{"id":4252,"date":"2017-03-27T13:58:00","date_gmt":"2017-03-27T11:58:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/bucuresti\/?p=4252"},"modified":"2020-06-05T14:00:09","modified_gmt":"2020-06-05T12:00:09","slug":"news-from-polska-9-aprilie","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/","title":{"rendered":"News from Polska – 9 aprilie"},"content":{"rendered":"\n

9 aprilie, ora 19:30 – Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82)<\/p>\n

pURe\u00a0<\/strong>(30 min.)<\/p>\n

Coregrafie, concept \u0219i performance: Ramona Nagabczy\u0144ska<\/p>\n

– spectacol non-verbal \u2013<\/p>\n

Solo-ul Ramonei Nagabczy\u0144ska abordeaz\u0103 subiectul corpului \u201enatural\u201d, prin intermediul conceptului de materie Ur creat de renumitul regizor de teatru \u0219i pictor polonez Tadeusz Kantor. Materia Ur este starea care precede iluzia, pre-existen\u021ba autonom\u0103 a materiei teatrale. \u00cen pURe, coregrafa folose\u0219te conceptul de materie Ur \u00een leg\u0103tur\u0103 cu corpul ei. \u00cen loc s\u0103 abordeze corpul ca pe un obiect al opresiunii, coregrafa \u00ee\u0219i mut\u0103 aten\u021bia pe responsabilitatea, dorin\u021ba \u0219i abilitatea corpului de a se emancipa \u0219i a-\u0219i impune propria ordine. Prin schimbarea \u00eentreb\u0103rii de la \u201ece reprezint\u0103 corpul?\u201d la \u201ece vrea corpul?\u201d, corpul este transportat din domeniul simbolic \u00een cel al nevoilor, dorin\u021belor \u0219i fanteziilor.<\/p>\n

Ramona Nagabczy\u0144ska\u00a0<\/strong>este absolventa Warsaw State Ballet School, Hochschule f\u00fcr Musik und Darstellende Kunst din Frankfurt \u0219i The Place din Londra. A lucrat cu diferite companii de dans, coregrafi independen\u021bi, arti\u0219ti vizuali \u0219i regizori de teatru de la Polish Dance Theatre (2005\/2006), cu Fleur Darkin (Augustine, 2006-2008), Tom Dale (Rise and Chodzenie, 2008, 2009), Ula Sickle (Blind Spot, 2009), Maria Stoklosa (Lets dance Chopin, 2010), Carrie Cracknell \u0219i Lucy Guerin (Throwing, 2011), David Wampach (Cassette, 2011-2014), Les Gens D\u2019Uterpan (Avis D\u2019Audition 2012 – aleas\u0103 \u00een urma audi\u021biei), Kaya Ko\u0142odziejczyk (Brith Out \u0219i ATDK to KK, 2008-2013), Emma Martin (Dogs, 2012), Junk Ensemble (Dusk Ahead, 2013-2015), Paulina O\u0142owska (Alphabet, 2014), Sjoerd Vreugdenhil (Unintended Consequences, 2014), Rebecca Lazier (There may be others, 2015-2016) \u0219i Clod Ensemble, cu care lucreaz\u0103 constant (Red Ladies, 2008-2015, Under Glass, 2009-2010, An Anatomie, 2011-2013, Zero, 2013).<\/p>\n

Debutul ei coregrafic a fost Man’s Best Friend, creat \u00een 2009 \u00een cadrul programului Solo Project organizat de Arts Station Foundation (Stary Browar) \u00een Pozna\u0144. Printre lucr\u0103rile ei se mai num\u0103r\u0103 instala\u021bia video Turao\/Dziw (2010) \u0219i New (Dis)Order (2012), Re\/\/accumulation (2012), care fac parte din ciclul RE\/\/MIX curatoriat de Komuna\/\/Warszawa, Dinge (2014), Actions to relate to Verbs (2015) \u0219i pURe (2015). \u00cen 2014, spectacolul New (Dis)Order a fost ales ca Aerowaves Priority Company. Ea este sus\u021binut\u0103 \u00een prezent de re\u021beaua interna\u021bional\u0103 de arte performative APAP.<\/p>\n

