{"id":3645,"date":"2016-03-11T22:42:06","date_gmt":"2016-03-11T21:42:06","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=3645"},"modified":"2020-05-11T22:44:12","modified_gmt":"2020-05-11T20:44:12","slug":"szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/","title":{"rendered":"Szymanowski\u2019s Stabat Mater, by the London Philharmonic Orchestra"},"content":{"rendered":"\n<div class=\"desc\" style=\"margin-right: 0px;margin-bottom: 5px;margin-left: 0px;padding: 0px;font-size: 12px;line-height: 21.6px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<p style=\"font-size: 12px;line-height: 19.2px\">The KLARAFESTIVAL presents\u00a0<strong style=\"line-height: 19.2px\">Karol SZYMANOWSKI<\/strong>\u2019s\u00a0<em style=\"line-height: 19.2px\">Stabat Mater<\/em>\u00a0alongside its collaboration with the\u00a0<strong style=\"line-height: 19.2px\">Wroclaw National Forum of Music<\/strong>\u00a0(Narodowe Forum Muzyki we Wroc\u0142awiu,\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/culturepolonaise.eu\/3,3,679,fr,Wroclaw_-_Capitale_Europeenne_de_la_Culture_en_2016#HenHefHem\" target=\"_self\" rel=\"noopener noreferrer\">NFM<\/a>).\u00a0<br style=\"line-height: 19.2px\" \/><em style=\"line-height: 19.2px\">Stabat Mater<\/em>, composed by SZYMANOWSKI and prompted by the grief suffered by the composer\u2019s sister, who had just lost her little girl Ala, will be played by the London Philharmonic Orchestra conducted by the Russian\u00a0<strong style=\"line-height: 19.2px\">Vladimir JUROWSKI<\/strong>, with three Polish soloists, soprano\u00a0<strong style=\"line-height: 19.2px\">El\u017cbieta SZMYTKA<\/strong>, mezzo-soprano\u00a0<strong style=\"line-height: 19.2px\">Agnieszka REHLIS<\/strong>\u00a0and baritone\u00a0<strong style=\"line-height: 19.2px\">Andrzej DOBBER<\/strong>.<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/>After spending 123 years absent from the map of Europe, Poland regained its independence under the terms of the Treaty of Versailles in 1918. The\u00a0<strong style=\"line-height: 19.2px\">Second Polish Republic<\/strong>\u00a0had been born. Everything needed to be shaken up, socially and culturally speaking. Within this debate,\u00a0<strong style=\"line-height: 19.2px\">Karol SZYMANOWSKI<\/strong>\u00a0played an active role in the field of music, notably in his reflections on national style and the way in which he combined modernity and tradition. The musicologist Zofia HELMAN remarks that Szymanowski\u2019s conception of national style \u2018was a response to his own work as a composer and those who followed in his footsteps. In his conception, popular music, especially that of the Tatras, which is marked by its archaism, needed to become the archtype of Polishness. (&#8230;) In the\u00a0<strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\">Stabat Mater for soloists, choir and orchestra opus 53<\/em><\/strong>, the composer created a Polish atmosphere by marrying popular elements with modern harmonic and tonal means\u2019 but without \u2018citing\u2019 the music of the mountains, found in Zakopane which he made his permanent home in 1930, suffering from tuberculosis. That same year, Li\u00e8ge hosted the Festival de la Soci\u00e9t\u00e9 Internationale de Musique Contemporaine (SMIC); this was when Belgian audiences discovered the Stabat Mater, on 6 September 1930, directed by the composer\u2019s friend\u00a0<strong style=\"line-height: 19.2px\">Grzegorz FITELBERG<\/strong>. Jo\u00eblle Van Hyfte points out that \u2018the concert resonated beyond Belgium, as, in the pages of La Revue Musicale in Paris, Henry Pruni\u00e8res, who had attended the festival, described the Stabat Mater as an \u2018admirable page of sacred music, the most moving that has ever been written.