{"id":4575,"date":"2012-10-19T16:42:00","date_gmt":"2012-10-19T14:42:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/bucuresti\/?p=4575"},"modified":"2020-06-16T11:03:28","modified_gmt":"2020-06-16T09:03:28","slug":"festivalul-filmului-polonez-bucuresti-si-chisinau","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/","title":{"rendered":"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u"},"content":{"rendered":"<p>Proiec\u021biile vor avea loc \u00een dou\u0103 cinematografe din Bucure\u0219ti: <strong>Cinema Studio <\/strong>(bd. Magheru nr. 29, metrou Pia\u021ba Roman\u0103)\u00a0\u0219i Studioul \u201eHoria Bernea\u201d din incinta <strong>Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n <\/strong>(\u015eos.Kiseleff nr. 3, metrou Pia\u021ba Victoriei), precum \u0219i \u00een <strong>Cinematograful Gaudeamus<\/strong>\u00a0din Chi\u0219in\u0103u (str. Vasile Alecsandri nr. 4)<strong>. Toate filmele au subtitrare \u00een limba rom\u00e2n\u0103.<\/strong><\/p>\n<p><strong>Programul pe zile:<\/strong><\/p>\n<p><u><strong>vineri, 2.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Canalul<\/strong> (Kana\u0142), 1956, 91 min.<br \/>\nRegia: Andrzej Wajda<\/p>\n<p><strong>Scenariul<\/strong>: Jerzy Stefan Stawi\u0144ski<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski, Tadeusz Gwiazdowski, Stanis\u0142aw Mikulski, Emil Karewicz, W\u0142adys\u0142aw Sheybal, Teresa Berezowska<\/p>\n<p>Sf\u00e2r\u0219itul lui septembrie 1944. Insurec\u021bia de la Var\u0219ovia este pe punctul s\u0103 fie \u00een\u0103bu\u0219it\u0103. Un deta\u0219ament coboar\u0103 \u00een canale pentru a ajunge la r\u0103zvr\u0103ti\u021bi. \u00cen culoarele subterane sinuoase, pline de excremente, comandantul \u00eencearc\u0103 s\u0103 salveze via\u021ba oamenilor s\u0103i. Scenariul este bazat pe experien\u021bele scenaristului Jerzy Stawi\u0144ski, fost ofi\u021ber \u00een Armata \u021a\u0103rii.<\/p>\n<p>ora 20.00<br \/>\n<strong>\u00cen bezn\u0103<\/strong> (W ciemno\u015bci), 2011, 145 min.<br \/>\nRegia: Agnieszka Holland<\/p>\n<p><strong>Scenariul<\/strong>: David F. Shamoon<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak<\/p>\n<p>Este anul 1941. Leopold Socha, vidanjor \u015fi borfa\u015f m\u0103runt, d\u0103 peste un grup de evrei fugi\u0163i din ghetou care vor s\u0103 se ascund\u0103 \u00een canalele subterane ale ora\u015fului, pe care el le cunoa\u015fte foarte bine. Drept care, se \u00eenvoie\u015fte s\u0103-i ajute contra cost. Ceea ce debuteaz\u0103 ca un t\u00e2rg se transform\u0103 \u00een ceva nea\u015fteptat, pe m\u0103sur\u0103 ce, timp de 14 luni de pericol maxim, ei \u00eencearc\u0103 \u00eempreun\u0103 s\u0103 p\u0103c\u0103leasc\u0103 moartea. Filmul a fost nominalizat la premiul Oscar \u00een categoria Cel Mai Bun Film Str\u0103in (2012).<\/p>\n<p>&lt;&lt;&lt; Cele dou\u0103 filme au \u00een comun nu doar locul ac\u021biunii \u0219i modul \u00een care a fost construit\u0103 ac\u021biunea, am\u00e2ndou\u0103 povestesc despre curaj, speran\u021b\u0103 \u0219i dedicare, pun \u00eentreb\u0103ri importante despre sensul eroismului.<\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Lege \u0219i pumn<\/strong> (Prawo i pi\u0119\u015b\u0107), 1964, 93 min.<br \/>\nRegia: Jerzy Hoffman, Edward Sk\u00f3rzewski<\/p>\n<p><strong>Scenariul<\/strong>: J\u00f3zef Hen<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Gustaw Holoubek, Zofia Mrozowska, Hanna Skar\u017canka, Wies\u0142aw Go\u0142as, Zdzis\u0142aw Maklakiewicz, Ryszard Pietruski, Jerzy Przybylski, Wies\u0142awa Kwa\u015bniewska<\/p>\n<p>Primele zile dup\u0103 terminarea celui de-al Doilea R\u0103zboi Mondial. Andrzej Koenig, fost de\u021binut \u00eentr-un lag\u0103r de concentrare, este mandatat ca reprezentant al guvernului \u00eentr-o sta\u021biune balnear\u0103 p\u0103r\u0103sit\u0103 de germani. F\u0103r\u0103 s\u0103 beneficieze de niciun sprijin, el trebuie s\u0103 apere ora\u0219ul de pr\u0103d\u0103torii care sunt \u00een stare s\u0103 \u00eencalce orice reguli pentru a se \u00eembog\u0103\u021bi.<\/p>\n<p>ora 20.00<br \/>\n<strong>R\u00f3\u017ca<\/strong>, 2011, 94 min.<br \/>\nRegia: Wojciech Smarzowski<\/p>\n<p><strong>Scenariul<\/strong>: Micha\u0142 Szczerbic<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Marcin Doroci\u0144ski, Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dzi\u0119dziel, Edward Linde-Lubaszenko, Eryk Lubos, Lech Dyblik<\/p>\n<p>Vara anului 1945. Imediat dup\u0103 terminarea r\u0103zboiului, Tadeusz, un soldat polonez, ajunge \u00een Mazuria, un teritoriu german oferit dup\u0103 r\u0103zboi Poloniei. \u00cennopteaz\u0103 la R\u00f3\u017ca, o v\u0103duv\u0103 a unui soldat german la a c\u0103rui moarte fusese martor. Pe fundalul peisajului devastat de r\u0103zboi, \u00een care speran\u0163a a devenit instrument de propagand\u0103, \u00eentre doi oameni din lumi diferite se na\u015fte dragostea&#8230; este aceasta oare imposibil\u0103?<\/p>\n<p>Filmul a c\u00e2\u0219tigat Premiul &#8222;Vulturul de Aur&#8221;, acordat de Academia Polonez\u0103 de Cinematografie, precum \u0219i\u00a0Premiul Principal la Festivalul de Film Central-European la Media\u0219 (2012).<\/p>\n<p>&lt;&lt;&lt; Ambele pelicule, filmate \u00een conven\u021bia \u201ewestern\u201d \u0219i av\u00e2nd acela\u0219i fundal istoric, ating problema responsabilit\u0103\u021bii: fa\u021b\u0103 de r\u0103ul provocat de r\u0103zboi \u0219i fa\u021b\u0103 de cei lipsi\u021bi de ap\u0103rare. Filmele sunt legate \u0219i printr-un motiv muzical semnat de celebrul compozitor Krzysztof Komeda.<\/p>\n<p><u><strong>s\u00e2mb\u0103t\u0103, 3.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Abel, fratele t\u0103u<\/strong> (Abel, tw\u00f3j brat), 1970, 87 min.<br \/>\nRegia: Janusz Nasfeter<\/p>\n<p><strong>Scenariul:<\/strong> Teresa Nasfeter, Janusz Nasfeter<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Katarzyna \u0141aniewska, Witold Dederko, Zdzis\u0142aw Le\u015bniak, Jacek Fedorowicz, Henryk B\u0105k, Krystyna Feldman, Maria Kaniewska, Wojciech Rajewski<\/p>\n<p>Un copil sensibil \u0219i cuminte ajunge \u00eentr-o \u0219coal\u0103 nou\u0103 unde \u00eencearc\u0103 s\u0103 dob\u00e2ndeasc\u0103 \u00eencrederea colegilor-huligani. Comport\u00e2ndu-se asemeni lor, intr\u0103 \u00eentr-o situa\u021bie complicat\u0103 c\u0103reia nu-i poate face fa\u021b\u0103. Regizorul, cunoscut pentru filmele sale despre copii, analizeaz\u0103 cu m\u0103iestrie dramele prin care trec ace\u0219tia.<\/p>\n<p>ora 20.00<br \/>\n<strong>Curajul<\/strong> (Wymyk), 2011, 85 min.<br \/>\nRegia: Greg Zgli\u0144ski<\/p>\n<p><strong>Scenariul:<\/strong> Janusz Marga\u0144ski, Grzegorz Zgli\u0144ski<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Robert Wi\u0119ckiewicz, \u0141ukasz Simlat, Gabriela Muska\u0142a, Marian Dzi\u0119dziel, Anna Tomaszewska, Karolina Kominek, Pawe\u0142 Tomaszewski, Tomasz Schuchardt<\/p>\n<p>Rela\u021biile dintr-o familie sunt puse la \u00eencercare dup\u0103 ce unul dintre cei doi fra\u021bi, certa\u021bi unul cu altul, este grav r\u0103nit de un grup de huligani. Fratele lui mai mare, care este martor al \u00eent\u00e2mpl\u0103rii, se afl\u0103 \u00een fa\u021ba unei dileme: s\u0103-\u0219i recunoasc\u0103 vina \u0219i s\u0103 ajute la g\u0103sirea f\u0103pta\u0219ilor, sau s\u0103 tac\u0103.<\/p>\n<p>&lt;&lt;&lt; Cele dou\u0103 filme nu sunt doar interpret\u0103ri moderne ale mitului biblic despre Cain \u0219i Abel, ele ridic\u0103 \u00eentreb\u0103ri despre fundamentele psihologiei umane: De ce suntem r\u0103i? Ce \u00eenseamn\u0103 \u201ea fi vinovat\u201d? De ce ne e fric\u0103 de adev\u0103r?<\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Copoii <\/strong>(Psy), 1992, 105 min.<\/p>\n<p><strong>Regia \u015fi scenariul:<\/strong> W\u0142adys\u0142aw Pasikowski<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Bogus\u0142aw Linda, Marek Kondrat, Cezary Pazura, Janusz Gajos, Agnieszka Jask\u00f3\u0142ka, Zbigniew Zapasiewicz, Zbigniew Bielski, Tomasz Dedek<\/p>\n<p>Film-cult al anilor \u201990, care prin violen\u021ba sa \u0219i imaginea cinic\u0103 a tranzi\u021biei a zguduit cinematografia polonez\u0103 a momentului.<\/p>\n<p>Comunismul a c\u0103zut, ofi\u021berii Securit\u0103\u021bii ard dosarele. Unii dintre ei devin poli\u021bi\u0219ti, iar al\u021bii &#8211; infractori. Franz Maurer, fost securist, acum poli\u021bist, \u00eencearc\u0103 s\u0103 r\u0103m\u00e2n\u0103 fidel principiilor sale: onoare, prietenie \u0219i dedicare \u00een slujb\u0103; un lucru imposibil \u00eentr-o lume f\u0103r\u0103 idealuri.<\/p>\n<p>ora 20.00<br \/>\n<strong>C\u00e2rti\u021ba<\/strong> (Kret), 2010, 108 min.<br \/>\nRegia: Rafael Lewandowski<\/p>\n<p><strong>Scenariul:<\/strong> Iwo Kardel, Rafael Lewandowski<\/p>\n<p>Zygmunt, fost membru al \u201eSolidarit\u0103\u021bii\u201d \u0219i lupt\u0103tor pentru libertate, acum afacerist \u00eentr-un ora\u0219 mic, este acuzat c\u0103 a colaborat cu poli\u021bia politic\u0103. Proasta sa reputa\u021bie de turn\u0103tor \u00eei distruge rela\u021biile cu vecinii \u0219i \u00eei pune \u00een pericol via\u021ba de familie. \u00cen c\u0103utarea adev\u0103rului, fiul s\u0103u Pawe\u0142 \u00eent\u00e2lne\u0219te un fost securist care pare s\u0103 aib\u0103 leg\u0103tur\u0103 cu problemele tat\u0103lui s\u0103u.<\/p>\n<p>&lt;&lt;&lt; Securi\u0219tii \u0219i dosarele nu sunt doar ni\u0219te subiecte abstracte: \u00een spatele fiec\u0103rui dosar se ascund tragediile unor oameni \u00een carne \u0219i oase. Chiar \u0219i la 20 de ani de la c\u0103derea comunismului, procesul lustra\u021biei pare departe de a se fi terminat.<\/p>\n<p><u><strong>duminic\u0103, 4.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Maica Ioana a \u00cengerilor<\/strong> (Matka Joanna od Anio\u0142\u00f3w), 1960, 103 min.<br \/>\nRegia: Jerzy Kawalerowicz<\/p>\n<p><strong>Scenariul:<\/strong> Tadeusz Konwicki, Jerzy Kawalerowicz<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Lucyna Winnicka, Mieczys\u0142aw Voit, Anna Ciepielewska, Maria Chwalib\u00f3g, Kazimierz Fabisiak, Stanis\u0142aw Jasiukiewicz, Zygmunt Zintel, Jerzy Kaczmarek<\/p>\n<p>Plasat \u00een secolul al XVII-lea, \u00eentr-o m\u0103n\u0103stire retras\u0103, filmul relateaz\u0103 povestea unui t\u00e2n\u0103r preot care trebuie s\u0103 exorcizeze stare\u021ba \u0219i m\u0103icu\u021bele care erau posedate de demoni. \u00cen \u00eencerc\u0103rile sale repetate de a alunga r\u0103ul, preotul se \u00eendr\u0103goste\u0219te de frumoasa m\u0103icu\u021b\u0103 Ioana.<\/p>\n<p>ora 20.00<br \/>\n<strong>\u00cen numele diavolului<\/strong> (W imieniu diab\u0142a), 2011, 112 min.<\/p>\n<p><strong>Regia \u015fi scenariul:<\/strong> Barbara Sass<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Katarzyna Zawadzka, Anna Radwan, Marian Dzi\u0119dziel, Mariusz Bonaszewski, Roma G\u0105siorowska-\u017burawska, El\u017cbieta Karkoszka, Marzena Tryba\u0142a<\/p>\n<p>O poveste \u0219ocant\u0103 inspirat\u0103 din fapte reale despre femei care s-au aflat la grani\u021ba dintre credin\u021b\u0103 \u0219i nebunie, iubire \u0219i dorin\u021b\u0103 trupeasc\u0103. \u00cen \u00eencercarea de a se ap\u0103ra de lumea dec\u0103zut\u0103, plin\u0103 de p\u0103cate, un grup de c\u0103lug\u0103ri\u021be rupe orice leg\u0103tur\u0103 cu lumea \u00eenconjur\u0103toare \u0219i formeaz\u0103 o sect\u0103. Doar una dintre ele \u00eencearc\u0103 s\u0103 lupte pentru a-\u0219i p\u0103stra libertatea.<\/p>\n<p>&lt;&lt;&lt; Cele dou\u0103 \u201edrame monahale\u201d analizeaz\u0103 sursa r\u0103ului din om, conflictul dintre aspira\u021bia c\u0103tre divinitate \u0219i fascina\u021bia pentru lumesc. Ele nu ofer\u0103 r\u0103spunsuri, ci provoac\u0103 mai degrab\u0103 la o dezbatere continu\u0103 asupra acestor teme.<\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Ki<\/strong>, 2011, 99 min.