{"id":4080,"date":"2015-07-04T15:01:48","date_gmt":"2015-07-04T13:01:48","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=4080"},"modified":"2020-05-14T15:03:31","modified_gmt":"2020-05-14T13:03:31","slug":"gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/","title":{"rendered":"G\u00f3recki, Mykietyn, Zubel, Scheller &amp; Mamczarski @ARSONIC (Mons)"},"content":{"rendered":"\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">Contemporary music is in great shape and this goes for Poland too, especially in Silesia. The concert\u00a0<em style=\"line-height: 19.2px\"><strong style=\"line-height: 19.2px\">Contemporary Sounds of Poland: sounds of European Capitals: Wroclaw 2016<\/strong>\u00a0<\/em>will have no trouble proving this. It will provide the audience with a panorama of works penned by composers linked to the Katowice Conservatoire (Silesia), from the great\u00a0<strong style=\"line-height: 19.2px\">Henryk Miko\u0142aj G\u00d3RECKI\u00a0<\/strong>to representatives of the 1990\u2019s generation.<\/p>\n<table style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<tbody style=\"line-height: 19.2px\">\n<tr style=\"line-height: 19.2px\">\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<p style=\"font-size: 12px;line-height: 19.2px\">The New Music Orchestra (<em style=\"line-height: 19.2px\">Orkiestra Muzyki Nowej<\/em>, OMN) conducted by\u00a0<strong style=\"line-height: 19.2px\">Szymon BYWALEC<\/strong>, will be putting on a vast spectrum of pieces starting with classic Polish contemporary music (<em style=\"line-height: 19.2px\">Kleines Requiem f\u00fcr eine Polka<\/em>\u00a0by\u00a0<strong style=\"line-height: 19.2px\">H. M. G\u00f3recki<\/strong>) taking in along the way representatives of the 1970\u2019s who have made their mark on the global musical landscape (<strong style=\"line-height: 19.2px\">Pawe\u0142 MYKIETYN<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Agata ZUBEL<\/strong>,\u00a0<strong style=\"line-height: 19.2px\">Cezary DUCHNOWSKI<\/strong>\u00a0and\u00a0<strong style=\"line-height: 19.2px\">Jaros\u0142aw MAMCZARSKI<\/strong>) before finishing with works by a very young composer (<strong style=\"line-height: 19.2px\">Przemys\u0142aw SCHELLER<\/strong>).<\/p>\n<\/td>\n<td style=\"font-weight: normal;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<div style=\"margin: 0px;padding: 0px;line-height: 19.2px;text-align: center\"><img loading=\"lazy\" decoding=\"async\" style=\"line-height: 19.2px\" src=\"http:\/\/brws.silesia-region.pl\/grafika\/2011\/08\/12\/1243848716\/big\/1313156828.jpg\" alt=\"\" width=\"160\" height=\"150\" border=\"0\" \/><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\">The concert will be honored by the\u00a0<strong style=\"line-height: 19.2px\">presence of Agata ZUBEL\u00a0<\/strong>and<strong style=\"line-height: 19.2px\">\u00a0Cezary DUCHNOWSKI<\/strong>\u00a0\u2013 the first one performs the song\u00a0<em style=\"line-height: 19.2px\">\u2018Not I\u2019<\/em>\u00a0and the second accompanies with electronic sounds \u2013 as well as\u00a0<strong style=\"line-height: 19.2px\">Przemys\u0142aw SCHELLER<\/strong>, who will play his own composition:\u00a0<em style=\"line-height: 19.2px\">Wyobra\u017cony Krajobraz<\/em>\u00a0(Imaginary Landscape).<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/>PROGRAMME (more information on the works\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,648,en,Gorecki_Mykietyn_Zubel_Scheller__Mamczarski_ARSONIC_Mons#ou-ici\">below<\/a>)<br style=\"line-height: 19.2px\" \/>Henryk Miko\u0142aj G\u00f3recki,\u00a0<strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\">Kleines Requiem f\u00fcr eine Polka<\/em><\/strong>, op. 66<br style=\"line-height: 19.2px\" \/>Pawel Mykietyn,\u00a0<em style=\"line-height: 19.2px\"><strong style=\"line-height: 19.2px\">3 for 13<br style=\"line-height: 19.2px\" \/><\/strong><\/em>Agata Zubel,\u00a0<strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\">Not I<\/em>\u00a0<\/strong>(from a text by Samuel Beckett), played by the composer accompanied by Cezary Duchnowski<br style=\"line-height: 19.2px\" \/>Przemys\u0142aw Scheller,\u00a0<strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\">Wyobra\u017cony krajobraz<\/em>\u00a0<\/strong>(Imaginary Landscape) for 9 musicians (Premiere!)