Proiec\u021bia filmului THE TOWER<\/strong>\u00a0(79 min.)<\/p>\n

Scenariul \u0219i regia: Karolina Bregu\u0142a<\/p>\n

Cu: Joanna Cortes, Nina Czerkies, Roman Holc, Borys Ja\u017anicki, Ewa Konstanciak \u0219.a.<\/p>\n

– subtitrare \u00een limba englez\u0103 \u2013<\/p>\n

\u201eThe Tower\u201d este o oper\u0103 – musical despre un colectiv de oameni care locuiesc \u00een acela\u0219i bloc \u0219i pl\u0103nuiesc s\u0103 construiasc\u0103 \u00eempreun\u0103 un turn de zah\u0103r. Absurd\u0103 \u0219i plin\u0103 de anxietate, povestea proiectului utopic abordeaz\u0103 istoria arhitecturii postbelice a locuin\u021belor, analiz\u00e2nd-o din perspectiva utilizatorului s\u0103u, locuitor al unui ora\u0219 modernist. Visurilor \u0219i dorin\u021belor li se juxtapune dificila realitate a vie\u021bii \u00een blocuri \u0219i contradic\u021biile \u00eenscrise \u00een planurile moderni\u0219tilor.<\/p>\n

Karolina Bregu\u0142a<\/strong>\u00a0(n. 1979) lucreaz\u0103 cu film, video, fotografie, instala\u021bie \u0219i happening. Absolvent\u0103 a \u0218colii de Film din \u0141\u00f3d\u017a fara virgula dupa Lodz unde \u0219i-a sus\u021binut teza de doctorat \u00een 2015. Lucr\u0103rile ei exploreaz\u0103 problemele statutului operei artistice, materialitatea obiectelor de art\u0103 \u0219i func\u021bionarea lor \u00een cadrul contextelor institu\u021bionale. Artista examineaz\u0103, de asemenea, recep\u021bia artei contemporane \u0219i submineaz\u0103 nara\u021biunile artistice oficiale, chestion\u00e2ndu-le limbajul ermetic \u0219i deschiz\u00e2ndu-le c\u0103tre noi interpret\u0103ri. Bregu\u0142a \u00eei \u00eencurajeaz\u0103 pe spectatori s\u0103 participe activ \u00een proces, s\u0103 interac\u021bioneze \u0219i s\u0103 conteste modurile de recep\u021bie \u00eencet\u0103\u021benite. Artista exploreaz\u0103 \u0219i problematica rolului social al artei \u0219i a miturilor care graviteaz\u0103 \u00een jurul lui. De\u0219i e con\u0219tient\u0103 de limit\u0103ri, Bregu\u0142a \u00eencearc\u0103 s\u0103 scoat\u0103 arta din spa\u021biul galeriei. Filmele ei se afl\u0103 la grani\u021ba dintre art\u0103 contemporan\u0103 \u0219i cinema – sunt prezentate at\u00e2t \u00een galerii de art\u0103, c\u00e2t \u0219i la festivaluri de film. Crea\u021biile ei au fost expuse la Muzeul Na\u021bional din Var\u0219ovia, Galeria Na\u021bional\u0103 de Art\u0103 Zach\u0119ta, Centrul de Art\u0103 Contemporan\u0103 Ujazdowski Castle din Var\u0219ovia, Institute of Contemporary Arts din Londra, Jewish Museum din New York \u0219i la edi\u021bia a 55-a a Bienalei de Art\u0103 de la Vene\u021bia. Bregu\u0142a a primit premiul doi \u00een competi\u021bia Views 2013 \u2013 Deutsche Bank Award \u0219i premiul trei la concursul Samsung Art Master din 2007. \u00cen 2016, filmul ei Office for Monument Construction a c\u00e2\u0219tigat premiul Golden Claw \u00een competi\u021bia Visions Apart din cadrul edi\u021biei a 41-a a Festivalului de Film de la Gdynia. Locuie\u0219te \u0219i lucreaz\u0103 \u00een Var\u0219ovia.<\/p>\n

