{"id":14579,"date":"2025-11-07T10:01:32","date_gmt":"2025-11-07T09:01:32","guid":{"rendered":"https:\/\/instytutpolski.pl\/bucuresti\/?p=14579"},"modified":"2025-11-12T11:23:37","modified_gmt":"2025-11-12T10:23:37","slug":"participare-poloneza-la-festivalul-de-muzica-veche-bucuresti","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/","title":{"rendered":"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti"},"content":{"rendered":"\n

THE SOUND OF DA VINCI <\/strong><\/p>\n

S\u0142awomir Zubrzycki – viola organista (Polonia)<\/p>\n

Luni, 10 noiembrie, ora 19.00,\u00a0Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei<\/p>\n

Bilete:<\/strong> https:\/\/tinyurl.com\/DaVinciFMVB2025<\/a><\/p>\n

***<\/p>\n

C\u0103tre sf\u00e2r\u015fitul sec. al XV-lea, Leonardo da Vinci proiecta viola organista<\/em> \u2013 un instrument ce p\u0103rea a fi (constructiv \u0219i sonor) un hibrid \u00eentre clavecin, org\u0103 \u015fi viola da gamba. Instrumentul propriu-zis (func\u021bional \u0219i apreciat de breasla muzicienilor) a devenit realitate secole mai t\u00e2rziu, construit de S\u0142awomir Zubrzycki.<\/p>\n

Instrumentul arat\u0103 ca un clavecin \u0219i este dotat cu un set de corzi. Acestea, \u00een loc s\u0103 fie ciupite, apas\u0103 pe discuri rotative acoperite cu p\u0103r de cal \u2013 acela\u0219i mecanism care produce sunetul \u00een instrumentele cu coarde frecate. Instrumentul combin\u0103 sunetul produs prin ap\u0103sarea clapelor cu sunetul sus\u0163inut (tenuto<\/em>) al unui instrument cu coarde.<\/p>\n

Au existat mai multe \u00eencerc\u0103ri de a reconstitui intrumentul (inclusiv cea a unui organist din Nuremberg, la aproape 100 de ani de c\u00e2nd Da Vinci a creat schi\u0163a) \u00eens\u0103 niciuna nu s-a bucurat de aprecierea breslei muzicale. Abia \u00een 2013, constructorul \u0219i pianistul polonez S\u0142awomir Zubrzycki reu\u0219e\u0219te construirea instrumentului pornind de la desenele sumare ale lui Leonardo da Vinci. Planurile \u0219i schi\u021bele instrumentului, \u00eempreun\u0103 cu comentariile olografe ale lui Leonardo, scrise \u00een oglind\u0103, se reg\u0103sesc \u00een Codex Atlanticus, cea mai mare colec\u021bie de noti\u021be a lui Da Vinci (peste 1000 de fi\u0219e), dat\u00e2nd din perioada 1489-1492.<\/p>\n

Fascinat de trecut, Zubrzycki a reu\u0219it s\u0103 construiasc\u0103 (\u00een perioada 2009 \u2013 2013, dup\u0103 aproximativ 5.000 de ore de munc\u0103) propria versiune, pornind de la planurile lui Leonardo da Vinci, dar inspir\u00e2ndu-se \u0219i din schi\u0163ele altor instrumente ale perioadei 1575 – 1625.<\/p>\n

V\u0103 invit\u0103m s\u0103 audia\u021bi sonorit\u0103\u021bile unice, colorate \u0219i cu o timbralitate surprinz\u0103toare ale viola organista. Un instrument care sun\u0103 ca un \u00eentreg ansamblu!<\/p>\n

\u00cen program: <\/strong><\/p>\n

Henricus Isaac <\/strong>(1450\/55-1517) – Canzon La Martinella <\/em><\/p>\n

Josquin des Prez<\/strong> (ca 1450-1521) – La plus des plus –<\/em> Harmonice Musices Odhecaton<\/p>\n

Jacob Obrecht <\/strong>(1456\/7- 1505) –\u00a0 Fors seulement (<\/em>Wolfenb\u00fctteler Chansonnier, No.35, 1460)<\/p>\n

