{"id":3997,"date":"2015-09-22T22:29:46","date_gmt":"2015-09-22T20:29:46","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=3997"},"modified":"2020-05-13T22:31:49","modified_gmt":"2020-05-13T20:31:49","slug":"powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/","title":{"rendered":"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI"},"content":{"rendered":"\n
\n

Director\u00a0Mariusz TRELI\u0143SKI<\/a>\u2019s latest project is an opera by\u00a0Thomas Ad\u00e8s<\/strong>, adapted from a libretto by\u00a0Philip Hensher<\/strong>, entitled\u00a0POWDER HER FACE<\/a><\/em>. The\u00a0premiere took place at Warsaw National Opera House<\/a>\u00a0on\u00a05 May<\/strong>\u00a02015. It will be produced by LA MONNAIE at the\u00a0HALLES DE SCHAERBEEK<\/strong>\u00a0from\u00a022 September until 3 October<\/strong>\u00a02015.

>>>\u00a0Hall de Schaerbeek<\/strong>\u00a0(Rue Royale-Sainte-Marie 22, 1030 Brussels) –\u00a0see map<\/a>
>>>\u00a022<\/strong>,\u00a024<\/strong>,\u00a025<\/strong>,\u00a027<\/strong>,\u00a029<\/strong>\u00a0&\u00a030 September<\/strong>,\u00a002<\/strong>\u00a0&\u00a003 October<\/strong>
>>>\u00a0\u20ac<\/strong>112<\/strong>\u00a0|\u00a0\u20ac<\/strong>69<\/strong>
Surtitles in French \/ Dutch

Music direction –\u00a0Alejo P\u00e9rez<\/a>
Direction –\u00a0Mariusz TRELI\u0143SKI<\/a>
Set design –\u00a0Boris Kudli\u010dka<\/a>
Costumes –\u00a0Marek Adamski<\/a>
Lightnings –\u00a0Felice Ross<\/a>
Video –\u00a0Bartek Macias<\/a>
Dramaturgy –\u00a0Krystian LADA<\/a>
Singers –\u00a0Allison Cook<\/a>,\u00a0Peter Coleman-Wright<\/a>,\u00a0Leonardo Capalbo<\/a>,\u00a0Kerstin Avemo<\/a>
Orchestra – La Monnaie symphony orchestra

POWDER HER FACE\u00a0<\/strong>is a Chamber opera in two acts and eight scenes for 4 singers and 15 players. Premiere Everyman Theatre, Cheltenham (Cheltenham Music Festival), 1\/07\/1995<\/em><\/p>\n


On Saturday\u00a019 September<\/strong>, the performances were preceded by an audience with the director as part of the\u00a0IMMERSION<\/strong>\u00a0cycle. And just this once, in light of the subject matter, the event will take place in a former\u00a0h\u00f4tel de rendez-vous<\/em>, the famous H\u00f4tel Le Berger.

>>>\u00a0H\u00f4tel Le Berger<\/strong>\u00a0(rue du Berger 24, 1050 Brussels) –\u00a0see the map
<\/a>>>> Satursday\u00a019 September<\/strong>\u00a02015 –\u00a020:00
<\/strong>>>>\u00a0\u20ac<\/strong>10<\/strong>\u00a0|\u00a0\u20ac<\/strong>7,5<\/strong>\u00a0|\u00a0Free of charge

<\/strong>Here\u2019s what La Monnaie has to say about the event: „Plunge into the artistic universe of\u00a0Mariusz TRELI\u0143SKI<\/strong>, at the heart of which lies his fascination for the great female figures who are ever-present in his work, be it opera or cinema. By delving into the intrigue of \u2018Powder Her Face\u2019, itself inspired by a sexual scandal in the 1960\u2019s and the female incarnation of Don Juan, this evening will allow the audience to discover what inspires the Polish director, amongst other things.”
Guests:\u00a0Mariusz TRELI\u0143SKI<\/strong>, B\u00e9atrice DELVAUX (journalist for Le Soir), Laurent DE SUTTER (philosopher, writer, professor at the VUB), B\u00e9a ERCOLLINI (director of Elle Belgium),\u00a0Agnieszka GRAFF<\/strong>\u00a0(essayist, feminist writer and militant for human rights) and Isabelle TILMANT (psychologist, psychotherapist).
The evening provided those present with the opportunity to reflect on issues in society linked to the female condition, feminism and female infidelity. Along with the discussions, extracts from major films and operas by Mariusz Treli\u0144ski will be screened. Treli\u0144ski will also be talking about the things he has read and the people he has encountered that have left a lasting impression on him.
\n