<br style=\"line-height: 19.2px\" \/>Jaros\u0142aw Mamczarski,\u00a0<em style=\"line-height: 19.2px\"><strong style=\"line-height: 19.2px\">IV Microconcerto<\/strong><\/em>, performed by the soprano Karolina BRACHMAN<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">MUSICIANS<\/strong><br style=\"line-height: 19.2px\" \/>New Music Orchestra (<em style=\"line-height: 19.2px\">Orkiestra Muzyki Nowej<\/em>)<br style=\"line-height: 19.2px\" \/>Szymon BYWALEC &#8211; conductor<br style=\"line-height: 19.2px\" \/><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.karolina-brachman.de\/\" target=\"_blank\" rel=\"noopener noreferrer\">Karolina BRACHMAN<\/a>\u00a0&#8211; soloist (<em style=\"line-height: 19.2px\">IV Microconcerto<\/em>)<br style=\"line-height: 19.2px\" \/>Cezary DUCHNOWSKI &#8211; electronics (<em style=\"line-height: 19.2px\">Not I<\/em>)<br style=\"line-height: 19.2px\" \/>Przemys\u0142aw SCHELLER<br style=\"line-height: 19.2px\" \/>Agata ZUBEL &#8211; soloiste (<em style=\"line-height: 19.2px\">Not I<\/em>)<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">PRACTICAL INFORMATION<\/strong><br style=\"line-height: 19.2px\" \/>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">ARSONIC<\/strong>\u00a0(Rue de Nimy 138, 7000 Mons) &#8211;\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.culturepolonaise.eu\/3,4,648,en,Gorecki_Mykietyn_Zubel_Scheller__Mamczarski_ARSONIC_Mons#map\">see map<br style=\"line-height: 19.2px\" \/><\/a>&gt;&gt;&gt;\u00a0<strong style=\"line-height: 19.2px\">4 July<\/strong>\u00a02015 &#8211;\u00a0<strong style=\"line-height: 19.2px\">20:00\u00a0<br style=\"line-height: 19.2px\" \/><\/strong><span style=\"line-height: 21.6px\">&gt;&gt;&gt;\u00a0<\/span><strong style=\"line-height: 21.6px\">\u20ac11\u00a0<\/strong><span style=\"line-height: 21.6px\">(<\/span><a style=\"color: #bdc0c2;line-height: 21.6px;cursor: pointer\" href=\"http:\/\/www.mons2015.eu\/en\/billetterie\/664\" target=\"_blank\" rel=\"noopener noreferrer\">ONLINE BOX OFFICE!<\/a><span style=\"line-height: 21.6px\">)\u00a0<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><\/span><span style=\"line-height: 21.6px\">+++\u00a0<\/span><a style=\"color: #bdc0c2;line-height: 21.6px;cursor: pointer\" href=\"http:\/\/www.musiquesnouvelles.com\/fr\/Actualites\/Contemporary_Sounds_of_Poland\/789\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.musiquesnouvelles.com\/<\/a><\/p>\n<hr style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Find out more about the works:<\/strong><br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><\/p>\n<ul style=\"list-style-type: none;margin-top: 0px;margin-right: 0px;margin-bottom: 0px;padding: 0px 0px 0px 35px;font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\">\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Henryk Miko\u0142aj G\u00f3recki,\u00a0<em style=\"line-height: 19.2px\">Kleines Requiem f\u00fcr eine Polka<\/em>\u00a0for piano and 13 instruments, op. 66 (1993, 25 min).<br style=\"line-height: 19.2px\" \/>+++ More information\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/ninateka.pl\/film\/male-requiem-dla-pewnej-polki-op-66\" target=\"_blank\" rel=\"noopener noreferrer\">HERE<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><\/a><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\">Pawe\u0142 Mykietyn,\u00a0<em style=\"line-height: 19.2px\">3 for 13<\/em>\u00a0(1994, 13 min)<br style=\"line-height: 19.2px\" \/>+++ More information\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/ninateka.pl\/film\/pawel-mykietyn-3-for-13-made-in-poland\" target=\"_blank\" rel=\"noopener noreferrer\">HERE<br style=\"line-height: 19.2px\" \/><\/a>+++\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/culture.pl\/en\/artist\/pawel-mykietyn\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/culture.pl\/en\/artist\/pawel-mykietyn<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><\/a><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"AaZz\"><\/a>Agata Zubel,\u00a0<em style=\"line-height: 19.2px\">Not I for voice<\/em>, group of instruments