{"id":4021,"date":"2015-12-03T10:02:00","date_gmt":"2015-12-03T09:02:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/bucuresti\/?p=4021"},"modified":"2020-06-05T10:05:52","modified_gmt":"2020-06-05T08:05:52","slug":"arta-contemporana-poloneza-la-mnac","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/","title":{"rendered":"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC"},"content":{"rendered":"\n

„M\u0103rturiile acestor femei imigrante din Afganistan, Siria, Irak, Burma, Palestina, Turcia, Kurdistan, Congo, Romania, Cecenia, Ingu\u015fetia, Somalia, Nigeria, Camerun, Ecuador \u015fi din minorit\u0103\u0163ile rrome alc\u0103tuiesc o dare de seam\u0103 autentic\u0103 asupra dificult\u0103\u0163ilor lor. Prima parte a fost \u00eenregistrat\u0103 \u00een capitala Suediei, Stockholm, \u00een 2011; a doua la Bia\u0142ystok, aproape de grani\u0163a de est a Poloniei, \u00een 2012; a treia \u00een Rom\u00e2nia, mai ales la Bucure\u015fti, \u00een 2013; a patra parte, \u00eenregistrat\u0103 la Istanbul, a fost \u00eenceput\u0103 \u00een paralel cu partea a treia \u015fi finalizat\u0103 \u00een 2014, iar  cea mai recent\u0103 a fost realizat\u0103 la Nantes, \u00een 2014 \u015fi 2015, ultima \u00eenregistrare fiind f\u0103cut\u0103 pe 25 mai 2015, la Nantes.
Toate pove\u015ftile se concentreaz\u0103 pe experien\u0163ele reale ale unor femei aflate \u00een c\u0103utarea unui c\u0103min \u015fi a unei vie\u0163i departe de r\u0103zboi, terorism, s\u0103r\u0103cie, oprimare sexual\u0103 \u015fi violen\u0163\u0103. Aproape nici una dintre aceste pove\u015fti nu are un final fericit; multe dintre femei sunt \u00eenc\u0103 \u00een punctul \u00een care \u00ee\u0219i construiesc o nou\u0103 via\u0163\u0103. \u00cenregistr\u0103rile con\u0163in cuvinte de disperare, de fric\u0103, de \u00eendoial\u0103 \u015fi, \u00een acela\u015fi timp, de indignare, de revendicare a drept\u0103\u0163ii \u015fi \u00een\u0163elegerii \u2013 una care s\u0103 se bazeze pe empatie, pe recunoa\u015ftere a motivelor dramatice ale fugii, dar, mai presus de toate, pe acceptarea ca fiin\u0163\u0103 uman\u0103 vie, f\u0103r\u0103 a \u0163ine seama de faptul c\u0103 este ciudat\u0103 \u015fi diferit\u0103. Aceast\u0103 serie monumental\u0103 \u00eenf\u0103\u0163i\u015feaz\u0103 condi\u0163ia de \u015fubrezire permanent\u0103 sau de anulare lent\u0103 a indivizilor mai slabi de c\u0103tre cei a c\u0103ror pozi\u0163ie este consolidat\u0103 \u015fi neamenin\u0163at\u0103. Ea ia forma unei agresiuni ascunse sau f\u0103\u021bi\u0219e pe temeiuri rasiale, religioase, culturale \u015fi economice.
Via\u0163a nu mai are valoare, iar fragilitatea ei devine irelevant\u0103<\/em>.\u201d
Anna Konik
Nantes, 10.05.2015 \/ Var\u015fovia 24.10.2015<\/p>\n\n\n\n

Expozi\u021bia \u201cIn the Same City, under the Same Sky\u2026\u201d de la MNAC, Bucure\u0219ti, con\u021bine seria integral\u0103 a filmelor realizate \u00een cadrul acestui proiect. Un spa\u021biu de studiu special amenajat va prezenta transcrierile m\u0103rturiilor imigrantelor a\u0219a cum au fost ele integrate \u00een proiectul Annei Konik.