\u2019 \u00a0<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/>Two other compositions will be played alongside Szymanowski\u2019s Stabat Mater:\u00a0<em style=\"line-height: 19.2px\">Sieben Worte<\/em>\u00a0by Sofia GUBAIDULINA\u00a0and\u00a0<em style=\"line-height: 19.2px\">Psalm 23<\/em>\u00a0by Alexander von ZEMLINSKY.<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Vladimir Jurowski<\/strong>\u00a0&#8211; direction<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">El\u017cbieta Szmytka<\/strong>\u00a0&#8211; soprano<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Agnieszka Rehlis<\/strong>\u00a0&#8211; mezzo-soprano<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Andrzej Dobber<\/strong>\u00a0&#8211; baritone<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Kristina Blaumane<\/strong>\u00a0&#8211; cello<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Elsbeth Moser<\/strong>\u00a0&#8211; bayan<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">PROGRAMME<br style=\"line-height: 19.2px\" \/><\/strong>Sofia GOUBA\u00cfDOULINA,\u00a0<em style=\"line-height: 19.2px\">Sieben Worte<br style=\"line-height: 19.2px\" \/><\/em>Karol SZYMANOWSKI,\u00a0<em style=\"line-height: 19.2px\">Stabat Mater<\/em>, op. 53\u00a0<br style=\"line-height: 19.2px\" \/>Alexander von ZEMLINSKY,\u00a0<em style=\"line-height: 19.2px\">Psalm XXIII<\/em>, op. 14<\/p>\n<hr style=\"line-height: 19.2px\" \/>\n<p style=\"font-size: 12px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"info\"><\/a><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">PRACTICAL INFORMATION<br style=\"line-height: 19.2px\" \/><\/strong>&gt;&gt;&gt; Center for Fine Arts &#8211;\u00a0<strong style=\"line-height: 19.2px\">BOZAR\u00a0<\/strong>(Rue Ravensteinstraat 23, 1000 Brussels),\u00a0<strong style=\"line-height: 19.2px\">Henry Le B\u0153uf Hall<\/strong>\u00a0&#8211;\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/culturepolonaise.eu\/map\">see map<\/a><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt;\u00a0Friday\u00a0<strong style=\"line-height: 19.2px\">11 March\u00a0<\/strong>2016\u00a0\u2013\u00a0<strong style=\"line-height: 19.2px\">20:00\u00a0<\/strong><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">\u20ac92<\/strong>\u00a0|<strong style=\"line-height: 19.2px\">\u00a0<strong style=\"line-height: 19.2px\">\u20ac<\/strong>68<\/strong>\u00a0|\u00a0<strong style=\"line-height: 19.2px\">\u20ac<\/strong><strong style=\"line-height: 19.2px\">48<\/strong>\u00a0|\u00a0<strong style=\"line-height: 19.2px\">\u20ac<\/strong><strong style=\"line-height: 19.2px\">22<\/strong><br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/bo.clic-com.be\/main.aspx?sPageToGo=Event&amp;iEventId=21538&amp;iCultureId=1036\" target=\"_blank\" rel=\"noopener noreferrer\">online box office<\/a><br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/>+++ find out more about this concert on the\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.klarafestival.be\/en\/content\/stabat-mater-szymanowski\" target=\"_blank\" rel=\"noopener noreferrer\">Klarafestival&#8217;s website<\/a>\u00a0and on the\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.bozar.be\/en\/activities\/5815-london-philharmonic-orchestra-choir\" target=\"_blank\" rel=\"noopener noreferrer\">Bozar&#8217;s website<\/a>\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.klarafestival.be\/fr\/content\/stabat-mater-par-szymanowski\" target=\"_blank\" rel=\"noopener noreferrer\"><br style=\"line-height: 19.2px\" \/><\/a><\/p>\n<hr style=\"line-height: 19.2px\" \/>\n<p style=\"font-size: 12px;line-height: 19.2px\"><br style=\"line-height: 19.2px\" \/>A\u00a0<strong style=\"line-height: 19.2px\">Klarafestival<\/strong>\u00a0and\u00a0<strong style=\"line-height: 19.2px\">Bozar\u00a0<\/strong>coproduction,\u00a0organised il collaboration with the\u00a0<strong style=\"line-height: 19.2px\">Adam Mickiewicz Institute\u00a0<\/strong>as part of the Polska Music project,\u00a0<span style=\"line-height: 19.2px\">with the support of the\u00a0<strong style=\"line-height: 19.2px\">Polish Institute in Brussels<\/strong>.