Concert Exit Promises – ZONE-L<\/strong>\u00a0(30 min.)<\/p>\n

Exit Promises este un performance sonor care le ofer\u0103 ascult\u0103torilor \u0219ansa de a se \u201e\u00eembun\u0103t\u0103\u021bi\u201d, juc\u00e2ndu-se cu no\u021biunea de a fi mereu expus(\u0103) v\u00e2nz\u0103rii unui mai bun \u201etu\u201d.<\/p>\n

Laura Hunt<\/strong>, cunoscut\u0103 \u0219i ca ZONE-L, activeaz\u0103 la intersec\u021bia dintre performance, video \u0219i sunet pentru a crea serii de lucr\u0103ri care abordeaz\u0103 subiectul invizibilului. Cum sunt transformate biologia \u0219i spiritualitatea de c\u00e2mpurile electromagnetice \u0219i re\u021belele electronice de sharing video\/audio? Lucr\u0103rile ei sunt specula\u021bii\/viitoruri plauzibile despre efectul culturii corporate.<\/p>\n

https:\/\/soundcloud.com\/lauzone<\/a><\/p>\n

https:\/\/soundcloud.com\/wdk-74693571<\/a><\/p>\n

Biletele pentru toate elementele din programul zilei de duminic\u0103, 9 aprilie (performance, proiec\u021bie film, concert) cost\u0103 35 lei (pre\u021b \u00eentreg) sau 20 lei (pre\u021b redus) \u0219i se pot achizi\u021biona online, de pe www.kompostor.ro, sau de la Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82) \u00eenainte de \u00eenceperea spectacolului.\u00a0Biletele pentru performance (f\u0103r\u0103 film \u0219i concert) cost\u0103 20 lei, iar pentru film (f\u0103r\u0103 performance) cost\u0103 15 lei (se achizi\u021bioneaz\u0103 doar de la sala Stere Popescu, \u00eenainte de \u00eenceperea spectacolului\/proiec\u021biei). Intrarea la concert este liber\u0103.<\/p>\n

Bilete:\u00a0<\/strong>https:\/\/www.kompostor.ro\/6734<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

