{"version":"1.0","provider_name":"Instytut Polski w Bukareszcie","provider_url":"https:\/\/instytutpolski.pl\/bucuresti","author_name":"rutkowskip","author_url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/rutkowskip\/","title":"Teatrul contemporan polonez \u00een revista Scena.ro - Instytut Polski w Bukareszcie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hZgf9SaYIQ\"><a href=\"https:\/\/instytutpolski.pl\/bucuresti\/2021\/06\/16\/teatrul-contemporan-polonez-in-revista-scena-ro\/\">Teatrul contemporan polonez \u00een revista Scena.ro<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/bucuresti\/2021\/06\/16\/teatrul-contemporan-polonez-in-revista-scena-ro\/embed\/#?secret=hZgf9SaYIQ\" width=\"600\" height=\"338\" title=\"&#8222;Teatrul contemporan polonez \u00een revista Scena.ro&#8221; &#8212; Instytut Polski w Bukareszcie\" data-secret=\"hZgf9SaYIQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2021\/06\/IMG_20210616_102552-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1920,"description":"Num\u0103rul include un interviu cu Bartosz \u0219i Ma\u0142gorzata Szyd\u0142owski, fondatori ai Teatrul \u0141a\u017ania Nowa din Cracovia, care \u00ee\u0219i desf\u0103\u0219oar\u0103 activitatea \u00een cartierul post-industrial Nowa Huta. Dosarul include, de asemenea, un interviu cu Micha\u0142 Borczuch, unul dintre cei mai recunoscu\u021bi regizori ai tinerei genera\u021bii, autorul unor piese de teatru precum \u201eTotul despre mama mea\u201d (\u201eWszystko o [&hellip;]"}