film \u00a0plunges the viewer into a time when Solidarno\u015b\u0107 was emerging, a new force which was set to topple the Polish political checkerboard and wipe out the Eastern European regimes.<\/span><br \/>cast:\u00a0<strong>Robert Wi\u0119ckiewicz<\/strong>,\u00a0<strong>Agnieszka Grochowska<\/strong>,\u00a0<strong>Iwona Bielska<\/strong><br \/>+++\u00a0<a href=\"http:\/\/culturepolonaise.eu\/3,4,560,en,Screening_of_Walesa_Man_of_Hope_by_Andrzej_Wajda#plus\" target=\"_blank\" rel=\"noopener noreferrer\">Find out more about this film<\/a><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Wednesday 05\/04<\/td>\n<td width=\"70%\">21:30<\/td>\n<\/tr>\n<tr>\n<td>Saturday 15\/04<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Wednesday 19\/04<\/td>\n<td>19:30<\/td>\n<\/tr>\n<tr>\n<td>Sunday 23\/04<\/td>\n<td>17:45<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/6atZe4IeaPg\n<\/div><\/figure>\n\n\n\n<p><strong><em>Powidoki<\/em>\u00a0<\/strong>(Afterimage)<strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><br \/>&gt;&gt;&gt; PL\/2017\/colour<br \/>In post-war Poland, the famous painter\u00a0<a href=\"http:\/\/culture.pl\/en\/artist\/wladyslaw-strzeminski\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>W\u0142adys\u0142aw Strzemi\u0144ski<\/strong><\/a>\u00a0taught at the Lodz Academy of Fine Arts. He had achieved notoriety before the world war broke out due to his nature and the \u2018unist\u2019 movement which he helped to found. His students continued to regard him as the &#8222;saviour of modern painting&#8221; but the Ministry of Culture took an entirely different view. Unlike his counterparts who had complied with the party line and accepted the principles of socialist realism, Strzemi\u0144ski refused to compromise when it came to his art. He refused to follow party orders, which led to him being expelled from the university and the Union of Artists. In spite of this, his students continued to visit him and take private lessons with him. They noted his theory of vision and set great store by his opinion on their work. Yet Strzemi\u0144ski, who lost an arm and a leg, and who subsequently found himself without a source of income, slipped into severe poverty and his health declined. This did not prevent the communist authorities from continuing to work on ruining him.\u00a0<br \/>cast:\u00a0<strong>Bogus\u0142aw Linda<\/strong>,\u00a0<strong>Zofia Wich\u0142acz<\/strong>,\u00a0<strong>Bronis\u0142awa Zamachowska<\/strong>,\u00a0<strong>Andrzej Konopka<\/strong>,\u00a0<strong>Krzysztof Pieczy\u0144ski<\/strong>,\u00a0<strong>Mariusz Bonaszewski<\/strong>,\u00a0<strong>Szymon Bobrowski<\/strong>,\u00a0<strong>Aleksander Fabisiak<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<td width=\"30%\">Wednesday 15\/03<\/td>\n<td width=\"70%\">19:30<\/td>\n<\/tr>\n<tr>\n<td>Thursday 16\/03<\/td>\n<td>21:45<\/td>\n<\/tr>\n<tr>\n<td>Friday 17\/03<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Saturday 18\/03<\/td>\n<td>19:45<\/td>\n<\/tr>\n<tr>\n<td>Sunday 19\/03<\/td>\n<td>18:30<\/td>\n<\/tr>\n<tr>\n<td>Monday 20\/03<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Thursday 23\/03<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Friday 24\/03<\/td>\n<td>19:30<\/td>\n<\/tr>\n<tr>\n<td>Thursday 30\/03<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Saturday 01\/04<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Tuesday 04\/04<\/td>\n<td>19:45<\/td>\n<\/tr>\n<tr>\n<td>Friday 07\/04<\/td>\n<td>21:30<\/td>\n<\/tr>\n<tr>\n<td>Saturday 08\/04<\/td>\n<td>22:00<\/td>\n<\/tr>\n<tr>\n<td>Wednesday 12\/04<\/td>\n<td>21:45<\/td>\n<\/tr>\n<tr>\n<td>Thursday 