Subiectul acestei expozi\u021bii care, din nefericire, este unul de actualitate \u0219i care se reg\u0103se\u0219te \u00een via\u021ba noastr\u0103 cotidian\u0103, face ca spa\u021biul ei s\u0103 devin\u0103, pe toat\u0103 durata expunerii, un loc viu pentru dialog \u0219i comunicare \u00eentre public \u0219i institu\u021biile implicate \u00een problema imigran\u021bilor \u00een Rom\u00e2nia \u0219i nu numai. La \u00eenceputul anului 2016, \u00een prezen\u021ba artistei \u0219i \u00een parteneriat cu Institutul Polonez din Bucure\u0219ti \u0219i NEC – Colegiul Noua Europ\u0103, la MNAC vor fi g\u0103zduite discu\u021bii \u0219i prezent\u0103ri pe tema fenomenului imigra\u021biei \u0219i a felului \u00een care arta contemporan\u0103 interpreteaz\u0103 aceste probleme de natur\u0103 politic\u0103 \u0219i social\u0103<\/a>. Conflictele de natur\u0103 social\u0103, economic\u0103 sau religioas\u0103, care decurg din ciocnirea brutal\u0103 dintre civiliza\u021bii \u0219i culturi diferite, sunt rezultatul unei situa\u0163ii private de orice ac\u0163iune diplomatic\u0103 sau protocolar\u0103, fiind \u00eenso\u021bite doar de instinctul primar al supravie\u021buirii c\u0103ruia, \u00een majoritatea cazurilor, i se r\u0103spunde cu o total\u0103 obtuzitate \u0219i lips\u0103 de compasiune.<\/p>\n\n\n\n

Expozi\u021bie \u00eengrijit\u0103 de Suzana Dan
Coordonator MNAC: Cerasela Barbone
Arhitect: Attila Kim<\/p>\n\n\n\n

Produc\u0103tori: MNAC \u0219i Institutul Polonez Bucure\u0219ti
Partener: NEC – Colegiul Noua Europ\u0103
Project finan\u021bat de :
Suedia: Mobile Art Production; Polish Institute in Stockholm; Iaspis Stockholms Kulturf\u00f6vatning.
Polonia: Arsenal Gallery, Bialystok; Ministry of Culture and National Heritage; Ministry of Culture and National Heritage Funds.
Turcia: Arsenal Gallery parte din programul cultural realizat pentru celebrarea a 600 de ani de rela\u021bii diplomatice intre Polonia \u0219i Turcia.
Rom\u00e2nia: Kulturstiftung Landis & Gyr, Zug; NEC – Colegiul Noua Europa \/ Institutul de Studii Avansate, Bucure\u0219ti; Institutul Polonez din Bucure\u0219ti.
Fran\u021ba: Institut d\u2019Etudes Avanc\u00e9es de Nantes and by Polish Institute, Paris; M\u00e9decins du Monde, Nantes; \u00c9cole sup\u00e9rieure des beaux-arts de Nantes M\u00e9tropole
Sponsori: Crama Opri\u0219or, Policolor, Saint – Gobain Rigips, Grup Transilvae
Parteneri media: 2activePR, Igloo, zeppelin, \u0218apte Seri, Radio France Internationale – Rfi, feeder, energiea, we ART, Vision Media Plus, Kepi Consult, Veioza Arte<\/p>\n","protected":false},"excerpt":{"rendered":"

„M\u0103rturiile acestor femei imigrante din Afganistan, Siria, Irak, Burma, Palestina, Turcia, Kurdistan, Congo, Romania, Cecenia, Ingu\u015fetia, Somalia, Nigeria, Camerun, Ecuador \u015fi din minorit\u0103\u0163ile rrome alc\u0103tuiesc o dare de seam\u0103 autentic\u0103 asupra dificult\u0103\u0163ilor lor. Prima parte a fost \u00eenregistrat\u0103 \u00een capitala Suediei, Stockholm, \u00een 2011; a doua la Bia\u0142ystok, aproape de grani\u0163a de est a Poloniei, […]<\/p>\n","protected":false},"author":41,"featured_media":4023,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16,94],"tags":[],"class_list":["post-4021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-vizuale","category-evenimente"],"yoast_head":"\nArt\u0103 contemporan\u0103 polonez\u0103 la MNAC - Instytut Polski w Bukareszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC - Instytut Polski w Bukareszcie\" \/>\n<meta property=\"og:description\" content=\"„M\u0103rturiile acestor femei imigrante din Afganistan, Siria, Irak, Burma, Palestina, Turcia, Kurdistan, Congo, Romania, Cecenia, Ingu\u015fetia, Somalia, Nigeria, Camerun, Ecuador \u015fi din minorit\u0103\u0163ile rrome alc\u0103tuiesc o dare de seam\u0103 autentic\u0103 asupra dificult\u0103\u0163ilor lor. Prima parte a fost \u00eenregistrat\u0103 \u00een capitala Suediei, Stockholm, \u00een 2011; a doua la Bia\u0142ystok, aproape de grani\u0163a de est a Poloniei, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bukareszcie\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-03T09:02:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-05T08:05:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"473\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"mirelal\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"mirelal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/\",\"name\":\"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer-300x215.