9 aprilie, ora 19:30 – Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82) pURe\u00a0(30 min.) Coregrafie, concept \u0219i performance: Ramona Nagabczy\u0144ska – spectacol non-verbal \u2013 Solo-ul Ramonei Nagabczy\u0144ska abordeaz\u0103 subiectul corpului \u201enatural\u201d, prin intermediul conceptului de materie Ur creat de renumitul regizor de teatru \u0219i pictor polonez Tadeusz Kantor. Materia […]<\/p>\n","protected":false},"author":42,"featured_media":4253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16],"tags":[],"class_list":["post-4252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-vizuale"],"yoast_head":"\nNews from Polska - 9 aprilie - Instytut Polski w Bukareszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"News from Polska - 9 aprilie - Instytut Polski w Bukareszcie\" \/>\n<meta property=\"og:description\" content=\"9 aprilie, ora 19:30 – Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82) pURe\u00a0(30 min.) Coregrafie, concept \u0219i performance: Ramona Nagabczy\u0144ska – spectacol non-verbal \u2013 Solo-ul Ramonei Nagabczy\u0144ska abordeaz\u0103 subiectul corpului \u201enatural\u201d, prin intermediul conceptului de materie Ur creat de renumitul regizor de teatru \u0219i pictor polonez Tadeusz Kantor. 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M\u0103r\u0103\u0219e\u0219ti nr. 80-82)\\npURe\u00a0(30 min.)\\nCoregrafie, concept \u0219i performance: Ramona Nagabczy\u0144ska\\n- spectacol non-verbal \u2013\\nSolo-ul Ramonei Nagabczy\u0144ska abordeaz\u0103 subiectul corpului \u201enatural\u201d, prin intermediul conceptului de materie Ur creat de renumitul regizor de teatru \u0219i pictor polonez Tadeusz Kantor. Materia Ur este starea care precede iluzia, pre-existen\u021ba autonom\u0103 a materiei teatrale. \u00cen pURe, coregrafa folose\u0219te conceptul de materie Ur \u00een leg\u0103tur\u0103 cu corpul ei. \u00cen loc s\u0103 abordeze corpul ca pe un obiect al opresiunii, coregrafa \u00ee\u0219i mut\u0103 aten\u021bia pe responsabilitatea, dorin\u021ba \u0219i abilitatea corpului de a se emancipa \u0219i a-\u0219i impune propria ordine. Prin schimbarea \u00eentreb\u0103rii de la \u201ece reprezint\u0103 corpul?\u201d la \u201ece vrea corpul?\u201d, corpul este transportat din domeniul simbolic \u00een cel al nevoilor, dorin\u021belor \u0219i fanteziilor.\\nRamona Nagabczy\u0144ska\u00a0este absolventa Warsaw State Ballet School, Hochschule f\u00fcr Musik und Darstellende Kunst din Frankfurt \u0219i The Place din Londra. A lucrat cu diferite companii de dans, coregrafi independen\u021bi, arti\u0219ti vizuali \u0219i regizori de teatru de la Polish Dance Theatre (2005\/2006), cu Fleur Darkin (Augustine, 2006-2008), Tom Dale (Rise and Chodzenie, 2008, 2009), Ula Sickle (Blind Spot, 2009), Maria Stoklosa (Lets dance Chopin, 2010), Carrie Cracknell \u0219i Lucy Guerin (Throwing, 2011), David Wampach (Cassette, 2011-2014), Les Gens D\u2019Uterpan (Avis D\u2019Audition 2012 - aleas\u0103 \u00een urma audi\u021biei), Kaya Ko\u0142odziejczyk (Brith Out \u0219i ATDK to KK, 2008-2013), Emma Martin (Dogs, 2012), Junk Ensemble (Dusk Ahead, 2013-2015), Paulina O\u0142owska (Alphabet, 2014), Sjoerd Vreugdenhil (Unintended Consequences, 2014), Rebecca Lazier (There may be others, 2015-2016) \u0219i Clod Ensemble, cu care lucreaz\u0103 constant (Red Ladies, 2008-2015, Under Glass, 2009-2010, An Anatomie, 2011-2013, Zero, 2013).\\nDebutul ei coregrafic a fost Man's Best Friend, creat \u00een 2009 \u00een cadrul programului Solo Project organizat de Arts Station Foundation (Stary Browar) \u00een Pozna\u0144. Printre lucr\u0103rile ei se mai num\u0103r\u0103 instala\u021bia video Turao\/Dziw (2010) \u0219i New (Dis)Order (2012), Re\/\/accumulation (2012), care fac parte din ciclul RE\/\/MIX curatoriat de Komuna\/\/Warszawa, Dinge (2014), Actions to relate to Verbs (2015) \u0219i pURe (2015). \u00cen 2014, spectacolul New (Dis)Order a fost ales ca Aerowaves Priority Company. Ea este sus\u021binut\u0103 \u00een prezent de re\u021beaua interna\u021bional\u0103 de arte performative APAP.