{"id":14417,"date":"2025-09-30T16:12:26","date_gmt":"2025-09-30T14:12:26","guid":{"rendered":"https:\/\/instytutpolski.pl\/bucuresti\/?p=14417"},"modified":"2025-12-02T09:47:01","modified_gmt":"2025-12-02T08:47:01","slug":"fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/","title":{"rendered":"O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei &#8222;WET SNOW&#8221;"},"content":{"rendered":"\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">WET SNOW<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"><br class=\"html-br\" \/>02.10-30.11.2025<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"><br class=\"html-br\" \/>curatori: Charles Moore &amp; Alex Radu<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\"><br class=\"html-br\" \/>design grafic\/expozi\u021bional: Justin Baroncea, Maria Ghement &amp; Alexandra M\u00fcller<\/div>\n<div>\u00a0<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">arti\u0219ti: Carlos Amorales, Simona Andrioletti, Andrius Arutiunian, Justin Baroncea &amp; Cristian Matei, Yael Bartana, Anna Bedy\u0144ska, Gisela Col\u00f3n, Nicolae Com\u0103nescu, Iulian Cristea, Suzana Dan, Dimitrie Luca Gora, Dumitru Gorzo, Rusudan Khizanishvili, Ayoung Kim, Miler Lagos, Charmaine Poh, Jamea Richmond-Edwards, Buket Savci, Bosco Sodi, Mircea Suciu, Philip Topolovac, Jorinde Voigt<\/div>\n<div>\u00a0<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">\u201cWet Snow\u201d este a doua parte a expozi\u021biei de grup \u201cNotes from Underground\u201d \u0219i ultima parte din seria de expozi\u021bii \u201cFirul Ro\u0219u\u201d care a marcat programul expozi\u021bional la \/SAC Malmaison \u0219i \/SAC Berthelot \u00een 2025, o explorare subiectiv\u0103 \u0219i colectiv\u0103 (desf\u0103cut\u0103-suprapus\u0103 conotativ peste un calendar electoral \u0219i politic, local \u0219i interna\u021bional) despre reac\u021biile noastre \u00een-fa\u021ba-\u0219i-\u00een-mijlocul acestei perioade din ce \u00een ce mai tensionat\u0103, c\u00e2nd se de\/re-construie\u0219te\/define\u0219te modul cum arat\u0103 democra\u021biile \u0219i valorile (comune) \u00een societate. \u0218i despre ce mai putem face noi ca actori din scenele-lumile artelor (artiste, arti\u0219ti\/ curatoare, curatori\/ \u0219amd.) cu puterea noastr\u0103 iluzorie\/relativ\u0103 de \u201ca schimba lumea prin art\u0103\u201d.<\/div>\n<div>\u00a0<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">\u201cWet Snow. Notes from Underground, Part 2\u201d este, metaforic, despre starea de disconfort care te acapareaz\u0103 \u00een \u00eentregime, performativ, cu picioarele \u00een z\u0103pad\u0103 umed\u0103, (pare c\u0103) nu po\u021bi ie\u0219i din ea. E o reverie tulbur\u0103toare a disconforturilor Prezentului. Cu realit\u0103\u021bile sale geopolitice (r\u0103zboaie-genocidare, cu for\u021be dispropor\u021bionate, \u00eempotriva c\u0103rora protest\u0103m, dar parc\u0103 nu mai pot fi oprite, linii ro\u0219ii noi ori reactivate). Cu politici economice ce ad\u00e2ncesc crize \u0219i tensiuni. Cu o accelerat\u0103 omni-distrugere a ecosistemelor. \u0218i (nu \u00een ultimul r\u00e2nd) cu alegerile noastre personale gre\u0219ite. Toate acestea \u00een contrapunct cu senza\u021bia\/ dorin\u021ba\/ nevoia personal\u0103\/ individual\u0103 \u0219i planetar\u0103 de tinere\u021be (biologic\u0103 sau nu), ve\u0219nicizat\u0103, cu toate vulnerabilit\u0103\u021bile sale. Curente presupuse subterane \u0219i adormite au erupt vulcanic \u0219i au devenit omni-prezen\u021be grele permanente, glazurate \u00een ceramic\u0103. Iernile cu z\u0103pezi imaculate, de studio\/ whitecube\/ blackbox, prim\u0103verile cu \u00eenfloriri \u0219i acceler\u0103ri, verile cu plaje, locuri spectaculoase \u0219i festivaluri, \u00eenceputurile de toamn\u0103 cu contemplativitate, sunt toate-toate trecute, departe, alte imagini neprezente dar asimilate embodied. Acum, cu sentimentul de \u00eensingurare \u0219i disfunc\u021bionalite \u00een-fa\u021ba-\u0219i-\u00een-mijlocul sistemului-institu\u021bie, online \u0219i offline, imagin\u00e2nd fugitiv fragmente de alte lumi-acas\u0103 posibile, e\u0219ti\/p\u0103\u0219e\u0219ti prin z\u0103pada umed\u0103, rece, p\u0103trunz\u0103toare, mai trezit\/\u0103-prezent\/\u0103-con\u0219tient\/\u0103 de moment dec\u00e2t oric\u00e2nd, de propriul performance (cu picioarele \u00een z\u0103pad\u0103 asta rece \u0219i umed\u0103) care tinde s\u0103 anuleze nara\u021biunile (diferite) \u0219i s\u0103 devin\u0103 Imagine. \u2013 Alex Radu<\/div>\n<div>\u00a0<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">Expozi\u021bia nu este o medita\u021bie lini\u0219tit\u0103, ci o ruptur\u0103. \u00cen loc s\u0103 ofere r\u0103spunsuri, aceste lucr\u0103ri accentueaz\u0103 \u00eentreb\u0103rile. Ele sondeaz\u0103 rana \u00een care controlul face loc haosului, \u00een care c\u0103utarea conexiunii conduce c\u0103tre alienare, \u00een care disperarea individual\u0103 intr\u0103 \u00een coliziune cu tragedia colectiv\u0103. Ele ne reamintesc c\u0103 subterana nu se afl\u0103 doar \u00een interiorul nostru, ci peste tot \u00een jur. Suntem con\u0219tien\u021bi de prezen\u021ba lor ap\u0103s\u0103toare, urgent\u0103 \u0219i imposibil de ignorat. Dac\u0103 prima parte a \u201e\u00censemn\u0103rilor din subteran\u0103\u201d ne-a invitat s\u0103 cobor\u00e2m, aceast\u0103 a doua parte insist\u0103 s\u0103 r\u0103m\u00e2nem \u00een furtun\u0103, s\u0103 \u00eenfrunt\u0103m dezghe\u021bul \u0219i s\u0103 suport\u0103m greutatea lapovi\u021bei.<br class=\"html-br\" \/>\u2013 Charles Moore<\/div>\n<div>\u00a0<\/div>\n<div class=\"x14z9mp xat24cr x1lziwak x1vvkbs xtlvy1s\">Ulterior vernisajului, expozi\u021bia va putea fi vizitat\u0103 la \/SAC Berthelot de joi p\u00e2n\u0103 s\u00e2mb\u0103t\u0103, \u00eentre orele 16 \u0219i 20.<\/div>\n\n\n\n\n\n\n\n<p><strong>Anna Bedy\u0144ska<\/strong><br>\u00cen proiectele sale, Bedy\u0144ska exploreaz\u0103 lumea persoanelor vulnerabile \u0219i marginalizate sau bolnave, precum \u0219i a persoanelor cu dizabilit\u0103\u021bi.<br>\u00cen centrul operelor sale se afl\u0103 de fiecare dat\u0103 experien\u021ba uman\u0103.<br>Se concentreaz\u0103 pe reportaj, \u00een care adesea exploreaz\u0103 subiecte tabu. A documentat na\u0219teri \u0219i decese. Printre cele mai importante serii ale sale se num\u0103r\u0103 Na\u0219tere cu umanitate (Birth with Humanity) \u0219i Haine de \u00eenmorm\u00e2ntare (Clothes for Death). Am\u00e2ndou\u0103 contest\u0103 tabuurile legate de na\u0219tere \u0219i moarte \u0219i au fost prezentate \u00een cadrul unor campanii sociale. \u00cen 2024 a creat campania de con\u0219tientizare \u201eG\u0103se\u0219te punctul\u201d (\u201eSpot the Dot\u201d) pentru prevenirea cancerului de piele, \u00een care a folosit fotografiile stradale din Japonia inspirate de Yayoi Kusama.<br>\u00cei place s\u0103 detabuizeze subiecte care sunt adesea trecute cu vederea, subiecte care par a fi incomode sau ascunse de ochii publicului \u0219i pune femeile \u00een centrul aten\u021biei.