and electronic (2010, 21 min) based on a text by Samuel Beckett<br style=\"line-height: 19.2px\" \/>This work, with its very acute sounds, is derived from a monologue by Samuel Beckett made up of a series of unconnected sentences which tell the story of an old lady who experienced a traumatic event in her youth. It was the author\u2019s wish that the text be recited in a darkened room with the only light emanating from a lamp focused on the mouth of the actress reciting the text. Agata Zubel has followed these instructions and made a film in which all we can see is the mouth reciting\/singing fragments from the text. The work, played by 4 flutes, 2 clarinets, violins, a cello, a piano, percussion instruments and electro-acoustic sounds, includes a number of intense moments over the course of which an increasing number of sounds created by the composer form whispering choirs (the mouth then also appears several times on the screen) above which is the voice of the composer who reads the text on stage.<br style=\"line-height: 19.2px\" \/>This work was rewarded in the\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.francemusique.fr\/emission\/nuits-speciales\/2014-ete\/nuit-tribune-internationale-des-compositeurs-04-22-2014-01-00\" target=\"_blank\" rel=\"noopener noreferrer\">60th International Forum of Composers of UNESCO Prague<\/a>.<br style=\"line-height: 19.2px\" \/>+++\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/zubel.composer.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">zubel.composer.pl\/<br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><\/a><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"PpSs\"><\/a>Przemys\u0142aw Scheller,\u00a0<strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\">Wyobra\u017cony krajobraz<\/em>\u00a0<\/strong>(Imaginary Landscape) for 9 musicians<br style=\"line-height: 19.2px\" \/><strong style=\"line-height: 19.2px\">Premiere of this piece!<br style=\"line-height: 19.2px\" \/><\/strong><strong style=\"line-height: 19.2px\">Pi\u00e8ce pr\u00e9sent\u00e9e en avant-premi\u00e8re !<\/strong><br style=\"line-height: 19.2px\" \/>In the words of the composer: &#8222;I\u2019m imagining a world whose shadows are only lit up sporadically. The palette of colours is limited to a few shades of red&#8230; the echoes are weak and compressed. In time, we are able to make them out, understand where they are from. Clunking noises, beats, friction, and also words which sound as if they are being spoken from a distance, singing\u2026. Heaviness works in a different way. The movements are slow, fluid, in a way, sublime. By calmly traversing this Imaginary Landscape, we are at one with it, we pick up various aspects, we appreciate new details. We look at the same things from a new vantage point, and each time things seem different. (The same mechanism will be employed in the harmonic development of the work). A happy world does not last forever. In spite of the fact that we have grown accustomed to it, the time comes when brutal reality makes its presence felt. The illusion of security shatters and all that remains of our dreams of the Imaginary Landscape is the landscape. At this very moment, our journey comes to an end and another one begins.&#8221;<br style=\"line-height: 19.2px\" \/>+++ More information\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.scheller.com.pl\/Bracia_Scheller\/Zyciorys.html\" target=\"_blank\" rel=\"noopener noreferrer\">HERE<\/a><br style=\"line-height: 19.2px\" \/>+++\u00a0<a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" href=\"http:\/\/www.scheller.com.pl\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.scheller.com.pl<\/a><br style=\"line-height: 19.2px\" \/><br style=\"line-height: 19.2px\" \/><\/li>\n<li style=\"list-style-type: disc;margin: 0px;padding: 0px 0px 0px 5px;line-height: 19.2px\"><a style=\"color: #bdc0c2;line-height: 19.2px;cursor: pointer\" name=\"JjMm\"><\/a>Jaros\u0142aw Mamczarski,\u00a0<strong style=\"line-height: 19.2px\"><em style=\"line-height: 19.2px\">IV Microconcerto<br style=\"line-height: 19.2px\" \/><\/em><\/strong>Soloist: Karolina Bachmann<br style=\"line-height: 19.2px\" \/><em style=\"line-height: 19.2px\">Microconcerto IV<\/em>\u00a0was composed in 2015 for the New Music Orchestra (<em style=\"line-height: 19.2px\">Orkiestra Muzyki Nowej<\/em>). The inspiration for this work comes from a futuristic poem &#8222;Electric Visions&#8221; by Polish Czy\u017cewski Tytus. The piece is a concertante form of concentrated study in which the opposition between the voice and the group is linked to the contrast between the text and the music.