<\/a>
Born in 1962 in Warsaw,\u00a0Mariusz TRELI\u0143SKI\u00a0<\/strong>studied film at \u0141\u00f3d\u017a Film School (PWSFTViT<\/a>). His first film, Zad wielkiego wieloryba, which was commissioned for television, came out in 1987. His next film was an instant success. Its title was\u00a0Po\u017cegnanie Jesieni<\/em>\u00a0<\/strong>(Farewell to Autumn<\/em>, the second novel by\u00a0Stanis\u0142aw Ignacy Witkiewicz<\/strong>, also known as Witkacy, which was published in Poland in 1927). The film was presented at the\u00a0Venice International Film Festival<\/strong>\u00a0and received the\u00a0prize from the Chairman of the Cinematographic Committee for a first film<\/strong>. In Poland, he was presented with the best\u00a0debut award from the Ministry of Culture<\/strong>, as well as the\u00a0Andrzej Munk prize<\/strong>.\u00a0\u0141agodna<\/em>, his second film for cinema, this time adapted from a work by Dostoyevsky, won him broad national acclaim.Egoi\u015bci,<\/em>\u00a0released in 2000, is his latest film to date.
The director of music clips and advertisements, he has also worked for the theatre since 1993, and for the opera since 1995. Four years later, he began working with the set designerBoris Kudli\u010dka<\/strong>, a collaboration which continues and the fruits of which can be seen inManon Lescaut<\/em><\/strong>. His production of\u00a0Kr\u00f3l Roger<\/em>\u00a0<\/strong>in 2000 earned him the\u00a0Karol Szymanowski prize<\/strong>\u00a0the same year (the opera was presented in concert in Brussels in September 2011 > see our\u00a0archives<\/a>). He reprised this opera, in a new version, in 2006 at Wroc\u0142aw opera. Profoundly inspired by\u00a0Giacomo Puccini<\/strong>, Treli\u0144ski directed\u00a0Madame Butterfly<\/em>\u00a0in Warsaw in 1999. The critical success was such that\u00a0Pl\u00e1cido Domingo<\/strong>\u00a0invited him to reprise the production in 2001 at the\u00a0Washington National Opera<\/strong>\u00a0(at the Kennedy Center), and then again in 2006: on this occasion, the orchestra was led by the maestro himself. In 2001, Treli\u0144ski received the\u00a0Paszport Polityki prize<\/strong>\u00a0for his operatic productions. He also directed Verdi\u2019s\u00a0Othello<\/em>\u00a0(2001),\u00a0Eug\u00e8ne On\u00e9guine\u00a0<\/em>by Tcha\u00efkovsky (2002, 2011), Mozart\u2019s\u00a0Don Giovanni<\/em>\u00a0(2002, 2003, 2008, 2011), Puccini\u2019s\u00a0La Boh\u00eame<\/em>\u00a0(2006, 2007),Boris Godounov<\/em>\u00a0by Moussorgski (2008, 2009), Gluck\u2019s\u00a0Orph\u00e9e et Eurydice<\/em>\u00a0(2008, 2009), Verdi\u2019s\u00a0La Traviata<\/em>\u00a0(2010),\u00a0Turandot<\/em>\u00a0by Puccini (2011) and\u00a0The Flying Dutchman<\/em>\u00a0by Wagner (2012).
From May 2005 until August 2006, he was the artistic director of the\u00a0Teatr Wielki<\/a>, Warsaw\u2019s national opera, a function which he resumed in October 2008.<\/p>\n