<br \/>\nRegia: Leszek Dawid<\/p>\n<p><strong>Scenariul<\/strong>: Pawe\u0142 Ferdek, Leszek Dawid<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Roma G\u0105siorowska, Adam Woronowicz, Kamil Malecki, Krzysztof Og\u0142oza, Sylwia Juszczak, Agnieszka Suchora, Krzysztof Globisz, Dorota Pomyka\u0142a<\/p>\n<p>Ki, o t\u00e2n\u0103r\u0103 energic\u0103 \u0219i plin\u0103 de via\u021b\u0103 nu accept\u0103 s\u0103 se lase \u00eengr\u0103dit\u0103 de obliga\u021biile sale de mam\u0103 singur\u0103. Nevr\u00e2nd s\u0103 urmeze modelul propriei mame, ea \u00eencearc\u0103 s\u0103 duc\u0103 o via\u021b\u0103 colorat\u0103, alert\u0103, plin\u0103 de tr\u0103iri intense. Vrea s\u0103 fac\u0103 o oper\u0103 de art\u0103 din propria via\u021b\u0103. Rela\u021biile sale complicate cu cei din jur o ajut\u0103 s\u0103 con\u0219tientizeze iubirea \u0219i responsabilitatea pe care le poart\u0103 fa\u021b\u0103 de fiul ei \u0219i de ea \u00eens\u0103\u0219i. Interpret\u0103 rolului principal, Roma G\u0105siorowska, a primit pentru acest rol premiul pentru cea mai bun\u0103 actri\u021ba la Festivalul Filmului Polonez la Gdynia (2011).<\/p>\n<p>ora 20.00<br \/>\n<strong>Amatorul<\/strong> (Amator), 1979, 117 min.<\/p>\n<p><strong>Regia \u0219i scenariul<\/strong>: <strong>Krzysztof Kie\u015blowski<\/strong><\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Jerzy Stuhr, Ma\u0142gorzata Z\u0105bkowska, Ewa Pokas, Stefan Czy\u017cewski, Jerzy Nowak, Tadeusz Bradecki, Marek Litewka, Bogus\u0142aw Sobczuk, Krzysztof Zanussi<\/p>\n<p>Unul dintre cele mai importante filme din curentul a\u0219a-zisei \u201ecinematografii a nelini\u0219tii morale\u201d.<\/p>\n<p>Un angajat al unei fabrici devine brusc interesat de cinematografie. Prin documentarele pe care le realizeaz\u0103 cu ajutorul camerei sale de amator, Filip \u00eencearc\u0103 s\u0103 lupte \u00eempotriva nedrept\u0103\u021bii \u0219i abuzului social pe care le observ\u0103 \u00een jur. Pl\u0103te\u0219te \u00eens\u0103 un pre\u021b mult prea mare pentru dedicarea sa.<\/p>\n<p>&lt;&lt;&lt; \u201eAmatorul\u201d, realizat la sf\u00e2r\u015fitul anilor &#8217;70, a constituit la vremea respectiv\u0103 un r\u0103spuns la preocup\u0103rile tinerilor de atunci. Aceea\u0219i misiune \u00eencearc\u0103 s\u0103 aib\u0103 ast\u0103zi \u0219i filmul \u201eKi\u201d. Problemele abordate &#8211; limitele responsabilit\u0103\u0163ii \u015fi curajului, locul \u015fi rolul artei \u00een via\u0163a omului au r\u0103mas actuale p\u00e2n\u0103 ast\u0103zi.<\/p>\n<p><u><strong>luni, 5.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Tab\u0103ra\u00a0mor\u021bilor\u00a0<\/strong>(Baza ludzi umar\u0142ych), 1958, 105 min.<br \/>\nRegia: Czes\u0142aw Petelski<\/p>\n<p><strong>Scenariul:<\/strong> Marek H\u0142asko<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Zygmunt K\u0119stowicz, Emil Karewicz, Teresa I\u017cewska, Leon Niemczyk, Aleksander Fogiel, Tadeusz \u0141omnicki, Roman K\u0142osowski, Adam Kwiatkowski<\/p>\n<p>O adaptare dup\u0103 romanul-cult din anii \u201950 de Marek H\u0142asko, \u201eUrm\u0103torul c\u0103tre rai\u201d. Filmul este plasat \u00een decorul sumbru al unei baze de transport silvic izolate din Mun\u021bii Bieszczady, unde \u00een condi\u021bii de ne\u00eendurat lucreaz\u0103 fo\u0219ti pu\u0219c\u0103ria\u0219i \u0219i tineri care vor s\u0103 fug\u0103 de civiliza\u021bie.<\/p>\n<p>ora 20.00<br \/>\n<strong>Camera sinuciga\u0219ilor<\/strong> (Sala samob\u00f3jc\u00f3w), 2011, 112 min.<\/p>\n<p><strong>Regia \u015fi scenariul:<\/strong> Jan Komasa<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Jakub Giersza\u0142, Roma G\u0105siorowska-\u017burawska, Agata Kulesza, Krzysztof Pieczy\u0144ski, Bartosz Gelner, Danuta Borsuk, Piotr Nowak, Filip Bobek<\/p>\n<p>Dominik este un b\u0103iat de liceu ca oricare altul. Are prieteni, vine dintr-o familie \u00eenst\u0103rit\u0103, \u00eens\u0103, la un moment dat, totul se schimb\u0103 \u015fi colegii \u00eencep s\u0103-l umileasc\u0103. Din cauza aceasta, renun\u021b\u0103 la \u015fcoal\u0103 \u015fi ajunge s\u0103 se izoleze \u00een lumea virtual\u0103, unde \u00eent\u00e2lne\u015fte o fat\u0103 care \u00eel va conduce \u00een \u201ecamera sinuciga\u015filor\u201d, locul de unde nimeni nu pare s\u0103 scape.<\/p>\n<p>&lt;&lt;&lt; Dou\u0103 filme c\u00e2t se poate de diferite: primul, realizat \u00een tehnica crud\u0103, naturalist\u0103 a jocului actoricesc prezint\u0103 b\u0103rba\u021bi puternici, cel\u0103lalt, plin de efecte speciale, are ca personaj principal un t\u00e2n\u0103r sensibil. Cu toate acestea, ambele sunt metafore ale vie\u021bii retrase, nefericite \u0219i pline de repro\u0219uri, co\u0219maruri \u0219i frica de viitor.<\/p>\n<p><u><strong>mar\u021bi, 6.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Lege \u0219i pumn<\/strong> (Prawo i pi\u0119\u015b\u0107), 1964, 93 min.<br \/>\nRegia: Jerzy Hoffman, Edward Sk\u00f3rzewski<\/p>\n<p><strong>Scenariul<\/strong>: J\u00f3zef Hen<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Gustaw Holoubek, Zofia Mrozowska, Hanna Skar\u017canka, Wies\u0142aw Go\u0142as, Zdzis\u0142aw Maklakiewicz, Ryszard Pietruski, Jerzy Przybylski, Wies\u0142awa Kwa\u015bniewska<\/p>\n<p>Primele zile dup\u0103 terminarea celui de-al Doilea R\u0103zboi Mondial. Andrzej Koenig, fost de\u021binut \u00eentr-un lag\u0103r de concentrare, este mandatat ca reprezentant al guvernului \u00eentr-o sta\u021biune balnear\u0103 p\u0103r\u0103sit\u0103 de germani. F\u0103r\u0103 s\u0103 beneficieze de niciun sprijin, el trebuie s\u0103 apere ora\u0219ul de pr\u0103d\u0103torii care sunt \u00een stare s\u0103 \u00eencalce orice reguli pentru a se \u00eembog\u0103\u021bi.<\/p>\n<p>ora 20.00<br \/>\n<strong>R\u00f3\u017ca<\/strong>, 2011, 94 min.<br \/>\nRegia: Wojciech Smarzowski<\/p>\n<p><strong>Scenariul<\/strong>: Micha\u0142 Szczerbic<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Marcin Doroci\u0144ski, Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dzi\u0119dziel, Edward Linde-Lubaszenko, Eryk Lubos, Lech Dyblik<\/p>\n<p>Vara anului 1945. Imediat dup\u0103 terminarea r\u0103zboiului, Tadeusz, un soldat polonez, ajunge \u00een Mazuria, un teritoriu german oferit dup\u0103 r\u0103zboi Poloniei. \u00cennopteaz\u0103 la R\u00f3\u017ca, o v\u0103duv\u0103 a unui soldat german la a c\u0103rui moarte fusese martor. Pe fundalul peisajului devastat de r\u0103zboi, \u00een care speran\u0163a a devenit instrument de propagand\u0103, \u00eentre doi oameni din lumi diferite se na\u015fte dragostea&#8230; este aceasta oare imposibil\u0103?<\/p>\n<p>Filmul a c\u00e2\u0219tigat Premiul &#8222;Vulturul de Aur&#8221;, acordat de Academia Polonez\u0103 de Cinematografie, precum \u0219i\u00a0Premiul Principal la Festivalul de Film Central-European la Media\u0219 (2012).<\/p>\n<p>&lt;&lt;&lt; Ambele pelicule, filmate \u00een conven\u021bia \u201ewestern\u201d \u0219i av\u00e2nd acela\u0219i fundal istoric, ating problema responsabilit\u0103\u021bii: fa\u021b\u0103 de r\u0103ul provocat de r\u0103zboi \u0219i fa\u021b\u0103 de cei lipsi\u021bi de ap\u0103rare. Filmele sunt legate \u0219i printr-un motiv muzical semnat de celebrul compozitor Krzysztof Komeda.<\/p>\n<p><u><strong>miercuri, 7.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Copoii<\/strong> (Psy), 1992, 105 min.<\/p>\n<p><strong>Regia \u015fi scenariul:<\/strong> W\u0142adys\u0142aw Pasikowski<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Bogus\u0142aw Linda, Marek Kondrat, Cezary Pazura, Janusz Gajos, Agnieszka Jask\u00f3\u0142ka, Zbigniew Zapasiewicz, Zbigniew Bielski, Tomasz Dedek<\/p>\n<p>Film-cult al anilor \u201990, care prin violen\u021ba sa \u0219i imaginea cinic\u0103 a tranzi\u021biei a zguduit cinematografia polonez\u0103 a momentului.<\/p>\n<p>Comunismul a c\u0103zut, ofi\u021berii Securit\u0103\u021bii ard dosarele. Unii dintre ei devin poli\u021bi\u0219ti, iar al\u021bii &#8211; infractori. Franz Maurer, fost securist, acum poli\u021bist, \u00eencearc\u0103 s\u0103 r\u0103m\u00e2n\u0103 fidel principiilor sale: onoare, prietenie \u0219i dedicare \u00een slujb\u0103; un lucru imposibil \u00eentr-o lume f\u0103r\u0103 idealuri.<\/p>\n<p>ora 20.00<br \/>\n<strong>C\u00e2rti\u021ba<\/strong> (Kret), 2010, 108 min.<br \/>\nRegia: Rafael Lewandowski<\/p>\n<p><strong>Scenariul:<\/strong> Iwo Kardel, Rafael Lewandowski<\/p>\n<p>Zygmunt, fost membru al \u201eSolidarit\u0103\u021bii\u201d \u0219i lupt\u0103tor pentru libertate, acum afacerist \u00eentr-un ora\u0219 mic, este acuzat c\u0103 a colaborat cu poli\u021bia politic\u0103. Proasta sa reputa\u021bie de turn\u0103tor \u00eei distruge rela\u021biile cu vecinii \u0219i \u00eei pune \u00een pericol via\u021ba de familie. \u00cen c\u0103utarea adev\u0103rului, fiul s\u0103u Pawe\u0142 \u00eent\u00e2lne\u0219te un fost securist care pare s\u0103 aib\u0103 leg\u0103tur\u0103 cu problemele tat\u0103lui s\u0103u.<\/p>\n<p>&lt;&lt;&lt; Securi\u0219tii \u0219i dosarele nu sunt doar ni\u0219te subiecte abstracte: \u00een spatele fiec\u0103rui dosar se ascund tragediile unor oameni \u00een carne \u0219i oase. Chiar \u0219i la 20 de ani de la c\u0103derea comunismului, procesul lustra\u021biei pare departe de a se fi terminat.<\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Abel, fratele t\u0103u<\/strong> (Abel, tw\u00f3j brat), 1970, 87 min.<br \/>\nRegia: Janusz Nasfeter<\/p>\n<p><strong>Scenariul:<\/strong> Teresa Nasfeter, Janusz Nasfeter<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Katarzyna \u0141aniewska, Witold Dederko, Zdzis\u0142aw Le\u015bniak, Jacek Fedorowicz, Henryk B\u0105k, Krystyna Feldman, Maria Kaniewska, Wojciech Rajewski<\/p>\n<p>Un copil sensibil \u0219i cuminte ajunge \u00eentr-o \u0219coal\u0103 nou\u0103 unde \u00eencearc\u0103 s\u0103 dob\u00e2ndeasc\u0103 \u00eencrederea colegilor-huligani. Comport\u00e2ndu-se asemeni lor, intr\u0103 \u00eentr-o situa\u021bie complicat\u0103 c\u0103reia nu-i poate face fa\u021b\u0103. Regizorul, cunoscut pentru filmele sale despre copii, analizeaz\u0103 cu m\u0103iestrie dramele prin care trec ace\u0219tia.<\/p>\n<p>ora 20.00<br \/>\n<strong>Curajul<\/strong> (Wymyk), 2011, 85 min.<br \/>\nRegia: Greg Zgli\u0144ski<\/p>\n<p><strong>Scenariul:<\/strong> Janusz Marga\u0144ski, Grzegorz Zgli\u0144ski<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Robert Wi\u0119ckiewicz, \u0141ukasz Simlat, Gabriela Muska\u0142a, Marian Dzi\u0119dziel, Anna Tomaszewska, Karolina Kominek, Pawe\u0142 Tomaszewski, Tomasz Schuchardt<\/p>\n<p>Rela\u021biile dintr-o familie sunt puse la \u00eencercare dup\u0103 ce unul dintre cei doi fra\u021bi, certa\u021bi unul cu altul, este grav r\u0103nit de un grup de huligani. Fratele lui mai mare, care este martor al \u00eent\u00e2mpl\u0103rii, se afl\u0103 \u00een fa\u021ba unei dileme: s\u0103-\u0219i recunoasc\u0103 vina \u0219i s\u0103 ajute la g\u0103sirea f\u0103pta\u0219ilor, sau s\u0103 tac\u0103.<\/p>\n<p>&lt;&lt;&lt;\u00a0Cele dou\u0103 filme nu sunt doar interpret\u0103ri moderne ale mitului biblic despre Cain \u0219i Abel, ele ridic\u0103 \u00eentreb\u0103ri despre fundamentele psihologiei umane: De ce suntem r\u0103i? Ce \u00eenseamn\u0103 \u201ea fi vinovat\u201d? De ce ne e fric\u0103 de adev\u0103r?<\/p>\n<p><u><strong>joi, 8.11.2012<\/strong><\/u><\/p>\n<p><strong>Cinema Studio \u0219i Gaudeamus:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Ki,<\/strong> 2011, 99 min.<br \/>\nRegia: Leszek Dawid<\/p>\n<p><strong>Scenariul<\/strong>: Pawe\u0142 Ferdek, Leszek Dawid<\/p>\n<p><strong>Distribu\u0163ia<\/strong>:<strong> Roma <\/strong>G\u0105siorowska, Adam Woronowicz, Kamil Malecki, Krzysztof Og\u0142oza, Sylwia Juszczak, Agnieszka Suchora, Krzysztof Globisz, Dorota Pomyka\u0142a<\/p>\n<p>Ki, o t\u00e2n\u0103r\u0103 energic\u0103 \u0219i plin\u0103 de via\u021b\u0103 nu accept\u0103 s\u0103 se lase \u00eengr\u0103dit\u0103 de obliga\u021biile sale de mam\u0103 singur\u0103. Nevr\u00e2nd s\u0103 urmeze modelul propriei mame, ea \u00eencearc\u0103 s\u0103 duc\u0103 o via\u021b\u0103 colorat\u0103, alert\u0103, plin\u0103 de tr\u0103iri intense. Vrea s\u0103 fac\u0103 o oper\u0103 de art\u0103 din propria via\u021b\u0103. Rela\u021biile sale complicate cu cei din jur o ajut\u0103 s\u0103 con\u0219tientizeze iubirea \u0219i responsabilitatea pe care le poart\u0103 fa\u021b\u0103 de fiul ei \u0219i de ea \u00eens\u0103\u0219i. Interpret\u0103 rolului principal, Roma G\u0105siorowska, a primit pentru acest rol premiul pentru cea mai bun\u0103 actri\u021ba la Festivalul Filmului Polonez la Gdynia (2011).