<\/li>\n<\/ul>\n<hr style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><br style=\"line-height: 19.2px\" \/>The\u00a0<strong style=\"line-height: 19.2px\">OMN<\/strong>\u00a0explores the field of contemporary art in the search of works whose echoes, resonating in the field of culture, are able to interest the listener. Whether ultra-innovative or hopelessly forgotten \u2013 the OMN prepares, presents and records them with great application.<\/p>\n<hr style=\"font-size: 12px;line-height: 19.2px;color: #000000;font-family: Verdana, Arial, Helvetica, sans-serif\" \/>\n<p style=\"color: #000000;font-size: 12px;line-height: 19.2px;font-family: Verdana, Arial, Helvetica, sans-serif\"><br style=\"line-height: 19.2px\" \/>The project Musique de cr\u00e9ation has been prepared by\u00a0<strong style=\"line-height: 19.2px\">Jean-Paul DESSY<\/strong>\u00a0as part of Mons\u2019s year as European Capital of Culture 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contemporary music is in great shape and this goes for Poland too, especially in Silesia. The concert\u00a0Contemporary Sounds of Poland: sounds of European Capitals: Wroclaw 2016\u00a0will have no trouble proving this. It will provide the audience with a panorama of works penned by composers linked to the Katowice Conservatoire (Silesia), from the great\u00a0Henryk Miko\u0142aj G\u00d3RECKI\u00a0to [&hellip;]<\/p>\n","protected":false},"author":127,"featured_media":4078,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[96],"tags":[],"class_list":["post-4080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>G\u00f3recki, Mykietyn, Zubel, Scheller &amp; Mamczarski @ARSONIC (Mons) - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"G\u00f3recki, Mykietyn, Zubel, Scheller &amp; Mamczarski @ARSONIC (Mons) - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"Contemporary music is in great shape and this goes for Poland too, especially in Silesia. The concert\u00a0Contemporary Sounds of Poland: sounds of European Capitals: Wroclaw 2016\u00a0will have no trouble proving this. It will provide the audience with a panorama of works penned by composers linked to the Katowice Conservatoire (Silesia), from the great\u00a0Henryk Miko\u0142aj G\u00d3RECKI\u00a0to [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Brukseli\" \/>\n<meta property=\"article:published_time\" content=\"2015-07-04T13:01:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-14T13:03:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png\" \/>\n\t<meta property=\"og:image:width\" content=\"572\" \/>\n\t<meta property=\"og:image:height\" content=\"358\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"dyjakn\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"dyjakn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/\",\"url\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/\",\"name\":\"G\u00f3recki, Mykietyn, Zubel, Scheller &amp; Mamczarski @ARSONIC (Mons)\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12-300x188.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png\",\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png\",\"datePublished\":\"2015-07-04T13:01:48+02:00\",\"dateModified\":\"2020-05-14T13:03:31+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2015-07-04\",\"endDate\":\"2015-07-04\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Contemporary music is in great shape and this goes for Poland too, especially in Silesia. The concert\u00a0Contemporary Sounds of Poland: sounds of European Capitals: Wroclaw 2016\u00a0will have no trouble proving this. It will provide the audience with a panorama of works penned by composers linked to the Katowice Conservatoire (Silesia), from the great\u00a0Henryk Miko\u0142aj G\u00d3RECKI\u00a0to representatives of the 1990\u2019s generation.