13\/04<\/td>\n<td>22:00<\/td>\n<\/tr>\n<tr>\n<td>Friday 14\/04<\/td>\n<td>19:30<\/td>\n<\/tr>\n<tr>\n<td>Saturday 15\/04<\/td>\n<td>15:30<\/td>\n<\/tr>\n<tr>\n<td>Sunday 16\/04<\/td>\n<td>15:30<\/td>\n<\/tr>\n<tr>\n<td>Wednesday 19\/04<\/td>\n<td>17:30<\/td>\n<\/tr>\n<tr>\n<td>Sunday 23\/04<\/td>\n<td>20:00<\/td>\n<\/tr>\n<tr>\n<td>Saturday 13\/05<\/td>\n<td>15:30<\/td>\n<\/tr>\n<tr>\n<td>Wednesday 17\/05<\/td>\n<td>21:30<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/6rfzPErD1C0\n<\/div><\/figure>\n\n\n\n<h3 class=\"boxTitle\">Links<\/h3>\n<ul class=\"linkList\">\n<li><img decoding=\"async\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=flagey_logo_positif173881655873156233&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=128&amp;height=64\" alt=\"\" \/>\u00a0Flagey:\u00a0<a href=\"http:\/\/www.flagey.be\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.flagey.be<\/a><\/li>\n<li><img decoding=\"async\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=cinematek167342613543137093&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=128&amp;height=64\" alt=\"\" \/>\u00a0Cinematek:\u00a0<a href=\"http:\/\/www.cinematek.be\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.cinematek.be<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Several months ago, we lost the great director\u00a0Andrzej Wajda, one of the greatest personalities in Polish cinema.\u00a0Cinematek,\u00a0Flagey\u00a0and the\u00a0Polish Institute\u00a0are holding a\u00a0retrospective of eight of his films\u00a0which played an important role in his career, drawing a line from his first film\u00a0Pokolenie\u00a0(A Generation) to the film which he beqeathed to us this year,\u00a0Powidoki\u00a0(Afterimage), premiering on\u00a013 March\u00a02017 at [&hellip;]<\/p>\n","protected":false},"author":127,"featured_media":3049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[100],"tags":[],"class_list":["post-3219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Andrzej Wajda Retrospective - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andrzej Wajda Retrospective - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"Several months ago, we lost the great director\u00a0Andrzej Wajda, one of the greatest personalities in Polish cinema.\u00a0Cinematek,\u00a0Flagey\u00a0and the\u00a0Polish Institute\u00a0are holding a\u00a0retrospective of eight of his films\u00a0which played an important role in his career, drawing a line from his first film\u00a0Pokolenie\u00a0(A Generation) to the film which he beqeathed to us this year,\u00a0Powidoki\u00a0(Afterimage), premiering on\u00a013 March\u00a02017 at [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2017-03-07T17:44:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-07T16:50:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"355\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"dyjakn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"dyjakn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/\",\"name\":\"Andrzej Wajda Retrospective\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2-300x186.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"datePublished\":\"2017-03-07T17:44:08+02:00\",\"dateModified\":\"2020-05-07T16:50:37+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2017-03-07\",\"endDate\":\"2017-05-17\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Several months ago, we lost the great director\u00a0Andrzej Wajda, one of the greatest personalities in Polish cinema.