{"id":7597,"date":"2022-02-09T11:24:30","date_gmt":"2022-02-09T10:24:30","guid":{"rendered":"https:\/\/instytutpolski.pl\/bucuresti\/?p=7597"},"modified":"2024-04-08T09:20:44","modified_gmt":"2024-04-08T07:20:44","slug":"retrospectiva-krzysztof-kieslowski-la-tiff-2022","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/","title":{"rendered":"Retrospectiv\u0103 Krzysztof Kie\u015blowski la TIFF 2022"},"content":{"rendered":"\n<p><a href=\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/06\/08\/program-retrospectiva-krzysztof-kieslowski\/\"><strong>&lt;&lt;&lt; Descrierea filmelor \u0219i informa\u021bii despre bilete &lt;&lt;&lt;<\/strong><\/a><\/p>\n<p>Fin observator al tr\u0103irilor umane \u0219i un maestru al a\u0219a-numitului ,,cinema al nelini\u0219tii morale\u2019\u2019, Kie\u015blowski s-a n\u0103scut \u00een 1941 la Var\u0219ovia, a absolvit prestigioasa \u0219coal\u0103 de film de la \u0141\u00f3d\u017a \u0219i \u0219i-a \u00eenceput cariera ca autor de documentare. ,,Fiecare om vrea s\u0103 schimbe lumea ori de c\u00e2te ori depune efortul de a face ceva. Eu n-am crezut niciodat\u0103 c\u0103 lumea poate fi literalmente schimbat\u0103. Am sim\u021bit mai degrab\u0103 c\u0103 ea poate fi descris\u0103.\u2019\u2019<\/p>\n<p>Dup\u0103 un prim film de fic\u021biune realizat pentru televiziune, Kie\u015blowski semneaz\u0103 <strong>Cicatricea<\/strong> (Blizna, 1976), considerat adev\u0103ratul s\u0103u debut \u00een cinema, o mostr\u0103 de realism social filmat\u0103 \u00een stil documentar, cu mul\u021bi actori neprofesioni\u0219ti, care surprinde bariera dintre cet\u0103\u021beni \u0219i autorit\u0103\u021bi pe fundalul unui or\u0103\u0219el amenin\u021bat de un proiect industrial deficitar. \u00cen <strong>Amatorul<\/strong> (Amator, 1979), comedia neagr\u0103 distins\u0103 cu Marele Premiu la Moscova, regizorul abordeaz\u0103 teme precum rolul artei \u00een lume, cenzura \u0219i pre\u021bul libert\u0103\u021bii de crea\u021bie, urm\u0103rind povestea unui cameraman amator care se opune ideii de manipulare a realit\u0103\u021bii prin intermediul imaginilor. Cenzura a avut un impact direct \u00een crea\u021bia lui Kie\u015blowski, multe dintre filmele sale fiind modificate sau pur \u0219i simplu interzise, la cererea Guvernului Polonez. De o astfel de soart\u0103 a avut parte <strong>Noroc<\/strong> <strong>chior<\/strong> (Przypadek, 1981), care prezint\u0103 trei urm\u0103ri posibile ale aceluia\u0219i incident banal, goana unui b\u0103rbat s\u0103 prind\u0103 trenul, \u0219i care a ajuns pe marile ecrane abia \u00een 1987.<\/p>\n<p><strong>F\u0103r\u0103<\/strong> <strong>sf\u00e2r\u0219it<\/strong> (Bez ko\u0144ca, 1985) e un film eminamente politic \u0219i controversat, despre procesele din timpul legii mar\u021biale din Polonia, \u0219i a fost criticat la vremea lui at\u00e2t de guvern, c\u00e2t \u0219i de biseric\u0103 \u0219i diziden\u021bi. El marcheaz\u0103 \u00eenceputul colabor\u0103rii cu Krzysztof Piesiewicz (al\u0103turi de care Kie\u015blowski va scrie ulterior scenariul uneia dintre cele mai aclamate serii TV din toate timpurile) \u0219i cu compozitorul Zbigniew Preisner. Premiat la Vene\u021bia \u0219i San Sebasti\u00e1n, <strong>Decalogul<\/strong> (Dekalog, 1988) cuprinde 10 filme inspirate de cele zece porunci din Vechiul Testament. Dou\u0103 dintre cele zece episoade au fost lansate \u0219i pe marele ecran \u0219i vor fi proiectate \u0219i la TIFF: <strong>Un scurt film despre omor<\/strong> (Kr\u00f3tki film o zabijaniu, 1988) a fost desemnat cel mai bun film la European Film Awards \u0219i a cucerit dou\u0103 distinc\u021bii importante la Cannes, \u00een timp ce <strong>Un scurt film despre iubire<\/strong> (Kr\u00f3tki film o mi\u0142o\u015bci, 1988) a fost recompensat cu dou\u0103 premii la San Sebasti\u00e1n.