\\nProiec\u021bia filmului THE TOWER\u00a0(79 min.)\\nScenariul \u0219i regia: Karolina Bregu\u0142a\\nCu: Joanna Cortes, Nina Czerkies, Roman Holc, Borys Ja\u017anicki, Ewa Konstanciak \u0219.a.\\n- subtitrare \u00een limba englez\u0103 \u2013\\n\u201eThe Tower\u201d este o oper\u0103 - musical despre un colectiv de oameni care locuiesc \u00een acela\u0219i bloc \u0219i pl\u0103nuiesc s\u0103 construiasc\u0103 \u00eempreun\u0103 un turn de zah\u0103r. Absurd\u0103 \u0219i plin\u0103 de anxietate, povestea proiectului utopic abordeaz\u0103 istoria arhitecturii postbelice a locuin\u021belor, analiz\u00e2nd-o din perspectiva utilizatorului s\u0103u, locuitor al unui ora\u0219 modernist. Visurilor \u0219i dorin\u021belor li se juxtapune dificila realitate a vie\u021bii \u00een blocuri \u0219i contradic\u021biile \u00eenscrise \u00een planurile moderni\u0219tilor.\\nKarolina Bregu\u0142a\u00a0(n. 1979) lucreaz\u0103 cu film, video, fotografie, instala\u021bie \u0219i happening. Absolvent\u0103 a \u0218colii de Film din \u0141\u00f3d\u017a fara virgula dupa Lodz unde \u0219i-a sus\u021binut teza de doctorat \u00een 2015. Lucr\u0103rile ei exploreaz\u0103 problemele statutului operei artistice, materialitatea obiectelor de art\u0103 \u0219i func\u021bionarea lor \u00een cadrul contextelor institu\u021bionale. Artista examineaz\u0103, de asemenea, recep\u021bia artei contemporane \u0219i submineaz\u0103 nara\u021biunile artistice oficiale, chestion\u00e2ndu-le limbajul ermetic \u0219i deschiz\u00e2ndu-le c\u0103tre noi interpret\u0103ri. Bregu\u0142a \u00eei \u00eencurajeaz\u0103 pe spectatori s\u0103 participe activ \u00een proces, s\u0103 interac\u021bioneze \u0219i s\u0103 conteste modurile de recep\u021bie \u00eencet\u0103\u021benite. Artista exploreaz\u0103 \u0219i problematica rolului social al artei \u0219i a miturilor care graviteaz\u0103 \u00een jurul lui. De\u0219i e con\u0219tient\u0103 de limit\u0103ri, Bregu\u0142a \u00eencearc\u0103 s\u0103 scoat\u0103 arta din spa\u021biul galeriei. Filmele ei se afl\u0103 la grani\u021ba dintre art\u0103 contemporan\u0103 \u0219i cinema - sunt prezentate at\u00e2t \u00een galerii de art\u0103, c\u00e2t \u0219i la festivaluri de film. Crea\u021biile ei au fost expuse la Muzeul Na\u021bional din Var\u0219ovia, Galeria Na\u021bional\u0103 de Art\u0103 Zach\u0119ta, Centrul de Art\u0103 Contemporan\u0103 Ujazdowski Castle din Var\u0219ovia, Institute of Contemporary Arts din Londra, Jewish Museum din New York \u0219i la edi\u021bia a 55-a a Bienalei de Art\u0103 de la Vene\u021bia. Bregu\u0142a a primit premiul doi \u00een competi\u021bia Views 2013 \u2013 Deutsche Bank Award \u0219i premiul trei la concursul Samsung Art Master din 2007. \u00cen 2016, filmul ei Office for Monument Construction a c\u00e2\u0219tigat premiul Golden Claw \u00een competi\u021bia Visions Apart din cadrul edi\u021biei a 41-a a Festivalului de Film de la Gdynia. Locuie\u0219te \u0219i lucreaz\u0103 \u00een Var\u0219ovia.\\nConcert Exit Promises - ZONE-L\u00a0(30 min.)\\nExit Promises este un performance sonor care le ofer\u0103 ascult\u0103torilor \u0219ansa de a se \u201e\u00eembun\u0103t\u0103\u021bi\u201d, juc\u00e2ndu-se cu no\u021biunea de a fi mereu expus(\u0103) v\u00e2nz\u0103rii unui mai bun \u201etu\u201d.\\nLaura Hunt, cunoscut\u0103 \u0219i ca ZONE-L, activeaz\u0103 la intersec\u021bia dintre performance, video \u0219i sunet pentru a crea serii de lucr\u0103ri care abordeaz\u0103 subiectul invizibilului. Cum sunt transformate biologia \u0219i spiritualitatea de c\u00e2mpurile electromagnetice \u0219i re\u021belele electronice de sharing video\/audio? Lucr\u0103rile ei sunt specula\u021bii\/viitoruri plauzibile despre efectul culturii corporate.