\\nThe New Music Orchestra (Orkiestra Muzyki Nowej, OMN) conducted by\u00a0Szymon BYWALEC, will be putting on a vast spectrum of pieces starting with classic Polish contemporary music (Kleines Requiem f\u00fcr eine Polka\u00a0by\u00a0H. M. G\u00f3recki) taking in along the way representatives of the 1970\u2019s who have made their mark on the global musical landscape (Pawe\u0142 MYKIETYN,\u00a0Agata ZUBEL,\u00a0Cezary DUCHNOWSKI\u00a0and\u00a0Jaros\u0142aw MAMCZARSKI) before finishing with works by a very young composer (Przemys\u0142aw SCHELLER).\\nThe concert will be honored by the\u00a0presence of Agata ZUBEL\u00a0and\u00a0Cezary DUCHNOWSKI\u00a0\u2013 the first one performs the song\u00a0\u2018Not I\u2019\u00a0and the second accompanies with electronic sounds \u2013 as well as\u00a0Przemys\u0142aw SCHELLER, who will play his own composition:\u00a0Wyobra\u017cony Krajobraz\u00a0(Imaginary Landscape).PROGRAMME (more information on the works\u00a0below)Henryk Miko\u0142aj G\u00f3recki,\u00a0Kleines Requiem f\u00fcr eine Polka, op. 66Pawel Mykietyn,\u00a03 for 13Agata Zubel,\u00a0Not I\u00a0(from a text by Samuel Beckett), played by the composer accompanied by Cezary DuchnowskiPrzemys\u0142aw Scheller,\u00a0Wyobra\u017cony krajobraz\u00a0(Imaginary Landscape) for 9 musicians (Premiere!)Jaros\u0142aw Mamczarski,\u00a0IV Microconcerto, performed by the soprano Karolina BRACHMANMUSICIANSNew Music Orchestra (Orkiestra Muzyki Nowej)Szymon BYWALEC - conductorKarolina BRACHMAN\u00a0- soloist (IV Microconcerto)Cezary DUCHNOWSKI - electronics (Not I)Przemys\u0142aw SCHELLERAgata ZUBEL - soloiste (Not I)PRACTICAL INFORMATION&gt;&gt;&gt;\u00a0ARSONIC\u00a0(Rue de Nimy 138, 7000 Mons) -\u00a0see map&gt;&gt;&gt;\u00a04 July\u00a02015 -\u00a020:00\u00a0&gt;&gt;&gt;\u00a0\u20ac11\u00a0(ONLINE BOX OFFICE!)\u00a0+++\u00a0http:\/\/www.musiquesnouvelles.com\/\\nFind out more about the works:\\nHenryk Miko\u0142aj G\u00f3recki,\u00a0Kleines Requiem f\u00fcr eine Polka\u00a0for piano and 13 instruments, op. 66 (1993, 25 min).+++ More information\u00a0HERE\\nPawe\u0142 Mykietyn,\u00a03 for 13\u00a0(1994, 13 min)+++ More information\u00a0HERE+++\u00a0http:\/\/culture.pl\/en\/artist\/pawel-mykietyn\\nAgata Zubel,\u00a0Not I for voice, group of instruments and electronic (2010, 21 min) based on a text by Samuel BeckettThis work, with its very acute sounds, is derived from a monologue by Samuel Beckett made up of a series of unconnected sentences which tell the story of an old lady who experienced a traumatic event in her youth. It was the author\u2019s wish that the text be recited in a darkened room with the only light emanating from a lamp focused on the mouth of the actress reciting the text. Agata Zubel has followed these instructions and made a film in which all we can see is the mouth reciting\/singing fragments from the text. The work, played by 4 flutes, 2 clarinets, violins, a cello, a piano, percussion instruments and electro-acoustic sounds, includes a number of intense moments over the course of which an increasing number of sounds created by the composer form whispering choirs (the mouth then also appears several times on the screen) above which is the voice of the composer who reads the text on stage.This work was rewarded in the\u00a060th International Forum of Composers of UNESCO Prague.+++\u00a0zubel.composer.pl\/\\nPrzemys\u0142aw Scheller,\u00a0Wyobra\u017cony krajobraz\u00a0(Imaginary Landscape) for 9 musiciansPremiere of this piece!Pi\u00e8ce pr\u00e9sent\u00e9e en avant-premi\u00e8re !In the words of the composer: \\\"I\u2019m imagining a world whose shadows are only lit up sporadically. The palette of colours is limited to a few shades of red... the echoes are weak and compressed. In time, we are able to make them out, understand where they are from. Clunking noises, beats, friction, and also words which sound as if they are being spoken from a distance, singing\u2026. Heaviness works in a different way. The movements are slow, fluid, in a way, sublime. By calmly traversing this Imaginary Landscape, we are at one with it, we pick up various aspects, we appreciate new details. We look at the same things from a new vantage point, and each time things seem different. (The same mechanism will be employed in the harmonic development of the work). A happy world does not last forever. In spite of the fact that we have grown accustomed to it, the time comes when brutal reality makes its presence felt. The illusion of security shatters and all that remains of our dreams of the Imaginary Landscape is the landscape. At this very moment, our journey comes to an end and another one begins.