<br>A c\u00e2\u0219tigat numeroase premii prestigioase, inclusiv World Press Photo 2013, Grand Prix la Grand Press Photo (2005 \u0219i 2017), premiul National Geographic \u0219i premiul special \u201eMerit\u0103 s\u0103 fim \u00eempreun\u0103\u201d \u00een cadrul concursului BZ WBK Press Foto, Premiul anul acordat de Ministrul Culturii din Polonia \u0219i o men\u021biune onorific\u0103 pentru Publica\u021bia anului 2024.<br>Filmul ei de debut, \u00cen alt\u0103 lume (In Another World), a avut premiera la prestigiosul festival de film documentar din Leipzig \u0219i a primit premiul principal la categoria Cel mai bun film studen\u021besc la Festivalul Kinoproba din Ekaterinburg. \u00cen 2024 a lansat dou\u0103 albume de fotografie \u2013 Al meu pentru totdeauna (Forever Mine) \u0219i G\u0103se\u0219te punctul (Spot the Dot) \u2013 care nu numai c\u0103 i-au adus recunoa\u0219tere \u00een domeniu, dar au avut \u0219i un impact social \u0219i educa\u021bional semnificativ.<br>Mam\u0103, fotojurnalist, lector, triatlonist, alpinist. Iube\u0219te s\u0103 r\u00e2d\u0103. Membru al Programului Ambasadorilor Canon (2013-2018), al Femei Fotografe \u0219i Femei Fotografe Poloneze.<br>A locuit \u0219i a lucrat \u00een Var\u0219ovia, \u00een Moscova, Tokyo \u0219i Hong Kong, \u00een prezent tr\u0103ie\u0219te la Bucure\u0219ti.<br><\/p>\n\n\n\n<p><a href=\"http:\/\/www.annabedynska.com\" target=\"_blank\" rel=\"noopener\">www.annabedynska.com<\/a><\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>WET SNOW 02.10-30.11.2025 curatori: Charles Moore &amp; Alex Radu design grafic\/expozi\u021bional: Justin Baroncea, Maria Ghement &amp; Alexandra M\u00fcller \u00a0 arti\u0219ti: Carlos Amorales, Simona Andrioletti, Andrius Arutiunian, Justin Baroncea &amp; Cristian Matei, Yael Bartana, Anna Bedy\u0144ska, Gisela Col\u00f3n, Nicolae Com\u0103nescu, Iulian Cristea, Suzana Dan, Dimitrie Luca Gora, Dumitru Gorzo, Rusudan Khizanishvili, Ayoung Kim, Miler Lagos, Charmaine [&hellip;]<\/p>\n","protected":false},"author":43,"featured_media":14418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16,94],"tags":[1259],"class_list":["post-14417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-vizuale","category-evenimente","tag-fotografie-ro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei &quot;WET SNOW&quot; 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Alex Radu\\ndesign grafic\/expozi\u021bional: Justin Baroncea, Maria Ghement &amp; Alexandra M\u00fcller\\n\u00a0\\narti\u0219ti: Carlos Amorales, Simona Andrioletti, Andrius Arutiunian, Justin Baroncea &amp; Cristian Matei, Yael Bartana, Anna Bedy\u0144ska, Gisela Col\u00f3n, Nicolae Com\u0103nescu, Iulian Cristea, Suzana Dan, Dimitrie Luca Gora, Dumitru Gorzo, Rusudan Khizanishvili, Ayoung Kim, Miler Lagos, Charmaine Poh, Jamea Richmond-Edwards, Buket Savci, Bosco Sodi, Mircea Suciu, Philip Topolovac, Jorinde Voigt\\n\u00a0\\n\u201cWet Snow\u201d este a doua parte a expozi\u021biei de grup \u201cNotes from Underground\u201d \u0219i ultima parte din seria de expozi\u021bii \u201cFirul Ro\u0219u\u201d care a marcat programul expozi\u021bional la \/SAC Malmaison \u0219i \/SAC Berthelot \u00een 2025, o explorare subiectiv\u0103 \u0219i colectiv\u0103 (desf\u0103cut\u0103-suprapus\u0103 conotativ peste un calendar electoral \u0219i politic, local \u0219i interna\u021bional) despre reac\u021biile noastre \u00een-fa\u021ba-\u0219i-\u00een-mijlocul acestei perioade din ce \u00een ce mai tensionat\u0103, c\u00e2nd se de\/re-construie\u0219te\/define\u0219te modul cum arat\u0103 democra\u021biile \u0219i valorile (comune) \u00een societate. \u0218i despre ce mai putem face noi ca actori din scenele-lumile artelor (artiste, arti\u0219ti\/ curatoare, curatori\/ \u0219amd.) cu puterea noastr\u0103 iluzorie\/relativ\u0103 de \u201ca schimba lumea prin art\u0103\u201d.