<\/p>\n<p>ora 20.00<br \/>\n<strong>Amatorul<\/strong> (Amator), 1979, 117 min.<\/p>\n<p><strong>Regia \u0219i scenariul<\/strong>: <strong>Krzysztof Kie\u015blowski<\/strong><\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Jerzy Stuhr, Ma\u0142gorzata Z\u0105bkowska, Ewa Pokas, Stefan Czy\u017cewski, Jerzy Nowak, Tadeusz Bradecki, Marek Litewka, Bogus\u0142aw Sobczuk, Krzysztof Zanussi<\/p>\n<p>Unul dintre cele mai importante filme din curentul a\u0219a-zisei \u201ecinematografii a nelini\u0219tii morale\u201d.<\/p>\n<p>Un angajat al unei fabrici devine brusc interesat de cinematografie. Prin documentarele pe care le realizeaz\u0103 cu ajutorul camerei sale de amator, Filip \u00eencearc\u0103 s\u0103 lupte \u00eempotriva nedrept\u0103\u021bii \u0219i abuzului social pe care le observ\u0103 \u00een jur. Pl\u0103te\u0219te \u00eens\u0103 un pre\u021b mult prea mare pentru dedicarea sa.<\/p>\n<p>&lt;&lt;&lt; \u201eAmatorul\u201d, realizat la sf\u00e2r\u015fitul anilor &#8217;70, a constituit la vremea respectiv\u0103 un r\u0103spuns la preocup\u0103rile tinerilor de atunci. Aceea\u0219i misiune \u00eencearc\u0103 s\u0103 aib\u0103 ast\u0103zi \u0219i filmul \u201eKi\u201d. Problemele abordate &#8211; limitele responsabilit\u0103\u0163ii \u015fi curajului, locul \u015fi rolul artei \u00een via\u0163a omului au r\u0103mas actuale p\u00e2n\u0103 ast\u0103zi.<\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Maica Ioana a \u00cengerilor<\/strong> (Matka Joanna od Anio\u0142\u00f3w), 1960, 103 min.<br \/>\nRegia: Jerzy Kawalerowicz<\/p>\n<p><strong>Scenariul:<\/strong> Tadeusz Konwicki, Jerzy Kawalerowicz<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Lucyna Winnicka, Mieczys\u0142aw Voit, Anna Ciepielewska, Maria Chwalib\u00f3g, Kazimierz Fabisiak, Stanis\u0142aw Jasiukiewicz, Zygmunt Zintel, Jerzy Kaczmarek<\/p>\n<p>Plasat \u00een secolul al XVII-lea, \u00eentr-o m\u0103n\u0103stire retras\u0103, filmul relateaz\u0103 povestea unui t\u00e2n\u0103r preot care trebuie s\u0103 exorcizeze stare\u021ba \u0219i m\u0103icu\u021bele care erau posedate de demoni. \u00cen \u00eencerc\u0103rile sale repetate de a alunga r\u0103ul, preotul se \u00eendr\u0103goste\u0219te de frumoasa m\u0103icu\u021b\u0103 Ioana.<\/p>\n<p>ora 20.00<br \/>\n<strong>\u00cen numele diavolulu<\/strong>i (W imieniu diab\u0142a), 2011, 112 min.<\/p>\n<p><strong>Regia \u015fi scenariul:<\/strong> Barbara Sass<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Katarzyna Zawadzka, Anna Radwan, Marian Dzi\u0119dziel, Mariusz Bonaszewski, Roma G\u0105siorowska-\u017burawska, El\u017cbieta Karkoszka, Marzena Tryba\u0142a<\/p>\n<p>O poveste \u0219ocant\u0103 inspirat\u0103 din fapte reale despre femei care s-au aflat la grani\u021ba dintre credin\u021b\u0103 \u0219i nebunie, iubire \u0219i dorin\u021b\u0103 trupeasc\u0103. \u00cen \u00eencercarea de a se ap\u0103ra de lumea dec\u0103zut\u0103, plin\u0103 de p\u0103cate, un grup de c\u0103lug\u0103ri\u021be rupe orice leg\u0103tur\u0103 cu lumea \u00eenconjur\u0103toare \u0219i formeaz\u0103 o sect\u0103. Doar una dintre ele \u00eencearc\u0103 s\u0103 lupte pentru a-\u0219i p\u0103stra libertatea.<\/p>\n<p>&lt;&lt;&lt; Cele dou\u0103 \u201edrame monahale\u201d analizeaz\u0103 sursa r\u0103ului din om, conflictul dintre aspira\u021bia c\u0103tre divinitate \u0219i fascina\u021bia pentru lumesc. Ele nu ofer\u0103 r\u0103spunsuri, ci provoac\u0103 mai degrab\u0103 la o dezbatere continu\u0103 asupra acestor teme.<\/p>\n<p><strong><u>vineri, 9.11.2012<\/u><\/strong><\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Tab\u0103ra mor\u021bilor\u00a0<\/strong>(Baza ludzi umar\u0142ych), 1958, 105 min.<br \/>\nRegia: Czes\u0142aw Petelski<\/p>\n<p><strong>Scenariul:<\/strong> Marek H\u0142asko<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Zygmunt K\u0119stowicz, Emil Karewicz, Teresa I\u017cewska, Leon Niemczyk, Aleksander Fogiel, Tadeusz \u0141omnicki, Roman K\u0142osowski, Adam Kwiatkowski<\/p>\n<p>O adaptare dup\u0103 romanul-cult din anii \u201950 de Marek H\u0142asko, \u201eUrm\u0103torul c\u0103tre rai\u201d. Filmul este plasat \u00een decorul sumbru al unei baze de transport silvic izolate din Mun\u021bii Bieszczady, unde \u00een condi\u021bii de ne\u00eendurat lucreaz\u0103 fo\u0219ti pu\u0219c\u0103ria\u0219i \u0219i tineri care vor s\u0103 fug\u0103 de civiliza\u021bie.<\/p>\n<p>ora 20.00<br \/>\n<strong>Camera sinuciga\u0219ilor<\/strong> (Sala samob\u00f3jc\u00f3w), 2011, 112 min.<\/p>\n<p><strong>Regia \u015fi scenariul:<\/strong> Jan Komasa<\/p>\n<p><strong>Distribu\u0163ia:<\/strong> Jakub Giersza\u0142, Roma G\u0105siorowska-\u017burawska, Agata Kulesza, Krzysztof Pieczy\u0144ski, Bartosz Gelner, Danuta Borsuk, Piotr Nowak, Filip Bobek<\/p>\n<p>Dominik este un b\u0103iat de liceu ca oricare altul. Are prieteni, vine dintr-o familie \u00eenst\u0103rit\u0103, \u00eens\u0103, la un moment dat, totul se schimb\u0103 \u015fi colegii \u00eencep s\u0103-l umileasc\u0103. Din cauza aceasta, renun\u021b\u0103 la \u015fcoal\u0103 \u015fi ajunge s\u0103 se izoleze \u00een lumea virtual\u0103, unde \u00eent\u00e2lne\u015fte o fat\u0103 care \u00eel va conduce \u00een \u201ecamera sinuciga\u015filor\u201d, locul de unde nimeni nu pare s\u0103 scape.<\/p>\n<p>&lt;&lt;&lt; Dou\u0103 filme c\u00e2t se poate de diferite: primul, realizat \u00een tehnica crud\u0103, naturalist\u0103 a jocului actoricesc prezint\u0103 b\u0103rba\u021bi puternici, cel\u0103lalt, plin de efecte speciale, are ca personaj principal un t\u00e2n\u0103r sensibil. Cu toate acestea, ambele sunt metafore ale vie\u021bii retrase, nefericite \u0219i pline de repro\u0219uri, co\u0219maruri \u0219i frica de viitor.<\/p>\n<p><strong><u>s\u00e2mb\u0103t\u0103, 10.11.2012<\/u><\/strong><\/p>\n<p><strong>Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:<\/strong><\/p>\n<p>ora 18.00<br \/>\n<strong>Canalul <\/strong>(Kana\u0142), 1956, 91 min.<br \/>\nRegia: Andrzej Wajda<\/p>\n<p><strong>Scenariul<\/strong>: Jerzy Stefan Stawi\u0144ski<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski, Tadeusz Gwiazdowski, Stanis\u0142aw Mikulski, Emil Karewicz, W\u0142adys\u0142aw Sheybal, Teresa Berezowska<\/p>\n<p>Sf\u00e2r\u0219itul lui septembrie 1944. Insurec\u021bia de la Var\u0219ovia este pe punctul s\u0103 fie \u00een\u0103bu\u0219it\u0103. Un deta\u0219ament coboar\u0103 \u00een canale pentru a ajunge la r\u0103zvr\u0103ti\u021bi. \u00cen culoarele subterane sinuoase, pline de excremente, comandantul \u00eencearc\u0103 s\u0103 salveze via\u021ba oamenilor s\u0103i. Scenariul este bazat pe experien\u021bele scenaristului Jerzy Stawi\u0144ski, fost ofi\u021ber \u00een Armata \u021a\u0103rii.<\/p>\n<p>ora 20.00<br \/>\n<strong>\u00cen bezn\u0103<\/strong> (W ciemno\u015bci), 2011, 145 min.<br \/>\nRegia: Agnieszka Holland<\/p>\n<p><strong>Scenariul<\/strong>: David F. Shamoon<\/p>\n<p><strong>Distribu\u0163ia<\/strong>: Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak<\/p>\n<p>Este anul 1941. Leopold Socha, vidanjor \u015fi borfa\u015f m\u0103runt, d\u0103 peste un grup de evrei fugi\u0163i din ghetou care vor s\u0103 se ascund\u0103 \u00een canalele subterane ale ora\u015fului, pe care el le cunoa\u015fte foarte bine. Drept care, se \u00eenvoie\u015fte s\u0103-i ajute contra cost. Ceea ce debuteaz\u0103 ca un t\u00e2rg se transform\u0103 \u00een ceva nea\u015fteptat, pe m\u0103sur\u0103 ce, timp de 14 luni de pericol maxim, ei \u00eencearc\u0103 \u00eempreun\u0103 s\u0103 p\u0103c\u0103leasc\u0103 moartea. Filmul a fost nominalizat la premiul Oscar \u00een categoria Cel Mai Bun Film Str\u0103in (2012).<\/p>\n<p>&lt;&lt;&lt; Cele dou\u0103 filme au \u00een comun nu doar locul ac\u021biunii \u0219i modul \u00een care a fost construit\u0103 ac\u021biunea, am\u00e2ndou\u0103 povestesc despre curaj, speran\u021b\u0103 \u0219i dedicare, pun \u00eentreb\u0103ri importante despre sensul eroismului.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Proiec\u021biile vor avea loc \u00een dou\u0103 cinematografe din Bucure\u0219ti: Cinema Studio (bd. Magheru nr. 29, metrou Pia\u021ba Roman\u0103)\u00a0\u0219i Studioul \u201eHoria Bernea\u201d din incinta Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n (\u015eos.Kiseleff nr. 3, metrou Pia\u021ba Victoriei), precum \u0219i \u00een Cinematograful Gaudeamus\u00a0din Chi\u0219in\u0103u (str. Vasile Alecsandri nr. 4). Toate filmele au subtitrare \u00een limba rom\u00e2n\u0103. Programul pe zile: [&hellip;]<\/p>\n","protected":false},"author":41,"featured_media":4577,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18,94],"tags":[],"class_list":["post-4575","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-evenimente"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u - Instytut Polski w Bukareszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u - Instytut Polski w Bukareszcie\" \/>\n<meta property=\"og:description\" content=\"Proiec\u021biile vor avea loc \u00een dou\u0103 cinematografe din Bucure\u0219ti: Cinema Studio (bd. Magheru nr. 29, metrou Pia\u021ba Roman\u0103)\u00a0\u0219i Studioul \u201eHoria Bernea\u201d din incinta Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n (\u015eos.Kiseleff nr. 3, metrou Pia\u021ba Victoriei), precum \u0219i \u00een Cinematograful Gaudeamus\u00a0din Chi\u0219in\u0103u (str. Vasile Alecsandri nr. 4). Toate filmele au subtitrare \u00een limba rom\u00e2n\u0103. Programul pe zile: [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bukareszcie\" \/>\n<meta property=\"article:published_time\" content=\"2012-10-19T14:42:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-16T09:03:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1544\" \/>\n\t<meta property=\"og:image:height\" content=\"1154\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"mirelal\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"mirelal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"19 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/\",\"name\":\"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau-300x224.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau-1024x765.jpg\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg\",\"datePublished\":\"2012-10-19T14:42:00+02:00\",\"dateModified\":\"2020-06-16T09:03:28+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2012-11-02\",\"endDate\":\"2012-11-10\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Proiec\u021biile vor avea loc \u00een dou\u0103 cinematografe din Bucure\u0219ti: Cinema Studio (bd. Magheru nr. 29, metrou Pia\u021ba Roman\u0103)\u00a0\u0219i Studioul \u201eHoria Bernea\u201d din incinta Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n (\u015eos.Kiseleff nr. 3, metrou Pia\u021ba Victoriei), precum \u0219i \u00een Cinematograful Gaudeamus\u00a0din Chi\u0219in\u0103u (str. Vasile Alecsandri nr. 4). Toate filmele au subtitrare \u00een limba rom\u00e2n\u0103.\\nProgramul pe zile:\\nvineri, 2.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nCanalul (Kana\u0142), 1956, 91 min.\\nRegia: Andrzej Wajda\\nScenariul: Jerzy Stefan Stawi\u0144ski\\nDistribu\u0163ia: Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski, Tadeusz Gwiazdowski, Stanis\u0142aw Mikulski, Emil Karewicz, W\u0142adys\u0142aw Sheybal, Teresa Berezowska\\nSf\u00e2r\u0219itul lui septembrie 1944. Insurec\u021bia de la Var\u0219ovia este pe punctul s\u0103 fie \u00een\u0103bu\u0219it\u0103. Un deta\u0219ament coboar\u0103 \u00een canale pentru a ajunge la r\u0103zvr\u0103ti\u021bi. \u00cen culoarele subterane sinuoase, pline de excremente, comandantul \u00eencearc\u0103 s\u0103 salveze via\u021ba oamenilor s\u0103i. Scenariul este bazat pe experien\u021bele scenaristului Jerzy Stawi\u0144ski, fost ofi\u021ber \u00een Armata \u021a\u0103rii.