\u00a0Cinematek,\u00a0Flagey\u00a0and the\u00a0Polish Institute\u00a0are holding a\u00a0retrospective of eight of his films\u00a0which played an important role in his career, drawing a line from his first film\u00a0Pokolenie\u00a0(A Generation) to the film which he beqeathed to us this year,\u00a0Powidoki\u00a0(Afterimage), premiering on\u00a013 March\u00a02017 at Flagey. The other films are:\\nCz\u0142owiek z marmuru\u00a0(Man of Marble)\\nPanny z Wilka\u00a0(The Maids of Wilko)\\nCz\u0142owiek z \u017celaza\u00a0(Man of Iron)\\nDanton\\nLes Poss\u00e9d\u00e9s\\nWa\u0142\u0119sa. Cz\u0142owiek z nadziei\u00a0(Walesa. Man of Hope)\\n+++ This retrospective will be accompanied by the\u00a0photo exhibition\u00a0\\\"ANDRZEJ WAJDA\\\" by the Polish photographer\u00a0Czes\u0142aw Czapli\u0144ski. The exhibition will be shown at\u00a0Studio 5\u00a0in\u00a0Flagey. Courtesy of the\u00a0European Economic and Social Committee.PRACTICAL INFORMATION&gt;&gt;&gt;\u00a0Flagey\u00a0(Place sainte-croix, 1050 Brussels),\u00a0Studio 5\u00a0\u2013 see\u00a0MAP&gt;&gt;&gt; Tuesday\u00a07 March\u00a02017 &gt; Wednesday\u00a017 May\u00a02017&gt;&gt;&gt;\u00a0\u20ac7\u00a0|\u00a0\u20ac5,50\\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pokolenie\u00a0(A Generation)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1955\/NB\/87'\/st:FR-NLA young worker joins the communist resistance fighting the Nazi occupier. He moves very swiftly from theory to action but cannot avoid clashing with the movement\u2019s pro-British fringe. \u00a0Wajda\u2019s first feature-length film is already clearly centred around essential themes, notably the ideological fault lines which run through Polish society. \u00a0cast:\u00a0Tadeusz \u0141omnicki,\u00a0Ursula Modrzi\u0144ska,\u00a0Tadeusz Janczar\\nFriday 10\/03\\n21:45\\nSaturday 11\/03\\n21:30\\nSaturday 25\/03\\n17:30\\nFriday 31\/03\\n19:30\\nTuesday 11\/04\\n17:30\\nThursday 20\/04\\n21:30\\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cz\u0142owiek z marmuru\u00a0(Man of Marble)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1976\/NB+color\/160'\/st:FR-NL20 years after the erection of his statue, a young filmmaker wishes to film a portrait of Birkut, the model worker. \\\"Eastern cinema had never before dared to tackle this taboo subject: the falsification of facts by official History.\\\" (F. Forestier).cast:\u00a0Jerzy Radziwi\u0142owicz,\u00a0Krystyna Janda,\u00a0Tadeusz \u0141omnicki\\nSunday 12\/03\\n15:30\\nSunday 26\/03\\n20:00\\nMonday 27\/03\\n17:30\\nMonday 10\/04\\n17:30\\nSunday 16\/04\\n19:00\\nSaturday 22\/04\\n15:30\\n\u00a0Panny z Wilka\u00a0(The Maids of Wilko)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1979\/couleur\/118'\/st:ENA Chekhovian autumnal and nostalgic meditation about how the years and boredom wash things away and beautiful women one once loved. Here, we discover a more poetic Wajda on the theme of the vain pursuit of lost time.cast:\u00a0Daniel Olbrychski\\nSaturday 15\/04\\n21:30\\nTuesday 18\/04\\n19:30\\nFriday 21\/04\\n21:45\\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cz\u0142owiek z \u017celaza\u00a0(Man of Iron)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1981\/colour\/151'\/st:FR-NLDuring the strikes held at the Gdansk shipyards at the beginning of the 1980\u2019s, Maciej Tomczyk, a worker marked by the death of his father, stands up for social rights. A thinly-veiled hagiography of Lech Wa\u0142\u0119sa.This film is the sequel to\u00a0Man of Marble.Cast:\u00a0Jerzy Radziwi\u0142owicz,\u00a0Krystyna Janda,\u00a0Marian Opania\\nSunday 12\/03\\n20:00\\nMonday 14\/03\\n17:30\\nSunday 02\/04\\n15:30\\nThursday 13\/04\\n17:30\\nMonday 17\/04\\n17:30\\nSaturday 22\/04\\n18:15\\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Danton\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0FR, PL\/1982\/colour\/136'\/st:NLIn 