link<\/strong><\/a><\/p>\nPortofoliul de lucr\u0103ri \u0219i proiecte ale artistei\u00a0Anna Konik<\/strong>\u00a0include instala\u021bii video, obiecte, art\u0103 video, fotografie \u0219i desene. Artista tr\u0103ie\u0219te \u0219i lucreaz\u0103 la Berlin, Warsaw \u0219i Dobrodzie\u0144. A studiat \u00een cadrul Facult\u0103\u021bii de sculptur\u0103 de la Academia de Arte din Var\u0219ovia cu Krzysztof M. Bednarski \u0219i prof. Grzegorz Kowalski, unde \u0219i-a sus\u021binut teza \u00een 2000. In 2012, Konik a ob\u021binut titlul de Doctor \u00een Arte Vizuale la Academia de Arte din Var\u0219ovia, Facultatea de Arte Media \u0219i Scenografie. \u00cen 2009 a fost nominalizat\u0103 pentru dou\u0103 premii importante pentru tineri arti\u0219ti polonezi: the Deutsche Bank\u2019s Views \u0219i Polityka Passport. \u00cen acela\u0219i an, la invita\u021bia prof. Horst Bredekamp, a devenit prima artist\u0103 cu titulatura de profesor asociat Rudolf Arnheim \u00een departamentul de istoria artei de la Humboldt University \u00een Berlin.<\/p>\nEwa Gorzadek<\/strong>\u00a0este istoric \u0219i critic de art\u0103, autoarea unor eseuri de catalog, curator \u0219ef la Centrul de Art\u0103 Contemporan\u0103 Castelul Ujazdowski din Var\u0219ovia. Este curatoare a numeroase expozi\u021bii incluz\u00e2nd solo show-uri ale grupului AES (1998), Oleg Kukik (1999), Cristian Jankowski (2013), Francis Alys (2014) \u0219i expozi\u021bii de grup: Really, the Young Are Realists, expozi\u021bie a arti\u0219tilor polonezi (2002, \u00een colaborare cu S.Szab\u0142owski), Behind the Red Horizon, expozi\u021bie ruso-polonez\u0103, (2005, \u00een colaborare cu S.Szab\u0142owski), Polish Woman: Medium-Shadow-Image, (2005, \u00een colaborare cu A. Zawadowska), Concret Legacy, (2007, \u00een colaborare cu S. Szab\u0142owski), Where is a Green Rabbit (2011), Be Careful Because It Will Remain, Later, Very Strong With You, Curated_by, Galeria Steinek, Wienna (2011), Enclave (2011, \u00een colaborare cu S. Szab\u0142owski, E. Umansky, I. Tchesnokova), A Few Grams of Red, Yellow, Blue. New Art from Romania (2014).<\/p>\nMatei Bejenaru<\/strong>\u00a0este un artist vizual care tr\u0103ie\u015fte \u015fi activeaz\u0103 la Ia\u015fi, unde pred\u0103 fotografie \u015fi video art la Universitatea de Arte \u201eGeorge Enescu\u201d. Este membru fondator al Ascia\u0163iei Vector din Ia\u015fi \u015fi director al Bienalei de art\u0103 contemporan\u0103 Periferic. \u00cen proiectele sale din ultimii ani, prin fotografie, video \u015fi performance-uri, el analizeaz\u0103 felul \u00een care modurile de produc\u0163ie economic\u0103, cunoa\u015fterea tehnologic\u0103, mentalit\u0103\u0163ile \u015fi stilurile de via\u0163\u0103 ale oamenilor s-au schimbat \u00een \u0163\u0103rile post-comuniste \u00een ultimele dou\u0103 decenii.
Imigra\u0163ia muncitorilor rom\u00e2ni \u00een Vest a fost analizat\u0103 \u00een proiectele artistice Ghid de c\u0103l\u0103torie \u015fi Maersk Dubai, prezentate \u00een diferite expozi\u0163ii interna\u0163ionale precum cele de la Tate Modern, Level 2 Gallery din Londra \u00een 2007 sau \u00een Bienala de la Taipei \u00een 2008.
Proiectul s\u0103u experimental de muzic\u0103 coral\u0103, C\u00e2ntece pentru un viitor mai bun, a fost prezentat la The Drawing Room si Tate Modern la Londra, Western Front la Vancouver, Kunstlerhaus Buchsenhausen Innsbruck \u00eentre noiembrie 2010 si iulie 2011.
Matei Bejenaru a fost profesor invitat la Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al \u00een anul universitar 2011-2012. Intre 2012-2013, el a fost artist asociat la Centrul de art\u0103 Kettle\u2019s Yard din Cambridge, Marea Britanie.
Mai multe detalii pot fi g\u0103site pe website-ul artistului: www.mateibejenaru.net<\/p>\nDelia Popa<\/strong>\u00a0este artist\u0103 vizual\u0103 \u0219i pedagog de art\u0103 \u00een Bucure\u0219ti. Practica sa artistic\u0103 utilizeaz\u0103 teorii \u0219i practici feministe re-evaluate \u00een contextul rom\u00e2nesc prin intermediul unor medii precum video, performance, desen, pictur\u0103 \u015fi instala\u0163ie. A absolvit Universitatea Na\u0163ional\u0103 de Arte Bucure\u015fti, sec\u021bia Pictur\u0103 (2002), \u015fi a ob\u021binut Masterul \u00een Arte Vizuale de la acea\u0219i universitate (2004), Diploma Postuniversitar\u0103 \u00een Arte Vizuale de la Goldsmiths College, University of London (PgDip 2005), \u0219i Masterul \u00een Arte Vizuale de la School of the Art Institute of Chicago (MFA 2007). Expozi\u021biile \u0219i proiectele sale recente includ \u201cDispoz\u021bii \u00een timp \u0219i spa\u021biu\/Bienala Mobil\u0103 I (2014-2015), desenele narative din seria \u201cThe Facebook Project\u201d (2011-2013) parte din \u201cFete bune. Memorie, Dorin\u021b\u0103, Putere\u201d, Muzeul Na\u021bional de Art\u0103 Contemporan\u0103 Bucure\u0219ti (2013), instala\u021bia experimental\u0103 \u201dWe, Our Friends and Us\u201d, la Salonul de Proiecte, ANEXA MNAC, prezentat\u0103 ca duo artistic feminin cu Anca Munteanu-Rimnic (2013), cercetarea \u201dMatonge-Tervuren\u201d, finalizat\u0103 sub form\u0103 de performance cu public la \u201dAdvanced Performance and Scenography Studies\u201d (a.pass), Bruxelles, Belgia, precum \u0219i proiec\u021bia video \u201cThe Blind Men and The Elephant\u201d, la General Public, Berlin, Germania (2011), \u0219i la \u201dReady or Not-Romanian Video Art\u201d, Bienala de Art\u0103 Video, Centrul Interna\u021bional de Art\u0103 Contemporan\u0103, Tel Aviv, Israel (2010).