\\n\u00a0\\n\u201cWet Snow. Notes from Underground, Part 2\u201d este, metaforic, despre starea de disconfort care te acapareaz\u0103 \u00een \u00eentregime, performativ, cu picioarele \u00een z\u0103pad\u0103 umed\u0103, (pare c\u0103) nu po\u021bi ie\u0219i din ea. E o reverie tulbur\u0103toare a disconforturilor Prezentului. Cu realit\u0103\u021bile sale geopolitice (r\u0103zboaie-genocidare, cu for\u021be dispropor\u021bionate, \u00eempotriva c\u0103rora protest\u0103m, dar parc\u0103 nu mai pot fi oprite, linii ro\u0219ii noi ori reactivate). Cu politici economice ce ad\u00e2ncesc crize \u0219i tensiuni. Cu o accelerat\u0103 omni-distrugere a ecosistemelor. \u0218i (nu \u00een ultimul r\u00e2nd) cu alegerile noastre personale gre\u0219ite. Toate acestea \u00een contrapunct cu senza\u021bia\/ dorin\u021ba\/ nevoia personal\u0103\/ individual\u0103 \u0219i planetar\u0103 de tinere\u021be (biologic\u0103 sau nu), ve\u0219nicizat\u0103, cu toate vulnerabilit\u0103\u021bile sale. Curente presupuse subterane \u0219i adormite au erupt vulcanic \u0219i au devenit omni-prezen\u021be grele permanente, glazurate \u00een ceramic\u0103. Iernile cu z\u0103pezi imaculate, de studio\/ whitecube\/ blackbox, prim\u0103verile cu \u00eenfloriri \u0219i acceler\u0103ri, verile cu plaje, locuri spectaculoase \u0219i festivaluri, \u00eenceputurile de toamn\u0103 cu contemplativitate, sunt toate-toate trecute, departe, alte imagini neprezente dar asimilate embodied. Acum, cu sentimentul de \u00eensingurare \u0219i disfunc\u021bionalite \u00een-fa\u021ba-\u0219i-\u00een-mijlocul sistemului-institu\u021bie, online \u0219i offline, imagin\u00e2nd fugitiv fragmente de alte lumi-acas\u0103 posibile, e\u0219ti\/p\u0103\u0219e\u0219ti prin z\u0103pada umed\u0103, rece, p\u0103trunz\u0103toare, mai trezit\/\u0103-prezent\/\u0103-con\u0219tient\/\u0103 de moment dec\u00e2t oric\u00e2nd, de propriul performance (cu picioarele \u00een z\u0103pad\u0103 asta rece \u0219i umed\u0103) care tinde s\u0103 anuleze nara\u021biunile (diferite) \u0219i s\u0103 devin\u0103 Imagine. \u2013 Alex Radu\\n\u00a0\\nExpozi\u021bia nu este o medita\u021bie lini\u0219tit\u0103, ci o ruptur\u0103. \u00cen loc s\u0103 ofere r\u0103spunsuri, aceste lucr\u0103ri accentueaz\u0103 \u00eentreb\u0103rile. Ele sondeaz\u0103 rana \u00een care controlul face loc haosului, \u00een care c\u0103utarea conexiunii conduce c\u0103tre alienare, \u00een care disperarea individual\u0103 intr\u0103 \u00een coliziune cu tragedia colectiv\u0103. Ele ne reamintesc c\u0103 subterana nu se afl\u0103 doar \u00een interiorul nostru, ci peste tot \u00een jur. Suntem con\u0219tien\u021bi de prezen\u021ba lor ap\u0103s\u0103toare, urgent\u0103 \u0219i imposibil de ignorat. Dac\u0103 prima parte a \u201e\u00censemn\u0103rilor din subteran\u0103\u201d ne-a invitat s\u0103 cobor\u00e2m, aceast\u0103 a doua parte insist\u0103 s\u0103 r\u0103m\u00e2nem \u00een furtun\u0103, s\u0103 \u00eenfrunt\u0103m dezghe\u021bul \u0219i s\u0103 suport\u0103m greutatea lapovi\u021bei.