\\nhttps:\/\/soundcloud.com\/lauzone\\nhttps:\/\/soundcloud.com\/wdk-74693571\\nBiletele pentru toate elementele din programul zilei de duminic\u0103, 9 aprilie (performance, proiec\u021bie film, concert) cost\u0103 35 lei (pre\u021b \u00eentreg) sau 20 lei (pre\u021b redus) \u0219i se pot achizi\u021biona online, de pe www.kompostor.ro, sau de la Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82) \u00eenainte de \u00eenceperea spectacolului.\u00a0Biletele pentru performance (f\u0103r\u0103 film \u0219i concert) cost\u0103 20 lei, iar pentru film (f\u0103r\u0103 performance) cost\u0103 15 lei (se achizi\u021bioneaz\u0103 doar de la sala Stere Popescu, \u00eenainte de \u00eenceperea spectacolului\/proiec\u021biei). Intrarea la concert este liber\u0103.\\nBilete:\u00a0https:\/\/www.kompostor.ro\/6734\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg\",\"width\":660,\"height\":495},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bucuresti\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"News from Polska – 9 aprilie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/\",\"name\":\"Instytut Polski w Bukareszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/980fdccff6ea3f1cab069becadecca5b\",\"name\":\"rutkowskip\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a44cb0329dc71f58530e0890a10f5e4d?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a44cb0329dc71f58530e0890a10f5e4d?s=96&d=mm&r=g\",\"caption\":\"rutkowskip\"},\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/author\/rutkowskip\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"News from Polska - 9 aprilie - Instytut Polski w Bukareszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/","og_locale":"pl_PL","og_type":"article","og_title":"News from Polska - 9 aprilie - Instytut Polski w Bukareszcie","og_description":"9 aprilie, ora 19:30 – Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82) pURe\u00a0(30 min.) Coregrafie, concept \u0219i performance: Ramona Nagabczy\u0144ska – spectacol non-verbal \u2013 Solo-ul Ramonei Nagabczy\u0144ska abordeaz\u0103 subiectul corpului \u201enatural\u201d, prin intermediul conceptului de materie Ur creat de renumitul regizor de teatru \u0219i pictor polonez Tadeusz Kantor. Materia […]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2017-03-27T11:58:00+00:00","article_modified_time":"2020-06-05T12:00:09+00:00","og_image":[{"width":660,"height":495,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg","type":"image\/jpeg"}],"author":"rutkowskip","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"rutkowskip","Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/","name":"News from Polska - 9 aprilie","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15-300x225.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg","datePublished":"2017-03-27T11:58:00+02:00","dateModified":"2020-06-05T12:00:09+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/980fdccff6ea3f1cab069becadecca5b"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/"]}],"@context":"https:\/\/schema.org","startDate":"2017-04-09","endDate":"2017-04-09","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"9 aprilie, ora 19:30 - Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82)\npURe\u00a0(30 min.)\nCoregrafie, concept \u0219i performance: Ramona Nagabczy\u0144ska\n- spectacol non-verbal \u2013\nSolo-ul Ramonei Nagabczy\u0144ska abordeaz\u0103 subiectul corpului \u201enatural\u201d, prin intermediul conceptului de materie Ur creat de renumitul regizor de teatru \u0219i pictor polonez Tadeusz Kantor. Materia Ur este starea care precede iluzia, pre-existen\u021ba autonom\u0103 a materiei teatrale. \u00cen pURe, coregrafa folose\u0219te conceptul de materie Ur \u00een leg\u0103tur\u0103 cu corpul ei. \u00cen loc s\u0103 abordeze corpul ca pe un obiect al opresiunii, coregrafa \u00ee\u0219i mut\u0103 aten\u021bia pe responsabilitatea, dorin\u021ba \u0219i abilitatea corpului de a se emancipa \u0219i a-\u0219i impune propria ordine. Prin schimbarea \u00eentreb\u0103rii de la \u201ece reprezint\u0103 corpul?