1794, whilst the French revolution is grappling with serious problems (First Coalition, various counter-revolutions), Danton is opposed to the violence of Robespierre. With lucidity, Wajda, using the case of the orator, takes apart the eternal mechanics of political trials.cast:\u00a0G\u00e9rard Depardieu,\u00a0Wojciech Pszoniak,\u00a0Angela Winkler,\u00a0Patrice Ch\u00e9reau\\nTuesday 07\/03\\n17:30\\nFriday 10\/03\\n17:30\\nSaturday 18\/03\\n15:30\\nMonday 03\/04\\n20:30\\nWednesday 12\/04\\n17:30\\nMonday 17\/04\\n20:15\\nSaturday 22\/04\\n21:00\\nLes poss\u00e9d\u00e9s\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; FR, PL\/1987\/colour\/116'\/st:NLIn 1870\u2019s Russia, a group of nihilist revolutionaries decide to make their union irreversible by committing a sacrificial act. Dostoevsky\u2019s apocalyptic novel was shot in France\u00a0and transformed into a prestigious film made by Wajda.cast:\u00a0Lambert Wilson,\u00a0Jerzy Radziwi\u0142owicz,\u00a0Isabelle Huppert,\u00a0Omar Sharif,\u00a0Bernard Blier\\nSunday 23\/04\\n15:30\\nWa\u0142\u0119sa. Cz\u0142owiek z nadziei\u00a0(Walesa. Man of Hope)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/2013\/colour\/127'\/st:FR-NL60 years after he began his career, Wajda is still talking about resistance, but, as historical irony has it, this time it\u2019s about the trade union\u2019s battle against communism. Centred around the interview with Lech Wa\u0142\u0119sa by the Italian journalist Oriana Falacci, this enlightening film \u00a0plunges the viewer into a time when Solidarno\u015b\u0107 was emerging, a new force which was set to topple the Polish political checkerboard and wipe out the Eastern European regimes.cast:\u00a0Robert Wi\u0119ckiewicz,\u00a0Agnieszka Grochowska,\u00a0Iwona Bielska+++\u00a0Find out more about this film\\nWednesday 05\/04\\n21:30\\nSaturday 15\/04\\n17:30\\nWednesday 19\/04\\n19:30\\nSunday 23\/04\\n17:45\\nPowidoki\u00a0(Afterimage)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/2017\/colourIn post-war Poland, the famous painter\u00a0W\u0142adys\u0142aw Strzemi\u0144ski\u00a0taught at the Lodz Academy of Fine Arts. He had achieved notoriety before the world war broke out due to his nature and the \u2018unist\u2019 movement which he helped to found. His students continued to regard him as the \\\"saviour of modern painting\\\" but the Ministry of Culture took an entirely different view. Unlike his counterparts who had complied with the party line and accepted the principles of socialist realism, Strzemi\u0144ski refused to compromise when it came to his art. He refused to follow party orders, which led to him being expelled from the university and the Union of Artists. In spite of this, his students continued to visit him and take private lessons with him. They noted his theory of vision and set great store by his opinion on their work. Yet Strzemi\u0144ski, who lost an arm and a leg, and who subsequently found himself without a source of income, slipped into severe poverty and his health declined. This did not prevent the communist authorities from continuing to work on ruining him.