Adrian Willaert <\/strong>\u00a0(c. 1490-1562) –\u00a0 Dessus le marche d’Arras<\/em>\u00a0-25 Galliards, Pavans and Chansons (1530)<\/p>\n

Vincenzo Galilei<\/strong> (1510-1586) \u2013 Ricercar II<\/em> (Valerio Dorico-Roma 1563) <\/em><\/p>\n

Antonio Valente <\/strong><\/em>(c. 1520-1581) – Lo Ballo dell’Intorcia (<\/em>Intavolatura de cimbalo, 1576<\/em>) <\/em><\/p>\n

Orlando di Lasso<\/strong> (1532-1594) – Suzanne un jour<\/p>\n

Andrea Gabrielli<\/strong> (ca 1532 \u20131585) – CANZONI ALLA FRANCESE et RICERCARI ARIOSI:<\/p>\n

– Tabulate per sonar sopra istromenti da tasti.<\/em><\/p>\n

– Fantasia allegra – Canzon deta SUZANNE UN IOUR <\/em><\/p>\n

Marco Facoli<\/strong> (1540-1585) – Il Secondo Libro d\u2019Intavolatura di Balli d\u2019Arpichordo:<\/p>\n

– Aria della Signora Fior d\u2019Amor <\/em><\/p>\n

– Aria della Marchetta Saporita <\/em><\/p>\n

– Aria della Comedia\u00a0 <\/em><\/p>\n

– Padoana prima dita la Marucina\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/p>\n

The Tabulature of Johannes of Lublin(1537-1548):<\/p>\n

– Taniec Hajducki <\/em><\/p>\n

– Jeszcze Marcinie <\/em><\/p>\n

– Taniec <\/em><\/p>\n

– Alijec Nademna Venus <\/em>\u00a0(Nicolaus Cracoviensis)<\/strong><\/p>\n

– Schephczyk <\/em>\u00ffdz\u00ffe poul\u00ffcz\u00ff sz\u00ffdelka nosz\u0105cz <\/em><\/p>\n

– Rex <\/em><\/p>\n

Giovanni Picchi<\/strong> (1571-1643) – Ballo alla Polacha<\/em> (1619)<\/p>\n

Athanasius Kircher <\/strong>(1602-1680) – Modo Hypodorico <\/em><\/p>\n

Marin Marais <\/strong>(1656-1728) – La R\u00eaveuse, Le Badinage, Rondeau le Bijou, <\/em>Les Folies d 'Espagne<\/em> – Pi\u00e8ces de Viole du Seconde Livre, 1701 <\/em><\/p>\n

***<\/p>\n

S\u0142awomir Zubrzycki<\/strong> este pianist, clavicordist, compozitor \u0219i constructor de instrumente muzicale, originar din Cracovia. A absolvit \u00een 1988 Academia de Muzic\u0103 din Cracovia, iar dup\u0103 primirea unei burse Fulbright, \u0219i-a continuat studiile de pian la Conservatorul de Muzic\u0103 din Boston, \u00een 1990-1991.<\/p>\n

A sus\u021binut concerte at\u00e2t ca solist, evolu\u00e2nd cu Orchestra Simfonic\u0103 a Radioului Polonez, Capella Cracoviensis, Orchestra de Camer\u0103 Toru\u0144, Sinfonieta Colegiului Imperial din Londra, c\u00e2t \u0219i ca interpret de muzic\u0103 de camer\u0103, \u00eempreun\u0103 cu Cvartetul Olg\u0103i Szwajgier sau al\u0103turi de Gwendolyn Bradley, Jadwiga Gadulanka, Andrzej Hiolski, \u00een Polonia, Germania, Marea Britanie, Spania, Ucraina \u0219i Statele Unite ale Americii.<\/p>\n

\u00cen 2009 Zubrzycki a descoperit urmele unei rarit\u0103\u021bi absolute, \u0219i anume instrumentul proiectat de Leonardo da Vinci, care era aproape necunoscut \u0219i uitat. Planurile \u0219i schi\u021bele instrumentului, \u00eempreun\u0103 cu comentariile olografe ale lui Leonardo, scrise \u00een oglind\u0103, se reg\u0103sesc \u00een Codex Atlanticus, cea mai mare colec\u021bie de noti\u021be a lui Da Vinci (peste 1000 de fi\u0219e), dat\u00e2nd din perioada 1489-1492.<\/p>\n