\n


<\/a><\/p>\n<\/div>\n

Picture gallery<\/h3>\n
\"\"<\/a>\u00a0\"322<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Director\u00a0Mariusz TRELI\u0143SKI\u2019s latest project is an opera by\u00a0Thomas Ad\u00e8s, adapted from a libretto by\u00a0Philip Hensher, entitled\u00a0POWDER HER FACE. The\u00a0premiere took place at Warsaw National Opera House\u00a0on\u00a05 May\u00a02015. It will be produced by LA MONNAIE at the\u00a0HALLES DE SCHAERBEEK\u00a0from\u00a022 September until 3 October\u00a02015.>>>\u00a0Hall de Schaerbeek\u00a0(Rue Royale-Sainte-Marie 22, 1030 Brussels) –\u00a0see map>>>\u00a022,\u00a024,\u00a025,\u00a027,\u00a029\u00a0&\u00a030 September,\u00a002\u00a0&\u00a003 October>>>\u00a0\u20ac112\u00a0|\u00a0\u20ac69Surtitles in French \/ […]<\/p>\n","protected":false},"author":127,"featured_media":3987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[90,96],"tags":[],"class_list":["post-3997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-music"],"yoast_head":"\n\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"Director\u00a0Mariusz TRELI\u0143SKI\u2019s latest project is an opera by\u00a0Thomas Ad\u00e8s, adapted from a libretto by\u00a0Philip Hensher, entitled\u00a0POWDER HER FACE. The\u00a0premiere took place at Warsaw National Opera House\u00a0on\u00a05 May\u00a02015. It will be produced by LA MONNAIE at the\u00a0HALLES DE SCHAERBEEK\u00a0from\u00a022 September until 3 October\u00a02015.>>>\u00a0Hall de Schaerbeek\u00a0(Rue Royale-Sainte-Marie 22, 1030 Brussels) –\u00a0see map>>>\u00a022,\u00a024,\u00a025,\u00a027,\u00a029\u00a0&\u00a030 September,\u00a002\u00a0&\u00a003 October>>>\u00a0\u20ac112\u00a0|\u00a0\u20ac69Surtitles in French \/ […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2015-09-22T20:29:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-13T20:31:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"358\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"dyjakn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"dyjakn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/\",\"name\":\"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6-300x188.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\",\"datePublished\":\"2015-09-22T20:29:46+02:00\",\"dateModified\":\"2020-05-13T20:31:49+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2015-09-22\",\"endDate\":\"2015-10-03\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Director\u00a0Mariusz TRELI\u0143SKI\u2019s latest project is an opera by\u00a0Thomas Ad\u00e8s, adapted from a libretto by\u00a0Philip Hensher, entitled\u00a0POWDER HER FACE. The\u00a0premiere took place at Warsaw National Opera House\u00a0on\u00a05 May\u00a02015. It will be produced by LA MONNAIE at the\u00a0HALLES DE SCHAERBEEK\u00a0from\u00a022 September until 3 October\u00a02015.>>>\u00a0Hall de Schaerbeek\u00a0(Rue Royale-Sainte-Marie 22, 1030 Brussels) -\u00a0see map>>>\u00a022,\u00a024,\u00a025,\u00a027,\u00a029\u00a0&\u00a030 September,\u00a002\u00a0&\u00a003 October>>>\u00a0\u20ac112\u00a0|\u00a0\u20ac69Surtitles in French \/ DutchMusic direction -\u00a0Alejo P\u00e9rezDirection -\u00a0Mariusz TRELI\u0143SKISet design -\u00a0Boris Kudli\u010dkaCostumes -\u00a0Marek AdamskiLightnings -\u00a0Felice RossVideo -\u00a0Bartek MaciasDramaturgy -\u00a0Krystian LADASingers -\u00a0Allison Cook,\u00a0Peter Coleman-Wright,\u00a0Leonardo Capalbo,\u00a0Kerstin AvemoOrchestra - La Monnaie symphony orchestraPOWDER HER FACE\u00a0is a Chamber opera in two acts and eight scenes for 4 singers and 15 players. Premiere Everyman Theatre, Cheltenham (Cheltenham Music Festival), 1\/07\/1995\\nOn Saturday\u00a019 September, the performances were preceded by an audience with the director as part of the\u00a0IMMERSION\u00a0cycle. And just this once, in light of the subject matter, the event will take place in a former\u00a0h\u00f4tel de rendez-vous, the famous H\u00f4tel Le Berger.