Este membr\u0103 fondatoare \u0219i pre\u0219edinta Asocia\u021biei ArtCrowd- Arti\u0219ti \u00een educa\u021bie, o organizatie care dezvolta gandirea critic\u0103, g\u00e2ndirea creativ\u0103 \u0219i capacitatea de a lucra \u00een echip\u0103 la copii \u0219i adolescen\u021bi.<\/p>\nElana Katz\u00a0<\/strong>este o artist\u0103 conceptual\u0103 care lucreaz\u0103 cu prec\u0103dere \u00een domeniul artei performative. Artista este stabilit\u0103 la Berlin din 2008. Pornind adesea de la o baz\u0103 istoric\u0103 artista confrunt\u0103 conven\u021biile culturale, examineaz\u0103 critic complexitatea contradic\u021biilor, astfel urm\u0103rind s\u0103 contureze un tip de experien\u021b\u0103 de dezv\u0103\u021bare a lucrurilor presupuse. \u00cen cadrul proiectului \u00een desf\u0103\u0219urare Spaced Memory, realizat \u00een Rom\u00e2nia \u00een parteneriat cu Institutul Goethe \u00een 2014-2015, artista documenteaz\u0103 spa\u021bii \u0219i locuri relevante pentru parcursul istoriei prezen\u021bei evreilor \u00een Balcani, locuri acum disp\u0103rute \u0219i uitate. \u00cencep\u00e2nd cu 2011 Elana a cercetat \u0219i creat lucr\u0103ri\/ac\u021biuni site-specific \u00een Rom\u00e2nia \u0219i \u00een regiuni ale fostei Iugoslavii. Activitatea din Rom\u00e2nia a fost realizat\u0103 \u00een cooperare cu Institutul Goethe din Bucure\u0219ti \u00een 2014 \u0219i 2015. A performat la Bucure\u0219ti la WASP \u00een 2015 \u00een cadrul proiectului interdisciplinar Platforma X, la invita\u021bia curatorilor Olivia Ni\u021bi\u0219 \u0219i Ciprian Ciuclea \u0219i particip\u0103 \u00een prezent \u00een cadrul expozi\u021biei Istorii MonuMentale, Gabroveni Arcub, 2016.
A studiat la Parsons School of Design din New York \u0219i la Universitatea de Arte din Berlin (master). Granturile sale includ DAAD Graduate Studies Grant (2010), Fondul Franklin Furnace (2011). A expus \/ performat la Royal Museum of Fine Arts din Belgia (2011), Diehl CUBE Berlin (2013), P.P.O.W. Gallery, New York (2013), Gallery 12HUB, Belgrad (2014), Kunstwechsel, Aachen (2015), \u0219i DNA Berlin (2015).<\/p>\nViorel An\u0103st\u0103soaie\u00a0<\/strong>este antropolog \u0219i doctorand la University College din Londra. \u00centre 2007 \u0219i 2009 a f\u0103cut cercetare de teren \u00een Cuba \u00eentr-o comunitate de \u021b\u0103rani cultivatori de tutun \u00een partea occidental\u0103 a insulei. Este interesat de antropologia politic\u0103 \u0219i economic\u0103, istoria antropologiei, istoria R\u0103zboiului Rece, printre altele. Se simte ca pe\u0219tele \u00een ap\u0103 \u00een mediul multidisciplinar \u0219i interna\u021bional al Colegiului Noua Europ\u0103 din Bucure\u0219ti, unde a fost bursier \u00een 2013-2014 \u0219i unde este,\u00een prezent,bibliotecar. A fost foarte norocos cu ucenicia sa academic\u0103 (\u0219i nu numai) care l-a purtat de la Bucure\u0219ti (licen\u021b\u0103 \u00een sociologie), la Budapesta (master \u00een istorie la Central European University), apoi la Paris (EHESS, master \u00een antropologie), la Londra (antropologie, UCL) \u0219i la Halle, Germania (institutul Max Planck de Antropologie Social\u0103). A mai petrecut doi ani foarte formativi \u00een Cluj (1999-2001), unde, pe l\u00e2ng\u0103 predare la Universitatea Babe\u0219-Bolyai, s-a implicat \u00een mai multe proiecte \u00eempreun\u0103 cu antropologi \u0219i arti\u0219ti la Casa Tranzit. Pagina sa personal\u0103 de internet este: : https:\/\/ucl.academia.edu\/MarianAnastasoaie<\/p>\nOana Mateescu<\/strong>\u00a0este doctorand\u0103 \u00een antropologie \u0219i istorie la Universitatea Michigan \u0219i profesor asociat la Facultatea de Sociologie, Universitatea Bucure\u0219ti. \u00cen ultimii cinci ani, a predat cursuri de antropologie vizual\u0103, deisgn socialist \u0219i antropologia tehnologiei, propriet\u0103\u021bii \u0219i cunoa\u0219terii. Interesele sale academice au legatur\u0103 cu studiul a diverse forme de materialitate (a naturii, tehnologiei, practicilor, obiectelor) \u0219i interfa\u021bele acestora cu rela\u021bii de proprietate, \u00een special forme ale propriet\u0103\u021bii comune.<\/p>\nOlivia Ni\u021bi\u0219<\/strong>\u00a0este curatoare independent\u0103. A organizat numeroase proiecte na\u021bionale \u0219i interna\u021bionale, precum Perspective 2008, Galeria Anaid, Bucure\u0219ti, 2008, Statement: I Advocate Feminism, Galeria ArtPoint, Kulturkontakt, Viena, Poeticile Politicului, Galeria Propaganda, Var\u0219ovia, 2012, Fete Bune. Memorie, Dorin\u021b\u0103, Putere (\u00eempreun\u0103 cu Bojana Peji\u0107), Muzeul Na\u021bional de Art\u0103 Contemporan\u0103, 2013, Circumstan\u021be favorabile selec\u021biei naturale, Victoria Art Center \u00een cadrul IEEB6, 2014-2015, Istorii MonuMentale, Gabroveni Arcub 2016. Este interesat\u0103 de recontextualizarea discursurilor artei contemporane ale arti\u0219tilor consacra\u021bi precum Marilena Preda S\u00e2nc, Christian Paraschiv, Decebal Scriba, \u0219i de sus\u021binerea practicilor experimentale, alternative \u0219i multimedia.Este doctor \u00een arte vizuale, \u0219i autoarea volumului Istorii marginale ale artei feministe, Editura Vellant, Bucure\u0219ti, 2014. Este cercet\u0103toare \u00een cadrul Institutului de Istoria Artei \u201cG. Oprescu\u201d, vice-pre\u0219edinta Asocia\u021biei Experimental Project, organizatoare a Bienalei Interna\u021bionale de Gravur\u0103 Experimental\u0103, membr\u0103 a Asocia\u021biei Interna\u021bionale a Crticilor de Art\u0103 din 2009 \u0219i a platformei The Feminist Art Project, Rutgers University, New Jersey din 2008. Este lector asociat al Facult\u0103\u021bii de Istorie, Universitatea Bucure\u0219ti. Este autoare, editoare \u0219i co-editoare a numeroase articole \u0219i publica\u021bii de art\u0103 contemporan\u0103.<\/p>\nIntrarea este liber\u0103. Se asigur\u0103 accesul cu automobilul propriu \/ taxiul \u0219i locuri de parcare gratuit\u0103 \/<\/p>\n