Instrumentul, denumit Viola Organista, nu a fost niciodat\u0103 construit de Leonardo \u00eensu\u0219i. Timp de peste 500 de ani au existat mai multe \u00eencerc\u0103ri de a realiza copii individuale ale instrumentului, \u00eens\u0103 niciuna nu s-a bucurat de aprobarea muzicienilor contemporani. Fascinat de trecut, Zubrzycki a construit \u00een perioada 2009 – 2013 propria versiune, pornind de la planurile lui Leonardo da Vinci, dar inspir\u00e2ndu-se \u0219i din schi\u0163ele altor instrumente ale perioadei 1575 – 1625.<\/p>\n

Premiera recitalurilor cu viola organista (pe 18 octombrie 2013 la Cracovia, \u00een cadrul Festivalului Regal Interna\u021bional de Pian de la Cracovia, \u0219i pe 21 octombrie, \u00een cadrul Festivalului Conrad) s-a bucurat de o foart\u0103 bun\u0103 primire.<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

THE SOUND OF DA VINCI S\u0142awomir Zubrzycki – viola organista (Polonia) Luni, 10 noiembrie, ora 19.00,\u00a0Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei Bilete: https:\/\/tinyurl.com\/DaVinciFMVB2025 *** C\u0103tre sf\u00e2r\u015fitul sec. al XV-lea, Leonardo da Vinci proiecta viola organista \u2013 un instrument ce p\u0103rea a fi (constructiv \u0219i sonor) un hibrid \u00eentre clavecin, org\u0103 \u015fi viola […]<\/p>\n","protected":false},"author":41,"featured_media":14580,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[94,123],"tags":[],"class_list":["post-14579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-evenimente","category-muzica"],"yoast_head":"\nParticipare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti - Instytut Polski w Bukareszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti - Instytut Polski w Bukareszcie\" \/>\n<meta property=\"og:description\" content=\"THE SOUND OF DA VINCI S\u0142awomir Zubrzycki – viola organista (Polonia) Luni, 10 noiembrie, ora 19.00,\u00a0Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei Bilete: https:\/\/tinyurl.com\/DaVinciFMVB2025 *** C\u0103tre sf\u00e2r\u015fitul sec. al XV-lea, Leonardo da Vinci proiecta viola organista \u2013 un instrument ce p\u0103rea a fi (constructiv \u0219i sonor) un hibrid \u00eentre clavecin, org\u0103 \u015fi viola […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bukareszcie\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-07T09:01:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-12T10:23:37+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"mirelal\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"mirelal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/\",\"name\":\"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080-300x169.png\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080-1024x576.png\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png\",\"datePublished\":\"2025-11-07T09:01:32+02:00\",\"dateModified\":\"2025-11-12T10:23:37+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2025-11-10\",\"endDate\":\"2025-11-10\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"THE SOUND OF DA VINCI \\nS\u0142awomir Zubrzycki - viola organista (Polonia)\\nLuni, 10 noiembrie, ora 19.00,\u00a0Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei\\nBilete: https:\/\/tinyurl.com\/DaVinciFMVB2025\\n***\\nC\u0103tre sf\u00e2r\u015fitul sec. al XV-lea, Leonardo da Vinci proiecta viola organista \u2013 un instrument ce p\u0103rea a fi (constructiv \u0219i sonor) un hibrid \u00eentre clavecin, org\u0103 \u015fi viola da gamba. Instrumentul propriu-zis (func\u021bional \u0219i apreciat de breasla muzicienilor) a devenit realitate secole mai t\u00e2rziu, construit de S\u0142awomir Zubrzycki.