\u2013 Charles Moore\\n\u00a0\\nUlterior vernisajului, expozi\u021bia va putea fi vizitat\u0103 la \/SAC Berthelot de joi p\u00e2n\u0103 s\u00e2mb\u0103t\u0103, \u00eentre orele 16 \u0219i 20.\\nAnna Bedy\u0144ska\u00cen proiectele sale, Bedy\u0144ska exploreaz\u0103 lumea persoanelor vulnerabile \u0219i marginalizate sau bolnave, precum \u0219i a persoanelor cu dizabilit\u0103\u021bi.\u00cen centrul operelor sale se afl\u0103 de fiecare dat\u0103 experien\u021ba uman\u0103.Se concentreaz\u0103 pe reportaj, \u00een care adesea exploreaz\u0103 subiecte tabu. A documentat na\u0219teri \u0219i decese. Printre cele mai importante serii ale sale se num\u0103r\u0103 Na\u0219tere cu umanitate (Birth with Humanity) \u0219i Haine de \u00eenmorm\u00e2ntare (Clothes for Death). Am\u00e2ndou\u0103 contest\u0103 tabuurile legate de na\u0219tere \u0219i moarte \u0219i au fost prezentate \u00een cadrul unor campanii sociale. \u00cen 2024 a creat campania de con\u0219tientizare \u201eG\u0103se\u0219te punctul\u201d (\u201eSpot the Dot\u201d) pentru prevenirea cancerului de piele, \u00een care a folosit fotografiile stradale din Japonia inspirate de Yayoi Kusama.\u00cei place s\u0103 detabuizeze subiecte care sunt adesea trecute cu vederea, subiecte care par a fi incomode sau ascunse de ochii publicului \u0219i pune femeile \u00een centrul aten\u021biei.A c\u00e2\u0219tigat numeroase premii prestigioase, inclusiv World Press Photo 2013, Grand Prix la Grand Press Photo (2005 \u0219i 2017), premiul National Geographic \u0219i premiul special \u201eMerit\u0103 s\u0103 fim \u00eempreun\u0103\u201d \u00een cadrul concursului BZ WBK Press Foto, Premiul anul acordat de Ministrul Culturii din Polonia \u0219i o men\u021biune onorific\u0103 pentru Publica\u021bia anului 2024.Filmul ei de debut, \u00cen alt\u0103 lume (In Another World), a avut premiera la prestigiosul festival de film documentar din Leipzig \u0219i a primit premiul principal la categoria Cel mai bun film studen\u021besc la Festivalul Kinoproba din Ekaterinburg. \u00cen 2024 a lansat dou\u0103 albume de fotografie \u2013 Al meu pentru totdeauna (Forever Mine) \u0219i G\u0103se\u0219te punctul (Spot the Dot) \u2013 care nu numai c\u0103 i-au adus recunoa\u0219tere \u00een domeniu, dar au avut \u0219i un impact social \u0219i educa\u021bional semnificativ.Mam\u0103, fotojurnalist, lector, triatlonist, alpinist. Iube\u0219te s\u0103 r\u00e2d\u0103. Membru al Programului Ambasadorilor Canon (2013-2018), al Femei Fotografe \u0219i Femei Fotografe Poloneze.A locuit \u0219i a lucrat \u00een Var\u0219ovia, \u00een Moscova, Tokyo \u0219i Hong Kong, \u00een prezent tr\u0103ie\u0219te la Bucure\u0219ti.\\nwww.annabedynska.com\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg\",\"width\":2560,\"height\":1340},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bucuresti\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei &#8222;WET SNOW&#8221;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/\",\"name\":\"Instytut Polski w Bukareszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/a1d5ab39dce466455f60589721519864\",\"name\":\"nicolaua\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5029b942a8ac0a6a935e5655abff56ef?