\u00a9 Anna Konik. \u00cen acela\u0219i ora\u0219, sub acela\u0219i cer\u2026 \/ Anna Konik In the same city, under the same sky\u2026
Foto: Anna Konik
Imagine din expozi\u021bie \u2013 MNAC<\/p>\n
RSVP @\u00a0https:\/\/www.facebook.com\/events\/1699185093664239\/<\/a><\/p>\nParteneri media: 2activePR, Igloo, zeppelin, \u0218apte Seri, Radio France Internationale \u2013 Rfi, feeder, energiea, we ART, Vision Media Plus, Kepi Consult, Veioza Arte
Sponsori: Crama Opri\u0219or, Policolor, Saint \u2013 Gobain Rigips, Grup Transilvae<\/p>\n","protected":false},"excerpt":{"rendered":"
Proiectul artistei Anna Konik\u00a0concentrez\u0103\u00a0o serie de m\u0103rturii ale unor femei care au migrat for\u021bat din teritorii de conflict. Experien\u021bele personale fac subiectul unor discursuri asumate de alte femei din \u021b\u0103rile care se afl\u0103 \u00een procesul de asimilare a migrantelor accentu\u00e2nd procesele de excluziune intersec\u021bional\u0103, viz\u00e2nd genul, rasa, clasa, religia, v\u00e2rsta \u0219i alte dimensiuni \u00een conturarea […]<\/p>\n","protected":false},"author":40,"featured_media":2325,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16,94],"tags":[],"class_list":["post-2322","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-vizuale","category-evenimente"],"yoast_head":"\n
Arta cu angajament social - dezbatere - Instytut Polski w Bukareszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arta cu angajament social - dezbatere - Instytut Polski w Bukareszcie\" \/>\n<meta property=\"og:description\" content=\"Proiectul artistei Anna Konik\u00a0concentrez\u0103\u00a0o serie de m\u0103rturii ale unor femei care au migrat for\u021bat din teritorii de conflict. Experien\u021bele personale fac subiectul unor discursuri asumate de alte femei din \u021b\u0103rile care se afl\u0103 \u00een procesul de asimilare a migrantelor accentu\u00e2nd procesele de excluziune intersec\u021bional\u0103, viz\u00e2nd genul, rasa, clasa, religia, v\u00e2rsta \u0219i alte dimensiuni \u00een conturarea […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bukareszcie\" \/>\n<meta property=\"article:published_time\" content=\"2016-03-31T07:16:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-28T07:22:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"mrozowskiw\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"mrozowskiw\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/\",\"name\":\"Arta cu angajament social - dezbatere\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed-300x200.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\",\"datePublished\":\"2016-03-31T07:16:00+02:00\",\"dateModified\":\"2020-05-28T07:22:09+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/bb4c505717d34987a9f9d15c79a24bb8\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2016-03-31\",\"endDate\":\"2016-03-31\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Proiectul artistei Anna Konik\u00a0concentrez\u0103\u00a0o serie de m\u0103rturii ale unor femei care au migrat for\u021bat din teritorii de conflict. Experien\u021bele personale fac subiectul unor discursuri asumate de alte femei din \u021b\u0103rile care se afl\u0103 \u00een procesul de asimilare a migrantelor accentu\u00e2nd procesele de excluziune intersec\u021bional\u0103, viz\u00e2nd genul, rasa, clasa, religia, v\u00e2rsta \u0219i alte dimensiuni \u00een conturarea experien\u021belor identitare \u0219i determin\u0103rii formelor de opresiune,\u00a0for\u021b\u00e2nd \u00een acela\u0219i timp exerci\u021bii de empatie. Marginalizarea social\u0103, segregarea socio-teritorial\u0103 \u0219i alte mecanisme de excluziune la care se adaug\u0103 chestionarea eficien\u021bei aparatului de aplicare legislativ\u0103, a proceselor de protec\u021bie \u0219i integrare \u0219i nu \u00een ultimul r\u00e2nd a legilor migra\u021biei de la cele ale lui Ernst Georg Ravenstein din 1876 \u00eencoace, fac subiectul unei dezbateri transdisciplinare la care particip\u0103 al\u0103turi de artist\u0103, curatori \u0219i arti\u0219ti interesa\u021bi de arta cu angajament social \u0219i speciali\u0219ti cu background \u00een antropologie \u0219i sociologie. (Olivia Ni\u021bi\u0219)\\nParticipan\u021bi:\u00a0Anna Konik, Ewa Gorzadek, Matei Bejenaru, Delia Popa, Elana Katz, Viorel An\u0103st\u0103soaie, Oana Mateescu, Olivia Ni\u021bi\u0219.Curatoare \u0219i moderatoare:\u00a0Olivia Ni\u021bi\u0219Produc\u0103tor:\u00a0MNAC\u00a0\u00een parteneriat cu\u00a0Institutul PolonezPartener:\u00a0Colegiul Noua Europ\u0103, Bucure\u0219ti.\\nMai multe despre expozi\u021bia:\u00a0link\\nPortofoliul de lucr\u0103ri \u0219i proiecte ale artistei\u00a0Anna Konik\u00a0include instala\u021bii video, obiecte, art\u0103 video, fotografie \u0219i desene. Artista tr\u0103ie\u0219te \u0219i lucreaz\u0103 la Berlin, Warsaw \u0219i Dobrodzie\u0144. A studiat \u00een cadrul Facult\u0103\u021bii de sculptur\u0103 de la Academia de Arte din Var\u0219ovia cu Krzysztof M. Bednarski \u0219i prof. Grzegorz Kowalski, unde \u0219i-a sus\u021binut teza \u00een 2000. In 2012, Konik a ob\u021binut titlul de Doctor \u00een Arte Vizuale la Academia de Arte din Var\u0219ovia, Facultatea de Arte Media \u0219i Scenografie. \u00cen 2009 a fost nominalizat\u0103 pentru dou\u0103 premii importante pentru tineri arti\u0219ti polonezi: the Deutsche Bank\u2019s Views \u0219i Polityka Passport. \u00cen acela\u0219i an, la invita\u021bia prof. Horst Bredekamp, a devenit prima artist\u0103 cu titulatura de profesor asociat Rudolf Arnheim \u00een departamentul de istoria artei de la Humboldt University \u00een Berlin.