\\\"+++ More information\u00a0HERE+++\u00a0www.scheller.com.pl\\nJaros\u0142aw Mamczarski,\u00a0IV MicroconcertoSoloist: Karolina BachmannMicroconcerto IV\u00a0was composed in 2015 for the New Music Orchestra (Orkiestra Muzyki Nowej). The inspiration for this work comes from a futuristic poem \\\"Electric Visions\\\" by Polish Czy\u017cewski Tytus. The piece is a concertante form of concentrated study in which the opposition between the voice and the group is linked to the contrast between the text and the music.\\nThe\u00a0OMN\u00a0explores the field of contemporary art in the search of works whose echoes, resonating in the field of culture, are able to interest the listener. 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The concert\u00a0Contemporary Sounds of Poland: sounds of European Capitals: Wroclaw 2016\u00a0will have no trouble proving this. It will provide the audience with a panorama of works penned by composers linked to the Katowice Conservatoire (Silesia), from the great\u00a0Henryk Miko\u0142aj G\u00d3RECKI\u00a0to representatives of the 1990\u2019s generation.\nThe New Music Orchestra (Orkiestra Muzyki Nowej, OMN) conducted by\u00a0Szymon BYWALEC, will be putting on a vast spectrum of pieces starting with classic Polish contemporary music (Kleines Requiem f\u00fcr eine Polka\u00a0by\u00a0H. M. G\u00f3recki) taking in along the way representatives of the 1970\u2019s who have made their mark on the global musical landscape (Pawe\u0142 MYKIETYN,\u00a0Agata ZUBEL,\u00a0Cezary DUCHNOWSKI\u00a0and\u00a0Jaros\u0142aw MAMCZARSKI) before finishing with works by a very young composer (Przemys\u0142aw SCHELLER).\nThe concert will be honored by the\u00a0presence of Agata ZUBEL\u00a0and\u00a0Cezary DUCHNOWSKI\u00a0\u2013 the first one performs the song\u00a0\u2018Not I\u2019\u00a0and the second accompanies with electronic sounds \u2013 as well as\u00a0Przemys\u0142aw SCHELLER, who will play his own composition:\u00a0Wyobra\u017cony Krajobraz\u00a0(Imaginary Landscape).PROGRAMME (more information on the works\u00a0below)Henryk Miko\u0142aj G\u00f3recki,\u00a0Kleines Requiem f\u00fcr eine Polka, op. 66Pawel Mykietyn,\u00a03 for 13Agata Zubel,\u00a0Not I\u00a0(from a text by Samuel Beckett), played by the composer accompanied by Cezary DuchnowskiPrzemys\u0142aw Scheller,\u00a0Wyobra\u017cony krajobraz\u00a0(Imaginary Landscape) for 9 musicians (Premiere!)Jaros\u0142aw Mamczarski,\u00a0IV Microconcerto, performed by the soprano Karolina BRACHMANMUSICIANSNew Music Orchestra (Orkiestra Muzyki Nowej)Szymon BYWALEC - conductorKarolina BRACHMAN\u00a0- soloist (IV Microconcerto)Cezary DUCHNOWSKI - electronics (Not I)Przemys\u0142aw SCHELLERAgata ZUBEL - soloiste (Not I)PRACTICAL INFORMATION&gt;&gt;&gt;\u00a0ARSONIC\u00a0(Rue de Nimy 138, 7000 Mons) -\u00a0see map&gt;&gt;&gt;\u00a04 July\u00a02015 -\u00a020:00\u00a0&gt;&gt;&gt;\u00a0\u20ac11\u00a0(ONLINE BOX OFFICE!)\u00a0+++\u00a0http:\/\/www.musiquesnouvelles.com\/\nFind out more about the works:\nHenryk Miko\u0142aj G\u00f3recki,\u00a0Kleines Requiem f\u00fcr eine Polka\u00a0for piano and 13 instruments, op. 66 (1993, 25 min).