\u00a0<\/span><\/p>\n<hr style=\"line-height: 19.2px\" \/>\n<p style=\"font-size: 12px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"map\"><\/a><\/p>\n<\/div>\n<h3 class=\"boxTitle\" style=\"margin-top: 20px;margin-bottom: 10px;padding: 0px 0px 0px 5px;font-size: 12px;line-height: 19.2px;clear: both;width: 275px;background-color: #000000;color: #ffffff;font-family: Verdana, Arial, Helvetica, sans-serif\">Links<\/h3>\n<ul class=\"linkList\" style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 20px;padding: 0px;font-size: 12px;line-height: 19.2px;width: 572px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<li style=\"list-style-type: none;margin: 0px;padding: 5px 0px;line-height: 21.6px\"><img decoding=\"async\" style=\"line-height: 19.2px\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=Klarafestival_logo_201558184809123663647&amp;ex=png&amp;t=image&amp;mt=image%2Fpng&amp;width=128&amp;height=64\" alt=\"\" \/>\u00a0Klarafestival 2016:\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.klarafestival.be\/fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.klarafestival.be\/fr\/<\/a><\/li>\n<\/ul>\n<h3 class=\"boxTitle\" style=\"margin-top: 20px;margin-bottom: 10px;padding: 0px 0px 0px 5px;font-size: 12px;line-height: 19.2px;clear: both;width: 275px;background-color: #000000;color: #ffffff;font-family: Verdana, Arial, Helvetica, sans-serif\">Picture gallery<\/h3>\n<div id=\"gallery\" class=\"thumbs\" style=\"margin-top: 0px;margin-right: 0px;margin-left: 0px;padding: 0px;font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" title=\"Vladimir Jurowski \u00a9 Klarafestival\" href=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=336___Stabat_Mater541546446116&amp;ex=png&amp;t=image&amp;mt=image%2Fpng&amp;width=587&amp;height=587\"><img decoding=\"async\" style=\"line-height: 19.2px;margin: 0px 15px 15px 0px\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=336___Stabat_Mater541546446116&amp;ex=png&amp;t=image&amp;mt=image%2Fpng&amp;width=550&amp;height=120\" alt=\"Vladimir Jurowski \u00a9 Klarafestival\" \/><\/a>\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" title=\"El\u017cbieta Szmytka \u00a9 Klarafestival\" href=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=336___Elzbieta_Szmytka237306533837&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=587&amp;height=587\"><img decoding=\"async\" style=\"line-height: 19.2px;margin: 0px 15px 15px 0px\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=336___Elzbieta_Szmytka237306533837&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=550&amp;height=120\" alt=\"El\u017cbieta Szmytka \u00a9 Klarafestival\" \/><\/a>\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" title=\"Andrzej Dobber \u00a9 Klarafestival\" href=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=336___Andrzej_Dobber378314990632&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=587&amp;height=587\"><img decoding=\"async\" style=\"line-height: 19.2px;margin: 0px 15px 15px 0px\" src=\"http:\/\/www.culturepolonaise.eu\/99,99,0,en?bn=336___Andrzej_Dobber378314990632&amp;ex=jpg&amp;t=image&amp;mt=image%2Fjpeg&amp;width=550&amp;height=120\" alt=\"Andrzej Dobber \u00a9 Klarafestival\" \/><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The KLARAFESTIVAL presents\u00a0Karol SZYMANOWSKI\u2019s\u00a0Stabat Mater\u00a0alongside its collaboration with the\u00a0Wroclaw National Forum of Music\u00a0(Narodowe Forum Muzyki we Wroc\u0142awiu,\u00a0NFM).