\\nInstrumentul arat\u0103 ca un clavecin \u0219i este dotat cu un set de corzi. Acestea, \u00een loc s\u0103 fie ciupite, apas\u0103 pe discuri rotative acoperite cu p\u0103r de cal \u2013 acela\u0219i mecanism care produce sunetul \u00een instrumentele cu coarde frecate. Instrumentul combin\u0103 sunetul produs prin ap\u0103sarea clapelor cu sunetul sus\u0163inut (tenuto) al unui instrument cu coarde.\\nAu existat mai multe \u00eencerc\u0103ri de a reconstitui intrumentul (inclusiv cea a unui organist din Nuremberg, la aproape 100 de ani de c\u00e2nd Da Vinci a creat schi\u0163a) \u00eens\u0103 niciuna nu s-a bucurat de aprecierea breslei muzicale. Abia \u00een 2013, constructorul \u0219i pianistul polonez S\u0142awomir Zubrzycki reu\u0219e\u0219te construirea instrumentului pornind de la desenele sumare ale lui Leonardo da Vinci. Planurile \u0219i schi\u021bele instrumentului, \u00eempreun\u0103 cu comentariile olografe ale lui Leonardo, scrise \u00een oglind\u0103, se reg\u0103sesc \u00een Codex Atlanticus, cea mai mare colec\u021bie de noti\u021be a lui Da Vinci (peste 1000 de fi\u0219e), dat\u00e2nd din perioada 1489-1492.\\nFascinat de trecut, Zubrzycki a reu\u0219it s\u0103 construiasc\u0103 (\u00een perioada 2009 \u2013 2013, dup\u0103 aproximativ 5.000 de ore de munc\u0103) propria versiune, pornind de la planurile lui Leonardo da Vinci, dar inspir\u00e2ndu-se \u0219i din schi\u0163ele altor instrumente ale perioadei 1575 - 1625.\\nV\u0103 invit\u0103m s\u0103 audia\u021bi sonorit\u0103\u021bile unice, colorate \u0219i cu o timbralitate surprinz\u0103toare ale viola organista. Un instrument care sun\u0103 ca un \u00eentreg ansamblu!\\n\u00cen program: \\nHenricus Isaac (1450\/55-1517) - Canzon La Martinella \\nJosquin des Prez (ca 1450-1521) - La plus des plus - Harmonice Musices Odhecaton\\nJacob Obrecht (1456\/7- 1505) -\u00a0 Fors seulement (Wolfenb\u00fctteler Chansonnier, No.35, 1460)\\nAdrian Willaert \u00a0(c. 1490-1562) -\u00a0 Dessus le marche d'Arras\u00a0-25 Galliards, Pavans and Chansons (1530)\\nVincenzo Galilei (1510-1586) \u2013 Ricercar II (Valerio Dorico-Roma 1563) \\nAntonio Valente (c. 1520-1581) - Lo Ballo dell'Intorcia (Intavolatura de cimbalo, 1576) \\nOrlando di Lasso (1532-1594) - Suzanne un jour\\nAndrea Gabrielli (ca 1532 \u20131585) - CANZONI ALLA FRANCESE et RICERCARI ARIOSI:\\n- Tabulate per sonar sopra istromenti da tasti.\\n- Fantasia allegra - Canzon deta SUZANNE UN IOUR \\nMarco Facoli (1540-1585) - Il Secondo Libro d\u2019Intavolatura di Balli d\u2019Arpichordo:\\n- Aria della Signora Fior d\u2019Amor \\n- Aria della Marchetta Saporita \\n- Aria della Comedia\u00a0 \\n- Padoana prima dita la Marucina\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \\nThe Tabulature of Johannes of Lublin(1537-1548):\\n- Taniec Hajducki \\n- Jeszcze Marcinie \\n- Taniec \\n- Alijec Nademna Venus \u00a0(Nicolaus Cracoviensis)\\n- Schephczyk \u00ffdz\u00ffe poul\u00ffcz\u00ff sz\u00ffdelka nosz\u0105cz \\n- Rex \\nGiovanni Picchi (1571-1643) - Ballo alla Polacha (1619)\\nAthanasius Kircher (1602-1680) - Modo Hypodorico \\nMarin Marais (1656-1728) - La R\u00eaveuse, Le Badinage, Rondeau le Bijou, Les Folies d 'Espagne - Pi\u00e8ces de Viole du Seconde Livre, 1701 \\n***\\nS\u0142awomir Zubrzycki este pianist, clavicordist, compozitor \u0219i constructor de instrumente muzicale, originar din Cracovia. A absolvit \u00een 1988 Academia de Muzic\u0103 din Cracovia, iar dup\u0103 primirea unei burse Fulbright, \u0219i-a continuat studiile de pian la Conservatorul de Muzic\u0103 din Boston, \u00een 1990-1991.