Simpozionul Picassoest. Uses and Abuses of Picasso in Eastern Europe 1945-1989, se va derula pe 5 ianuarie 2024 \u00een amfiteatrul Ion Heliade R\u0103dulescu al Bibliotecii Academiei Rom\u00e2ne, organizat de MARe\/Muzeul de Art\u0103 Recent\u0103 \u0219i Institutul de Filosofie \u0219i Psihologie al Academiei Rom\u00e2ne \u201eConstantin R\u0103dulescu Motru”, \u00een parteneriat cu Institut Francais, Goethe Institut, Centrul Ceh \u0219i Institutul Polonez din Bucure\u0219ti.<\/p>\n
Timp de o zi, prin conferin\u021bele derulate pe parcursul simpozionului Picassoest \u0219i printr-o key-note lecture a profesorului Uwe Fleckner (Universitatea din Hamburg) – „Education for a democratic gaze. Pablo Picasso’s Munich exhibition from 1955”, opera, figura, psihologia, atitudinea public\u0103 \u0219i impactul estetic, ideologic \u0219i politic al operei lui Pablo Picasso vor constitui o veritabil\u0103 lentil\u0103 reflexiv\u0103 prin care participan\u021bii se vor apropia de o perioad\u0103 istoric\u0103 nevralgic\u0103 – epoca postbelic\u0103. Un veritabil tur de for\u021b\u0103 de filosofia istoriei, simpozionul Picassoest va explora tenta\u021biile, practicile \u0219i teoriile esteticii totalitare, la fel ca \u0219i complexitatea instrumentaliz\u0103rii operei picassiene \u00eentr-o pedagogie global\u0103 a libert\u0103\u021bii, din perspectiva societ\u0103\u021bilor democratice. \u00cempreun\u0103, contribu\u021biile vor contura un univers de dezbatere asupra unei teme de intens\u0103 actualitate: rela\u021biile mereu ambivalente dintre libertatea de expresie \u0219i propagand\u0103, dintre eliberare \u0219i manipulare, dintre viziunea estetic\u0103 \u0219i discursul autoritarist.<\/p>\n
10.00-10.20 – Cecile Godefroy, On the margins and beyond: a study of solitary figures in Pablo Picasso’s work<\/p>\n
10.40-11.00 – Tomas Pospiszyl, Picasso vs. Guttuso<\/p>\n
11.20-11.40 – Anna Manicka, We\u2019ll change henceforth the old tradition, And spurn the dust to win the prize! Far reaching effects of Picasso\u2019s visit in Poland in 1948<\/p>\n
12.00-12.20 – Yuning Teng, \u201cLenin in the Art Field\u201d or a Formalist Bourgeois? The Reception and Adaptation of Pablo Picasso in 20th Century China<\/p>\n
13.00-15.00: pauz\u0103 de mas\u0103<\/p>\n
15.00-15.20 – Jerome Bazin, The cumbersome reference \u2013 in what way did Picasso not respond to artistic concerns in communist Europe?<\/p>\n
15.40-16.00 – Erwin Kessler, The Beauty (w)as the Beast: Conflicting Appraisals of Picasso in Communist Romania<\/p>\n
16.20 – 17.20 – Uwe Fleckner, Education for a democratic gaze. Pablo Picasso\u2019s Munich exhibition from 1955<\/p>\n
Intrarea este liber\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"
Simpozionul Picassoest. Uses and Abuses of Picasso in Eastern Europe 1945-1989, se va derula pe 5 ianuarie 2024 \u00een amfiteatrul Ion Heliade R\u0103dulescu al Bibliotecii Academiei Rom\u00e2ne, organizat de MARe\/Muzeul de Art\u0103 Recent\u0103 \u0219i Institutul de Filosofie \u0219i Psihologie al Academiei Rom\u00e2ne \u201eConstantin R\u0103dulescu Motru”, \u00een parteneriat cu Institut Francais, Goethe Institut, Centrul Ceh \u0219i […]<\/p>\n","protected":false},"author":42,"featured_media":11355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-11354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-vizuale"],"yoast_head":"\n