\\nEwa Gorzadek\u00a0este istoric \u0219i critic de art\u0103, autoarea unor eseuri de catalog, curator \u0219ef la Centrul de Art\u0103 Contemporan\u0103 Castelul Ujazdowski din Var\u0219ovia. Este curatoare a numeroase expozi\u021bii incluz\u00e2nd solo show-uri ale grupului AES (1998), Oleg Kukik (1999), Cristian Jankowski (2013), Francis Alys (2014) \u0219i expozi\u021bii de grup: Really, the Young Are Realists, expozi\u021bie a arti\u0219tilor polonezi (2002, \u00een colaborare cu S.Szab\u0142owski), Behind the Red Horizon, expozi\u021bie ruso-polonez\u0103, (2005, \u00een colaborare cu S.Szab\u0142owski), Polish Woman: Medium-Shadow-Image, (2005, \u00een colaborare cu A. Zawadowska), Concret Legacy, (2007, \u00een colaborare cu S. Szab\u0142owski), Where is a Green Rabbit (2011), Be Careful Because It Will Remain, Later, Very Strong With You, Curated_by, Galeria Steinek, Wienna (2011), Enclave (2011, \u00een colaborare cu S. Szab\u0142owski, E. Umansky, I. Tchesnokova), A Few Grams of Red, Yellow, Blue. New Art from Romania (2014).\\nMatei Bejenaru\u00a0este un artist vizual care tr\u0103ie\u015fte \u015fi activeaz\u0103 la Ia\u015fi, unde pred\u0103 fotografie \u015fi video art la Universitatea de Arte \u201eGeorge Enescu\u201d. Este membru fondator al Ascia\u0163iei Vector din Ia\u015fi \u015fi director al Bienalei de art\u0103 contemporan\u0103 Periferic. \u00cen proiectele sale din ultimii ani, prin fotografie, video \u015fi performance-uri, el analizeaz\u0103 felul \u00een care modurile de produc\u0163ie economic\u0103, cunoa\u015fterea tehnologic\u0103, mentalit\u0103\u0163ile \u015fi stilurile de via\u0163\u0103 ale oamenilor s-au schimbat \u00een \u0163\u0103rile post-comuniste \u00een ultimele dou\u0103 decenii.Imigra\u0163ia muncitorilor rom\u00e2ni \u00een Vest a fost analizat\u0103 \u00een proiectele artistice Ghid de c\u0103l\u0103torie \u015fi Maersk Dubai, prezentate \u00een diferite expozi\u0163ii interna\u0163ionale precum cele de la Tate Modern, Level 2 Gallery din Londra \u00een 2007 sau \u00een Bienala de la Taipei \u00een 2008.Proiectul s\u0103u experimental de muzic\u0103 coral\u0103, C\u00e2ntece pentru un viitor mai bun, a fost prezentat la The Drawing Room si Tate Modern la Londra, Western Front la Vancouver, Kunstlerhaus Buchsenhausen Innsbruck \u00eentre noiembrie 2010 si iulie 2011.Matei Bejenaru a fost profesor invitat la Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al \u00een anul universitar 2011-2012. Intre 2012-2013, el a fost artist asociat la Centrul de art\u0103 Kettle\u2019s Yard din Cambridge, Marea Britanie.Mai multe detalii pot fi g\u0103site pe website-ul artistului: www.mateibejenaru.net\\nDelia Popa\u00a0este artist\u0103 vizual\u0103 \u0219i pedagog de art\u0103 \u00een Bucure\u0219ti. Practica sa artistic\u0103 utilizeaz\u0103 teorii \u0219i practici feministe re-evaluate \u00een contextul rom\u00e2nesc prin intermediul unor medii precum video, performance, desen, pictur\u0103 \u015fi instala\u0163ie. A absolvit Universitatea Na\u0163ional\u0103 de Arte Bucure\u015fti, sec\u021bia Pictur\u0103 (2002), \u015fi a ob\u021binut Masterul \u00een Arte Vizuale de la acea\u0219i universitate (2004), Diploma Postuniversitar\u0103 \u00een Arte Vizuale de la Goldsmiths College, University of London (PgDip 2005), \u0219i Masterul \u00een Arte Vizuale de la School of the Art Institute of Chicago (MFA 2007). Expozi\u021biile \u0219i proiectele sale recente includ \u201cDispoz\u021bii \u00een timp \u0219i spa\u021biu\/Bienala Mobil\u0103 I (2014-2015), desenele narative din seria \u201cThe Facebook Project\u201d (2011-2013) parte din \u201cFete bune. Memorie, Dorin\u021b\u0103, Putere\u201d, Muzeul Na\u021bional de Art\u0103 Contemporan\u0103 Bucure\u0219ti (2013), instala\u021bia experimental\u0103 \u201dWe, Our Friends and Us\u201d, la Salonul de Proiecte, ANEXA MNAC, prezentat\u0103 ca duo artistic feminin cu Anca Munteanu-Rimnic (2013), cercetarea \u201dMatonge-Tervuren\u201d, finalizat\u0103 sub form\u0103 de performance cu public la \u201dAdvanced Performance and Scenography Studies\u201d (a.pass), Bruxelles, Belgia, precum \u0219i proiec\u021bia video \u201cThe Blind Men and The Elephant\u201d, la General Public, Berlin, Germania (2011), \u0219i la \u201dReady or Not-Romanian Video Art\u201d, Bienala de Art\u0103 Video, Centrul Interna\u021bional de Art\u0103 Contemporan\u0103, Tel Aviv, Israel (2010).Este membr\u0103 fondatoare \u0219i pre\u0219edinta Asocia\u021biei ArtCrowd- Arti\u0219ti \u00een educa\u021bie, o organizatie care dezvolta gandirea critic\u0103, g\u00e2ndirea creativ\u0103 \u0219i capacitatea de a lucra \u00een echip\u0103 la copii \u0219i adolescen\u021bi.