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\",\"datePublished\":\"2015-12-03T09:02:00+02:00\",\"dateModified\":\"2020-06-05T08:05:52+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2015-12-03\",\"endDate\":\"2016-04-10\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"\\\"M\u0103rturiile acestor femei imigrante din Afganistan, Siria, Irak, Burma, Palestina, Turcia, Kurdistan, Congo, Romania, Cecenia, Ingu\u015fetia, Somalia, Nigeria, Camerun, Ecuador \u015fi din minorit\u0103\u0163ile rrome alc\u0103tuiesc o dare de seam\u0103 autentic\u0103 asupra dificult\u0103\u0163ilor lor. 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Ea ia forma unei agresiuni ascunse sau f\u0103\u021bi\u0219e pe temeiuri rasiale, religioase, culturale \u015fi economice.Via\u0163a nu mai are valoare, iar fragilitatea ei devine irelevant\u0103.\u201dAnna KonikNantes, 10.05.2015 \/ Var\u015fovia 24.10.2015\\nExpozi\u021bia \u201cIn the Same City, under the Same Sky\u2026\u201d de la MNAC, Bucure\u0219ti, con\u021bine seria integral\u0103 a filmelor realizate \u00een cadrul acestui proiect. Un spa\u021biu de studiu special amenajat va prezenta transcrierile m\u0103rturiilor imigrantelor a\u0219a cum au fost ele integrate \u00een proiectul Annei Konik.Subiectul acestei expozi\u021bii care, din nefericire, este unul de actualitate \u0219i care se reg\u0103se\u0219te \u00een via\u021ba noastr\u0103 cotidian\u0103, face ca spa\u021biul ei s\u0103 devin\u0103, pe toat\u0103 durata expunerii, un loc viu pentru dialog \u0219i comunicare \u00eentre public \u0219i institu\u021biile implicate \u00een problema imigran\u021bilor \u00een Rom\u00e2nia \u0219i nu numai. La \u00eenceputul anului 2016, \u00een prezen\u021ba artistei \u0219i \u00een parteneriat cu Institutul Polonez din Bucure\u0219ti \u0219i NEC - Colegiul Noua Europ\u0103, la MNAC vor fi g\u0103zduite discu\u021bii \u0219i prezent\u0103ri pe tema fenomenului imigra\u021biei \u0219i a felului \u00een care arta contemporan\u0103 interpreteaz\u0103 aceste probleme de natur\u0103 politic\u0103 \u0219i social\u0103. Conflictele de natur\u0103 social\u0103, economic\u0103 sau religioas\u0103, care decurg din ciocnirea brutal\u0103 dintre civiliza\u021bii \u0219i culturi diferite, sunt rezultatul unei situa\u0163ii private de orice ac\u0163iune diplomatic\u0103 sau protocolar\u0103, fiind \u00eenso\u021bite doar de instinctul primar al supravie\u021buirii c\u0103ruia, \u00een majoritatea cazurilor, i se r\u0103spunde cu o total\u0103 obtuzitate \u0219i lips\u0103 de compasiune.\\nExpozi\u021bie \u00eengrijit\u0103 de Suzana DanCoordonator MNAC: Cerasela BarboneArhitect: Attila Kim\\nProduc\u0103tori: MNAC \u0219i Institutul Polonez Bucure\u0219tiPartener: NEC - Colegiul Noua Europ\u0103Project finan\u021bat de :Suedia: Mobile Art Production; Polish Institute in Stockholm; Iaspis Stockholms Kulturf\u00f6vatning.Polonia: Arsenal Gallery, Bialystok; Ministry of Culture and National Heritage; Ministry of Culture and National Heritage Funds.Turcia: Arsenal Gallery parte din programul cultural realizat pentru celebrarea a 600 de ani de rela\u021bii diplomatice intre Polonia \u0219i Turcia.Rom\u00e2nia: Kulturstiftung Landis & Gyr, Zug; NEC - Colegiul Noua Europa \/ Institutul de Studii Avansate, Bucure\u0219ti; Institutul Polonez din Bucure\u0219ti.Fran\u021ba: Institut d\u2019Etudes Avanc\u00e9es de Nantes and by Polish Institute, Paris; M\u00e9decins du Monde, Nantes; \u00c9cole sup\u00e9rieure des beaux-arts de Nantes M\u00e9tropoleSponsori: Crama Opri\u0219or, Policolor, Saint - Gobain Rigips, Grup TransilvaeParteneri media: 2activePR, Igloo, zeppelin, \u0218apte Seri, Radio France Internationale - Rfi, feeder, energiea, we ART, Vision Media Plus, Kepi Consult, Veioza