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5029b942a8ac0a6a935e5655abff56ef?s=96&d=mm&r=g\",\"caption\":\"nicolaua\"},\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/author\/nicolaua\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei \"WET SNOW\" - Instytut Polski w Bukareszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/","og_locale":"pl_PL","og_type":"article","og_title":"O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei \"WET SNOW\" - Instytut Polski w Bukareszcie","og_description":"WET SNOW 02.10-30.11.2025 curatori: Charles Moore &amp; Alex Radu design grafic\/expozi\u021bional: Justin Baroncea, Maria Ghement &amp; Alexandra M\u00fcller \u00a0 arti\u0219ti: Carlos Amorales, Simona Andrioletti, Andrius Arutiunian, Justin Baroncea &amp; Cristian Matei, Yael Bartana, Anna Bedy\u0144ska, Gisela Col\u00f3n, Nicolae Com\u0103nescu, Iulian Cristea, Suzana Dan, Dimitrie Luca Gora, Dumitru Gorzo, Rusudan Khizanishvili, Ayoung Kim, Miler Lagos, Charmaine [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2025-09-30T14:12:26+00:00","article_modified_time":"2025-12-02T08:47:01+00:00","og_image":[{"width":2560,"height":1340,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg","type":"image\/jpeg"}],"author":"nicolaua","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"nicolaua","Szacowany czas czytania":"6 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/","name":"O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei \"WET SNOW\"","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-300x157.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-1024x536.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg","datePublished":"2025-09-30T14:12:26+02:00","dateModified":"2025-12-02T08:47:01+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/a1d5ab39dce466455f60589721519864"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/"]}],"@context":"https:\/\/schema.org","startDate":"2025-10-02","endDate":"2025-11-30","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"WET SNOW\n02.10-30.11.2025\ncuratori: Charles Moore &amp; Alex Radu\ndesign grafic\/expozi\u021bional: Justin Baroncea, Maria Ghement &amp; Alexandra M\u00fcller\n\u00a0\narti\u0219ti: Carlos Amorales, Simona Andrioletti, Andrius Arutiunian, Justin Baroncea &amp; Cristian Matei, Yael Bartana, Anna Bedy\u0144ska, Gisela Col\u00f3n, Nicolae Com\u0103nescu, Iulian Cristea, Suzana Dan, Dimitrie Luca Gora, Dumitru Gorzo, Rusudan Khizanishvili, Ayoung Kim, Miler Lagos, Charmaine Poh, Jamea Richmond-Edwards, Buket Savci, Bosco Sodi, Mircea Suciu, Philip Topolovac, Jorinde Voigt\n\u00a0\n\u201cWet Snow\u201d este a doua parte a expozi\u021biei de grup \u201cNotes from Underground\u201d \u0219i ultima parte din seria de expozi\u021bii \u201cFirul Ro\u0219u\u201d care a marcat programul expozi\u021bional la \/SAC Malmaison \u0219i \/SAC Berthelot \u00een 2025, o explorare subiectiv\u0103 \u0219i colectiv\u0103 (desf\u0103cut\u0103-suprapus\u0103 conotativ peste un calendar electoral \u0219i politic, local \u0219i interna\u021bional) despre reac\u021biile noastre \u00een-fa\u021ba-\u0219i-\u00een-mijlocul acestei perioade din ce \u00een ce mai tensionat\u0103, c\u00e2nd se de\/re-construie\u0219te\/define\u0219te modul cum arat\u0103 democra\u021biile \u0219i valorile (comune) \u00een societate. \u0218i despre ce mai putem face noi ca actori din scenele-lumile artelor (artiste, arti\u0219ti\/ curatoare, curatori\/ \u0219amd.) cu puterea noastr\u0103 iluzorie\/relativ\u0103 de \u201ca schimba lumea prin art\u0103\u201d.