\\nora 20.00\\n\u00cen bezn\u0103 (W ciemno\u015bci), 2011, 145 min.\\nRegia: Agnieszka Holland\\nScenariul: David F. Shamoon\\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak\\nEste anul 1941. Leopold Socha, vidanjor \u015fi borfa\u015f m\u0103runt, d\u0103 peste un grup de evrei fugi\u0163i din ghetou care vor s\u0103 se ascund\u0103 \u00een canalele subterane ale ora\u015fului, pe care el le cunoa\u015fte foarte bine. Drept care, se \u00eenvoie\u015fte s\u0103-i ajute contra cost. Ceea ce debuteaz\u0103 ca un t\u00e2rg se transform\u0103 \u00een ceva nea\u015fteptat, pe m\u0103sur\u0103 ce, timp de 14 luni de pericol maxim, ei \u00eencearc\u0103 \u00eempreun\u0103 s\u0103 p\u0103c\u0103leasc\u0103 moartea. Filmul a fost nominalizat la premiul Oscar \u00een categoria Cel Mai Bun Film Str\u0103in (2012).\\n&lt;&lt;&lt; Cele dou\u0103 filme au \u00een comun nu doar locul ac\u021biunii \u0219i modul \u00een care a fost construit\u0103 ac\u021biunea, am\u00e2ndou\u0103 povestesc despre curaj, speran\u021b\u0103 \u0219i dedicare, pun \u00eentreb\u0103ri importante despre sensul eroismului.\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nLege \u0219i pumn (Prawo i pi\u0119\u015b\u0107), 1964, 93 min.\\nRegia: Jerzy Hoffman, Edward Sk\u00f3rzewski\\nScenariul: J\u00f3zef Hen\\nDistribu\u0163ia: Gustaw Holoubek, Zofia Mrozowska, Hanna Skar\u017canka, Wies\u0142aw Go\u0142as, Zdzis\u0142aw Maklakiewicz, Ryszard Pietruski, Jerzy Przybylski, Wies\u0142awa Kwa\u015bniewska\\nPrimele zile dup\u0103 terminarea celui de-al Doilea R\u0103zboi Mondial. Andrzej Koenig, fost de\u021binut \u00eentr-un lag\u0103r de concentrare, este mandatat ca reprezentant al guvernului \u00eentr-o sta\u021biune balnear\u0103 p\u0103r\u0103sit\u0103 de germani. F\u0103r\u0103 s\u0103 beneficieze de niciun sprijin, el trebuie s\u0103 apere ora\u0219ul de pr\u0103d\u0103torii care sunt \u00een stare s\u0103 \u00eencalce orice reguli pentru a se \u00eembog\u0103\u021bi.\\nora 20.00\\nR\u00f3\u017ca, 2011, 94 min.\\nRegia: Wojciech Smarzowski\\nScenariul: Micha\u0142 Szczerbic\\nDistribu\u0163ia: Marcin Doroci\u0144ski, Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dzi\u0119dziel, Edward Linde-Lubaszenko, Eryk Lubos, Lech Dyblik\\nVara anului 1945. Imediat dup\u0103 terminarea r\u0103zboiului, Tadeusz, un soldat polonez, ajunge \u00een Mazuria, un teritoriu german oferit dup\u0103 r\u0103zboi Poloniei. \u00cennopteaz\u0103 la R\u00f3\u017ca, o v\u0103duv\u0103 a unui soldat german la a c\u0103rui moarte fusese martor. Pe fundalul peisajului devastat de r\u0103zboi, \u00een care speran\u0163a a devenit instrument de propagand\u0103, \u00eentre doi oameni din lumi diferite se na\u015fte dragostea... este aceasta oare imposibil\u0103?\\nFilmul a c\u00e2\u0219tigat Premiul \\\"Vulturul de Aur\\\", acordat de Academia Polonez\u0103 de Cinematografie, precum \u0219i\u00a0Premiul Principal la Festivalul de Film Central-European la Media\u0219 (2012).\\n&lt;&lt;&lt; Ambele pelicule, filmate \u00een conven\u021bia \u201ewestern\u201d \u0219i av\u00e2nd acela\u0219i fundal istoric, ating problema responsabilit\u0103\u021bii: fa\u021b\u0103 de r\u0103ul provocat de r\u0103zboi \u0219i fa\u021b\u0103 de cei lipsi\u021bi de ap\u0103rare. Filmele sunt legate \u0219i printr-un motiv muzical semnat de celebrul compozitor Krzysztof Komeda.\\ns\u00e2mb\u0103t\u0103, 3.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nAbel, fratele t\u0103u (Abel, tw\u00f3j brat), 1970, 87 min.\\nRegia: Janusz Nasfeter\\nScenariul: Teresa Nasfeter, Janusz Nasfeter\\nDistribu\u0163ia: Katarzyna \u0141aniewska, Witold Dederko, Zdzis\u0142aw Le\u015bniak, Jacek Fedorowicz, Henryk B\u0105k, Krystyna Feldman, Maria Kaniewska, Wojciech Rajewski\\nUn copil sensibil \u0219i cuminte ajunge \u00eentr-o \u0219coal\u0103 nou\u0103 unde \u00eencearc\u0103 s\u0103 dob\u00e2ndeasc\u0103 \u00eencrederea colegilor-huligani. Comport\u00e2ndu-se asemeni lor, intr\u0103 \u00eentr-o situa\u021bie complicat\u0103 c\u0103reia nu-i poate face fa\u021b\u0103. Regizorul, cunoscut pentru filmele sale despre copii, analizeaz\u0103 cu m\u0103iestrie dramele prin care trec ace\u0219tia.\\nora 20.00\\nCurajul (Wymyk), 2011, 85 min.\\nRegia: Greg Zgli\u0144ski\\nScenariul: Janusz Marga\u0144ski, Grzegorz Zgli\u0144ski\\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, \u0141ukasz Simlat, Gabriela Muska\u0142a, Marian Dzi\u0119dziel, Anna Tomaszewska, Karolina Kominek, Pawe\u0142 Tomaszewski, Tomasz Schuchardt\\nRela\u021biile dintr-o familie sunt puse la \u00eencercare dup\u0103 ce unul dintre cei doi fra\u021bi, certa\u021bi unul cu altul, este grav r\u0103nit de un grup de huligani. Fratele lui mai mare, care este martor al \u00eent\u00e2mpl\u0103rii, se afl\u0103 \u00een fa\u021ba unei dileme: s\u0103-\u0219i recunoasc\u0103 vina \u0219i s\u0103 ajute la g\u0103sirea f\u0103pta\u0219ilor, sau s\u0103 tac\u0103.\\n&lt;&lt;&lt; Cele dou\u0103 filme nu sunt doar interpret\u0103ri moderne ale mitului biblic despre Cain \u0219i Abel, ele ridic\u0103 \u00eentreb\u0103ri despre fundamentele psihologiei umane: De ce suntem r\u0103i? Ce \u00eenseamn\u0103 \u201ea fi vinovat\u201d? De ce ne e fric\u0103 de adev\u0103r?\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nCopoii (Psy), 1992, 105 min.\\nRegia \u015fi scenariul: W\u0142adys\u0142aw Pasikowski\\nDistribu\u0163ia: Bogus\u0142aw Linda, Marek Kondrat, Cezary Pazura, Janusz Gajos, Agnieszka Jask\u00f3\u0142ka, Zbigniew Zapasiewicz, Zbigniew Bielski, Tomasz Dedek\\nFilm-cult al anilor \u201990, care prin violen\u021ba sa \u0219i imaginea cinic\u0103 a tranzi\u021biei a zguduit cinematografia polonez\u0103 a momentului.\\nComunismul a c\u0103zut, ofi\u021berii Securit\u0103\u021bii ard dosarele. Unii dintre ei devin poli\u021bi\u0219ti, iar al\u021bii - infractori. Franz Maurer, fost securist, acum poli\u021bist, \u00eencearc\u0103 s\u0103 r\u0103m\u00e2n\u0103 fidel principiilor sale: onoare, prietenie \u0219i dedicare \u00een slujb\u0103; un lucru imposibil \u00eentr-o lume f\u0103r\u0103 idealuri.\\nora 20.00\\nC\u00e2rti\u021ba (Kret), 2010, 108 min.\\nRegia: Rafael Lewandowski\\nScenariul: Iwo Kardel, Rafael Lewandowski\\nZygmunt, fost membru al \u201eSolidarit\u0103\u021bii\u201d \u0219i lupt\u0103tor pentru libertate, acum afacerist \u00eentr-un ora\u0219 mic, este acuzat c\u0103 a colaborat cu poli\u021bia politic\u0103. Proasta sa reputa\u021bie de turn\u0103tor \u00eei distruge rela\u021biile cu vecinii \u0219i \u00eei pune \u00een pericol via\u021ba de familie. \u00cen c\u0103utarea adev\u0103rului, fiul s\u0103u Pawe\u0142 \u00eent\u00e2lne\u0219te un fost securist care pare s\u0103 aib\u0103 leg\u0103tur\u0103 cu problemele tat\u0103lui s\u0103u.\\n&lt;&lt;&lt; Securi\u0219tii \u0219i dosarele nu sunt doar ni\u0219te subiecte abstracte: \u00een spatele fiec\u0103rui dosar se ascund tragediile unor oameni \u00een carne \u0219i oase. Chiar \u0219i la 20 de ani de la c\u0103derea comunismului, procesul lustra\u021biei pare departe de a se fi terminat.\\nduminic\u0103, 4.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nMaica Ioana a \u00cengerilor (Matka Joanna od Anio\u0142\u00f3w), 1960, 103 min.\\nRegia: Jerzy Kawalerowicz\\nScenariul: Tadeusz Konwicki, Jerzy Kawalerowicz\\nDistribu\u0163ia: Lucyna Winnicka, Mieczys\u0142aw Voit, Anna Ciepielewska, Maria Chwalib\u00f3g, Kazimierz Fabisiak, Stanis\u0142aw Jasiukiewicz, Zygmunt Zintel, Jerzy Kaczmarek\\nPlasat \u00een secolul al XVII-lea, \u00eentr-o m\u0103n\u0103stire retras\u0103, filmul relateaz\u0103 povestea unui t\u00e2n\u0103r preot care trebuie s\u0103 exorcizeze stare\u021ba \u0219i m\u0103icu\u021bele care erau posedate de demoni. \u00cen \u00eencerc\u0103rile sale repetate de a alunga r\u0103ul, preotul se \u00eendr\u0103goste\u0219te de frumoasa m\u0103icu\u021b\u0103 Ioana.\\nora 20.00\\n\u00cen numele diavolului (W imieniu diab\u0142a), 2011, 112 min.\\nRegia \u015fi scenariul: Barbara Sass\\nDistribu\u0163ia: Katarzyna Zawadzka, Anna Radwan, Marian Dzi\u0119dziel, Mariusz Bonaszewski, Roma G\u0105siorowska-\u017burawska, El\u017cbieta Karkoszka, Marzena Tryba\u0142a\\nO poveste \u0219ocant\u0103 inspirat\u0103 din fapte reale despre femei care s-au aflat la grani\u021ba dintre credin\u021b\u0103 \u0219i nebunie, iubire \u0219i dorin\u021b\u0103 trupeasc\u0103. \u00cen \u00eencercarea de a se ap\u0103ra de lumea dec\u0103zut\u0103, plin\u0103 de p\u0103cate, un grup de c\u0103lug\u0103ri\u021be rupe orice leg\u0103tur\u0103 cu lumea \u00eenconjur\u0103toare \u0219i formeaz\u0103 o sect\u0103. Doar una dintre ele \u00eencearc\u0103 s\u0103 lupte pentru a-\u0219i p\u0103stra libertatea.\\n&lt;&lt;&lt; Cele dou\u0103 \u201edrame monahale\u201d analizeaz\u0103 sursa r\u0103ului din om, conflictul dintre aspira\u021bia c\u0103tre divinitate \u0219i fascina\u021bia pentru lumesc. Ele nu ofer\u0103 r\u0103spunsuri, ci provoac\u0103 mai degrab\u0103 la o dezbatere continu\u0103 asupra acestor teme.\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nKi, 2011, 99 min.\\nRegia: Leszek Dawid\\nScenariul: Pawe\u0142 Ferdek, Leszek Dawid\\nDistribu\u0163ia: Roma G\u0105siorowska, Adam Woronowicz, Kamil Malecki, Krzysztof Og\u0142oza, Sylwia Juszczak, Agnieszka Suchora, Krzysztof Globisz, Dorota Pomyka\u0142a\\nKi, o t\u00e2n\u0103r\u0103 energic\u0103 \u0219i plin\u0103 de via\u021b\u0103 nu accept\u0103 s\u0103 se lase \u00eengr\u0103dit\u0103 de obliga\u021biile sale de mam\u0103 singur\u0103. Nevr\u00e2nd s\u0103 urmeze modelul propriei mame, ea \u00eencearc\u0103 s\u0103 duc\u0103 o via\u021b\u0103 colorat\u0103, alert\u0103, plin\u0103 de tr\u0103iri intense. Vrea s\u0103 fac\u0103 o oper\u0103 de art\u0103 din propria via\u021b\u0103. Rela\u021biile sale complicate cu cei din jur o ajut\u0103 s\u0103 con\u0219tientizeze iubirea \u0219i responsabilitatea pe care le poart\u0103 fa\u021b\u0103 de fiul ei \u0219i de ea \u00eens\u0103\u0219i. Interpret\u0103 rolului principal, Roma G\u0105siorowska, a primit pentru acest rol premiul pentru cea mai bun\u0103 actri\u021ba la Festivalul Filmului Polonez la Gdynia (2011).\\nora 20.00\\nAmatorul (Amator), 1979, 117 min.\\nRegia \u0219i scenariul: Krzysztof Kie\u015blowski\\nDistribu\u0163ia: Jerzy Stuhr, Ma\u0142gorzata Z\u0105bkowska, Ewa Pokas, Stefan Czy\u017cewski, Jerzy Nowak, Tadeusz Bradecki, Marek Litewka, Bogus\u0142aw Sobczuk, Krzysztof Zanussi\\nUnul dintre cele mai importante filme din curentul a\u0219a-zisei \u201ecinematografii a nelini\u0219tii morale\u201d.\\nUn angajat al unei fabrici devine brusc interesat de cinematografie. Prin documentarele pe care le realizeaz\u0103 cu ajutorul camerei sale de amator, Filip \u00eencearc\u0103 s\u0103 lupte \u00eempotriva nedrept\u0103\u021bii \u0219i abuzului social pe care le observ\u0103 \u00een jur. Pl\u0103te\u0219te \u00eens\u0103 un pre\u021b mult prea mare pentru dedicarea sa.\\n&lt;&lt;&lt; \u201eAmatorul\u201d, realizat la sf\u00e2r\u015fitul anilor '70, a constituit la vremea respectiv\u0103 un r\u0103spuns la preocup\u0103rile tinerilor de atunci. Aceea\u0219i misiune \u00eencearc\u0103 s\u0103 aib\u0103 ast\u0103zi \u0219i filmul \u201eKi\u201d. Problemele abordate - limitele responsabilit\u0103\u0163ii \u015fi curajului, locul \u015fi rolul artei \u00een via\u0163a omului au r\u0103mas actuale p\u00e2n\u0103 ast\u0103zi.\\nluni, 5.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nTab\u0103ra\u00a0mor\u021bilor\u00a0(Baza ludzi umar\u0142ych), 1958, 105 min.