{"version":"1.0","provider_name":"Instytut Polski w Bukareszcie","provider_url":"https:\/\/instytutpolski.pl\/bucuresti","author_name":"nicolaua","author_url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/nicolaua\/","title":"Europa w lustrze teatru - Instytut Polski w Bukareszcie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"y7OfM550Ic\"><a href=\"https:\/\/instytutpolski.pl\/bucuresti\/pl\/2018\/10\/05\/europa-w-lustrze-teatru\/\">Europa w lustrze teatru<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/bucuresti\/pl\/2018\/10\/05\/europa-w-lustrze-teatru\/embed\/#?secret=y7OfM550Ic\" width=\"600\" height=\"338\" title=\"&#8222;Europa w lustrze teatru&#8221; &#8212; Instytut Polski w Bukareszcie\" data-secret=\"y7OfM550Ic\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/europa-in-oglinda-teatrului_4e2df3.jpg","thumbnail_width":660,"thumbnail_height":439,"description":"Go\u015bciem pierwszej edycji \u201eEast by East\u201d b\u0119dzie polski re\u017cyser teatralny, tw\u00f3rca wizualny i kurator Ludomir Franczak zwi\u0105zany z lubelskim O\u015brodkiem Brama Grodzka-Teatr NN, kt\u00f3ry zaprezentuje dwa spektakle.\u00a0W swojej pracy artysta zajmuje si\u0119 przede wszystkim problemem pami\u0119ci i to\u017csamo\u015bci. Za pomoc\u0105 dzia\u0142a\u0144 intermedialnych buduje z\u0142o\u017cone projekty wykorzystuj\u0105c sztuki wizualne, histori\u0119 czy literatur\u0119. Jego spektakl\u00a0\u201eAtlas of Sounds\u201d\u00a0zostanie [&hellip;]"}