\n\u00a0\n\u201cWet Snow. Notes from Underground, Part 2\u201d este, metaforic, despre starea de disconfort care te acapareaz\u0103 \u00een \u00eentregime, performativ, cu picioarele \u00een z\u0103pad\u0103 umed\u0103, (pare c\u0103) nu po\u021bi ie\u0219i din ea. E o reverie tulbur\u0103toare a disconforturilor Prezentului. Cu realit\u0103\u021bile sale geopolitice (r\u0103zboaie-genocidare, cu for\u021be dispropor\u021bionate, \u00eempotriva c\u0103rora protest\u0103m, dar parc\u0103 nu mai pot fi oprite, linii ro\u0219ii noi ori reactivate). Cu politici economice ce ad\u00e2ncesc crize \u0219i tensiuni. Cu o accelerat\u0103 omni-distrugere a ecosistemelor. \u0218i (nu \u00een ultimul r\u00e2nd) cu alegerile noastre personale gre\u0219ite. Toate acestea \u00een contrapunct cu senza\u021bia\/ dorin\u021ba\/ nevoia personal\u0103\/ individual\u0103 \u0219i planetar\u0103 de tinere\u021be (biologic\u0103 sau nu), ve\u0219nicizat\u0103, cu toate vulnerabilit\u0103\u021bile sale. Curente presupuse subterane \u0219i adormite au erupt vulcanic \u0219i au devenit omni-prezen\u021be grele permanente, glazurate \u00een ceramic\u0103. Iernile cu z\u0103pezi imaculate, de studio\/ whitecube\/ blackbox, prim\u0103verile cu \u00eenfloriri \u0219i acceler\u0103ri, verile cu plaje, locuri spectaculoase \u0219i festivaluri, \u00eenceputurile de toamn\u0103 cu contemplativitate, sunt toate-toate trecute, departe, alte imagini neprezente dar asimilate embodied. Acum, cu sentimentul de \u00eensingurare \u0219i disfunc\u021bionalite \u00een-fa\u021ba-\u0219i-\u00een-mijlocul sistemului-institu\u021bie, online \u0219i offline, imagin\u00e2nd fugitiv fragmente de alte lumi-acas\u0103 posibile, e\u0219ti\/p\u0103\u0219e\u0219ti prin z\u0103pada umed\u0103, rece, p\u0103trunz\u0103toare, mai trezit\/\u0103-prezent\/\u0103-con\u0219tient\/\u0103 de moment dec\u00e2t oric\u00e2nd, de propriul performance (cu picioarele \u00een z\u0103pad\u0103 asta rece \u0219i umed\u0103) care tinde s\u0103 anuleze nara\u021biunile (diferite) \u0219i s\u0103 devin\u0103 Imagine. \u2013 Alex Radu\n\u00a0\nExpozi\u021bia nu este o medita\u021bie lini\u0219tit\u0103, ci o ruptur\u0103. \u00cen loc s\u0103 ofere r\u0103spunsuri, aceste lucr\u0103ri accentueaz\u0103 \u00eentreb\u0103rile. Ele sondeaz\u0103 rana \u00een care controlul face loc haosului, \u00een care c\u0103utarea conexiunii conduce c\u0103tre alienare, \u00een care disperarea individual\u0103 intr\u0103 \u00een coliziune cu tragedia colectiv\u0103. Ele ne reamintesc c\u0103 subterana nu se afl\u0103 doar \u00een interiorul nostru, ci peste tot \u00een jur. Suntem con\u0219tien\u021bi de prezen\u021ba lor ap\u0103s\u0103toare, urgent\u0103 \u0219i imposibil de ignorat. Dac\u0103 prima parte a \u201e\u00censemn\u0103rilor din subteran\u0103\u201d ne-a invitat s\u0103 cobor\u00e2m, aceast\u0103 a doua parte insist\u0103 s\u0103 r\u0103m\u00e2nem \u00een furtun\u0103, s\u0103 \u00eenfrunt\u0103m dezghe\u021bul \u0219i s\u0103 suport\u0103m greutatea lapovi\u021bei.\u2013 Charles Moore\n\u00a0\nUlterior vernisajului, expozi\u021bia va putea fi vizitat\u0103 la \/SAC Berthelot de joi p\u00e2n\u0103 s\u00e2mb\u0103t\u0103, \u00eentre orele 16 \u0219i 20.\nAnna Bedy\u0144ska\u00cen proiectele sale, Bedy\u0144ska exploreaz\u0103 lumea persoanelor vulnerabile \u0219i marginalizate sau bolnave, precum \u0219i a persoanelor cu dizabilit\u0103\u021bi.