+++ More information\u00a0HERE\nPawe\u0142 Mykietyn,\u00a03 for 13\u00a0(1994, 13 min)+++ More information\u00a0HERE+++\u00a0http:\/\/culture.pl\/en\/artist\/pawel-mykietyn\nAgata Zubel,\u00a0Not I for voice, group of instruments and electronic (2010, 21 min) based on a text by Samuel BeckettThis work, with its very acute sounds, is derived from a monologue by Samuel Beckett made up of a series of unconnected sentences which tell the story of an old lady who experienced a traumatic event in her youth. It was the author\u2019s wish that the text be recited in a darkened room with the only light emanating from a lamp focused on the mouth of the actress reciting the text. Agata Zubel has followed these instructions and made a film in which all we can see is the mouth reciting\/singing fragments from the text. The work, played by 4 flutes, 2 clarinets, violins, a cello, a piano, percussion instruments and electro-acoustic sounds, includes a number of intense moments over the course of which an increasing number of sounds created by the composer form whispering choirs (the mouth then also appears several times on the screen) above which is the voice of the composer who reads the text on stage.This work was rewarded in the\u00a060th International Forum of Composers of UNESCO Prague.+++\u00a0zubel.composer.pl\/\nPrzemys\u0142aw Scheller,\u00a0Wyobra\u017cony krajobraz\u00a0(Imaginary Landscape) for 9 musiciansPremiere of this piece!Pi\u00e8ce pr\u00e9sent\u00e9e en avant-premi\u00e8re !In the words of the composer: \"I\u2019m imagining a world whose shadows are only lit up sporadically. The palette of colours is limited to a few shades of red... the echoes are weak and compressed. In time, we are able to make them out, understand where they are from. Clunking noises, beats, friction, and also words which sound as if they are being spoken from a distance, singing\u2026. Heaviness works in a different way. The movements are slow, fluid, in a way, sublime. By calmly traversing this Imaginary Landscape, we are at one with it, we pick up various aspects, we appreciate new details. We look at the same things from a new vantage point, and each time things seem different. (The same mechanism will be employed in the harmonic development of the work). A happy world does not last forever. In spite of the fact that we have grown accustomed to it, the time comes when brutal reality makes its presence felt. The illusion of security shatters and all that remains of our dreams of the Imaginary Landscape is the landscape. At this very moment, our journey comes to an end and another one begins.\"+++ More information\u00a0HERE+++\u00a0www.scheller.com.pl\nJaros\u0142aw Mamczarski,\u00a0IV MicroconcertoSoloist: Karolina BachmannMicroconcerto IV\u00a0was composed in 2015 for the New Music Orchestra (Orkiestra Muzyki Nowej). The inspiration for this work comes from a futuristic poem \"Electric Visions\" by Polish Czy\u017cewski Tytus. The piece is a concertante form of concentrated study in which the opposition between the voice and the group is linked to the contrast between the text and the music.\nThe\u00a0OMN\u00a0explores the field of contemporary art in the search of works whose echoes, resonating in the field of culture, are able to interest the listener. Whether ultra-innovative or hopelessly forgotten \u2013 the OMN prepares, presents and records them with great application.\nThe project Musique de cr\u00e9ation has been prepared by\u00a0Jean-Paul DESSY\u00a0as part of Mons\u2019s year as European Capital of Culture 2015."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/05\/99990fr-1-12.png","width":572,"height":358},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2015\/07\/04\/gorecki-mykietyn-zubel-scheller-mamczarski-arsonic-mons\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"G\u00f3recki, Mykietyn, Zubel, Scheller &amp; Mamczarski @ARSONIC (Mons)"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/ccb27e6f37dc023e9a8d394b9bc37c18","name":"dyjakn","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8275a451988be0ae9a525d2a55b644f7?s=96&d=mm&r=g","caption":"dyjakn"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/dyjakn\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/4080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=4080"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/4080\/revisions"}],"predecessor-version":[{"id":4081,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/4080\/revisions\/4081"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/4078"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=4080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=4080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=4080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}