\\nRegia: Czes\u0142aw Petelski\\nScenariul: Marek H\u0142asko\\nDistribu\u0163ia: Zygmunt K\u0119stowicz, Emil Karewicz, Teresa I\u017cewska, Leon Niemczyk, Aleksander Fogiel, Tadeusz \u0141omnicki, Roman K\u0142osowski, Adam Kwiatkowski\\nO adaptare dup\u0103 romanul-cult din anii \u201950 de Marek H\u0142asko, \u201eUrm\u0103torul c\u0103tre rai\u201d. Filmul este plasat \u00een decorul sumbru al unei baze de transport silvic izolate din Mun\u021bii Bieszczady, unde \u00een condi\u021bii de ne\u00eendurat lucreaz\u0103 fo\u0219ti pu\u0219c\u0103ria\u0219i \u0219i tineri care vor s\u0103 fug\u0103 de civiliza\u021bie.\\nora 20.00\\nCamera sinuciga\u0219ilor (Sala samob\u00f3jc\u00f3w), 2011, 112 min.\\nRegia \u015fi scenariul: Jan Komasa\\nDistribu\u0163ia: Jakub Giersza\u0142, Roma G\u0105siorowska-\u017burawska, Agata Kulesza, Krzysztof Pieczy\u0144ski, Bartosz Gelner, Danuta Borsuk, Piotr Nowak, Filip Bobek\\nDominik este un b\u0103iat de liceu ca oricare altul. Are prieteni, vine dintr-o familie \u00eenst\u0103rit\u0103, \u00eens\u0103, la un moment dat, totul se schimb\u0103 \u015fi colegii \u00eencep s\u0103-l umileasc\u0103. Din cauza aceasta, renun\u021b\u0103 la \u015fcoal\u0103 \u015fi ajunge s\u0103 se izoleze \u00een lumea virtual\u0103, unde \u00eent\u00e2lne\u015fte o fat\u0103 care \u00eel va conduce \u00een \u201ecamera sinuciga\u015filor\u201d, locul de unde nimeni nu pare s\u0103 scape.\\n&lt;&lt;&lt; Dou\u0103 filme c\u00e2t se poate de diferite: primul, realizat \u00een tehnica crud\u0103, naturalist\u0103 a jocului actoricesc prezint\u0103 b\u0103rba\u021bi puternici, cel\u0103lalt, plin de efecte speciale, are ca personaj principal un t\u00e2n\u0103r sensibil. Cu toate acestea, ambele sunt metafore ale vie\u021bii retrase, nefericite \u0219i pline de repro\u0219uri, co\u0219maruri \u0219i frica de viitor.\\nmar\u021bi, 6.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nLege \u0219i pumn (Prawo i pi\u0119\u015b\u0107), 1964, 93 min.\\nRegia: Jerzy Hoffman, Edward Sk\u00f3rzewski\\nScenariul: J\u00f3zef Hen\\nDistribu\u0163ia: Gustaw Holoubek, Zofia Mrozowska, Hanna Skar\u017canka, Wies\u0142aw Go\u0142as, Zdzis\u0142aw Maklakiewicz, Ryszard Pietruski, Jerzy Przybylski, Wies\u0142awa Kwa\u015bniewska\\nPrimele zile dup\u0103 terminarea celui de-al Doilea R\u0103zboi Mondial. Andrzej Koenig, fost de\u021binut \u00eentr-un lag\u0103r de concentrare, este mandatat ca reprezentant al guvernului \u00eentr-o sta\u021biune balnear\u0103 p\u0103r\u0103sit\u0103 de germani. F\u0103r\u0103 s\u0103 beneficieze de niciun sprijin, el trebuie s\u0103 apere ora\u0219ul de pr\u0103d\u0103torii care sunt \u00een stare s\u0103 \u00eencalce orice reguli pentru a se \u00eembog\u0103\u021bi.\\nora 20.00\\nR\u00f3\u017ca, 2011, 94 min.\\nRegia: Wojciech Smarzowski\\nScenariul: Micha\u0142 Szczerbic\\nDistribu\u0163ia: Marcin Doroci\u0144ski, Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dzi\u0119dziel, Edward Linde-Lubaszenko, Eryk Lubos, Lech Dyblik\\nVara anului 1945. Imediat dup\u0103 terminarea r\u0103zboiului, Tadeusz, un soldat polonez, ajunge \u00een Mazuria, un teritoriu german oferit dup\u0103 r\u0103zboi Poloniei. \u00cennopteaz\u0103 la R\u00f3\u017ca, o v\u0103duv\u0103 a unui soldat german la a c\u0103rui moarte fusese martor. Pe fundalul peisajului devastat de r\u0103zboi, \u00een care speran\u0163a a devenit instrument de propagand\u0103, \u00eentre doi oameni din lumi diferite se na\u015fte dragostea... este aceasta oare imposibil\u0103?\\nFilmul a c\u00e2\u0219tigat Premiul \\\"Vulturul de Aur\\\", acordat de Academia Polonez\u0103 de Cinematografie, precum \u0219i\u00a0Premiul Principal la Festivalul de Film Central-European la Media\u0219 (2012).\\n&lt;&lt;&lt; Ambele pelicule, filmate \u00een conven\u021bia \u201ewestern\u201d \u0219i av\u00e2nd acela\u0219i fundal istoric, ating problema responsabilit\u0103\u021bii: fa\u021b\u0103 de r\u0103ul provocat de r\u0103zboi \u0219i fa\u021b\u0103 de cei lipsi\u021bi de ap\u0103rare. Filmele sunt legate \u0219i printr-un motiv muzical semnat de celebrul compozitor Krzysztof Komeda.\\nmiercuri, 7.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nCopoii (Psy), 1992, 105 min.\\nRegia \u015fi scenariul: W\u0142adys\u0142aw Pasikowski\\nDistribu\u0163ia: Bogus\u0142aw Linda, Marek Kondrat, Cezary Pazura, Janusz Gajos, Agnieszka Jask\u00f3\u0142ka, Zbigniew Zapasiewicz, Zbigniew Bielski, Tomasz Dedek\\nFilm-cult al anilor \u201990, care prin violen\u021ba sa \u0219i imaginea cinic\u0103 a tranzi\u021biei a zguduit cinematografia polonez\u0103 a momentului.\\nComunismul a c\u0103zut, ofi\u021berii Securit\u0103\u021bii ard dosarele. Unii dintre ei devin poli\u021bi\u0219ti, iar al\u021bii - infractori. Franz Maurer, fost securist, acum poli\u021bist, \u00eencearc\u0103 s\u0103 r\u0103m\u00e2n\u0103 fidel principiilor sale: onoare, prietenie \u0219i dedicare \u00een slujb\u0103; un lucru imposibil \u00eentr-o lume f\u0103r\u0103 idealuri.\\nora 20.00\\nC\u00e2rti\u021ba (Kret), 2010, 108 min.\\nRegia: Rafael Lewandowski\\nScenariul: Iwo Kardel, Rafael Lewandowski\\nZygmunt, fost membru al \u201eSolidarit\u0103\u021bii\u201d \u0219i lupt\u0103tor pentru libertate, acum afacerist \u00eentr-un ora\u0219 mic, este acuzat c\u0103 a colaborat cu poli\u021bia politic\u0103. Proasta sa reputa\u021bie de turn\u0103tor \u00eei distruge rela\u021biile cu vecinii \u0219i \u00eei pune \u00een pericol via\u021ba de familie. \u00cen c\u0103utarea adev\u0103rului, fiul s\u0103u Pawe\u0142 \u00eent\u00e2lne\u0219te un fost securist care pare s\u0103 aib\u0103 leg\u0103tur\u0103 cu problemele tat\u0103lui s\u0103u.\\n&lt;&lt;&lt; Securi\u0219tii \u0219i dosarele nu sunt doar ni\u0219te subiecte abstracte: \u00een spatele fiec\u0103rui dosar se ascund tragediile unor oameni \u00een carne \u0219i oase. Chiar \u0219i la 20 de ani de la c\u0103derea comunismului, procesul lustra\u021biei pare departe de a se fi terminat.\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nAbel, fratele t\u0103u (Abel, tw\u00f3j brat), 1970, 87 min.\\nRegia: Janusz Nasfeter\\nScenariul: Teresa Nasfeter, Janusz Nasfeter\\nDistribu\u0163ia: Katarzyna \u0141aniewska, Witold Dederko, Zdzis\u0142aw Le\u015bniak, Jacek Fedorowicz, Henryk B\u0105k, Krystyna Feldman, Maria Kaniewska, Wojciech Rajewski\\nUn copil sensibil \u0219i cuminte ajunge \u00eentr-o \u0219coal\u0103 nou\u0103 unde \u00eencearc\u0103 s\u0103 dob\u00e2ndeasc\u0103 \u00eencrederea colegilor-huligani. Comport\u00e2ndu-se asemeni lor, intr\u0103 \u00eentr-o situa\u021bie complicat\u0103 c\u0103reia nu-i poate face fa\u021b\u0103. Regizorul, cunoscut pentru filmele sale despre copii, analizeaz\u0103 cu m\u0103iestrie dramele prin care trec ace\u0219tia.\\nora 20.00\\nCurajul (Wymyk), 2011, 85 min.\\nRegia: Greg Zgli\u0144ski\\nScenariul: Janusz Marga\u0144ski, Grzegorz Zgli\u0144ski\\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, \u0141ukasz Simlat, Gabriela Muska\u0142a, Marian Dzi\u0119dziel, Anna Tomaszewska, Karolina Kominek, Pawe\u0142 Tomaszewski, Tomasz Schuchardt\\nRela\u021biile dintr-o familie sunt puse la \u00eencercare dup\u0103 ce unul dintre cei doi fra\u021bi, certa\u021bi unul cu altul, este grav r\u0103nit de un grup de huligani. Fratele lui mai mare, care este martor al \u00eent\u00e2mpl\u0103rii, se afl\u0103 \u00een fa\u021ba unei dileme: s\u0103-\u0219i recunoasc\u0103 vina \u0219i s\u0103 ajute la g\u0103sirea f\u0103pta\u0219ilor, sau s\u0103 tac\u0103.\\n&lt;&lt;&lt;\u00a0Cele dou\u0103 filme nu sunt doar interpret\u0103ri moderne ale mitului biblic despre Cain \u0219i Abel, ele ridic\u0103 \u00eentreb\u0103ri despre fundamentele psihologiei umane: De ce suntem r\u0103i? Ce \u00eenseamn\u0103 \u201ea fi vinovat\u201d? De ce ne e fric\u0103 de adev\u0103r?\\njoi, 8.11.2012\\nCinema Studio \u0219i Gaudeamus:\\nora 18.00\\nKi, 2011, 99 min.\\nRegia: Leszek Dawid\\nScenariul: Pawe\u0142 Ferdek, Leszek Dawid\\nDistribu\u0163ia: Roma G\u0105siorowska, Adam Woronowicz, Kamil Malecki, Krzysztof Og\u0142oza, Sylwia Juszczak, Agnieszka Suchora, Krzysztof Globisz, Dorota Pomyka\u0142a\\nKi, o t\u00e2n\u0103r\u0103 energic\u0103 \u0219i plin\u0103 de via\u021b\u0103 nu accept\u0103 s\u0103 se lase \u00eengr\u0103dit\u0103 de obliga\u021biile sale de mam\u0103 singur\u0103. Nevr\u00e2nd s\u0103 urmeze modelul propriei mame, ea \u00eencearc\u0103 s\u0103 duc\u0103 o via\u021b\u0103 colorat\u0103, alert\u0103, plin\u0103 de tr\u0103iri intense. Vrea s\u0103 fac\u0103 o oper\u0103 de art\u0103 din propria via\u021b\u0103. Rela\u021biile sale complicate cu cei din jur o ajut\u0103 s\u0103 con\u0219tientizeze iubirea \u0219i responsabilitatea pe care le poart\u0103 fa\u021b\u0103 de fiul ei \u0219i de ea \u00eens\u0103\u0219i. Interpret\u0103 rolului principal, Roma G\u0105siorowska, a primit pentru acest rol premiul pentru cea mai bun\u0103 actri\u021ba la Festivalul Filmului Polonez la Gdynia (2011).\\nora 20.00\\nAmatorul (Amator), 1979, 117 min.\\nRegia \u0219i scenariul: Krzysztof Kie\u015blowski\\nDistribu\u0163ia: Jerzy Stuhr, Ma\u0142gorzata Z\u0105bkowska, Ewa Pokas, Stefan Czy\u017cewski, Jerzy Nowak, Tadeusz Bradecki, Marek Litewka, Bogus\u0142aw Sobczuk, Krzysztof Zanussi\\nUnul dintre cele mai importante filme din curentul a\u0219a-zisei \u201ecinematografii a nelini\u0219tii morale\u201d.\\nUn angajat al unei fabrici devine brusc interesat de cinematografie. Prin documentarele pe care le realizeaz\u0103 cu ajutorul camerei sale de amator, Filip \u00eencearc\u0103 s\u0103 lupte \u00eempotriva nedrept\u0103\u021bii \u0219i abuzului social pe care le observ\u0103 \u00een jur. Pl\u0103te\u0219te \u00eens\u0103 un pre\u021b mult prea mare pentru dedicarea sa.\\n&lt;&lt;&lt; \u201eAmatorul\u201d, realizat la sf\u00e2r\u015fitul anilor '70, a constituit la vremea respectiv\u0103 un r\u0103spuns la preocup\u0103rile tinerilor de atunci. Aceea\u0219i misiune \u00eencearc\u0103 s\u0103 aib\u0103 ast\u0103zi \u0219i filmul \u201eKi\u201d. Problemele abordate - limitele responsabilit\u0103\u0163ii \u015fi curajului, locul \u015fi rolul artei \u00een via\u0163a omului au r\u0103mas actuale p\u00e2n\u0103 ast\u0103zi.\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nMaica Ioana a \u00cengerilor (Matka Joanna od Anio\u0142\u00f3w), 1960, 103 min.\\nRegia: Jerzy Kawalerowicz\\nScenariul: Tadeusz Konwicki, Jerzy Kawalerowicz\\nDistribu\u0163ia: Lucyna Winnicka, Mieczys\u0142aw Voit, Anna Ciepielewska, Maria Chwalib\u00f3g, Kazimierz Fabisiak, Stanis\u0142aw Jasiukiewicz, Zygmunt Zintel, Jerzy Kaczmarek\\nPlasat \u00een secolul al XVII-lea, \u00eentr-o m\u0103n\u0103stire retras\u0103, filmul relateaz\u0103 povestea unui t\u00e2n\u0103r preot care trebuie s\u0103 exorcizeze stare\u021ba \u0219i m\u0103icu\u021bele care erau posedate de demoni. \u00cen \u00eencerc\u0103rile sale repetate de a alunga r\u0103ul, preotul se \u00eendr\u0103goste\u0219te de frumoasa m\u0103icu\u021b\u0103 Ioana.\\nora 20.00\\n\u00cen numele diavolului (W imieniu diab\u0142a), 2011, 112 min.\\nRegia \u015fi scenariul: Barbara Sass\\nDistribu\u0163ia: Katarzyna Zawadzka, Anna Radwan, Marian Dzi\u0119dziel, Mariusz Bonaszewski, Roma G\u0105siorowska-\u017burawska, El\u017cbieta Karkoszka, Marzena Tryba\u0142a\\nO poveste \u0219ocant\u0103 inspirat\u0103 din fapte reale despre femei care s-au aflat la grani\u021ba dintre credin\u021b\u0103 \u0219i nebunie, iubire \u0219i dorin\u021b\u0103 trupeasc\u0103. \u00cen \u00eencercarea de a se ap\u0103ra de lumea dec\u0103zut\u0103, plin\u0103 de p\u0103cate, un grup de c\u0103lug\u0103ri\u021be rupe orice leg\u0103tur\u0103 cu lumea \u00eenconjur\u0103toare \u0219i formeaz\u0103 o sect\u0103. Doar una dintre ele \u00eencearc\u0103 s\u0103 lupte pentru a-\u0219i p\u0103stra libertatea.\\n&lt;&lt;&lt; Cele dou\u0103 \u201edrame monahale\u201d analizeaz\u0103 sursa r\u0103ului din om, conflictul dintre aspira\u021bia c\u0103tre divinitate \u0219i fascina\u021bia pentru lumesc. Ele nu ofer\u0103 r\u0103spunsuri, ci provoac\u0103 mai degrab\u0103 la o dezbatere continu\u0103 asupra acestor teme.\\nvineri, 9.11.2012\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nTab\u0103ra mor\u021bilor\u00a0(Baza ludzi umar\u0142ych), 1958, 105 min.