\u00a0Stabat Mater, composed by SZYMANOWSKI and prompted by the grief suffered by the composer\u2019s sister, who had just lost her little girl Ala, will be played by the London Philharmonic Orchestra conducted by the Russian\u00a0Vladimir JUROWSKI, with three Polish [&hellip;]<\/p>\n","protected":false},"author":127,"featured_media":3643,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[96],"tags":[],"class_list":["post-3645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ 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KLARAFESTIVAL presents\u00a0Karol SZYMANOWSKI\u2019s\u00a0Stabat Mater\u00a0alongside its collaboration with the\u00a0Wroclaw National Forum of Music\u00a0(Narodowe Forum Muzyki we Wroc\u0142awiu,\u00a0NFM).\u00a0Stabat Mater, composed by SZYMANOWSKI and prompted by the grief suffered by the composer\u2019s sister, who had just lost her little girl Ala, will be played by the London Philharmonic Orchestra conducted by the Russian\u00a0Vladimir JUROWSKI, with three Polish soloists, soprano\u00a0El\u017cbieta SZMYTKA, mezzo-soprano\u00a0Agnieszka REHLIS\u00a0and baritone\u00a0Andrzej DOBBER.After spending 123 years absent from the map of Europe, Poland regained its independence under the terms of the Treaty of Versailles in 1918. The\u00a0Second Polish Republic\u00a0had been born. Everything needed to be shaken up, socially and culturally speaking. Within this debate,\u00a0Karol SZYMANOWSKI\u00a0played an active role in the field of music, notably in his reflections on national style and the way in which he combined modernity and tradition. The musicologist Zofia HELMAN remarks that Szymanowski\u2019s conception of national style \u2018was a response to his own work as a composer and those who followed in his footsteps. In his conception, popular music, especially that of the Tatras, which is marked by its archaism, needed to become the archtype of Polishness. (...) In the\u00a0Stabat Mater for soloists, choir and orchestra opus 53, the composer created a Polish atmosphere by marrying popular elements with modern harmonic and tonal means\u2019 but without \u2018citing\u2019 the music of the mountains, found in Zakopane which he made his permanent home in 1930, suffering from tuberculosis. That same year, Li\u00e8ge hosted the Festival de la Soci\u00e9t\u00e9 Internationale de Musique Contemporaine (SMIC); this was when Belgian audiences discovered the Stabat Mater, on 6 September 1930, directed by the composer\u2019s friend\u00a0Grzegorz FITELBERG. Jo\u00eblle Van Hyfte points out that \u2018the concert resonated beyond Belgium, as, in the pages of La Revue Musicale in Paris, Henry Pruni\u00e8res, who had attended the festival, described the Stabat Mater as an \u2018admirable page of sacred music, the most moving that has ever been written.\u2019 \u00a0Two other compositions will be played alongside Szymanowski\u2019s Stabat Mater:\u00a0Sieben Worte\u00a0by Sofia GUBAIDULINA\u00a0and\u00a0Psalm 23\u00a0by Alexander von ZEMLINSKY.Vladimir Jurowski\u00a0- directionEl\u017cbieta Szmytka\u00a0- sopranoAgnieszka Rehlis\u00a0- mezzo-sopranoAndrzej Dobber\u00a0- baritoneKristina Blaumane\u00a0- celloElsbeth Moser\u00a0- bayanPROGRAMMESofia GOUBA\u00cfDOULINA,\u00a0Sieben WorteKarol SZYMANOWSKI,\u00a0Stabat Mater, op. 53\u00a0Alexander von ZEMLINSKY,\u00a0Psalm XXIII, op. 14\\nPRACTICAL INFORMATION&gt;&gt;&gt; Center for Fine Arts -\u00a0BOZAR\u00a0(Rue