\\nA sus\u021binut concerte at\u00e2t ca solist, evolu\u00e2nd cu Orchestra Simfonic\u0103 a Radioului Polonez, Capella Cracoviensis, Orchestra de Camer\u0103 Toru\u0144, Sinfonieta Colegiului Imperial din Londra, c\u00e2t \u0219i ca interpret de muzic\u0103 de camer\u0103, \u00eempreun\u0103 cu Cvartetul Olg\u0103i Szwajgier sau al\u0103turi de Gwendolyn Bradley, Jadwiga Gadulanka, Andrzej Hiolski, \u00een Polonia, Germania, Marea Britanie, Spania, Ucraina \u0219i Statele Unite ale Americii.\\n\u00cen 2009 Zubrzycki a descoperit urmele unei rarit\u0103\u021bi absolute, \u0219i anume instrumentul proiectat de Leonardo da Vinci, care era aproape necunoscut \u0219i uitat. Planurile \u0219i schi\u021bele instrumentului, \u00eempreun\u0103 cu comentariile olografe ale lui Leonardo, scrise \u00een oglind\u0103, se reg\u0103sesc \u00een Codex Atlanticus, cea mai mare colec\u021bie de noti\u021be a lui Da Vinci (peste 1000 de fi\u0219e), dat\u00e2nd din perioada 1489-1492.\\nInstrumentul, denumit Viola Organista, nu a fost niciodat\u0103 construit de Leonardo \u00eensu\u0219i. Timp de peste 500 de ani au existat mai multe \u00eencerc\u0103ri de a realiza copii individuale ale instrumentului, \u00eens\u0103 niciuna nu s-a bucurat de aprobarea muzicienilor contemporani. Fascinat de trecut, Zubrzycki a construit \u00een perioada 2009 - 2013 propria versiune, pornind de la planurile lui Leonardo da Vinci, dar inspir\u00e2ndu-se \u0219i din schi\u0163ele altor instrumente ale perioadei 1575 - 1625.\\nPremiera recitalurilor cu viola organista (pe 18 octombrie 2013 la Cracovia, \u00een cadrul Festivalului Regal Interna\u021bional de Pian de la Cracovia, \u0219i pe 21 octombrie, \u00een cadrul Festivalului Conrad) s-a bucurat de o foart\u0103 bun\u0103 primire.\\n\u00a0\\n\u00a0\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png\",\"width\":1920,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bucuresti\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/\",\"name\":\"Instytut Polski w Bukareszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\",\"name\":\"mirelal\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g\",\"caption\":\"mirelal\"},\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti - Instytut Polski w Bukareszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/","og_locale":"pl_PL","og_type":"article","og_title":"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti - Instytut Polski w Bukareszcie","og_description":"THE SOUND OF DA VINCI S\u0142awomir Zubrzycki – viola organista (Polonia) Luni, 10 noiembrie, ora 19.00,\u00a0Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei Bilete: https:\/\/tinyurl.com\/DaVinciFMVB2025 *** C\u0103tre sf\u00e2r\u015fitul sec. al XV-lea, Leonardo da Vinci proiecta viola organista \u2013 un instrument ce p\u0103rea a fi (constructiv \u0219i sonor) un hibrid \u00eentre clavecin, org\u0103 \u015fi viola […]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2025-11-07T09:01:32+00:00","article_modified_time":"2025-11-12T10:23:37+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png","type":"image\/png"}],"author":"mirelal","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"mirelal","Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/","name":"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080-300x169.png","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080-1024x576.png","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png","datePublished":"2025-11-07T09:01:32+02:00","dateModified":"2025-11-12T10:23:37+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/"]}],"@context":"https:\/\/schema.org","startDate":"2025-11-10","endDate":"2025-11-10","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"THE