\\nRegia: Czes\u0142aw Petelski\\nScenariul: Marek H\u0142asko\\nDistribu\u0163ia: Zygmunt K\u0119stowicz, Emil Karewicz, Teresa I\u017cewska, Leon Niemczyk, Aleksander Fogiel, Tadeusz \u0141omnicki, Roman K\u0142osowski, Adam Kwiatkowski\\nO adaptare dup\u0103 romanul-cult din anii \u201950 de Marek H\u0142asko, \u201eUrm\u0103torul c\u0103tre rai\u201d. Filmul este plasat \u00een decorul sumbru al unei baze de transport silvic izolate din Mun\u021bii Bieszczady, unde \u00een condi\u021bii de ne\u00eendurat lucreaz\u0103 fo\u0219ti pu\u0219c\u0103ria\u0219i \u0219i tineri care vor s\u0103 fug\u0103 de civiliza\u021bie.\\nora 20.00\\nCamera sinuciga\u0219ilor (Sala samob\u00f3jc\u00f3w), 2011, 112 min.\\nRegia \u015fi scenariul: Jan Komasa\\nDistribu\u0163ia: Jakub Giersza\u0142, Roma G\u0105siorowska-\u017burawska, Agata Kulesza, Krzysztof Pieczy\u0144ski, Bartosz Gelner, Danuta Borsuk, Piotr Nowak, Filip Bobek\\nDominik este un b\u0103iat de liceu ca oricare altul. Are prieteni, vine dintr-o familie \u00eenst\u0103rit\u0103, \u00eens\u0103, la un moment dat, totul se schimb\u0103 \u015fi colegii \u00eencep s\u0103-l umileasc\u0103. Din cauza aceasta, renun\u021b\u0103 la \u015fcoal\u0103 \u015fi ajunge s\u0103 se izoleze \u00een lumea virtual\u0103, unde \u00eent\u00e2lne\u015fte o fat\u0103 care \u00eel va conduce \u00een \u201ecamera sinuciga\u015filor\u201d, locul de unde nimeni nu pare s\u0103 scape.\\n&lt;&lt;&lt; Dou\u0103 filme c\u00e2t se poate de diferite: primul, realizat \u00een tehnica crud\u0103, naturalist\u0103 a jocului actoricesc prezint\u0103 b\u0103rba\u021bi puternici, cel\u0103lalt, plin de efecte speciale, are ca personaj principal un t\u00e2n\u0103r sensibil. Cu toate acestea, ambele sunt metafore ale vie\u021bii retrase, nefericite \u0219i pline de repro\u0219uri, co\u0219maruri \u0219i frica de viitor.\\ns\u00e2mb\u0103t\u0103, 10.11.2012\\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\\nora 18.00\\nCanalul (Kana\u0142), 1956, 91 min.\\nRegia: Andrzej Wajda\\nScenariul: Jerzy Stefan Stawi\u0144ski\\nDistribu\u0163ia: Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski, Tadeusz Gwiazdowski, Stanis\u0142aw Mikulski, Emil Karewicz, W\u0142adys\u0142aw Sheybal, Teresa Berezowska\\nSf\u00e2r\u0219itul lui septembrie 1944. Insurec\u021bia de la Var\u0219ovia este pe punctul s\u0103 fie \u00een\u0103bu\u0219it\u0103. Un deta\u0219ament coboar\u0103 \u00een canale pentru a ajunge la r\u0103zvr\u0103ti\u021bi. \u00cen culoarele subterane sinuoase, pline de excremente, comandantul \u00eencearc\u0103 s\u0103 salveze via\u021ba oamenilor s\u0103i. Scenariul este bazat pe experien\u021bele scenaristului Jerzy Stawi\u0144ski, fost ofi\u021ber \u00een Armata \u021a\u0103rii.\\nora 20.00\\n\u00cen bezn\u0103 (W ciemno\u015bci), 2011, 145 min.\\nRegia: Agnieszka Holland\\nScenariul: David F. Shamoon\\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak\\nEste anul 1941. Leopold Socha, vidanjor \u015fi borfa\u015f m\u0103runt, d\u0103 peste un grup de evrei fugi\u0163i din ghetou care vor s\u0103 se ascund\u0103 \u00een canalele subterane ale ora\u015fului, pe care el le cunoa\u015fte foarte bine. Drept care, se \u00eenvoie\u015fte s\u0103-i ajute contra cost. Ceea ce debuteaz\u0103 ca un t\u00e2rg se transform\u0103 \u00een ceva nea\u015fteptat, pe m\u0103sur\u0103 ce, timp de 14 luni de pericol maxim, ei \u00eencearc\u0103 \u00eempreun\u0103 s\u0103 p\u0103c\u0103leasc\u0103 moartea. Filmul a fost nominalizat la premiul Oscar \u00een categoria Cel Mai Bun Film Str\u0103in (2012).\\n&lt;&lt;&lt; Cele dou\u0103 filme au \u00een comun nu doar locul ac\u021biunii \u0219i modul \u00een care a fost construit\u0103 ac\u021biunea, am\u00e2ndou\u0103 povestesc despre curaj, speran\u021b\u0103 \u0219i dedicare, pun \u00eentreb\u0103ri importante despre sensul eroismului.\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg\",\"width\":1544,\"height\":1154,\"caption\":\"Foto: Anca Adina Cojocaru\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/bucuresti\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/\",\"name\":\"Instytut Polski w Bukareszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\",\"name\":\"mirelal\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g\",\"caption\":\"mirelal\"},\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u - Instytut Polski w Bukareszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/","og_locale":"pl_PL","og_type":"article","og_title":"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u - Instytut Polski w Bukareszcie","og_description":"Proiec\u021biile vor avea loc \u00een dou\u0103 cinematografe din Bucure\u0219ti: Cinema Studio (bd. Magheru nr. 29, metrou Pia\u021ba Roman\u0103)\u00a0\u0219i Studioul \u201eHoria Bernea\u201d din incinta Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n (\u015eos.Kiseleff nr. 3, metrou Pia\u021ba Victoriei), precum \u0219i \u00een Cinematograful Gaudeamus\u00a0din Chi\u0219in\u0103u (str. Vasile Alecsandri nr. 4). Toate filmele au subtitrare \u00een limba rom\u00e2n\u0103. Programul pe zile: [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2012-10-19T14:42:00+00:00","article_modified_time":"2020-06-16T09:03:28+00:00","og_image":[{"width":1544,"height":1154,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg","type":"image\/jpeg"}],"author":"mirelal","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"mirelal","Szacowany czas czytania":"19 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/","name":"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau-300x224.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau-1024x765.jpg","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg","datePublished":"2012-10-19T14:42:00+02:00","dateModified":"2020-06-16T09:03:28+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/"]}],"@context":"https:\/\/schema.org","startDate":"2012-11-02","endDate":"2012-11-10","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Proiec\u021biile vor avea loc \u00een dou\u0103 cinematografe din Bucure\u0219ti: Cinema Studio (bd. Magheru nr. 29, metrou Pia\u021ba Roman\u0103)\u00a0\u0219i Studioul \u201eHoria Bernea\u201d din incinta Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n (\u015eos.Kiseleff nr. 3, metrou Pia\u021ba Victoriei), precum \u0219i \u00een Cinematograful Gaudeamus\u00a0din Chi\u0219in\u0103u (str. Vasile Alecsandri nr. 4). Toate filmele au subtitrare \u00een limba rom\u00e2n\u0103.\nProgramul pe zile:\nvineri, 2.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nCanalul (Kana\u0142), 1956, 91 min.\nRegia: Andrzej Wajda\nScenariul: Jerzy Stefan Stawi\u0144ski\nDistribu\u0163ia: Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski, Tadeusz Gwiazdowski, Stanis\u0142aw Mikulski, Emil Karewicz, W\u0142adys\u0142aw Sheybal, Teresa Berezowska\nSf\u00e2r\u0219itul lui septembrie 1944. Insurec\u021bia de la Var\u0219ovia este pe punctul s\u0103 fie \u00een\u0103bu\u0219it\u0103. Un deta\u0219ament coboar\u0103 \u00een canale pentru a ajunge la r\u0103zvr\u0103ti\u021bi. \u00cen culoarele subterane sinuoase, pline de excremente, comandantul \u00eencearc\u0103 s\u0103 salveze via\u021ba oamenilor s\u0103i. Scenariul este bazat pe experien\u021bele scenaristului Jerzy Stawi\u0144ski, fost ofi\u021ber \u00een Armata \u021a\u0103rii.\nora 20.00\n\u00cen bezn\u0103 (W ciemno\u015bci), 2011, 145 min.\nRegia: Agnieszka Holland\nScenariul: David F. Shamoon\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak\nEste anul 1941. Leopold Socha, vidanjor \u015fi borfa\u015f m\u0103runt, d\u0103 peste un grup de evrei fugi\u0163i din ghetou care vor s\u0103 se ascund\u0103 \u00een canalele subterane ale ora\u015fului, pe care el le cunoa\u015fte foarte bine. Drept care, se \u00eenvoie\u015fte s\u0103-i ajute contra cost. Ceea ce debuteaz\u0103 ca un t\u00e2rg se transform\u0103 \u00een ceva nea\u015fteptat, pe m\u0103sur\u0103 ce, timp de 14 luni de pericol maxim, ei \u00eencearc\u0103 \u00eempreun\u0103 s\u0103 p\u0103c\u0103leasc\u0103 moartea. Filmul a fost nominalizat la premiul Oscar \u00een categoria Cel Mai Bun Film Str\u0103in (2012).\n&lt;&lt;&lt; Cele dou\u0103 filme au \u00een comun nu doar locul ac\u021biunii \u0219i modul \u00een care a fost construit\u0103 ac\u021biunea, am\u00e2ndou\u0103 povestesc despre curaj, speran\u021b\u0103 \u0219i dedicare, pun \u00eentreb\u0103ri importante despre sensul eroismului.\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nLege \u0219i pumn (Prawo i pi\u0119\u015b\u0107), 1964, 93 min.\nRegia: Jerzy Hoffman, Edward Sk\u00f3rzewski\nScenariul: J\u00f3zef Hen\nDistribu\u0163ia: Gustaw Holoubek, Zofia Mrozowska, Hanna Skar\u017canka, Wies\u0142aw Go\u0142as, Zdzis\u0142aw Maklakiewicz, Ryszard Pietruski, Jerzy Przybylski, Wies\u0142awa Kwa\u015bniewska\nPrimele zile dup\u0103 terminarea celui de-al Doilea R\u0103zboi Mondial. Andrzej Koenig, fost de\u021binut \u00eentr-un lag\u0103r de concentrare, este mandatat ca reprezentant al guvernului \u00eentr-o sta\u021biune balnear\u0103 p\u0103r\u0103sit\u0103 de germani. F\u0103r\u0103 s\u0103 beneficieze de niciun sprijin, el trebuie s\u0103 apere ora\u0219ul de pr\u0103d\u0103torii care sunt \u00een stare s\u0103 \u00eencalce orice reguli pentru a se \u00eembog\u0103\u021bi.\nora 20.00\nR\u00f3\u017ca, 2011, 94 min.\nRegia: Wojciech Smarzowski\nScenariul: Micha\u0142 Szczerbic\nDistribu\u0163ia: Marcin Doroci\u0144ski, Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dzi\u0119dziel, Edward Linde-Lubaszenko, Eryk Lubos, Lech Dyblik\nVara anului 1945. Imediat dup\u0103 terminarea r\u0103zboiului, Tadeusz, un soldat polonez, ajunge \u00een Mazuria, un teritoriu german oferit dup\u0103 r\u0103zboi Poloniei. \u00cennopteaz\u0103 la R\u00f3\u017ca, o v\u0103duv\u0103 a unui soldat german la a c\u0103rui moarte fusese martor. Pe fundalul peisajului devastat de r\u0103zboi, \u00een care speran\u0163a a devenit instrument de propagand\u0103, \u00eentre doi oameni din lumi diferite se na\u015fte dragostea... este aceasta oare imposibil\u0103?\nFilmul a c\u00e2\u0219tigat Premiul \"Vulturul de Aur\", acordat de Academia Polonez\u0103 de Cinematografie, precum \u0219i\u00a0Premiul Principal la Festivalul de Film Central-European la Media\u0219 (2012).\n&lt;&lt;&lt; Ambele pelicule, filmate \u00een conven\u021bia \u201ewestern\u201d \u0219i av\u00e2nd acela\u0219i fundal istoric, ating problema responsabilit\u0103\u021bii: fa\u021b\u0103 de r\u0103ul provocat de r\u0103zboi \u0219i fa\u021b\u0103 de cei lipsi\u021bi de ap\u0103rare. Filmele sunt legate \u0219i printr-un motiv muzical semnat de celebrul compozitor Krzysztof Komeda.\ns\u00e2mb\u0103t\u0103, 3.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nAbel, fratele t\u0103u (Abel, tw\u00f3j brat), 1970, 87 min.\nRegia: Janusz Nasfeter\nScenariul: Teresa Nasfeter, Janusz Nasfeter\nDistribu\u0163ia: Katarzyna \u0141aniewska, Witold Dederko, Zdzis\u0142aw Le\u015bniak, Jacek Fedorowicz, Henryk B\u0105k, Krystyna Feldman, Maria Kaniewska, Wojciech Rajewski\nUn copil sensibil \u0219i cuminte ajunge \u00eentr-o \u0219coal\u0103 nou\u0103 unde \u00eencearc\u0103 s\u0103 dob\u00e2ndeasc\u0103 \u00eencrederea colegilor-huligani. Comport\u00e2ndu-se asemeni lor, intr\u0103 \u00eentr-o situa\u021bie complicat\u0103 c\u0103reia nu-i poate face fa\u021b\u0103. Regizorul, cunoscut pentru filmele sale despre copii, analizeaz\u0103 cu m\u0103iestrie dramele prin care trec ace\u0219tia.\nora 20.00\nCurajul (Wymyk), 2011, 85 min.\nRegia: Greg Zgli\u0144ski\nScenariul: Janusz Marga\u0144ski, Grzegorz Zgli\u0144ski\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, \u0141ukasz Simlat, Gabriela Muska\u0142a, Marian Dzi\u0119dziel, Anna Tomaszewska, Karolina Kominek, Pawe\u0142 Tomaszewski, Tomasz Schuchardt\nRela\u021biile dintr-o familie sunt puse la \u00eencercare dup\u0103 ce unul dintre cei doi fra\u021bi, certa\u021bi unul cu altul, este grav r\u0103nit de un grup de huligani. Fratele lui mai mare, care este martor al \u00eent\u00e2mpl\u0103rii, se afl\u0103 \u00een fa\u021ba unei dileme: s\u0103-\u0219i recunoasc\u0103 vina \u0219i s\u0103 ajute la g\u0103sirea f\u0103pta\u0219ilor, sau s\u0103 tac\u0103.