>>>\u00a0H\u00f4tel Le Berger\u00a0(rue du Berger 24, 1050 Brussels) -\u00a0see the map>>> Satursday\u00a019 September\u00a02015 -\u00a020:00>>>\u00a0\u20ac10\u00a0|\u00a0\u20ac7,5\u00a0|\u00a0Free of chargeHere\u2019s what La Monnaie has to say about the event: \\\"Plunge into the artistic universe of\u00a0Mariusz TRELI\u0143SKI, at the heart of which lies his fascination for the great female figures who are ever-present in his work, be it opera or cinema. By delving into the intrigue of \u2018Powder Her Face\u2019, itself inspired by a sexual scandal in the 1960\u2019s and the female incarnation of Don Juan, this evening will allow the audience to discover what inspires the Polish director, amongst other things.\\\"Guests:\u00a0Mariusz TRELI\u0143SKI, B\u00e9atrice DELVAUX (journalist for Le Soir), Laurent DE SUTTER (philosopher, writer, professor at the VUB), B\u00e9a ERCOLLINI (director of Elle Belgium),\u00a0Agnieszka GRAFF\u00a0(essayist, feminist writer and militant for human rights) and Isabelle TILMANT (psychologist, psychotherapist).The evening provided those present with the opportunity to reflect on issues in society linked to the female condition, feminism and female infidelity. Along with the discussions, extracts from major films and operas by Mariusz Treli\u0144ski will be screened. Treli\u0144ski will also be talking about the things he has read and the people he has encountered that have left a lasting impression on him.\\nBorn in 1962 in Warsaw,\u00a0Mariusz TRELI\u0143SKI\u00a0studied film at \u0141\u00f3d\u017a Film School (PWSFTViT). His first film, Zad wielkiego wieloryba, which was commissioned for television, came out in 1987. His next film was an instant success. Its title was\u00a0Po\u017cegnanie Jesieni\u00a0(Farewell to Autumn, the second novel by\u00a0Stanis\u0142aw Ignacy Witkiewicz, also known as Witkacy, which was published in Poland in 1927). The film was presented at the\u00a0Venice International Film Festival\u00a0and received the\u00a0prize from the Chairman of the Cinematographic Committee for a first film. In Poland, he was presented with the best\u00a0debut award from the Ministry of Culture, as well as the\u00a0Andrzej Munk prize.\u00a0\u0141agodna, his second film for cinema, this time adapted from a work by Dostoyevsky, won him broad national acclaim.Egoi\u015bci,\u00a0released in 2000, is his latest film to date.The director of music clips and advertisements, he has also worked for the theatre since 1993, and for the opera since 1995. Four years later, he began working with the set designerBoris Kudli\u010dka, a collaboration which continues and the fruits of which can be seen inManon Lescaut. His production of\u00a0Kr\u00f3l Roger\u00a0in 2000 earned him the\u00a0Karol Szymanowski prize\u00a0the same year (the opera was presented in concert in Brussels in September 2011 > see our\u00a0archives). He reprised this opera, in a new version, in 2006 at Wroc\u0142aw opera. Profoundly inspired by\u00a0Giacomo Puccini, Treli\u0144ski directed\u00a0Madame Butterfly\u00a0in Warsaw in 1999. The critical success was such that\u00a0Pl\u00e1cido Domingo\u00a0invited him to reprise the production in 2001 at the\u00a0Washington National Opera\u00a0(at the Kennedy Center), and then again in 2006: on this occasion, the orchestra was led by the maestro himself. In 2001, Treli\u0144ski received the\u00a0Paszport Polityki prize\u00a0for his operatic productions. He also directed Verdi\u2019s\u00a0Othello\u00a0(2001),\u00a0Eug\u00e8ne On\u00e9guine\u00a0by Tcha\u00efkovsky (2002, 2011), Mozart\u2019s\u00a0Don Giovanni\u00a0(2002, 2003, 2008, 2011), Puccini\u2019s\u00a0La Boh\u00eame\u00a0(2006, 2007),Boris Godounov\u00a0by Moussorgski (2008, 2009), Gluck\u2019s\u00a0Orph\u00e9e et Eurydice\u00a0(2008, 2009), Verdi\u2019s\u00a0La Traviata\u00a0(2010),\u00a0Turandot\u00a0by Puccini (2011) and\u00a0The Flying Dutchman\u00a0by Wagner (2012).From May 2005 until August 2006, he was the artistic director of the\u00a0Teatr Wielki, Warsaw\u2019s national opera, a function which he resumed in October 2008.