\u00a0cast:\u00a0Bogus\u0142aw Linda,\u00a0Zofia Wich\u0142acz,\u00a0Bronis\u0142awa Zamachowska,\u00a0Andrzej Konopka,\u00a0Krzysztof Pieczy\u0144ski,\u00a0Mariusz Bonaszewski,\u00a0Szymon Bobrowski,\u00a0Aleksander Fabisiak\\nWednesday 15\/03\\n19:30\\nThursday 16\/03\\n21:45\\nFriday 17\/03\\n17:30\\nSaturday 18\/03\\n19:45\\nSunday 19\/03\\n18:30\\nMonday 20\/03\\n17:30\\nThursday 23\/03\\n17:30\\nFriday 24\/03\\n19:30\\nThursday 30\/03\\n17:30\\nSaturday 01\/04\\n17:30\\nTuesday 04\/04\\n19:45\\nFriday 07\/04\\n21:30\\nSaturday 08\/04\\n22:00\\nWednesday 12\/04\\n21:45\\nThursday 13\/04\\n22:00\\nFriday 14\/04\\n19:30\\nSaturday 15\/04\\n15:30\\nSunday 16\/04\\n15:30\\nWednesday 19\/04\\n17:30\\nSunday 23\/04\\n20:00\\nSaturday 13\/05\\n15:30\\nWednesday 17\/05\\n21:30\\nLinks\\n\u00a0Flagey:\u00a0http:\/\/www.flagey.be\\n\u00a0Cinematek:\u00a0http:\/\/www.cinematek.be\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png\",\"width\":572,\"height\":355,\"caption\":\"Andrzej Wajda\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Andrzej Wajda Retrospective\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Andrzej Wajda Retrospective - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/","og_locale":"pl_PL","og_type":"article","og_title":"Andrzej Wajda Retrospective - Instytut Polski w Brukseli","og_description":"Several months ago, we lost the great director\u00a0Andrzej Wajda, one of the greatest personalities in Polish cinema.\u00a0Cinematek,\u00a0Flagey\u00a0and the\u00a0Polish Institute\u00a0are holding a\u00a0retrospective of eight of his films\u00a0which played an important role in his career, drawing a line from his first film\u00a0Pokolenie\u00a0(A Generation) to the film which he beqeathed to us this year,\u00a0Powidoki\u00a0(Afterimage), premiering on\u00a013 March\u00a02017 at [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/","og_site_name":"Instytut Polski w Brukseli","article_published_time":"2017-03-07T17:44:08+00:00","article_modified_time":"2020-05-07T16:50:37+00:00","og_image":[{"width":572,"height":355,"url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","type":"image\/png"}],"author":"dyjakn","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"dyjakn","Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/","url":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/","name":"Andrzej Wajda Retrospective","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2-300x186.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","datePublished":"2017-03-07T17:44:08+02:00","dateModified":"2020-05-07T16:50:37+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/"]}],"@context":"https:\/\/schema.org","startDate":"2017-03-07","endDate":"2017-05-17","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Several months ago, we lost the great director\u00a0Andrzej Wajda, one of the greatest personalities in Polish cinema.\u00a0Cinematek,\u00a0Flagey\u00a0and the\u00a0Polish Institute\u00a0are holding a\u00a0retrospective of eight of his films\u00a0which played an important role in his career, drawing a line from his first film\u00a0Pokolenie\u00a0(A Generation) to the film which he beqeathed to us this year,\u00a0Powidoki\u00a0(Afterimage), premiering on\u00a013 March\u00a02017 at Flagey. The other films are:\nCz\u0142owiek z marmuru\u00a0(Man of Marble)\nPanny z Wilka\u00a0(The Maids of Wilko)\nCz\u0142owiek z \u017celaza\u00a0(Man of Iron)\nDanton\nLes Poss\u00e9d\u00e9s\nWa\u0142\u0119sa. Cz\u0142owiek z nadziei\u00a0(Walesa. Man of Hope)\n+++ This retrospective will be accompanied by the\u00a0photo exhibition\u00a0\"ANDRZEJ WAJDA\" by the Polish photographer\u00a0Czes\u0142aw Czapli\u0144ski. The exhibition will be shown at\u00a0Studio 5\u00a0in\u00a0Flagey. Courtesy of the\u00a0European Economic and Social Committee.PRACTICAL INFORMATION&gt;&gt;&gt;\u00a0Flagey\u00a0(Place sainte-croix, 1050 Brussels),\u00a0Studio 5\u00a0\u2013 see\u00a0MAP&gt;&gt;&gt; Tuesday\u00a07 March\u00a02017 &gt; Wednesday\u00a017 May\u00a02017&gt;&gt;&gt;\u00a0\u20ac7\u00a0|\u00a0\u20ac5,50\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Pokolenie\u00a0(A