\n&lt;&lt;&lt; Cele dou\u0103 filme nu sunt doar interpret\u0103ri moderne ale mitului biblic despre Cain \u0219i Abel, ele ridic\u0103 \u00eentreb\u0103ri despre fundamentele psihologiei umane: De ce suntem r\u0103i? Ce \u00eenseamn\u0103 \u201ea fi vinovat\u201d? De ce ne e fric\u0103 de adev\u0103r?\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nCopoii (Psy), 1992, 105 min.\nRegia \u015fi scenariul: W\u0142adys\u0142aw Pasikowski\nDistribu\u0163ia: Bogus\u0142aw Linda, Marek Kondrat, Cezary Pazura, Janusz Gajos, Agnieszka Jask\u00f3\u0142ka, Zbigniew Zapasiewicz, Zbigniew Bielski, Tomasz Dedek\nFilm-cult al anilor \u201990, care prin violen\u021ba sa \u0219i imaginea cinic\u0103 a tranzi\u021biei a zguduit cinematografia polonez\u0103 a momentului.\nComunismul a c\u0103zut, ofi\u021berii Securit\u0103\u021bii ard dosarele. Unii dintre ei devin poli\u021bi\u0219ti, iar al\u021bii - infractori. Franz Maurer, fost securist, acum poli\u021bist, \u00eencearc\u0103 s\u0103 r\u0103m\u00e2n\u0103 fidel principiilor sale: onoare, prietenie \u0219i dedicare \u00een slujb\u0103; un lucru imposibil \u00eentr-o lume f\u0103r\u0103 idealuri.\nora 20.00\nC\u00e2rti\u021ba (Kret), 2010, 108 min.\nRegia: Rafael Lewandowski\nScenariul: Iwo Kardel, Rafael Lewandowski\nZygmunt, fost membru al \u201eSolidarit\u0103\u021bii\u201d \u0219i lupt\u0103tor pentru libertate, acum afacerist \u00eentr-un ora\u0219 mic, este acuzat c\u0103 a colaborat cu poli\u021bia politic\u0103. Proasta sa reputa\u021bie de turn\u0103tor \u00eei distruge rela\u021biile cu vecinii \u0219i \u00eei pune \u00een pericol via\u021ba de familie. \u00cen c\u0103utarea adev\u0103rului, fiul s\u0103u Pawe\u0142 \u00eent\u00e2lne\u0219te un fost securist care pare s\u0103 aib\u0103 leg\u0103tur\u0103 cu problemele tat\u0103lui s\u0103u.\n&lt;&lt;&lt; Securi\u0219tii \u0219i dosarele nu sunt doar ni\u0219te subiecte abstracte: \u00een spatele fiec\u0103rui dosar se ascund tragediile unor oameni \u00een carne \u0219i oase. Chiar \u0219i la 20 de ani de la c\u0103derea comunismului, procesul lustra\u021biei pare departe de a se fi terminat.\nduminic\u0103, 4.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nMaica Ioana a \u00cengerilor (Matka Joanna od Anio\u0142\u00f3w), 1960, 103 min.\nRegia: Jerzy Kawalerowicz\nScenariul: Tadeusz Konwicki, Jerzy Kawalerowicz\nDistribu\u0163ia: Lucyna Winnicka, Mieczys\u0142aw Voit, Anna Ciepielewska, Maria Chwalib\u00f3g, Kazimierz Fabisiak, Stanis\u0142aw Jasiukiewicz, Zygmunt Zintel, Jerzy Kaczmarek\nPlasat \u00een secolul al XVII-lea, \u00eentr-o m\u0103n\u0103stire retras\u0103, filmul relateaz\u0103 povestea unui t\u00e2n\u0103r preot care trebuie s\u0103 exorcizeze stare\u021ba \u0219i m\u0103icu\u021bele care erau posedate de demoni. \u00cen \u00eencerc\u0103rile sale repetate de a alunga r\u0103ul, preotul se \u00eendr\u0103goste\u0219te de frumoasa m\u0103icu\u021b\u0103 Ioana.\nora 20.00\n\u00cen numele diavolului (W imieniu diab\u0142a), 2011, 112 min.\nRegia \u015fi scenariul: Barbara Sass\nDistribu\u0163ia: Katarzyna Zawadzka, Anna Radwan, Marian Dzi\u0119dziel, Mariusz Bonaszewski, Roma G\u0105siorowska-\u017burawska, El\u017cbieta Karkoszka, Marzena Tryba\u0142a\nO poveste \u0219ocant\u0103 inspirat\u0103 din fapte reale despre femei care s-au aflat la grani\u021ba dintre credin\u021b\u0103 \u0219i nebunie, iubire \u0219i dorin\u021b\u0103 trupeasc\u0103. \u00cen \u00eencercarea de a se ap\u0103ra de lumea dec\u0103zut\u0103, plin\u0103 de p\u0103cate, un grup de c\u0103lug\u0103ri\u021be rupe orice leg\u0103tur\u0103 cu lumea \u00eenconjur\u0103toare \u0219i formeaz\u0103 o sect\u0103. Doar una dintre ele \u00eencearc\u0103 s\u0103 lupte pentru a-\u0219i p\u0103stra libertatea.\n&lt;&lt;&lt; Cele dou\u0103 \u201edrame monahale\u201d analizeaz\u0103 sursa r\u0103ului din om, conflictul dintre aspira\u021bia c\u0103tre divinitate \u0219i fascina\u021bia pentru lumesc. Ele nu ofer\u0103 r\u0103spunsuri, ci provoac\u0103 mai degrab\u0103 la o dezbatere continu\u0103 asupra acestor teme.\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nKi, 2011, 99 min.\nRegia: Leszek Dawid\nScenariul: Pawe\u0142 Ferdek, Leszek Dawid\nDistribu\u0163ia: Roma G\u0105siorowska, Adam Woronowicz, Kamil Malecki, Krzysztof Og\u0142oza, Sylwia Juszczak, Agnieszka Suchora, Krzysztof Globisz, Dorota Pomyka\u0142a\nKi, o t\u00e2n\u0103r\u0103 energic\u0103 \u0219i plin\u0103 de via\u021b\u0103 nu accept\u0103 s\u0103 se lase \u00eengr\u0103dit\u0103 de obliga\u021biile sale de mam\u0103 singur\u0103. Nevr\u00e2nd s\u0103 urmeze modelul propriei mame, ea \u00eencearc\u0103 s\u0103 duc\u0103 o via\u021b\u0103 colorat\u0103, alert\u0103, plin\u0103 de tr\u0103iri intense. Vrea s\u0103 fac\u0103 o oper\u0103 de art\u0103 din propria via\u021b\u0103. Rela\u021biile sale complicate cu cei din jur o ajut\u0103 s\u0103 con\u0219tientizeze iubirea \u0219i responsabilitatea pe care le poart\u0103 fa\u021b\u0103 de fiul ei \u0219i de ea \u00eens\u0103\u0219i. Interpret\u0103 rolului principal, Roma G\u0105siorowska, a primit pentru acest rol premiul pentru cea mai bun\u0103 actri\u021ba la Festivalul Filmului Polonez la Gdynia (2011).\nora 20.00\nAmatorul (Amator), 1979, 117 min.\nRegia \u0219i scenariul: Krzysztof Kie\u015blowski\nDistribu\u0163ia: Jerzy Stuhr, Ma\u0142gorzata Z\u0105bkowska, Ewa Pokas, Stefan Czy\u017cewski, Jerzy Nowak, Tadeusz Bradecki, Marek Litewka, Bogus\u0142aw Sobczuk, Krzysztof Zanussi\nUnul dintre cele mai importante filme din curentul a\u0219a-zisei \u201ecinematografii a nelini\u0219tii morale\u201d.\nUn angajat al unei fabrici devine brusc interesat de cinematografie. Prin documentarele pe care le realizeaz\u0103 cu ajutorul camerei sale de amator, Filip \u00eencearc\u0103 s\u0103 lupte \u00eempotriva nedrept\u0103\u021bii \u0219i abuzului social pe care le observ\u0103 \u00een jur. Pl\u0103te\u0219te \u00eens\u0103 un pre\u021b mult prea mare pentru dedicarea sa.\n&lt;&lt;&lt; \u201eAmatorul\u201d, realizat la sf\u00e2r\u015fitul anilor '70, a constituit la vremea respectiv\u0103 un r\u0103spuns la preocup\u0103rile tinerilor de atunci. Aceea\u0219i misiune \u00eencearc\u0103 s\u0103 aib\u0103 ast\u0103zi \u0219i filmul \u201eKi\u201d. Problemele abordate - limitele responsabilit\u0103\u0163ii \u015fi curajului, locul \u015fi rolul artei \u00een via\u0163a omului au r\u0103mas actuale p\u00e2n\u0103 ast\u0103zi.\nluni, 5.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nTab\u0103ra\u00a0mor\u021bilor\u00a0(Baza ludzi umar\u0142ych), 1958, 105 min.\nRegia: Czes\u0142aw Petelski\nScenariul: Marek H\u0142asko\nDistribu\u0163ia: Zygmunt K\u0119stowicz, Emil Karewicz, Teresa I\u017cewska, Leon Niemczyk, Aleksander Fogiel, Tadeusz \u0141omnicki, Roman K\u0142osowski, Adam Kwiatkowski\nO adaptare dup\u0103 romanul-cult din anii \u201950 de Marek H\u0142asko, \u201eUrm\u0103torul c\u0103tre rai\u201d. Filmul este plasat \u00een decorul sumbru al unei baze de transport silvic izolate din Mun\u021bii Bieszczady, unde \u00een condi\u021bii de ne\u00eendurat lucreaz\u0103 fo\u0219ti pu\u0219c\u0103ria\u0219i \u0219i tineri care vor s\u0103 fug\u0103 de civiliza\u021bie.\nora 20.00\nCamera sinuciga\u0219ilor (Sala samob\u00f3jc\u00f3w), 2011, 112 min.\nRegia \u015fi scenariul: Jan Komasa\nDistribu\u0163ia: Jakub Giersza\u0142, Roma G\u0105siorowska-\u017burawska, Agata Kulesza, Krzysztof Pieczy\u0144ski, Bartosz Gelner, Danuta Borsuk, Piotr Nowak, Filip Bobek\nDominik este un b\u0103iat de liceu ca oricare altul. Are prieteni, vine dintr-o familie \u00eenst\u0103rit\u0103, \u00eens\u0103, la un moment dat, totul se schimb\u0103 \u015fi colegii \u00eencep s\u0103-l umileasc\u0103. Din cauza aceasta, renun\u021b\u0103 la \u015fcoal\u0103 \u015fi ajunge s\u0103 se izoleze \u00een lumea virtual\u0103, unde \u00eent\u00e2lne\u015fte o fat\u0103 care \u00eel va conduce \u00een \u201ecamera sinuciga\u015filor\u201d, locul de unde nimeni nu pare s\u0103 scape.\n&lt;&lt;&lt; Dou\u0103 filme c\u00e2t se poate de diferite: primul, realizat \u00een tehnica crud\u0103, naturalist\u0103 a jocului actoricesc prezint\u0103 b\u0103rba\u021bi puternici, cel\u0103lalt, plin de efecte speciale, are ca personaj principal un t\u00e2n\u0103r sensibil. Cu toate acestea, ambele sunt metafore ale vie\u021bii retrase, nefericite \u0219i pline de repro\u0219uri, co\u0219maruri \u0219i frica de viitor.\nmar\u021bi, 6.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nLege \u0219i pumn (Prawo i pi\u0119\u015b\u0107), 1964, 93 min.\nRegia: Jerzy Hoffman, Edward Sk\u00f3rzewski\nScenariul: J\u00f3zef Hen\nDistribu\u0163ia: Gustaw Holoubek, Zofia Mrozowska, Hanna Skar\u017canka, Wies\u0142aw Go\u0142as, Zdzis\u0142aw Maklakiewicz, Ryszard Pietruski, Jerzy Przybylski, Wies\u0142awa Kwa\u015bniewska\nPrimele zile dup\u0103 terminarea celui de-al Doilea R\u0103zboi Mondial. Andrzej Koenig, fost de\u021binut \u00eentr-un lag\u0103r de concentrare, este mandatat ca reprezentant al guvernului \u00eentr-o sta\u021biune balnear\u0103 p\u0103r\u0103sit\u0103 de germani. F\u0103r\u0103 s\u0103 beneficieze de niciun sprijin, el trebuie s\u0103 apere ora\u0219ul de pr\u0103d\u0103torii care sunt \u00een stare s\u0103 \u00eencalce orice reguli pentru a se \u00eembog\u0103\u021bi.\nora 20.00\nR\u00f3\u017ca, 2011, 94 min.\nRegia: Wojciech Smarzowski\nScenariul: Micha\u0142 Szczerbic\nDistribu\u0163ia: Marcin Doroci\u0144ski, Agata Kulesza, Kinga Preis, Jacek Braciak, Malwina Buss, Marian Dzi\u0119dziel, Edward Linde-Lubaszenko, Eryk Lubos, Lech Dyblik\nVara anului 1945. Imediat dup\u0103 terminarea r\u0103zboiului, Tadeusz, un soldat polonez, ajunge \u00een Mazuria, un teritoriu german oferit dup\u0103 r\u0103zboi Poloniei. \u00cennopteaz\u0103 la R\u00f3\u017ca, o v\u0103duv\u0103 a unui soldat german la a c\u0103rui moarte fusese martor. Pe fundalul peisajului devastat de r\u0103zboi, \u00een care speran\u0163a a devenit instrument de propagand\u0103, \u00eentre doi oameni din lumi diferite se na\u015fte dragostea... este aceasta oare imposibil\u0103?\nFilmul a c\u00e2\u0219tigat Premiul \"Vulturul de Aur\", acordat de Academia Polonez\u0103 de Cinematografie, precum \u0219i\u00a0Premiul Principal la Festivalul de Film Central-European la Media\u0219 (2012).\n&lt;&lt;&lt; Ambele pelicule, filmate \u00een conven\u021bia \u201ewestern\u201d \u0219i av\u00e2nd acela\u0219i fundal istoric, ating problema responsabilit\u0103\u021bii: fa\u021b\u0103 de r\u0103ul provocat de r\u0103zboi \u0219i fa\u021b\u0103 de cei lipsi\u021bi de ap\u0103rare. Filmele sunt legate \u0219i printr-un motiv muzical semnat de celebrul compozitor Krzysztof Komeda.\nmiercuri, 7.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nCopoii (Psy), 1992, 105 min.\nRegia \u015fi scenariul: W\u0142adys\u0142aw Pasikowski\nDistribu\u0163ia: Bogus\u0142aw Linda, Marek Kondrat, Cezary Pazura, Janusz Gajos, Agnieszka Jask\u00f3\u0142ka, Zbigniew Zapasiewicz, Zbigniew Bielski, Tomasz Dedek\nFilm-cult al anilor \u201990, care prin violen\u021ba sa \u0219i imaginea cinic\u0103 a tranzi\u021biei a zguduit cinematografia polonez\u0103 a momentului.\nComunismul a c\u0103zut, ofi\u021berii Securit\u0103\u021bii ard dosarele. Unii dintre ei devin poli\u021bi\u0219ti, iar al\u021bii - infractori. Franz Maurer, fost securist, acum poli\u021bist, \u00eencearc\u0103 s\u0103 r\u0103m\u00e2n\u0103 fidel principiilor sale: onoare, prietenie \u0219i dedicare \u00een slujb\u0103; un lucru imposibil \u00eentr-o lume f\u0103r\u0103 idealuri.\nora 20.00\nC\u00e2rti\u021ba (Kret), 2010, 108 min.