\\nElana Katz\u00a0este o artist\u0103 conceptual\u0103 care lucreaz\u0103 cu prec\u0103dere \u00een domeniul artei performative. Artista este stabilit\u0103 la Berlin din 2008. Pornind adesea de la o baz\u0103 istoric\u0103 artista confrunt\u0103 conven\u021biile culturale, examineaz\u0103 critic complexitatea contradic\u021biilor, astfel urm\u0103rind s\u0103 contureze un tip de experien\u021b\u0103 de dezv\u0103\u021bare a lucrurilor presupuse. \u00cen cadrul proiectului \u00een desf\u0103\u0219urare Spaced Memory, realizat \u00een Rom\u00e2nia \u00een parteneriat cu Institutul Goethe \u00een 2014-2015, artista documenteaz\u0103 spa\u021bii \u0219i locuri relevante pentru parcursul istoriei prezen\u021bei evreilor \u00een Balcani, locuri acum disp\u0103rute \u0219i uitate. \u00cencep\u00e2nd cu 2011 Elana a cercetat \u0219i creat lucr\u0103ri\/ac\u021biuni site-specific \u00een Rom\u00e2nia \u0219i \u00een regiuni ale fostei Iugoslavii. Activitatea din Rom\u00e2nia a fost realizat\u0103 \u00een cooperare cu Institutul Goethe din Bucure\u0219ti \u00een 2014 \u0219i 2015. A performat la Bucure\u0219ti la WASP \u00een 2015 \u00een cadrul proiectului interdisciplinar Platforma X, la invita\u021bia curatorilor Olivia Ni\u021bi\u0219 \u0219i Ciprian Ciuclea \u0219i particip\u0103 \u00een prezent \u00een cadrul expozi\u021biei Istorii MonuMentale, Gabroveni Arcub, 2016.A studiat la Parsons School of Design din New York \u0219i la Universitatea de Arte din Berlin (master). Granturile sale includ DAAD Graduate Studies Grant (2010), Fondul Franklin Furnace (2011). A expus \/ performat la Royal Museum of Fine Arts din Belgia (2011), Diehl CUBE Berlin (2013), P.P.O.W. Gallery, New York (2013), Gallery 12HUB, Belgrad (2014), Kunstwechsel, Aachen (2015), \u0219i DNA Berlin (2015).\\nViorel An\u0103st\u0103soaie\u00a0este antropolog \u0219i doctorand la University College din Londra. \u00centre 2007 \u0219i 2009 a f\u0103cut cercetare de teren \u00een Cuba \u00eentr-o comunitate de \u021b\u0103rani cultivatori de tutun \u00een partea occidental\u0103 a insulei. Este interesat de antropologia politic\u0103 \u0219i economic\u0103, istoria antropologiei, istoria R\u0103zboiului Rece, printre altele. Se simte ca pe\u0219tele \u00een ap\u0103 \u00een mediul multidisciplinar \u0219i interna\u021bional al Colegiului Noua Europ\u0103 din Bucure\u0219ti, unde a fost bursier \u00een 2013-2014 \u0219i unde este,\u00een prezent,bibliotecar. A fost foarte norocos cu ucenicia sa academic\u0103 (\u0219i nu numai) care l-a purtat de la Bucure\u0219ti (licen\u021b\u0103 \u00een sociologie), la Budapesta (master \u00een istorie la Central European University), apoi la Paris (EHESS, master \u00een antropologie), la Londra (antropologie, UCL) \u0219i la Halle, Germania (institutul Max Planck de Antropologie Social\u0103). A mai petrecut doi ani foarte formativi \u00een Cluj (1999-2001), unde, pe l\u00e2ng\u0103 predare la Universitatea Babe\u0219-Bolyai, s-a implicat \u00een mai multe proiecte \u00eempreun\u0103 cu antropologi \u0219i arti\u0219ti la Casa Tranzit. Pagina sa personal\u0103 de internet este: : https:\/\/ucl.academia.edu\/MarianAnastasoaie\\nOana Mateescu\u00a0este doctorand\u0103 \u00een antropologie \u0219i istorie la Universitatea Michigan \u0219i profesor asociat la Facultatea de Sociologie, Universitatea Bucure\u0219ti. \u00cen ultimii cinci ani, a predat cursuri de antropologie vizual\u0103, deisgn socialist \u0219i antropologia tehnologiei, propriet\u0103\u021bii \u0219i cunoa\u0219terii. Interesele sale academice au legatur\u0103 cu studiul a diverse forme de materialitate (a naturii, tehnologiei, practicilor, obiectelor) \u0219i interfa\u021bele acestora cu rela\u021bii de proprietate, \u00een special forme ale propriet\u0103\u021bii comune.\\nOlivia Ni\u021bi\u0219\u00a0este curatoare independent\u0103. A organizat numeroase proiecte na\u021bionale \u0219i interna\u021bionale, precum Perspective 2008, Galeria Anaid, Bucure\u0219ti, 2008, Statement: I Advocate Feminism, Galeria ArtPoint, Kulturkontakt, Viena, Poeticile Politicului, Galeria Propaganda, Var\u0219ovia, 2012, Fete Bune. Memorie, Dorin\u021b\u0103, Putere (\u00eempreun\u0103 cu Bojana Peji\u0107), Muzeul Na\u021bional de Art\u0103 Contemporan\u0103, 2013, Circumstan\u021be favorabile selec\u021biei naturale, Victoria Art Center \u00een cadrul IEEB6, 2014-2015, Istorii MonuMentale, Gabroveni Arcub 2016. Este interesat\u0103 de recontextualizarea discursurilor artei contemporane ale arti\u0219tilor consacra\u021bi precum Marilena Preda S\u00e2nc, Christian Paraschiv, Decebal Scriba, \u0219i de sus\u021binerea practicilor experimentale, alternative \u0219i multimedia.Este doctor \u00een arte vizuale, \u0219i autoarea volumului Istorii marginale ale artei feministe, Editura Vellant, Bucure\u0219ti, 2014. Este cercet\u0103toare \u00een cadrul Institutului de Istoria Artei \u201cG. Oprescu\u201d, vice-pre\u0219edinta Asocia\u021biei Experimental Project, organizatoare a Bienalei Interna\u021bionale de Gravur\u0103 Experimental\u0103, membr\u0103 a Asocia\u021biei Interna\u021bionale a Crticilor de Art\u0103 din 2009 \u0219i a platformei The Feminist Art Project, Rutgers University, New Jersey din 2008. Este lector asociat al Facult\u0103\u021bii de Istorie, Universitatea Bucure\u0219ti. Este autoare, editoare \u0219i co-editoare a numeroase articole \u0219i publica\u021bii de art\u0103 contemporan\u0103.\\nIntrarea este liber\u0103. Se asigur\u0103 accesul cu automobilul propriu \/ taxiul \u0219i locuri de parcare gratuit\u0103 \/\\n\u00a9 Anna Konik. \u00cen acela\u0219i ora\u0219, sub acela\u0219i cer\u2026 \/ Anna Konik In the same city, under the same sky\u2026Foto: Anna KonikImagine din expozi\u021bie \u2013 MNAC\\nRSVP @\u00a0https:\/\/www.facebook.com\/events\/1699185093664239\/\\nParteneri media: 2activePR, Igloo, zeppelin, \u0218apte Seri, Radio France Internationale \u2013 Rfi, feeder, energiea, we ART, Vision Media Plus, Kepi Consult, Veioza ArteSponsori: Crama Opri\u0219or, Policolor, Saint \u2013 Gobain Rigips, Grup Transilvae\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg\",\"width\":660,\"height\":440,\"caption\":\"foto: Agnieszka Skieterska\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bucuresti\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Arta cu angajament social – dezbatere\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/\",\"name\":\"Instytut Polski w Bukareszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/bb4c505717d34987a9f9d15c79a24bb8\",\"name\":\"mrozowskiw\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/563584068e0e0cfe9f36feb55c42a1e4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/563584068e0e0cfe9f36feb55c42a1e4?s=96&d=mm&r=g\",\"caption\":\"mrozowskiw\"},\"sameAs\":[\"http:\/\/instytutpolski.pl\/bucuresti\/\",\"mrozowskiw\"],\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/author\/mrozowskiw\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Arta cu angajament social - dezbatere - Instytut Polski w Bukareszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/","og_locale":"pl_PL","og_type":"article","og_title":"Arta cu angajament social - dezbatere - Instytut Polski w Bukareszcie","og_description":"Proiectul artistei Anna Konik\u00a0concentrez\u0103\u00a0o serie de m\u0103rturii ale unor femei care au migrat for\u021bat din teritorii de conflict. Experien\u021bele personale fac subiectul unor discursuri asumate de alte femei din \u021b\u0103rile care se afl\u0103 \u00een procesul de asimilare a migrantelor accentu\u00e2nd procesele de excluziune intersec\u021bional\u0103, viz\u00e2nd genul, rasa, clasa, religia, v\u00e2rsta \u0219i alte dimensiuni \u00een conturarea […]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2016-03-31T07:16:00+00:00","article_modified_time":"2020-05-28T07:22:09+00:00","og_image":[{"width":660,"height":440,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg","type":"image\/jpeg"}],"author":"mrozowskiw","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"mrozowskiw","Szacowany czas czytania":"8 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/","name":"Arta cu angajament social - dezbatere","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed-300x200.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg","datePublished":"2016-03-31T07:16:00+02:00","dateModified":"2020-05-28T07:22:09+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/bb4c505717d34987a9f9d15c79a24bb8"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/"]}],"@context":"https:\/\/schema.org","startDate":"2016-03-31","endDate":"2016-03-31","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Proiectul artistei Anna Konik\u00a0concentrez\u0103\u00a0o serie de m\u0103rturii ale unor femei care au migrat for\u021bat din teritorii de conflict. Experien\u021bele personale fac subiectul unor discursuri asumate de alte femei din \u021b\u0103rile care se afl\u0103 \u00een procesul de asimilare a migrantelor accentu\u00e2nd procesele de excluziune intersec\u021bional\u0103, viz\u00e2nd genul, rasa, clasa, religia, v\u00e2rsta \u0219i alte dimensiuni \u00een conturarea experien\u021belor identitare \u0219i determin\u0103rii formelor de opresiune,\u00a0for\u021b\u00e2nd \u00een acela\u0219i timp exerci\u021bii de empatie. Marginalizarea social\u0103, segregarea socio-teritorial\u0103 \u0219i alte mecanisme de excluziune la care se adaug\u0103 chestionarea eficien\u021bei aparatului de aplicare legislativ\u0103, a proceselor de protec\u021bie \u0219i integrare \u0219i nu \u00een ultimul r\u00e2nd a legilor migra\u021biei de la cele ale lui Ernst Georg Ravenstein din 1876 \u00eencoace, fac subiectul unei dezbateri transdisciplinare la care particip\u0103 al\u0103turi de artist\u0103, curatori \u0219i arti\u0219ti interesa\u021bi de arta cu angajament social \u0219i speciali\u0219ti cu background \u00een antropologie \u0219i sociologie. (Olivia Ni\u021bi\u0219)\nParticipan\u021bi:\u00a0Anna Konik, Ewa Gorzadek, Matei Bejenaru, Delia Popa, Elana Katz, Viorel An\u0103st\u0103soaie, Oana Mateescu, Olivia Ni\u021bi\u0219.Curatoare \u0219i moderatoare:\u00a0Olivia Ni\u021bi\u0219Produc\u0103tor:\u00a0MNAC\u00a0\u00een parteneriat cu\u00a0Institutul PolonezPartener:\u00a0Colegiul Noua Europ\u0103, Bucure\u0219ti.\nMai multe despre expozi\u021bia:\u00a0link\nPortofoliul de lucr\u0103ri \u0219i proiecte ale artistei\u00a0Anna Konik\u00a0include instala\u021bii video, obiecte, art\u0103 video, fotografie \u0219i desene. Artista tr\u0103ie\u0219te \u0219i lucreaz\u0103 la Berlin, Warsaw \u0219i Dobrodzie\u0144. A studiat \u00een cadrul Facult\u0103\u021bii de sculptur\u0103 de la Academia de Arte din Var\u0219ovia cu Krzysztof M. Bednarski \u0219i prof. Grzegorz Kowalski, unde \u0219i-a sus\u021binut teza \u00een 2000. In 2012, Konik a ob\u021binut titlul de Doctor \u00een Arte Vizuale la Academia de Arte din Var\u0219ovia, Facultatea de Arte Media \u0219i Scenografie. \u00cen 2009 a fost nominalizat\u0103 pentru dou\u0103 premii importante pentru tineri arti\u0219ti polonezi: the Deutsche Bank\u2019s Views \u0219i Polityka Passport. \u00cen acela\u0219i an, la invita\u021bia prof. Horst Bredekamp, a devenit prima artist\u0103 cu titulatura de profesor asociat Rudolf Arnheim \u00een departamentul de istoria artei de la Humboldt University \u00een Berlin.\nEwa Gorzadek\u00a0este istoric \u0219i critic de art\u0103, autoarea unor eseuri de catalog, curator \u0219ef la Centrul de Art\u0103 Contemporan\u0103 Castelul Ujazdowski din Var\u0219ovia. Este curatoare a numeroase expozi\u021bii incluz\u00e2nd solo show-uri ale grupului AES (1998), Oleg Kukik (1999), Cristian Jankowski (2013), Francis Alys (2014) \u0219i expozi\u021bii de grup: Really, the Young Are Realists, expozi\u021bie a arti\u0219tilor polonezi (2002, \u00een colaborare cu S.Szab\u0142owski), Behind the Red Horizon, expozi\u021bie ruso-polonez\u0103, (2005, \u00een colaborare cu S.Szab\u0142owski), Polish Woman: Medium-Shadow-Image, (2005, \u00een colaborare cu A. Zawadowska), Concret Legacy, (2007, \u00een colaborare cu S. Szab\u0142owski), Where is a Green Rabbit (2011), Be Careful Because It Will Remain, Later, Very Strong With You, Curated_by, Galeria Steinek, Wienna (2011), Enclave (2011, \u00een colaborare cu S. Szab\u0142owski, E. Umansky, I. Tchesnokova), A Few Grams of Red, Yellow, Blue. New Art from Romania (2014).