Generation)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/1955\/NB\/87'\/st:FR-NLA young worker joins the communist resistance fighting the Nazi occupier. He moves very swiftly from theory to action but cannot avoid clashing with the movement\u2019s pro-British fringe. \u00a0Wajda\u2019s first feature-length film is already clearly centred around essential themes, notably the ideological fault lines which run through Polish society. \u00a0cast:\u00a0Tadeusz \u0141omnicki,\u00a0Ursula Modrzi\u0144ska,\u00a0Tadeusz Janczar\nFriday 10\/03\n21:45\nSaturday 11\/03\n21:30\nSaturday 25\/03\n17:30\nFriday 31\/03\n19:30\nTuesday 11\/04\n17:30\nThursday 20\/04\n21:30\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cz\u0142owiek z marmuru\u00a0(Man of Marble)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1976\/NB+color\/160'\/st:FR-NL20 years after the erection of his statue, a young filmmaker wishes to film a portrait of Birkut, the model worker. \"Eastern cinema had never before dared to tackle this taboo subject: the falsification of facts by official History.\" (F. Forestier).cast:\u00a0Jerzy Radziwi\u0142owicz,\u00a0Krystyna Janda,\u00a0Tadeusz \u0141omnicki\nSunday 12\/03\n15:30\nSunday 26\/03\n20:00\nMonday 27\/03\n17:30\nMonday 10\/04\n17:30\nSunday 16\/04\n19:00\nSaturday 22\/04\n15:30\n\u00a0Panny z Wilka\u00a0(The Maids of Wilko)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1979\/couleur\/118'\/st:ENA Chekhovian autumnal and nostalgic meditation about how the years and boredom wash things away and beautiful women one once loved. Here, we discover a more poetic Wajda on the theme of the vain pursuit of lost time.cast:\u00a0Daniel Olbrychski\nSaturday 15\/04\n21:30\nTuesday 18\/04\n19:30\nFriday 21\/04\n21:45\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Cz\u0142owiek z \u017celaza\u00a0(Man of Iron)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0PL\/1981\/colour\/151'\/st:FR-NLDuring the strikes held at the Gdansk shipyards at the beginning of the 1980\u2019s, Maciej Tomczyk, a worker marked by the death of his father, stands up for social rights. A thinly-veiled hagiography of Lech Wa\u0142\u0119sa.This film is the sequel to\u00a0Man of Marble.Cast:\u00a0Jerzy Radziwi\u0142owicz,\u00a0Krystyna Janda,\u00a0Marian Opania\nSunday 12\/03\n20:00\nMonday 14\/03\n17:30\nSunday 02\/04\n15:30\nThursday 13\/04\n17:30\nMonday 17\/04\n17:30\nSaturday 22\/04\n18:15\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Danton\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt;\u00a0FR, PL\/1982\/colour\/136'\/st:NLIn 1794, whilst the French revolution is grappling with serious problems (First Coalition, various counter-revolutions), Danton is opposed to the violence of Robespierre. With lucidity, Wajda, using the case of the orator, takes apart the eternal mechanics of political trials.cast:\u00a0G\u00e9rard Depardieu,\u00a0Wojciech Pszoniak,\u00a0Angela Winkler,\u00a0Patrice Ch\u00e9reau\nTuesday 07\/03\n17:30\nFriday 10\/03\n17:30\nSaturday 18\/03\n15:30\nMonday 03\/04\n20:30\nWednesday 12\/04\n17:30\nMonday 17\/04\n20:15\nSaturday 22\/04\n21:00\nLes poss\u00e9d\u00e9s\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; FR, PL\/1987\/colour\/116'\/st:NLIn 1870\u2019s Russia, a group of nihilist revolutionaries decide to make their union irreversible by committing a sacrificial act. Dostoevsky\u2019s apocalyptic novel was shot in France\u00a0and transformed into a prestigious film made by Wajda.cast:\u00a0Lambert Wilson,\u00a0Jerzy Radziwi\u0142owicz,\u00a0Isabelle Huppert,\u00a0Omar Sharif,\u00a0Bernard Blier\nSunday 23\/04\n15:30\nWa\u0142\u0119sa. Cz\u0142owiek z nadziei\u00a0(Walesa. Man of