\u201d la \u201ece vrea corpul?\u201d, corpul este transportat din domeniul simbolic \u00een cel al nevoilor, dorin\u021belor \u0219i fanteziilor.\nRamona Nagabczy\u0144ska\u00a0este absolventa Warsaw State Ballet School, Hochschule f\u00fcr Musik und Darstellende Kunst din Frankfurt \u0219i The Place din Londra. A lucrat cu diferite companii de dans, coregrafi independen\u021bi, arti\u0219ti vizuali \u0219i regizori de teatru de la Polish Dance Theatre (2005\/2006), cu Fleur Darkin (Augustine, 2006-2008), Tom Dale (Rise and Chodzenie, 2008, 2009), Ula Sickle (Blind Spot, 2009), Maria Stoklosa (Lets dance Chopin, 2010), Carrie Cracknell \u0219i Lucy Guerin (Throwing, 2011), David Wampach (Cassette, 2011-2014), Les Gens D\u2019Uterpan (Avis D\u2019Audition 2012 - aleas\u0103 \u00een urma audi\u021biei), Kaya Ko\u0142odziejczyk (Brith Out \u0219i ATDK to KK, 2008-2013), Emma Martin (Dogs, 2012), Junk Ensemble (Dusk Ahead, 2013-2015), Paulina O\u0142owska (Alphabet, 2014), Sjoerd Vreugdenhil (Unintended Consequences, 2014), Rebecca Lazier (There may be others, 2015-2016) \u0219i Clod Ensemble, cu care lucreaz\u0103 constant (Red Ladies, 2008-2015, Under Glass, 2009-2010, An Anatomie, 2011-2013, Zero, 2013).\nDebutul ei coregrafic a fost Man's Best Friend, creat \u00een 2009 \u00een cadrul programului Solo Project organizat de Arts Station Foundation (Stary Browar) \u00een Pozna\u0144. Printre lucr\u0103rile ei se mai num\u0103r\u0103 instala\u021bia video Turao\/Dziw (2010) \u0219i New (Dis)Order (2012), Re\/\/accumulation (2012), care fac parte din ciclul RE\/\/MIX curatoriat de Komuna\/\/Warszawa, Dinge (2014), Actions to relate to Verbs (2015) \u0219i pURe (2015). \u00cen 2014, spectacolul New (Dis)Order a fost ales ca Aerowaves Priority Company. Ea este sus\u021binut\u0103 \u00een prezent de re\u021beaua interna\u021bional\u0103 de arte performative APAP.\nProiec\u021bia filmului THE TOWER\u00a0(79 min.)\nScenariul \u0219i regia: Karolina Bregu\u0142a\nCu: Joanna Cortes, Nina Czerkies, Roman Holc, Borys Ja\u017anicki, Ewa Konstanciak \u0219.a.\n- subtitrare \u00een limba englez\u0103 \u2013\n\u201eThe Tower\u201d este o oper\u0103 - musical despre un colectiv de oameni care locuiesc \u00een acela\u0219i bloc \u0219i pl\u0103nuiesc s\u0103 construiasc\u0103 \u00eempreun\u0103 un turn de zah\u0103r. Absurd\u0103 \u0219i plin\u0103 de anxietate, povestea proiectului utopic abordeaz\u0103 istoria arhitecturii postbelice a locuin\u021belor, analiz\u00e2nd-o din perspectiva utilizatorului s\u0103u, locuitor al unui ora\u0219 modernist. Visurilor \u0219i dorin\u021belor li se juxtapune dificila realitate a vie\u021bii \u00een blocuri \u0219i contradic\u021biile \u00eenscrise \u00een planurile moderni\u0219tilor.\nKarolina Bregu\u0142a\u00a0(n. 1979) lucreaz\u0103 cu film, video, fotografie, instala\u021bie \u0219i happening. Absolvent\u0103 a \u0218colii de Film din \u0141\u00f3d\u017a fara virgula dupa Lodz unde \u0219i-a sus\u021binut teza de doctorat \u00een 2015. Lucr\u0103rile ei exploreaz\u0103 problemele statutului operei artistice, materialitatea obiectelor de art\u0103 \u0219i func\u021bionarea lor \u00een cadrul contextelor institu\u021bionale. Artista examineaz\u0103, de asemenea, recep\u021bia artei contemporane \u0219i submineaz\u0103 nara\u021biunile artistice oficiale, chestion\u00e2ndu-le limbajul ermetic \u0219i deschiz\u00e2ndu-le c\u0103tre noi interpret\u0103ri. Bregu\u0142a \u00eei \u00eencurajeaz\u0103 pe spectatori s\u0103 participe activ \u00een proces, s\u0103 interac\u021bioneze \u0219i s\u0103 conteste modurile de recep\u021bie \u00eencet\u0103\u021benite. Artista exploreaz\u0103 \u0219i problematica rolului social al artei \u0219i a miturilor care graviteaz\u0103 \u00een jurul