\u00cen centrul operelor sale se afl\u0103 de fiecare dat\u0103 experien\u021ba uman\u0103.Se concentreaz\u0103 pe reportaj, \u00een care adesea exploreaz\u0103 subiecte tabu. A documentat na\u0219teri \u0219i decese. Printre cele mai importante serii ale sale se num\u0103r\u0103 Na\u0219tere cu umanitate (Birth with Humanity) \u0219i Haine de \u00eenmorm\u00e2ntare (Clothes for Death). Am\u00e2ndou\u0103 contest\u0103 tabuurile legate de na\u0219tere \u0219i moarte \u0219i au fost prezentate \u00een cadrul unor campanii sociale. \u00cen 2024 a creat campania de con\u0219tientizare \u201eG\u0103se\u0219te punctul\u201d (\u201eSpot the Dot\u201d) pentru prevenirea cancerului de piele, \u00een care a folosit fotografiile stradale din Japonia inspirate de Yayoi Kusama.\u00cei place s\u0103 detabuizeze subiecte care sunt adesea trecute cu vederea, subiecte care par a fi incomode sau ascunse de ochii publicului \u0219i pune femeile \u00een centrul aten\u021biei.A c\u00e2\u0219tigat numeroase premii prestigioase, inclusiv World Press Photo 2013, Grand Prix la Grand Press Photo (2005 \u0219i 2017), premiul National Geographic \u0219i premiul special \u201eMerit\u0103 s\u0103 fim \u00eempreun\u0103\u201d \u00een cadrul concursului BZ WBK Press Foto, Premiul anul acordat de Ministrul Culturii din Polonia \u0219i o men\u021biune onorific\u0103 pentru Publica\u021bia anului 2024.Filmul ei de debut, \u00cen alt\u0103 lume (In Another World), a avut premiera la prestigiosul festival de film documentar din Leipzig \u0219i a primit premiul principal la categoria Cel mai bun film studen\u021besc la Festivalul Kinoproba din Ekaterinburg. \u00cen 2024 a lansat dou\u0103 albume de fotografie \u2013 Al meu pentru totdeauna (Forever Mine) \u0219i G\u0103se\u0219te punctul (Spot the Dot) \u2013 care nu numai c\u0103 i-au adus recunoa\u0219tere \u00een domeniu, dar au avut \u0219i un impact social \u0219i educa\u021bional semnificativ.Mam\u0103, fotojurnalist, lector, triatlonist, alpinist. Iube\u0219te s\u0103 r\u00e2d\u0103. Membru al Programului Ambasadorilor Canon (2013-2018), al Femei Fotografe \u0219i Femei Fotografe Poloneze.A locuit \u0219i a lucrat \u00een Var\u0219ovia, \u00een Moscova, Tokyo \u0219i Hong Kong, \u00een prezent tr\u0103ie\u0219te la Bucure\u0219ti.\nwww.annabedynska.com"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/09\/WS_EVENT-scaled.jpg","width":2560,"height":1340},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/09\/30\/fotografia-annei-bedynska-in-cadrul-expozitiei-wet-snow\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"O fotografie de Anna Bedy\u0144ska \u00een cadrul expozi\u021biei &#8222;WET SNOW&#8221;"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/a1d5ab39dce466455f60589721519864","name":"nicolaua","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5029b942a8ac0a6a935e5655abff56ef?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5029b942a8ac0a6a935e5655abff56ef?s=96&d=mm&r=g","caption":"nicolaua"},"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/nicolaua\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/14417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=14417"}],"version-history":[{"count":5,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/14417\/revisions"}],"predecessor-version":[{"id":14661,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/14417\/revisions\/14661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/14418"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=14417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=14417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=14417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}