{"id":5283,"date":"2020-07-09T15:40:15","date_gmt":"2020-07-09T13:40:15","guid":{"rendered":"https:\/\/instytutpolski.pl\/brussels\/?p=5283"},"modified":"2021-01-19T10:52:13","modified_gmt":"2021-01-19T09:52:13","slug":"pieces-of-a-woman-by-tr-warszawa","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/brussels\/en\/2020\/07\/09\/pieces-of-a-woman-by-tr-warszawa\/","title":{"rendered":"’Pieces of a Woman’ by TR Warszawa"},"content":{"rendered":"\n

’Pieces of a Woman’ [Czastki kobiety], a creation of Hungarian artists Korn\u00e9l Mundrucz\u00f3 & Kata W\u00e9ber, performed by the Polish ensemble @TRWarszawa<\/a>, was meant to be presented during KunstenFestivalDesArts<\/a> in Brussels. Unfortunately, due to COVID pandemics, this year’s edition of the festival has been canceled.<\/p>\n


Hoping that you will be able to see this outstanding piece soon (or that you have seen it already via Stay home, don’t leave the theatre! initiative of TRWarszawa), we would like to warmly invite you to discover two essays explaining why this play is so representative of the contemporary Polish theater.\u00a0<\/p>\n

Jonas Vanderschueren, „De fijne lijn tussen traditie en experiment<\/a>” [The fine line between tradition and experimentation], in E-tcetera<\/em><\/a>, #160, may 19th, 2020. \u00a0
Zofia Smolarska, „Over twee realismen in het hedendaagse Poolse theater<\/a>” [About Two Realisms in Contemporary Polish Theatre], in\u00a0E-tcetera<\/em><\/a>, #160, may 18th, 2020. \u00a0<\/p>\n


About\u00a0'Pieces of a Woman’<\/strong>:\u00a0
A spectacle for all who were born!<\/p>\n

\n
Feminist, driven by the strength and determination of female characters, a family drama taking place in contemporary Warsaw. A family meeting, like a lens, brings together problems and internal conflicts of Polish society. The central figure of the play is thirty-year-old Maja, who faces a personal tragedy. In order to come out of her life’s turn, she has to question her whole life and build a new relationship with her loved ones. „Cz\u0105stki kobiety” is a moving image of contemporary women fighting for the right to decide about their own lives. Director Korn\u00e9l Mundrucz\u00f3 and screenwriter Kata W\u00e9ber emphatically portray each of the expressive characters without judging or criticizing anyone at the family table. The performance, which uses cinematic means of expression, captures the intimate narration, realism of detail, and sensitivity of the actors’ creations. „Cz\u0105stki kobiety” is the second one after „Nietoperz” [The Bat], (Premiere 2012, produced by TR Warszawa) with Korn\u00e9l Mundrucz\u00f3’s performance in Poland; both performances have been appreciated by Polish and international audience.<\/div>\n<\/div>\n
Realization\/production: TR Warszawa.\u00a0<\/div>\n

Director: Korn\u00e9l Mundrucz\u00f3<\/div>\n

Writing: Kata W\u00e9ber<\/div>\n

First world performance: 18th of December 2018, TR Warszawa<\/div>\n

Duration: 2h15min<\/div>\n

Cast: Dobromir Dymecki, Monika Frajczyk, Magdalena Kuta, Sebastian Pawlak, Marta \u015acis\u0142owicz, Justyna Wasilewska, Agnieszka \u017bulewska.<\/div>\n
\u00a0<\/div>\n
\u00a9 Photographs: Natalia Kabanow<\/div>\n
\u00a0<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n","protected":false},"excerpt":{"rendered":"