lui. De\u0219i e con\u0219tient\u0103 de limit\u0103ri, Bregu\u0142a \u00eencearc\u0103 s\u0103 scoat\u0103 arta din spa\u021biul galeriei. Filmele ei se afl\u0103 la grani\u021ba dintre art\u0103 contemporan\u0103 \u0219i cinema - sunt prezentate at\u00e2t \u00een galerii de art\u0103, c\u00e2t \u0219i la festivaluri de film. Crea\u021biile ei au fost expuse la Muzeul Na\u021bional din Var\u0219ovia, Galeria Na\u021bional\u0103 de Art\u0103 Zach\u0119ta, Centrul de Art\u0103 Contemporan\u0103 Ujazdowski Castle din Var\u0219ovia, Institute of Contemporary Arts din Londra, Jewish Museum din New York \u0219i la edi\u021bia a 55-a a Bienalei de Art\u0103 de la Vene\u021bia. Bregu\u0142a a primit premiul doi \u00een competi\u021bia Views 2013 \u2013 Deutsche Bank Award \u0219i premiul trei la concursul Samsung Art Master din 2007. \u00cen 2016, filmul ei Office for Monument Construction a c\u00e2\u0219tigat premiul Golden Claw \u00een competi\u021bia Visions Apart din cadrul edi\u021biei a 41-a a Festivalului de Film de la Gdynia. Locuie\u0219te \u0219i lucreaz\u0103 \u00een Var\u0219ovia.\nConcert Exit Promises - ZONE-L\u00a0(30 min.)\nExit Promises este un performance sonor care le ofer\u0103 ascult\u0103torilor \u0219ansa de a se \u201e\u00eembun\u0103t\u0103\u021bi\u201d, juc\u00e2ndu-se cu no\u021biunea de a fi mereu expus(\u0103) v\u00e2nz\u0103rii unui mai bun \u201etu\u201d.\nLaura Hunt, cunoscut\u0103 \u0219i ca ZONE-L, activeaz\u0103 la intersec\u021bia dintre performance, video \u0219i sunet pentru a crea serii de lucr\u0103ri care abordeaz\u0103 subiectul invizibilului. Cum sunt transformate biologia \u0219i spiritualitatea de c\u00e2mpurile electromagnetice \u0219i re\u021belele electronice de sharing video\/audio? Lucr\u0103rile ei sunt specula\u021bii\/viitoruri plauzibile despre efectul culturii corporate.\nhttps:\/\/soundcloud.com\/lauzone\nhttps:\/\/soundcloud.com\/wdk-74693571\nBiletele pentru toate elementele din programul zilei de duminic\u0103, 9 aprilie (performance, proiec\u021bie film, concert) cost\u0103 35 lei (pre\u021b \u00eentreg) sau 20 lei (pre\u021b redus) \u0219i se pot achizi\u021biona online, de pe www.kompostor.ro, sau de la Sala Stere Popescu a Centrului Na\u021bional al Dansului Bucure\u0219ti (bd. M\u0103r\u0103\u0219e\u0219ti nr. 80-82) \u00eenainte de \u00eenceperea spectacolului.\u00a0Biletele pentru performance (f\u0103r\u0103 film \u0219i concert) cost\u0103 20 lei, iar pentru film (f\u0103r\u0103 performance) cost\u0103 15 lei (se achizi\u021bioneaz\u0103 doar de la sala Stere Popescu, \u00eenainte de \u00eenceperea spectacolului\/proiec\u021biei). Intrarea la concert este liber\u0103.\nBilete:\u00a0https:\/\/www.kompostor.ro\/6734"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/news-from-polska-9-aprilie_93fa15.jpg","width":660,"height":495},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2017\/03\/27\/news-from-polska-9-aprilie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"News from Polska – 9 aprilie"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/980fdccff6ea3f1cab069becadecca5b","name":"rutkowskip","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a44cb0329dc71f58530e0890a10f5e4d?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a44cb0329dc71f58530e0890a10f5e4d?s=96&d=mm&r=g","caption":"rutkowskip"},"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/rutkowskip\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=4252"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4252\/revisions"}],"predecessor-version":[{"id":4254,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4252\/revisions\/4254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/4253"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=4252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=4252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=4252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}