\\nPicture gallery\\n\u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png\",\"width\":572,\"height\":358},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/brussels\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/\",\"name\":\"Instytut Polski w Brukseli\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\",\"name\":\"dyjakn\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g\",\"caption\":\"dyjakn\"},\"url\":\"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI - Instytut Polski w Brukseli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/","og_locale":"pl_PL","og_type":"article","og_title":"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI - Instytut Polski w Brukseli","og_description":"Director\u00a0Mariusz TRELI\u0143SKI\u2019s latest project is an opera by\u00a0Thomas Ad\u00e8s, adapted from a libretto by\u00a0Philip Hensher, entitled\u00a0POWDER HER FACE. The\u00a0premiere took place at Warsaw National Opera House\u00a0on\u00a05 May\u00a02015. It will be produced by LA MONNAIE at the\u00a0HALLES DE SCHAERBEEK\u00a0from\u00a022 September until 3 October\u00a02015.>>>\u00a0Hall de Schaerbeek\u00a0(Rue Royale-Sainte-Marie 22, 1030 Brussels) –\u00a0see map>>>\u00a022,\u00a024,\u00a025,\u00a027,\u00a029\u00a0&\u00a030 September,\u00a002\u00a0&\u00a003 October>>>\u00a0\u20ac112\u00a0|\u00a0\u20ac69Surtitles in French \/ […]","og_url":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/","og_site_name":"Instytut Polski w Brukseli","article_published_time":"2015-09-22T20:29:46+00:00","article_modified_time":"2020-05-13T20:31:49+00:00","og_image":[{"width":572,"height":358,"url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png","type":"image\/png"}],"author":"dyjakn","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"dyjakn","Szacowany czas czytania":"4 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/","url":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/","name":"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6-300x188.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png","https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png","datePublished":"2015-09-22T20:29:46+02:00","dateModified":"2020-05-13T20:31:49+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/"]}],"@context":"https:\/\/schema.org","startDate":"2015-09-22","endDate":"2015-10-03","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Director\u00a0Mariusz TRELI\u0143SKI\u2019s latest project is an opera by\u00a0Thomas Ad\u00e8s, adapted from a libretto by\u00a0Philip Hensher, entitled\u00a0POWDER HER FACE. The\u00a0premiere took place at Warsaw National Opera House\u00a0on\u00a05 May\u00a02015. It will be produced by LA MONNAIE at the\u00a0HALLES DE SCHAERBEEK\u00a0from\u00a022 September until 3 October\u00a02015.>>>\u00a0Hall de Schaerbeek\u00a0(Rue Royale-Sainte-Marie 22, 1030 Brussels) -\u00a0see map>>>\u00a022,\u00a024,\u00a025,\u00a027,\u00a029\u00a0&\u00a030 September,\u00a002\u00a0&\u00a003 October>>>\u00a0\u20ac112\u00a0|\u00a0\u20ac69Surtitles in French \/ DutchMusic direction -\u00a0Alejo P\u00e9rezDirection -\u00a0Mariusz TRELI\u0143SKISet design -\u00a0Boris Kudli\u010dkaCostumes -\u00a0Marek AdamskiLightnings -\u00a0Felice RossVideo -\u00a0Bartek MaciasDramaturgy -\u00a0Krystian LADASingers -\u00a0Allison Cook,\u00a0Peter Coleman-Wright,\u00a0Leonardo Capalbo,\u00a0Kerstin AvemoOrchestra - La Monnaie symphony orchestraPOWDER HER FACE\u00a0is a Chamber opera in two acts and eight scenes for 4 singers and 15 players. Premiere Everyman Theatre, Cheltenham (Cheltenham Music Festival), 1\/07\/1995\nOn Saturday\u00a019 September, the performances were preceded by an audience with the director as part of the\u00a0IMMERSION\u00a0cycle. And just this once, in light of the subject matter, the event will take place in a former\u00a0h\u00f4tel de rendez-vous, the famous H\u00f4tel Le Berger.>>>\u00a0H\u00f4tel Le Berger\u00a0(rue du Berger 24, 1050 Brussels) -\u00a0see the map>>> Satursday\u00a019 September\u00a02015 -\u00a020:00>>>\u00a0\u20ac10\u00a0|\u00a0\u20ac7,5\u00a0|\u00a0Free of chargeHere\u2019s what La Monnaie has to say about the event: \"Plunge into the artistic universe of\u00a0Mariusz TRELI\u0143SKI, at the heart of which lies his fascination for the great female figures who are ever-present in his work, be it opera or cinema. By delving into the intrigue of \u2018Powder Her Face\u2019, itself inspired by a sexual scandal in the 1960\u2019s and the female incarnation of Don Juan, this evening will allow the audience to discover what inspires the Polish director, amongst other things.