Arte\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg\",\"width\":660,\"height\":473,\"caption\":\"Foto: Anna Konik\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bucuresti\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/\",\"name\":\"Instytut Polski w Bukareszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\",\"name\":\"mirelal\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g\",\"caption\":\"mirelal\"},\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC - Instytut Polski w Bukareszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/","og_locale":"pl_PL","og_type":"article","og_title":"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC - Instytut Polski w Bukareszcie","og_description":"„M\u0103rturiile acestor femei imigrante din Afganistan, Siria, Irak, Burma, Palestina, Turcia, Kurdistan, Congo, Romania, Cecenia, Ingu\u015fetia, Somalia, Nigeria, Camerun, Ecuador \u015fi din minorit\u0103\u0163ile rrome alc\u0103tuiesc o dare de seam\u0103 autentic\u0103 asupra dificult\u0103\u0163ilor lor. Prima parte a fost \u00eenregistrat\u0103 \u00een capitala Suediei, Stockholm, \u00een 2011; a doua la Bia\u0142ystok, aproape de grani\u0163a de est a Poloniei, […]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2015-12-03T09:02:00+00:00","article_modified_time":"2020-06-05T08:05:52+00:00","og_image":[{"width":660,"height":473,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg","type":"image\/jpeg"}],"author":"mirelal","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"mirelal","Szacowany czas czytania":"3 minuty"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/","name":"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer-300x215.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg","datePublished":"2015-12-03T09:02:00+02:00","dateModified":"2020-06-05T08:05:52+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/"]}],"@context":"https:\/\/schema.org","startDate":"2015-12-03","endDate":"2016-04-10","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"\"M\u0103rturiile acestor femei imigrante din Afganistan, Siria, Irak, Burma, Palestina, Turcia, Kurdistan, Congo, Romania, Cecenia, Ingu\u015fetia, Somalia, Nigeria, Camerun, Ecuador \u015fi din minorit\u0103\u0163ile rrome alc\u0103tuiesc o dare de seam\u0103 autentic\u0103 asupra dificult\u0103\u0163ilor lor. Prima parte a fost \u00eenregistrat\u0103 \u00een capitala Suediei, Stockholm, \u00een 2011; a doua la Bia\u0142ystok, aproape de grani\u0163a de est a Poloniei, \u00een 2012; a treia \u00een Rom\u00e2nia, mai ales la Bucure\u015fti, \u00een 2013; a patra parte, \u00eenregistrat\u0103 la Istanbul, a fost \u00eenceput\u0103 \u00een paralel cu partea a treia \u015fi finalizat\u0103 \u00een 2014, iar cea mai recent\u0103 a fost realizat\u0103 la Nantes, \u00een 2014 \u015fi 2015, ultima \u00eenregistrare fiind f\u0103cut\u0103 pe 25 mai 2015, la Nantes.Toate pove\u015ftile se concentreaz\u0103 pe experien\u0163ele reale ale unor femei aflate \u00een c\u0103utarea unui c\u0103min \u015fi a unei vie\u0163i departe de r\u0103zboi, terorism, s\u0103r\u0103cie, oprimare sexual\u0103 \u015fi violen\u0163\u0103. Aproape nici una dintre aceste pove\u015fti nu are un final fericit; multe dintre femei sunt \u00eenc\u0103 \u00een punctul \u00een care \u00ee\u0219i construiesc o nou\u0103 via\u0163\u0103. \u00cenregistr\u0103rile con\u0163in cuvinte de disperare, de fric\u0103, de \u00eendoial\u0103 \u015fi, \u00een acela\u015fi timp, de indignare, de revendicare a drept\u0103\u0163ii \u015fi \u00een\u0163elegerii \u2013 una care s\u0103 se bazeze pe empatie, pe recunoa\u015ftere a motivelor dramatice ale fugii, dar, mai presus de toate, pe acceptarea ca fiin\u0163\u0103 uman\u0103 vie, f\u0103r\u0103 a \u0163ine seama de faptul c\u0103 este ciudat\u0103 \u015fi diferit\u0103. Aceast\u0103 serie monumental\u0103 \u00eenf\u0103\u0163i\u015feaz\u0103 condi\u0163ia de \u015fubrezire permanent\u0103 sau de anulare lent\u0103 a indivizilor mai slabi de c\u0103tre cei a c\u0103ror pozi\u0163ie este consolidat\u0103 \u015fi neamenin\u0163at\u0103. Ea ia forma unei agresiuni ascunse sau f\u0103\u021bi\u0219e pe temeiuri rasiale, religioase, culturale \u015fi economice.Via\u0163a nu mai are valoare, iar fragilitatea ei devine irelevant\u0103.