Ravensteinstraat 23, 1000 Brussels),\u00a0Henry Le B\u0153uf Hall\u00a0-\u00a0see map&gt;&gt;&gt;\u00a0Friday\u00a011 March\u00a02016\u00a0\u2013\u00a020:00\u00a0&gt;&gt;&gt;\u00a0\u20ac92\u00a0|\u00a0\u20ac68\u00a0|\u00a0\u20ac48\u00a0|\u00a0\u20ac22online box office+++ find out more about this concert on the\u00a0Klarafestival's website\u00a0and on the\u00a0Bozar's website\u00a0\\nA\u00a0Klarafestival\u00a0and\u00a0Bozar\u00a0coproduction,\u00a0organised il collaboration with the\u00a0Adam Mickiewicz Institute\u00a0as part of the Polska Music project,\u00a0with the support of the\u00a0Polish Institute in Brussels.\u00a0\\nLinks\\n\u00a0Klarafestival 2016:\u00a0http:\/\/www.klarafestival.be\/fr\/\\nPicture gallery\\n\u00a0\u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png\",\"width\":572,\"height\":359,\"caption\":\"Vladimir Jurowski \u00a9 Alexander Nikoforov\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Szymanowski\u2019s Stabat Mater, by the London Philharmonic Orchestra\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Szymanowski\u2019s Stabat Mater, by the London Philharmonic Orchestra - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/","og_locale":"pl_PL","og_type":"article","og_title":"Szymanowski\u2019s Stabat Mater, by the London Philharmonic Orchestra - Instytut Polski w Brukseli","og_description":"The KLARAFESTIVAL presents\u00a0Karol SZYMANOWSKI\u2019s\u00a0Stabat Mater\u00a0alongside its collaboration with the\u00a0Wroclaw National Forum of Music\u00a0(Narodowe Forum Muzyki we Wroc\u0142awiu,\u00a0NFM).\u00a0Stabat Mater, composed by SZYMANOWSKI and prompted by the grief suffered by the composer\u2019s sister, who had just lost her little girl Ala, will be played by the London Philharmonic Orchestra conducted by the Russian\u00a0Vladimir JUROWSKI, with three Polish [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/","og_site_name":"Instytut Polski w Brukseli","article_published_time":"2016-03-11T21:42:06+00:00","article_modified_time":"2020-05-11T20:44:12+00:00","og_image":[{"width":572,"height":359,"url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png","type":"image\/png"}],"author":"dyjakn","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"dyjakn","Szacowany czas czytania":"2 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/","url":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/","name":"Szymanowski\u2019s Stabat Mater, by the London Philharmonic Orchestra","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3-300x188.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png","datePublished":"2016-03-11T21:42:06+02:00","dateModified":"2020-05-11T20:44:12+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/"]}],"@context":"https:\/\/schema.org","startDate":"2016-03-11","endDate":"2016-03-11","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"The KLARAFESTIVAL presents\u00a0Karol SZYMANOWSKI\u2019s\u00a0Stabat Mater\u00a0alongside its collaboration with the\u00a0Wroclaw National Forum of Music\u00a0(Narodowe Forum Muzyki we Wroc\u0142awiu,\u00a0NFM).\u00a0Stabat Mater, composed by SZYMANOWSKI and prompted by the grief suffered by the composer\u2019s sister, who had just lost her little girl Ala, will be played by the London Philharmonic Orchestra conducted by the Russian\u00a0Vladimir JUROWSKI, with three Polish soloists, soprano\u00a0El\u017cbieta SZMYTKA, mezzo-soprano\u00a0Agnieszka REHLIS\u00a0and baritone\u00a0Andrzej DOBBER.After spending 123 years absent from the map of Europe, Poland regained its independence under the terms of the Treaty of Versailles in 1918. The\u00a0Second Polish Republic\u00a0had been born. Everything needed to be shaken up, socially and