SOUND OF DA VINCI \nS\u0142awomir Zubrzycki - viola organista (Polonia)\nLuni, 10 noiembrie, ora 19.00,\u00a0Sala Auditorium a Muzeului Na\u021bional de Art\u0103 al Rom\u00e2niei\nBilete: https:\/\/tinyurl.com\/DaVinciFMVB2025\n***\nC\u0103tre sf\u00e2r\u015fitul sec. al XV-lea, Leonardo da Vinci proiecta viola organista \u2013 un instrument ce p\u0103rea a fi (constructiv \u0219i sonor) un hibrid \u00eentre clavecin, org\u0103 \u015fi viola da gamba. Instrumentul propriu-zis (func\u021bional \u0219i apreciat de breasla muzicienilor) a devenit realitate secole mai t\u00e2rziu, construit de S\u0142awomir Zubrzycki.\nInstrumentul arat\u0103 ca un clavecin \u0219i este dotat cu un set de corzi. Acestea, \u00een loc s\u0103 fie ciupite, apas\u0103 pe discuri rotative acoperite cu p\u0103r de cal \u2013 acela\u0219i mecanism care produce sunetul \u00een instrumentele cu coarde frecate. Instrumentul combin\u0103 sunetul produs prin ap\u0103sarea clapelor cu sunetul sus\u0163inut (tenuto) al unui instrument cu coarde.\nAu existat mai multe \u00eencerc\u0103ri de a reconstitui intrumentul (inclusiv cea a unui organist din Nuremberg, la aproape 100 de ani de c\u00e2nd Da Vinci a creat schi\u0163a) \u00eens\u0103 niciuna nu s-a bucurat de aprecierea breslei muzicale. Abia \u00een 2013, constructorul \u0219i pianistul polonez S\u0142awomir Zubrzycki reu\u0219e\u0219te construirea instrumentului pornind de la desenele sumare ale lui Leonardo da Vinci. Planurile \u0219i schi\u021bele instrumentului, \u00eempreun\u0103 cu comentariile olografe ale lui Leonardo, scrise \u00een oglind\u0103, se reg\u0103sesc \u00een Codex Atlanticus, cea mai mare colec\u021bie de noti\u021be a lui Da Vinci (peste 1000 de fi\u0219e), dat\u00e2nd din perioada 1489-1492.\nFascinat de trecut, Zubrzycki a reu\u0219it s\u0103 construiasc\u0103 (\u00een perioada 2009 \u2013 2013, dup\u0103 aproximativ 5.000 de ore de munc\u0103) propria versiune, pornind de la planurile lui Leonardo da Vinci, dar inspir\u00e2ndu-se \u0219i din schi\u0163ele altor instrumente ale perioadei 1575 - 1625.\nV\u0103 invit\u0103m s\u0103 audia\u021bi sonorit\u0103\u021bile unice, colorate \u0219i cu o timbralitate surprinz\u0103toare ale viola organista. Un instrument care sun\u0103 ca un \u00eentreg ansamblu!\n\u00cen program: \nHenricus Isaac (1450\/55-1517) - Canzon La Martinella \nJosquin des Prez (ca 1450-1521) - La plus des plus - Harmonice Musices Odhecaton\nJacob Obrecht (1456\/7- 1505) -\u00a0 Fors seulement (Wolfenb\u00fctteler Chansonnier, No.35, 1460)\nAdrian Willaert \u00a0(c. 1490-1562) -\u00a0 Dessus le marche d'Arras\u00a0-25 Galliards, Pavans and Chansons (1530)\nVincenzo Galilei (1510-1586) \u2013 Ricercar II (Valerio Dorico-Roma 1563) \nAntonio Valente (c. 1520-1581) - Lo Ballo dell'Intorcia (Intavolatura de cimbalo, 1576) \nOrlando di Lasso (1532-1594) - Suzanne un jour\nAndrea Gabrielli (ca 1532 \u20131585) - CANZONI ALLA FRANCESE et RICERCARI ARIOSI:\n- Tabulate per sonar sopra istromenti da tasti.