Hope)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/2013\/colour\/127'\/st:FR-NL60 years after he began his career, Wajda is still talking about resistance, but, as historical irony has it, this time it\u2019s about the trade union\u2019s battle against communism. Centred around the interview with Lech Wa\u0142\u0119sa by the Italian journalist Oriana Falacci, this enlightening film \u00a0plunges the viewer into a time when Solidarno\u015b\u0107 was emerging, a new force which was set to topple the Polish political checkerboard and wipe out the Eastern European regimes.cast:\u00a0Robert Wi\u0119ckiewicz,\u00a0Agnieszka Grochowska,\u00a0Iwona Bielska+++\u00a0Find out more about this film\nWednesday 05\/04\n21:30\nSaturday 15\/04\n17:30\nWednesday 19\/04\n19:30\nSunday 23\/04\n17:45\nPowidoki\u00a0(Afterimage)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0&gt;&gt;&gt; PL\/2017\/colourIn post-war Poland, the famous painter\u00a0W\u0142adys\u0142aw Strzemi\u0144ski\u00a0taught at the Lodz Academy of Fine Arts. He had achieved notoriety before the world war broke out due to his nature and the \u2018unist\u2019 movement which he helped to found. His students continued to regard him as the \"saviour of modern painting\" but the Ministry of Culture took an entirely different view. Unlike his counterparts who had complied with the party line and accepted the principles of socialist realism, Strzemi\u0144ski refused to compromise when it came to his art. He refused to follow party orders, which led to him being expelled from the university and the Union of Artists. In spite of this, his students continued to visit him and take private lessons with him. They noted his theory of vision and set great store by his opinion on their work. Yet Strzemi\u0144ski, who lost an arm and a leg, and who subsequently found himself without a source of income, slipped into severe poverty and his health declined. This did not prevent the communist authorities from continuing to work on ruining him.\u00a0cast:\u00a0Bogus\u0142aw Linda,\u00a0Zofia Wich\u0142acz,\u00a0Bronis\u0142awa Zamachowska,\u00a0Andrzej Konopka,\u00a0Krzysztof Pieczy\u0144ski,\u00a0Mariusz Bonaszewski,\u00a0Szymon Bobrowski,\u00a0Aleksander Fabisiak\nWednesday 15\/03\n19:30\nThursday 16\/03\n21:45\nFriday 17\/03\n17:30\nSaturday 18\/03\n19:45\nSunday 19\/03\n18:30\nMonday 20\/03\n17:30\nThursday 23\/03\n17:30\nFriday 24\/03\n19:30\nThursday 30\/03\n17:30\nSaturday 01\/04\n17:30\nTuesday 04\/04\n19:45\nFriday 07\/04\n21:30\nSaturday 08\/04\n22:00\nWednesday 12\/04\n21:45\nThursday 13\/04\n22:00\nFriday 14\/04\n19:30\nSaturday 15\/04\n15:30\nSunday 16\/04\n15:30\nWednesday 19\/04\n17:30\nSunday 23\/04\n20:00\nSaturday 13\/05\n15:30\nWednesday 17\/05\n21:30\nLinks\n\u00a0Flagey:\u00a0http:\/\/www.flagey.be\n\u00a0Cinematek:\u00a0http:\/\/www.cinematek.be"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-2.png","width":572,"height":355,"caption":"Andrzej Wajda"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2017\/03\/07\/andrzej-wajda-retrospective-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Andrzej Wajda Retrospective"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=3219"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3219\/revisions"}],"predecessor-version":[{"id":3220,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3219\/revisions\/3220"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/3049"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=3219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=3219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=3219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}