culturally speaking. Within this debate,\u00a0Karol SZYMANOWSKI\u00a0played an active role in the field of music, notably in his reflections on national style and the way in which he combined modernity and tradition. The musicologist Zofia HELMAN remarks that Szymanowski\u2019s conception of national style \u2018was a response to his own work as a composer and those who followed in his footsteps. In his conception, popular music, especially that of the Tatras, which is marked by its archaism, needed to become the archtype of Polishness. (...) In the\u00a0Stabat Mater for soloists, choir and orchestra opus 53, the composer created a Polish atmosphere by marrying popular elements with modern harmonic and tonal means\u2019 but without \u2018citing\u2019 the music of the mountains, found in Zakopane which he made his permanent home in 1930, suffering from tuberculosis. That same year, Li\u00e8ge hosted the Festival de la Soci\u00e9t\u00e9 Internationale de Musique Contemporaine (SMIC); this was when Belgian audiences discovered the Stabat Mater, on 6 September 1930, directed by the composer\u2019s friend\u00a0Grzegorz FITELBERG. Jo\u00eblle Van Hyfte points out that \u2018the concert resonated beyond Belgium, as, in the pages of La Revue Musicale in Paris, Henry Pruni\u00e8res, who had attended the festival, described the Stabat Mater as an \u2018admirable page of sacred music, the most moving that has ever been written.\u2019 \u00a0Two other compositions will be played alongside Szymanowski\u2019s Stabat Mater:\u00a0Sieben Worte\u00a0by Sofia GUBAIDULINA\u00a0and\u00a0Psalm 23\u00a0by Alexander von ZEMLINSKY.Vladimir Jurowski\u00a0- directionEl\u017cbieta Szmytka\u00a0- sopranoAgnieszka Rehlis\u00a0- mezzo-sopranoAndrzej Dobber\u00a0- baritoneKristina Blaumane\u00a0- celloElsbeth Moser\u00a0- bayanPROGRAMMESofia GOUBA\u00cfDOULINA,\u00a0Sieben WorteKarol SZYMANOWSKI,\u00a0Stabat Mater, op. 53\u00a0Alexander von ZEMLINSKY,\u00a0Psalm XXIII, op. 14\nPRACTICAL INFORMATION&gt;&gt;&gt; Center for Fine Arts -\u00a0BOZAR\u00a0(Rue Ravensteinstraat 23, 1000 Brussels),\u00a0Henry Le B\u0153uf Hall\u00a0-\u00a0see map&gt;&gt;&gt;\u00a0Friday\u00a011 March\u00a02016\u00a0\u2013\u00a020:00\u00a0&gt;&gt;&gt;\u00a0\u20ac92\u00a0|\u00a0\u20ac68\u00a0|\u00a0\u20ac48\u00a0|\u00a0\u20ac22online box office+++ find out more about this concert on the\u00a0Klarafestival's website\u00a0and on the\u00a0Bozar's website\u00a0\nA\u00a0Klarafestival\u00a0and\u00a0Bozar\u00a0coproduction,\u00a0organised il collaboration with the\u00a0Adam Mickiewicz Institute\u00a0as part of the Polska Music project,\u00a0with the support of the\u00a0Polish Institute in Brussels.\u00a0\nLinks\n\u00a0Klarafestival 2016:\u00a0http:\/\/www.klarafestival.be\/fr\/\nPicture gallery\n\u00a0\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-7-3.png","width":572,"height":359,"caption":"Vladimir Jurowski \u00a9 Alexander Nikoforov"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2016\/03\/11\/szymanowskis-stabat-mater-by-the-london-philharmonic-orchestra\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"Szymanowski\u2019s Stabat Mater, by the London Philharmonic Orchestra"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=3645"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3645\/revisions"}],"predecessor-version":[{"id":3646,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3645\/revisions\/3646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/3643"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=3645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=3645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=3645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}