\nMatei Bejenaru\u00a0este un artist vizual care tr\u0103ie\u015fte \u015fi activeaz\u0103 la Ia\u015fi, unde pred\u0103 fotografie \u015fi video art la Universitatea de Arte \u201eGeorge Enescu\u201d. Este membru fondator al Ascia\u0163iei Vector din Ia\u015fi \u015fi director al Bienalei de art\u0103 contemporan\u0103 Periferic. \u00cen proiectele sale din ultimii ani, prin fotografie, video \u015fi performance-uri, el analizeaz\u0103 felul \u00een care modurile de produc\u0163ie economic\u0103, cunoa\u015fterea tehnologic\u0103, mentalit\u0103\u0163ile \u015fi stilurile de via\u0163\u0103 ale oamenilor s-au schimbat \u00een \u0163\u0103rile post-comuniste \u00een ultimele dou\u0103 decenii.Imigra\u0163ia muncitorilor rom\u00e2ni \u00een Vest a fost analizat\u0103 \u00een proiectele artistice Ghid de c\u0103l\u0103torie \u015fi Maersk Dubai, prezentate \u00een diferite expozi\u0163ii interna\u0163ionale precum cele de la Tate Modern, Level 2 Gallery din Londra \u00een 2007 sau \u00een Bienala de la Taipei \u00een 2008.Proiectul s\u0103u experimental de muzic\u0103 coral\u0103, C\u00e2ntece pentru un viitor mai bun, a fost prezentat la The Drawing Room si Tate Modern la Londra, Western Front la Vancouver, Kunstlerhaus Buchsenhausen Innsbruck \u00eentre noiembrie 2010 si iulie 2011.Matei Bejenaru a fost profesor invitat la Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al \u00een anul universitar 2011-2012. Intre 2012-2013, el a fost artist asociat la Centrul de art\u0103 Kettle\u2019s Yard din Cambridge, Marea Britanie.Mai multe detalii pot fi g\u0103site pe website-ul artistului: www.mateibejenaru.net\nDelia Popa\u00a0este artist\u0103 vizual\u0103 \u0219i pedagog de art\u0103 \u00een Bucure\u0219ti. Practica sa artistic\u0103 utilizeaz\u0103 teorii \u0219i practici feministe re-evaluate \u00een contextul rom\u00e2nesc prin intermediul unor medii precum video, performance, desen, pictur\u0103 \u015fi instala\u0163ie. A absolvit Universitatea Na\u0163ional\u0103 de Arte Bucure\u015fti, sec\u021bia Pictur\u0103 (2002), \u015fi a ob\u021binut Masterul \u00een Arte Vizuale de la acea\u0219i universitate (2004), Diploma Postuniversitar\u0103 \u00een Arte Vizuale de la Goldsmiths College, University of London (PgDip 2005), \u0219i Masterul \u00een Arte Vizuale de la School of the Art Institute of Chicago (MFA 2007). Expozi\u021biile \u0219i proiectele sale recente includ \u201cDispoz\u021bii \u00een timp \u0219i spa\u021biu\/Bienala Mobil\u0103 I (2014-2015), desenele narative din seria \u201cThe Facebook Project\u201d (2011-2013) parte din \u201cFete bune. Memorie, Dorin\u021b\u0103, Putere\u201d, Muzeul Na\u021bional de Art\u0103 Contemporan\u0103 Bucure\u0219ti (2013), instala\u021bia experimental\u0103 \u201dWe, Our Friends and Us\u201d, la Salonul de Proiecte, ANEXA MNAC, prezentat\u0103 ca duo artistic feminin cu Anca Munteanu-Rimnic (2013), cercetarea \u201dMatonge-Tervuren\u201d, finalizat\u0103 sub form\u0103 de performance cu public la \u201dAdvanced Performance and Scenography Studies\u201d (a.pass), Bruxelles, Belgia, precum \u0219i proiec\u021bia video \u201cThe Blind Men and The Elephant\u201d, la General Public, Berlin, Germania (2011), \u0219i la \u201dReady or Not-Romanian Video Art\u201d, Bienala de Art\u0103 Video, Centrul Interna\u021bional de Art\u0103 Contemporan\u0103, Tel Aviv, Israel (2010).Este membr\u0103 fondatoare \u0219i pre\u0219edinta Asocia\u021biei ArtCrowd- Arti\u0219ti \u00een educa\u021bie, o organizatie care dezvolta gandirea critic\u0103, g\u00e2ndirea creativ\u0103 \u0219i capacitatea de a lucra \u00een echip\u0103 la copii \u0219i adolescen\u021bi.\nElana Katz\u00a0este o artist\u0103 conceptual\u0103 care lucreaz\u0103 cu prec\u0103dere \u00een domeniul artei performative. Artista este stabilit\u0103 la Berlin din 2008. Pornind adesea de la o baz\u0103 istoric\u0103 artista confrunt\u0103 conven\u021biile culturale, examineaz\u0103 critic complexitatea contradic\u021biilor, astfel urm\u0103rind s\u0103 contureze un tip de experien\u021b\u0103 de dezv\u0103\u021bare a lucrurilor presupuse. \u00cen cadrul proiectului \u00een desf\u0103\u0219urare Spaced Memory, realizat \u00een Rom\u00e2nia \u00een parteneriat cu Institutul Goethe \u00een 2014-2015, artista documenteaz\u0103 spa\u021bii \u0219i locuri relevante pentru parcursul istoriei prezen\u021bei evreilor \u00een Balcani, locuri acum disp\u0103rute \u0219i uitate. \u00cencep\u00e2nd cu 2011 Elana a cercetat \u0219i creat lucr\u0103ri\/ac\u021biuni site-specific \u00een Rom\u00e2nia \u0219i \u00een regiuni ale fostei Iugoslavii. Activitatea din Rom\u00e2nia a fost realizat\u0103 \u00een cooperare cu Institutul Goethe din Bucure\u0219ti \u00een 2014 \u0219i 2015. A performat la Bucure\u0219ti la WASP \u00een 2015 \u00een cadrul proiectului interdisciplinar Platforma X, la invita\u021bia curatorilor Olivia Ni\u021bi\u0219 \u0219i Ciprian Ciuclea \u0219i particip\u0103 \u00een prezent \u00een cadrul expozi\u021biei Istorii MonuMentale, Gabroveni Arcub, 2016.A studiat la Parsons School of Design din New York \u0219i la Universitatea de Arte din Berlin (master). Granturile sale includ DAAD Graduate Studies Grant (2010), Fondul Franklin Furnace (2011). A expus \/ performat la Royal Museum of Fine Arts din Belgia (2011), Diehl CUBE Berlin (2013), P.P.O.W. Gallery, New York (2013), Gallery 12HUB, Belgrad (2014), Kunstwechsel, Aachen (2015), \u0219i DNA Berlin (2015).