\u201dAnna KonikNantes, 10.05.2015 \/ Var\u015fovia 24.10.2015\nExpozi\u021bia \u201cIn the Same City, under the Same Sky\u2026\u201d de la MNAC, Bucure\u0219ti, con\u021bine seria integral\u0103 a filmelor realizate \u00een cadrul acestui proiect. Un spa\u021biu de studiu special amenajat va prezenta transcrierile m\u0103rturiilor imigrantelor a\u0219a cum au fost ele integrate \u00een proiectul Annei Konik.Subiectul acestei expozi\u021bii care, din nefericire, este unul de actualitate \u0219i care se reg\u0103se\u0219te \u00een via\u021ba noastr\u0103 cotidian\u0103, face ca spa\u021biul ei s\u0103 devin\u0103, pe toat\u0103 durata expunerii, un loc viu pentru dialog \u0219i comunicare \u00eentre public \u0219i institu\u021biile implicate \u00een problema imigran\u021bilor \u00een Rom\u00e2nia \u0219i nu numai. La \u00eenceputul anului 2016, \u00een prezen\u021ba artistei \u0219i \u00een parteneriat cu Institutul Polonez din Bucure\u0219ti \u0219i NEC - Colegiul Noua Europ\u0103, la MNAC vor fi g\u0103zduite discu\u021bii \u0219i prezent\u0103ri pe tema fenomenului imigra\u021biei \u0219i a felului \u00een care arta contemporan\u0103 interpreteaz\u0103 aceste probleme de natur\u0103 politic\u0103 \u0219i social\u0103. Conflictele de natur\u0103 social\u0103, economic\u0103 sau religioas\u0103, care decurg din ciocnirea brutal\u0103 dintre civiliza\u021bii \u0219i culturi diferite, sunt rezultatul unei situa\u0163ii private de orice ac\u0163iune diplomatic\u0103 sau protocolar\u0103, fiind \u00eenso\u021bite doar de instinctul primar al supravie\u021buirii c\u0103ruia, \u00een majoritatea cazurilor, i se r\u0103spunde cu o total\u0103 obtuzitate \u0219i lips\u0103 de compasiune.\nExpozi\u021bie \u00eengrijit\u0103 de Suzana DanCoordonator MNAC: Cerasela BarboneArhitect: Attila Kim\nProduc\u0103tori: MNAC \u0219i Institutul Polonez Bucure\u0219tiPartener: NEC - Colegiul Noua Europ\u0103Project finan\u021bat de :Suedia: Mobile Art Production; Polish Institute in Stockholm; Iaspis Stockholms Kulturf\u00f6vatning.Polonia: Arsenal Gallery, Bialystok; Ministry of Culture and National Heritage; Ministry of Culture and National Heritage Funds.Turcia: Arsenal Gallery parte din programul cultural realizat pentru celebrarea a 600 de ani de rela\u021bii diplomatice intre Polonia \u0219i Turcia.Rom\u00e2nia: Kulturstiftung Landis & Gyr, Zug; NEC - Colegiul Noua Europa \/ Institutul de Studii Avansate, Bucure\u0219ti; Institutul Polonez din Bucure\u0219ti.Fran\u021ba: Institut d\u2019Etudes Avanc\u00e9es de Nantes and by Polish Institute, Paris; M\u00e9decins du Monde, Nantes; \u00c9cole sup\u00e9rieure des beaux-arts de Nantes M\u00e9tropoleSponsori: Crama Opri\u0219or, Policolor, Saint - Gobain Rigips, Grup TransilvaeParteneri media: 2activePR, Igloo, zeppelin, \u0218apte Seri, Radio France Internationale - Rfi, feeder, energiea, we ART, Vision Media Plus, Kepi Consult, Veioza Arte"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/vernisaj-in-acelasi-oras-sub-acelasi-cer.jpg","width":660,"height":473,"caption":"Foto: Anna Konik"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2015\/12\/03\/arta-contemporana-poloneza-la-mnac\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"Art\u0103 contemporan\u0103 polonez\u0103 la MNAC"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272","name":"mirelal","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","caption":"mirelal"},"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=4021"}],"version-history":[{"count":2,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4021\/revisions"}],"predecessor-version":[{"id":4027,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4021\/revisions\/4027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/4023"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=4021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=4021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=4021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}