\n- Fantasia allegra - Canzon deta SUZANNE UN IOUR \nMarco Facoli (1540-1585) - Il Secondo Libro d\u2019Intavolatura di Balli d\u2019Arpichordo:\n- Aria della Signora Fior d\u2019Amor \n- Aria della Marchetta Saporita \n- Aria della Comedia\u00a0 \n- Padoana prima dita la Marucina\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \nThe Tabulature of Johannes of Lublin(1537-1548):\n- Taniec Hajducki \n- Jeszcze Marcinie \n- Taniec \n- Alijec Nademna Venus \u00a0(Nicolaus Cracoviensis)\n- Schephczyk \u00ffdz\u00ffe poul\u00ffcz\u00ff sz\u00ffdelka nosz\u0105cz \n- Rex \nGiovanni Picchi (1571-1643) - Ballo alla Polacha (1619)\nAthanasius Kircher (1602-1680) - Modo Hypodorico \nMarin Marais (1656-1728) - La R\u00eaveuse, Le Badinage, Rondeau le Bijou, Les Folies d 'Espagne - Pi\u00e8ces de Viole du Seconde Livre, 1701 \n***\nS\u0142awomir Zubrzycki este pianist, clavicordist, compozitor \u0219i constructor de instrumente muzicale, originar din Cracovia. A absolvit \u00een 1988 Academia de Muzic\u0103 din Cracovia, iar dup\u0103 primirea unei burse Fulbright, \u0219i-a continuat studiile de pian la Conservatorul de Muzic\u0103 din Boston, \u00een 1990-1991.\nA sus\u021binut concerte at\u00e2t ca solist, evolu\u00e2nd cu Orchestra Simfonic\u0103 a Radioului Polonez, Capella Cracoviensis, Orchestra de Camer\u0103 Toru\u0144, Sinfonieta Colegiului Imperial din Londra, c\u00e2t \u0219i ca interpret de muzic\u0103 de camer\u0103, \u00eempreun\u0103 cu Cvartetul Olg\u0103i Szwajgier sau al\u0103turi de Gwendolyn Bradley, Jadwiga Gadulanka, Andrzej Hiolski, \u00een Polonia, Germania, Marea Britanie, Spania, Ucraina \u0219i Statele Unite ale Americii.\n\u00cen 2009 Zubrzycki a descoperit urmele unei rarit\u0103\u021bi absolute, \u0219i anume instrumentul proiectat de Leonardo da Vinci, care era aproape necunoscut \u0219i uitat. Planurile \u0219i schi\u021bele instrumentului, \u00eempreun\u0103 cu comentariile olografe ale lui Leonardo, scrise \u00een oglind\u0103, se reg\u0103sesc \u00een Codex Atlanticus, cea mai mare colec\u021bie de noti\u021be a lui Da Vinci (peste 1000 de fi\u0219e), dat\u00e2nd din perioada 1489-1492.\nInstrumentul, denumit Viola Organista, nu a fost niciodat\u0103 construit de Leonardo \u00eensu\u0219i. Timp de peste 500 de ani au existat mai multe \u00eencerc\u0103ri de a realiza copii individuale ale instrumentului, \u00eens\u0103 niciuna nu s-a bucurat de aprobarea muzicienilor contemporani. Fascinat de trecut, Zubrzycki a construit \u00een perioada 2009 - 2013 propria versiune, pornind de la planurile lui Leonardo da Vinci, dar inspir\u00e2ndu-se \u0219i din schi\u0163ele altor instrumente ale perioadei 1575 - 1625.\nPremiera recitalurilor cu viola organista (pe 18 octombrie 2013 la Cracovia, \u00een cadrul Festivalului Regal Interna\u021bional de Pian de la Cracovia, \u0219i pe 21 octombrie, \u00een cadrul Festivalului Conrad) s-a bucurat de o foart\u0103 bun\u0103 primire.\n\u00a0\n\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2025\/11\/EventCover-TheSoundOfDaVinci.1920x1080.png","width":1920,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2025\/11\/07\/participare-poloneza-la-festivalul-de-muzica-veche-bucuresti\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"Participare polonez\u0103 la Festivalul de Muzic\u0103 Veche Bucure\u0219ti"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272","name":"mirelal","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","caption":"mirelal"},"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/14579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=14579"}],"version-history":[{"count":8,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/14579\/revisions"}],"predecessor-version":[{"id":14599,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/14579\/revisions\/14599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/14580"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=14579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=14579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=14579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}