\nRegia: Rafael Lewandowski\nScenariul: Iwo Kardel, Rafael Lewandowski\nZygmunt, fost membru al \u201eSolidarit\u0103\u021bii\u201d \u0219i lupt\u0103tor pentru libertate, acum afacerist \u00eentr-un ora\u0219 mic, este acuzat c\u0103 a colaborat cu poli\u021bia politic\u0103. Proasta sa reputa\u021bie de turn\u0103tor \u00eei distruge rela\u021biile cu vecinii \u0219i \u00eei pune \u00een pericol via\u021ba de familie. \u00cen c\u0103utarea adev\u0103rului, fiul s\u0103u Pawe\u0142 \u00eent\u00e2lne\u0219te un fost securist care pare s\u0103 aib\u0103 leg\u0103tur\u0103 cu problemele tat\u0103lui s\u0103u.\n&lt;&lt;&lt; Securi\u0219tii \u0219i dosarele nu sunt doar ni\u0219te subiecte abstracte: \u00een spatele fiec\u0103rui dosar se ascund tragediile unor oameni \u00een carne \u0219i oase. Chiar \u0219i la 20 de ani de la c\u0103derea comunismului, procesul lustra\u021biei pare departe de a se fi terminat.\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nAbel, fratele t\u0103u (Abel, tw\u00f3j brat), 1970, 87 min.\nRegia: Janusz Nasfeter\nScenariul: Teresa Nasfeter, Janusz Nasfeter\nDistribu\u0163ia: Katarzyna \u0141aniewska, Witold Dederko, Zdzis\u0142aw Le\u015bniak, Jacek Fedorowicz, Henryk B\u0105k, Krystyna Feldman, Maria Kaniewska, Wojciech Rajewski\nUn copil sensibil \u0219i cuminte ajunge \u00eentr-o \u0219coal\u0103 nou\u0103 unde \u00eencearc\u0103 s\u0103 dob\u00e2ndeasc\u0103 \u00eencrederea colegilor-huligani. Comport\u00e2ndu-se asemeni lor, intr\u0103 \u00eentr-o situa\u021bie complicat\u0103 c\u0103reia nu-i poate face fa\u021b\u0103. Regizorul, cunoscut pentru filmele sale despre copii, analizeaz\u0103 cu m\u0103iestrie dramele prin care trec ace\u0219tia.\nora 20.00\nCurajul (Wymyk), 2011, 85 min.\nRegia: Greg Zgli\u0144ski\nScenariul: Janusz Marga\u0144ski, Grzegorz Zgli\u0144ski\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, \u0141ukasz Simlat, Gabriela Muska\u0142a, Marian Dzi\u0119dziel, Anna Tomaszewska, Karolina Kominek, Pawe\u0142 Tomaszewski, Tomasz Schuchardt\nRela\u021biile dintr-o familie sunt puse la \u00eencercare dup\u0103 ce unul dintre cei doi fra\u021bi, certa\u021bi unul cu altul, este grav r\u0103nit de un grup de huligani. Fratele lui mai mare, care este martor al \u00eent\u00e2mpl\u0103rii, se afl\u0103 \u00een fa\u021ba unei dileme: s\u0103-\u0219i recunoasc\u0103 vina \u0219i s\u0103 ajute la g\u0103sirea f\u0103pta\u0219ilor, sau s\u0103 tac\u0103.\n&lt;&lt;&lt;\u00a0Cele dou\u0103 filme nu sunt doar interpret\u0103ri moderne ale mitului biblic despre Cain \u0219i Abel, ele ridic\u0103 \u00eentreb\u0103ri despre fundamentele psihologiei umane: De ce suntem r\u0103i? Ce \u00eenseamn\u0103 \u201ea fi vinovat\u201d? De ce ne e fric\u0103 de adev\u0103r?\njoi, 8.11.2012\nCinema Studio \u0219i Gaudeamus:\nora 18.00\nKi, 2011, 99 min.\nRegia: Leszek Dawid\nScenariul: Pawe\u0142 Ferdek, Leszek Dawid\nDistribu\u0163ia: Roma G\u0105siorowska, Adam Woronowicz, Kamil Malecki, Krzysztof Og\u0142oza, Sylwia Juszczak, Agnieszka Suchora, Krzysztof Globisz, Dorota Pomyka\u0142a\nKi, o t\u00e2n\u0103r\u0103 energic\u0103 \u0219i plin\u0103 de via\u021b\u0103 nu accept\u0103 s\u0103 se lase \u00eengr\u0103dit\u0103 de obliga\u021biile sale de mam\u0103 singur\u0103. Nevr\u00e2nd s\u0103 urmeze modelul propriei mame, ea \u00eencearc\u0103 s\u0103 duc\u0103 o via\u021b\u0103 colorat\u0103, alert\u0103, plin\u0103 de tr\u0103iri intense. Vrea s\u0103 fac\u0103 o oper\u0103 de art\u0103 din propria via\u021b\u0103. Rela\u021biile sale complicate cu cei din jur o ajut\u0103 s\u0103 con\u0219tientizeze iubirea \u0219i responsabilitatea pe care le poart\u0103 fa\u021b\u0103 de fiul ei \u0219i de ea \u00eens\u0103\u0219i. Interpret\u0103 rolului principal, Roma G\u0105siorowska, a primit pentru acest rol premiul pentru cea mai bun\u0103 actri\u021ba la Festivalul Filmului Polonez la Gdynia (2011).\nora 20.00\nAmatorul (Amator), 1979, 117 min.\nRegia \u0219i scenariul: Krzysztof Kie\u015blowski\nDistribu\u0163ia: Jerzy Stuhr, Ma\u0142gorzata Z\u0105bkowska, Ewa Pokas, Stefan Czy\u017cewski, Jerzy Nowak, Tadeusz Bradecki, Marek Litewka, Bogus\u0142aw Sobczuk, Krzysztof Zanussi\nUnul dintre cele mai importante filme din curentul a\u0219a-zisei \u201ecinematografii a nelini\u0219tii morale\u201d.\nUn angajat al unei fabrici devine brusc interesat de cinematografie. Prin documentarele pe care le realizeaz\u0103 cu ajutorul camerei sale de amator, Filip \u00eencearc\u0103 s\u0103 lupte \u00eempotriva nedrept\u0103\u021bii \u0219i abuzului social pe care le observ\u0103 \u00een jur. Pl\u0103te\u0219te \u00eens\u0103 un pre\u021b mult prea mare pentru dedicarea sa.\n&lt;&lt;&lt; \u201eAmatorul\u201d, realizat la sf\u00e2r\u015fitul anilor '70, a constituit la vremea respectiv\u0103 un r\u0103spuns la preocup\u0103rile tinerilor de atunci. Aceea\u0219i misiune \u00eencearc\u0103 s\u0103 aib\u0103 ast\u0103zi \u0219i filmul \u201eKi\u201d. Problemele abordate - limitele responsabilit\u0103\u0163ii \u015fi curajului, locul \u015fi rolul artei \u00een via\u0163a omului au r\u0103mas actuale p\u00e2n\u0103 ast\u0103zi.\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nMaica Ioana a \u00cengerilor (Matka Joanna od Anio\u0142\u00f3w), 1960, 103 min.\nRegia: Jerzy Kawalerowicz\nScenariul: Tadeusz Konwicki, Jerzy Kawalerowicz\nDistribu\u0163ia: Lucyna Winnicka, Mieczys\u0142aw Voit, Anna Ciepielewska, Maria Chwalib\u00f3g, Kazimierz Fabisiak, Stanis\u0142aw Jasiukiewicz, Zygmunt Zintel, Jerzy Kaczmarek\nPlasat \u00een secolul al XVII-lea, \u00eentr-o m\u0103n\u0103stire retras\u0103, filmul relateaz\u0103 povestea unui t\u00e2n\u0103r preot care trebuie s\u0103 exorcizeze stare\u021ba \u0219i m\u0103icu\u021bele care erau posedate de demoni. \u00cen \u00eencerc\u0103rile sale repetate de a alunga r\u0103ul, preotul se \u00eendr\u0103goste\u0219te de frumoasa m\u0103icu\u021b\u0103 Ioana.\nora 20.00\n\u00cen numele diavolului (W imieniu diab\u0142a), 2011, 112 min.\nRegia \u015fi scenariul: Barbara Sass\nDistribu\u0163ia: Katarzyna Zawadzka, Anna Radwan, Marian Dzi\u0119dziel, Mariusz Bonaszewski, Roma G\u0105siorowska-\u017burawska, El\u017cbieta Karkoszka, Marzena Tryba\u0142a\nO poveste \u0219ocant\u0103 inspirat\u0103 din fapte reale despre femei care s-au aflat la grani\u021ba dintre credin\u021b\u0103 \u0219i nebunie, iubire \u0219i dorin\u021b\u0103 trupeasc\u0103. \u00cen \u00eencercarea de a se ap\u0103ra de lumea dec\u0103zut\u0103, plin\u0103 de p\u0103cate, un grup de c\u0103lug\u0103ri\u021be rupe orice leg\u0103tur\u0103 cu lumea \u00eenconjur\u0103toare \u0219i formeaz\u0103 o sect\u0103. Doar una dintre ele \u00eencearc\u0103 s\u0103 lupte pentru a-\u0219i p\u0103stra libertatea.\n&lt;&lt;&lt; Cele dou\u0103 \u201edrame monahale\u201d analizeaz\u0103 sursa r\u0103ului din om, conflictul dintre aspira\u021bia c\u0103tre divinitate \u0219i fascina\u021bia pentru lumesc. Ele nu ofer\u0103 r\u0103spunsuri, ci provoac\u0103 mai degrab\u0103 la o dezbatere continu\u0103 asupra acestor teme.\nvineri, 9.11.2012\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nTab\u0103ra mor\u021bilor\u00a0(Baza ludzi umar\u0142ych), 1958, 105 min.\nRegia: Czes\u0142aw Petelski\nScenariul: Marek H\u0142asko\nDistribu\u0163ia: Zygmunt K\u0119stowicz, Emil Karewicz, Teresa I\u017cewska, Leon Niemczyk, Aleksander Fogiel, Tadeusz \u0141omnicki, Roman K\u0142osowski, Adam Kwiatkowski\nO adaptare dup\u0103 romanul-cult din anii \u201950 de Marek H\u0142asko, \u201eUrm\u0103torul c\u0103tre rai\u201d. Filmul este plasat \u00een decorul sumbru al unei baze de transport silvic izolate din Mun\u021bii Bieszczady, unde \u00een condi\u021bii de ne\u00eendurat lucreaz\u0103 fo\u0219ti pu\u0219c\u0103ria\u0219i \u0219i tineri care vor s\u0103 fug\u0103 de civiliza\u021bie.\nora 20.00\nCamera sinuciga\u0219ilor (Sala samob\u00f3jc\u00f3w), 2011, 112 min.\nRegia \u015fi scenariul: Jan Komasa\nDistribu\u0163ia: Jakub Giersza\u0142, Roma G\u0105siorowska-\u017burawska, Agata Kulesza, Krzysztof Pieczy\u0144ski, Bartosz Gelner, Danuta Borsuk, Piotr Nowak, Filip Bobek\nDominik este un b\u0103iat de liceu ca oricare altul. Are prieteni, vine dintr-o familie \u00eenst\u0103rit\u0103, \u00eens\u0103, la un moment dat, totul se schimb\u0103 \u015fi colegii \u00eencep s\u0103-l umileasc\u0103. Din cauza aceasta, renun\u021b\u0103 la \u015fcoal\u0103 \u015fi ajunge s\u0103 se izoleze \u00een lumea virtual\u0103, unde \u00eent\u00e2lne\u015fte o fat\u0103 care \u00eel va conduce \u00een \u201ecamera sinuciga\u015filor\u201d, locul de unde nimeni nu pare s\u0103 scape.\n&lt;&lt;&lt; Dou\u0103 filme c\u00e2t se poate de diferite: primul, realizat \u00een tehnica crud\u0103, naturalist\u0103 a jocului actoricesc prezint\u0103 b\u0103rba\u021bi puternici, cel\u0103lalt, plin de efecte speciale, are ca personaj principal un t\u00e2n\u0103r sensibil. Cu toate acestea, ambele sunt metafore ale vie\u021bii retrase, nefericite \u0219i pline de repro\u0219uri, co\u0219maruri \u0219i frica de viitor.\ns\u00e2mb\u0103t\u0103, 10.11.2012\nMuzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n:\nora 18.00\nCanalul (Kana\u0142), 1956, 91 min.\nRegia: Andrzej Wajda\nScenariul: Jerzy Stefan Stawi\u0144ski\nDistribu\u0163ia: Teresa I\u017cewska, Tadeusz Janczar, Wie\u0144czys\u0142aw Gli\u0144ski, Tadeusz Gwiazdowski, Stanis\u0142aw Mikulski, Emil Karewicz, W\u0142adys\u0142aw Sheybal, Teresa Berezowska\nSf\u00e2r\u0219itul lui septembrie 1944. Insurec\u021bia de la Var\u0219ovia este pe punctul s\u0103 fie \u00een\u0103bu\u0219it\u0103. Un deta\u0219ament coboar\u0103 \u00een canale pentru a ajunge la r\u0103zvr\u0103ti\u021bi. \u00cen culoarele subterane sinuoase, pline de excremente, comandantul \u00eencearc\u0103 s\u0103 salveze via\u021ba oamenilor s\u0103i. Scenariul este bazat pe experien\u021bele scenaristului Jerzy Stawi\u0144ski, fost ofi\u021ber \u00een Armata \u021a\u0103rii.\nora 20.00\n\u00cen bezn\u0103 (W ciemno\u015bci), 2011, 145 min.\nRegia: Agnieszka Holland\nScenariul: David F. Shamoon\nDistribu\u0163ia: Robert Wi\u0119ckiewicz, Benno F\u00fcrmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak\nEste anul 1941. Leopold Socha, vidanjor \u015fi borfa\u015f m\u0103runt, d\u0103 peste un grup de evrei fugi\u0163i din ghetou care vor s\u0103 se ascund\u0103 \u00een canalele subterane ale ora\u015fului, pe care el le cunoa\u015fte foarte bine. Drept care, se \u00eenvoie\u015fte s\u0103-i ajute contra cost. Ceea ce debuteaz\u0103 ca un t\u00e2rg se transform\u0103 \u00een ceva nea\u015fteptat, pe m\u0103sur\u0103 ce, timp de 14 luni de pericol maxim, ei \u00eencearc\u0103 \u00eempreun\u0103 s\u0103 p\u0103c\u0103leasc\u0103 moartea. Filmul a fost nominalizat la premiul Oscar \u00een categoria Cel Mai Bun Film Str\u0103in (2012).\n&lt;&lt;&lt; Cele dou\u0103 filme au \u00een comun nu doar locul ac\u021biunii \u0219i modul \u00een care a fost construit\u0103 ac\u021biunea, am\u00e2ndou\u0103 povestesc despre curaj, speran\u021b\u0103 \u0219i dedicare, pun \u00eentreb\u0103ri importante despre sensul eroismului."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2020\/06\/festivalul-filmului-polonez-la-bucuresti-si-chisinau.jpg","width":1544,"height":1154,"caption":"Foto: Anca Adina Cojocaru"},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2012\/10\/19\/festivalul-filmului-polonez-bucuresti-si-chisinau\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"Festivalul Filmului Polonez: Bucure\u0219ti \u0219i Chi\u0219in\u0103u"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272","name":"mirelal","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","caption":"mirelal"},"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=4575"}],"version-history":[{"count":4,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4575\/revisions"}],"predecessor-version":[{"id":4599,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/4575\/revisions\/4599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/4577"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=4575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=4575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=4575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}