’Pieces of a Woman’ [Czastki kobiety], a creation of Hungarian artists Korn\u00e9l Mundrucz\u00f3 & Kata W\u00e9ber, performed by the Polish ensemble @TRWarszawa, was meant to be presented during KunstenFestivalDesArts in Brussels. Unfortunately, due to COVID pandemics, this year’s edition of the festival has been canceled. Hoping that you will be able to see this outstanding […]<\/p>\n","protected":false},"author":125,"featured_media":5288,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[98],"tags":[],"class_list":["post-5283","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre"],"yoast_head":"\n'Pieces of a Woman' by TR Warszawa - Instytut Polski w Brukseli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/brussels\/en\/2020\/07\/09\/pieces-of-a-woman-by-tr-warszawa\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Pieces of a Woman' by TR Warszawa - Instytut Polski w Brukseli\" \/>\n<meta property=\"og:description\" content=\"’Pieces of a Woman’ [Czastki kobiety], a creation of Hungarian artists Korn\u00e9l Mundrucz\u00f3 & Kata W\u00e9ber, performed by the Polish ensemble @TRWarszawa, was meant to be presented during KunstenFestivalDesArts in Brussels. 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Unfortunately, due to COVID pandemics, this year's edition of the festival has been canceled.\nHoping that you will be able to see this outstanding piece soon (or that you have seen it already via Stay home, don't leave the theatre! initiative of TRWarszawa), we would like to warmly invite you to discover two essays explaining why this play is so representative of the contemporary Polish theater.\u00a0\nJonas Vanderschueren, \"De fijne lijn tussen traditie en experiment\" [The fine line between tradition and experimentation], in E-tcetera, #160, may 19th, 2020. \u00a0Zofia Smolarska, \"Over twee realismen in het hedendaagse Poolse theater\" [About Two Realisms in Contemporary Polish Theatre], in\u00a0E-tcetera, #160, may 18th, 2020. \u00a0\nAbout\u00a0'Pieces of a Woman':\u00a0A spectacle for all who were born!\nFeminist, driven by the strength and determination of female characters, a family drama taking place in contemporary Warsaw. A family meeting, like a lens, brings together problems and internal conflicts of Polish society. The central figure of the play is thirty-year-old Maja, who faces a personal tragedy. In order to come out of her life's turn, she has to question her whole life and build a new relationship with her loved ones. \"Cz\u0105stki kobiety\" is a moving image of contemporary women fighting for the right to decide about their own lives. Director Korn\u00e9l Mundrucz\u00f3 and screenwriter Kata W\u00e9ber emphatically portray each of the expressive characters without judging or criticizing anyone at the family table. The performance, which uses cinematic means of expression, captures the intimate narration, realism of detail, and sensitivity of the actors' creations. \"Cz\u0105stki kobiety\" is the second one after \"Nietoperz\" [The Bat], (Premiere 2012, produced by TR Warszawa) with Korn\u00e9l Mundrucz\u00f3's performance in Poland; both performances have been appreciated by Polish and international audience.\nRealization\/production: TR Warszawa.\u00a0\nDirector: Korn\u00e9l Mundrucz\u00f3\nWriting: Kata W\u00e9ber\nFirst world performance: 18th of December 2018, TR Warszawa\nDuration: 2h15min\nCast: Dobromir Dymecki, Monika Frajczyk, Magdalena Kuta, Sebastian Pawlak, Marta \u015acis\u0142owicz, Justyna Wasilewska, Agnieszka \u017bulewska.\n\u00a0\n\u00a9 Photographs: Natalia Kabanow\n\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2020\/07\/09\/pieces-of-a-woman-by-tr-warszawa\/#primaryimage","url":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/07\/Korn\u00e9l-Mundrucz\u00f3-Kata-W\u00e9ber-Pieces-of-a-Woman-\u00a9Natalia-Kabanow-3-kopie.jpg","contentUrl":"https:\/\/instytutpolski.pl\/brussels\/wp-content\/uploads\/sites\/4\/2020\/07\/Korn\u00e9l-Mundrucz\u00f3-Kata-W\u00e9ber-Pieces-of-a-Woman-\u00a9Natalia-Kabanow-3-kopie.jpg","width":700,"height":467},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/brussels\/en\/2020\/07\/09\/pieces-of-a-woman-by-tr-warszawa\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/brussels\/"},{"@type":"ListItem","position":2,"name":"‘Pieces of a Woman’ by TR Warszawa"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/brussels\/#website","url":"https:\/\/instytutpolski.pl\/brussels\/","name":"Instytut Polski w Brukseli","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/brussels\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/4fec55f44f974b5a8cb8a93a218b26fb","name":"gajkoj","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/brussels\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/199f5c5eff606e8ea0e1b250f4d8b5cb?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/199f5c5eff606e8ea0e1b250f4d8b5cb?s=96&d=mm&r=g","caption":"gajkoj"},"url":"https:\/\/instytutpolski.pl\/brussels\/author\/gajkoj\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/5283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/users\/125"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/comments?post=5283"}],"version-history":[{"count":7,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/5283\/revisions"}],"predecessor-version":[{"id":6500,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/posts\/5283\/revisions\/6500"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media\/5288"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/media?parent=5283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/categories?post=5283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/brussels\/wp-json\/wp\/v2\/tags?post=5283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}