\nViorel An\u0103st\u0103soaie\u00a0este antropolog \u0219i doctorand la University College din Londra. \u00centre 2007 \u0219i 2009 a f\u0103cut cercetare de teren \u00een Cuba \u00eentr-o comunitate de \u021b\u0103rani cultivatori de tutun \u00een partea occidental\u0103 a insulei. Este interesat de antropologia politic\u0103 \u0219i economic\u0103, istoria antropologiei, istoria R\u0103zboiului Rece, printre altele. Se simte ca pe\u0219tele \u00een ap\u0103 \u00een mediul multidisciplinar \u0219i interna\u021bional al Colegiului Noua Europ\u0103 din Bucure\u0219ti, unde a fost bursier \u00een 2013-2014 \u0219i unde este,\u00een prezent,bibliotecar. A fost foarte norocos cu ucenicia sa academic\u0103 (\u0219i nu numai) care l-a purtat de la Bucure\u0219ti (licen\u021b\u0103 \u00een sociologie), la Budapesta (master \u00een istorie la Central European University), apoi la Paris (EHESS, master \u00een antropologie), la Londra (antropologie, UCL) \u0219i la Halle, Germania (institutul Max Planck de Antropologie Social\u0103). A mai petrecut doi ani foarte formativi \u00een Cluj (1999-2001), unde, pe l\u00e2ng\u0103 predare la Universitatea Babe\u0219-Bolyai, s-a implicat \u00een mai multe proiecte \u00eempreun\u0103 cu antropologi \u0219i arti\u0219ti la Casa Tranzit. Pagina sa personal\u0103 de internet este: : https:\/\/ucl.academia.edu\/MarianAnastasoaie\nOana Mateescu\u00a0este doctorand\u0103 \u00een antropologie \u0219i istorie la Universitatea Michigan \u0219i profesor asociat la Facultatea de Sociologie, Universitatea Bucure\u0219ti. \u00cen ultimii cinci ani, a predat cursuri de antropologie vizual\u0103, deisgn socialist \u0219i antropologia tehnologiei, propriet\u0103\u021bii \u0219i cunoa\u0219terii. Interesele sale academice au legatur\u0103 cu studiul a diverse forme de materialitate (a naturii, tehnologiei, practicilor, obiectelor) \u0219i interfa\u021bele acestora cu rela\u021bii de proprietate, \u00een special forme ale propriet\u0103\u021bii comune.\nOlivia Ni\u021bi\u0219\u00a0este curatoare independent\u0103. A organizat numeroase proiecte na\u021bionale \u0219i interna\u021bionale, precum Perspective 2008, Galeria Anaid, Bucure\u0219ti, 2008, Statement: I Advocate Feminism, Galeria ArtPoint, Kulturkontakt, Viena, Poeticile Politicului, Galeria Propaganda, Var\u0219ovia, 2012, Fete Bune. Memorie, Dorin\u021b\u0103, Putere (\u00eempreun\u0103 cu Bojana Peji\u0107), Muzeul Na\u021bional de Art\u0103 Contemporan\u0103, 2013, Circumstan\u021be favorabile selec\u021biei naturale, Victoria Art Center \u00een cadrul IEEB6, 2014-2015, Istorii MonuMentale, Gabroveni Arcub 2016. Este interesat\u0103 de recontextualizarea discursurilor artei contemporane ale arti\u0219tilor consacra\u021bi precum Marilena Preda S\u00e2nc, Christian Paraschiv, Decebal Scriba, \u0219i de sus\u021binerea practicilor experimentale, alternative \u0219i multimedia.Este doctor \u00een arte vizuale, \u0219i autoarea volumului Istorii marginale ale artei feministe, Editura Vellant, Bucure\u0219ti, 2014. Este cercet\u0103toare \u00een cadrul Institutului de Istoria Artei \u201cG. Oprescu\u201d, vice-pre\u0219edinta Asocia\u021biei Experimental Project, organizatoare a Bienalei Interna\u021bionale de Gravur\u0103 Experimental\u0103, membr\u0103 a Asocia\u021biei Interna\u021bionale a Crticilor de Art\u0103 din 2009 \u0219i a platformei The Feminist Art Project, Rutgers University, New Jersey din 2008. Este lector asociat al Facult\u0103\u021bii de Istorie, Universitatea Bucure\u0219ti. Este autoare, editoare \u0219i co-editoare a numeroase articole \u0219i publica\u021bii de art\u0103 contemporan\u0103.\nIntrarea este liber\u0103. Se asigur\u0103 accesul cu automobilul propriu \/ taxiul \u0219i locuri de parcare gratuit\u0103 \/\n\u00a9 Anna Konik. \u00cen acela\u0219i ora\u0219, sub acela\u0219i cer\u2026 \/ Anna Konik In the same city, under the same sky\u2026Foto: Anna KonikImagine din expozi\u021bie \u2013 MNAC\nRSVP @\u00a0https:\/\/www.facebook.com\/events\/1699185093664239\/\nParteneri media: 2activePR, Igloo, zeppelin, \u0218apte Seri, Radio France Internationale \u2013 Rfi, feeder, energiea, we ART, Vision Media Plus, Kepi Consult, Veioza ArteSponsori: Crama Opri\u0219or, Policolor, Saint \u2013 Gobain Rigips, Grup Transilvae"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/05\/arta-cu-angajament-social-dezbatere_c100ed.jpg","width":660,"height":440,"caption":"foto: Agnieszka Skieterska"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2016\/03\/31\/arta-cu-angajament-social-dezbatere\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"Arta cu angajament social – dezbatere"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/bb4c505717d34987a9f9d15c79a24bb8","name":"mrozowskiw","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/563584068e0e0cfe9f36feb55c42a1e4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/563584068e0e0cfe9f36feb55c42a1e4?s=96&d=mm&r=g","caption":"mrozowskiw"},"sameAs":["http:\/\/instytutpolski.pl\/bucuresti\/","mrozowskiw"],"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/mrozowskiw\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/2322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=2322"}],"version-history":[{"count":2,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/2322\/revisions"}],"predecessor-version":[{"id":2327,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/2322\/revisions\/2327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/2325"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=2322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=2322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=2322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}