\"Guests:\u00a0Mariusz TRELI\u0143SKI, B\u00e9atrice DELVAUX (journalist for Le Soir), Laurent DE SUTTER (philosopher, writer, professor at the VUB), B\u00e9a ERCOLLINI (director of Elle Belgium),\u00a0Agnieszka GRAFF\u00a0(essayist, feminist writer and militant for human rights) and Isabelle TILMANT (psychologist, psychotherapist).The evening provided those present with the opportunity to reflect on issues in society linked to the female condition, feminism and female infidelity. Along with the discussions, extracts from major films and operas by Mariusz Treli\u0144ski will be screened. Treli\u0144ski will also be talking about the things he has read and the people he has encountered that have left a lasting impression on him.\nBorn in 1962 in Warsaw,\u00a0Mariusz TRELI\u0143SKI\u00a0studied film at \u0141\u00f3d\u017a Film School (PWSFTViT). His first film, Zad wielkiego wieloryba, which was commissioned for television, came out in 1987. His next film was an instant success. Its title was\u00a0Po\u017cegnanie Jesieni\u00a0(Farewell to Autumn, the second novel by\u00a0Stanis\u0142aw Ignacy Witkiewicz, also known as Witkacy, which was published in Poland in 1927). The film was presented at the\u00a0Venice International Film Festival\u00a0and received the\u00a0prize from the Chairman of the Cinematographic Committee for a first film. In Poland, he was presented with the best\u00a0debut award from the Ministry of Culture, as well as the\u00a0Andrzej Munk prize.\u00a0\u0141agodna, his second film for cinema, this time adapted from a work by Dostoyevsky, won him broad national acclaim.Egoi\u015bci,\u00a0released in 2000, is his latest film to date.The director of music clips and advertisements, he has also worked for the theatre since 1993, and for the opera since 1995. Four years later, he began working with the set designerBoris Kudli\u010dka, a collaboration which continues and the fruits of which can be seen inManon Lescaut. His production of\u00a0Kr\u00f3l Roger\u00a0in 2000 earned him the\u00a0Karol Szymanowski prize\u00a0the same year (the opera was presented in concert in Brussels in September 2011 > see our\u00a0archives). He reprised this opera, in a new version, in 2006 at Wroc\u0142aw opera. Profoundly inspired by\u00a0Giacomo Puccini, Treli\u0144ski directed\u00a0Madame Butterfly\u00a0in Warsaw in 1999. The critical success was such that\u00a0Pl\u00e1cido Domingo\u00a0invited him to reprise the production in 2001 at the\u00a0Washington National Opera\u00a0(at the Kennedy Center), and then again in 2006: on this occasion, the orchestra was led by the maestro himself. In 2001, Treli\u0144ski received the\u00a0Paszport Polityki prize\u00a0for his operatic productions. He also directed Verdi\u2019s\u00a0Othello\u00a0(2001),\u00a0Eug\u00e8ne On\u00e9guine\u00a0by Tcha\u00efkovsky (2002, 2011), Mozart\u2019s\u00a0Don Giovanni\u00a0(2002, 2003, 2008, 2011), Puccini\u2019s\u00a0La Boh\u00eame\u00a0(2006, 2007),Boris Godounov\u00a0by Moussorgski (2008, 2009), Gluck\u2019s\u00a0Orph\u00e9e et Eurydice\u00a0(2008, 2009), Verdi\u2019s\u00a0La Traviata\u00a0(2010),\u00a0Turandot\u00a0by Puccini (2011) and\u00a0The Flying Dutchman\u00a0by Wagner (2012).From May 2005 until August 2006, he was the artistic director of the\u00a0Teatr Wielki, Warsaw\u2019s national opera, a function which he resumed in October 2008.\nPicture gallery\n\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-5-6.png","width":572,"height":358},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/09\/22\/powder-her-face-an-opera-by-t-ades-directed-by-mariusz-trelinski\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"\u2018Powder Her Face\u2019 an opera by T. Ad\u00e8s, directed by Mariusz TRELINSKI"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=3997"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3997\/revisions"}],"predecessor-version":[{"id":3998,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/3997\/revisions\/3998"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/3987"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=3997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=3997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=3997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}