<\/p>\n<p>Ultimele patru lungmetraje ale lui Kie\u015blowski (prezentate la TIFF \u00een versiuni restaurate 4K) au fost cele care i-au consolidat pozi\u021bia pe lista celor mai aprecia\u021bi autori ai cinematografiei interna\u021bionale. <strong>Via\u021ba dubl\u0103 a Veronic\u0103i<\/strong> (Podw\u00f3jne \u017cycie Weroniki, 1992), povestea celor dou\u0103 femei identice care nu se cunosc, dar \u00eentre care exist\u0103 o leg\u0103tur\u0103 emo\u021bional\u0103 misterioas\u0103, a ob\u021binut patru distinc\u021bii la Cannes, una dintre ele acordat\u0103 actri\u021bei elve\u021biene Ir\u00e8ne Jacob, dar \u0219i dou\u0103 nominaliz\u0103ri la edi\u021bia din 1992 a premiilor C\u00e9sar. Cel mai ambi\u021bios proiect al regizorului \u0219i una dintre capodoperele cinematografiei moderne, <strong>trilogia<\/strong> <strong>Trei culori &#8211; Albastru, Alb, Ro\u0219u<\/strong> (Trzy kolory &#8211; Niebieski, Bia\u0142y, Czerwony), inspirat\u0103 din culorile steagului francez, reprezentative pentru idealurile Revolu\u021biei Franceze, a avut parte de o distribu\u021bie de excep\u021bie, din care au f\u0103cut parte actori precum Juliette Binoche, Julie Delpy sau Jean-Louis Trintignant. Criticul Roger Ebert le-a descris ca fiind, fiecare \u00een parte, o anti-tragedie, o anti-comedie \u0219i o anti poveste de dragoste. Aceste trei filme, odat\u0103 cu care autorul \u0219i-a anun\u021bat inten\u021bia de a se retrage din lumea cinematografiei, au ob\u021binut o serie impresionant\u0103 de nominaliz\u0103ri \u0219i premii interna\u021bionale, printre care Leul de Aur la Vene\u021bia (Albastru, 1993), Ursul de Argint pentru cel mai bun regizor la Berlin (Alb, 1994) \u0219i trei nominaliz\u0103ri la Premiile Oscar (Ro\u0219u, 1995).<\/p>\n<p>\u00cen 1996, dispari\u021bia lui subit\u0103, la doar 56 de ani, a \u0219ocat \u00eentreaga lume a filmului, care \u00eel consider\u0103 ast\u0103zi unul dintre cei mai influen\u021bi regizori europeni ai epocii, cu o contribu\u021bie unic\u0103 de peste 40 de titluri la cinematografia mondial\u0103.<\/p>\n<p><strong>Close-up Krzysztof Kie\u015blowski<\/strong> \u00eenseamn\u0103 filme cu teme dificile, dileme morale, adev\u0103ruri fundamentale \u0219i universale despre complexitatea tr\u0103irilor umane, prezentate la TIFF.21 cu sprijinul Institutului Polonez la Bucure\u0219ti, \u00een cadrul programului special <a href=\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/05\/20\/focus-polonia-la-tiff-2022\/\"><strong>&lt;&lt;&lt; Focus Polonia &lt;&lt;&lt;<\/strong><\/a>.<\/p>\n<p>https:\/\/youtu.be\/sDx_EVnEr_A<\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&lt;&lt;&lt; Descrierea filmelor \u0219i informa\u021bii despre bilete &lt;&lt;&lt; Fin observator al tr\u0103irilor umane \u0219i un maestru al a\u0219a-numitului ,,cinema al nelini\u0219tii morale\u2019\u2019, Kie\u015blowski s-a n\u0103scut \u00een 1941 la Var\u0219ovia, a absolvit prestigioasa \u0219coal\u0103 de film de la \u0141\u00f3d\u017a \u0219i \u0219i-a \u00eenceput cariera ca autor de documentare. ,,Fiecare om vrea s\u0103 schimbe lumea ori de c\u00e2te [&hellip;]<\/p>\n","protected":false},"author":41,"featured_media":7606,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18,94],"tags":[],"class_list":["post-7597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-evenimente"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Retrospectiv\u0103 Krzysztof Kie\u015blowski la TIFF 2022 - Instytut Polski w Bukareszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Retrospectiv\u0103 Krzysztof Kie\u015blowski la TIFF 2022 - Instytut Polski w Bukareszcie\" \/>\n<meta property=\"og:description\" content=\"&lt;&lt;&lt; Descrierea filmelor \u0219i informa\u021bii despre bilete &lt;&lt;&lt; Fin observator al tr\u0103irilor umane \u0219i un maestru al a\u0219a-numitului ,,cinema al nelini\u0219tii morale\u2019\u2019, Kie\u015blowski s-a n\u0103scut \u00een 1941 la Var\u0219ovia, a absolvit prestigioasa \u0219coal\u0103 de film de la \u0141\u00f3d\u017a \u0219i \u0219i-a \u00eenceput cariera ca autor de documentare. ,,Fiecare om vrea s\u0103 schimbe lumea ori de c\u00e2te [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Bukareszcie\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-09T10:24:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-08T07:20:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png\" \/>\n\t<meta property=\"og:image:width\" content=\"2240\" \/>\n\t<meta property=\"og:image:height\" content=\"1260\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"mirelal\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"mirelal\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/\",\"url\":\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/\",\"name\":\"Retrospectiv\u0103 Krzysztof Kie\u015blowski la TIFF 2022\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner-300x169.png\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner-1024x576.png\",\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png\",\"datePublished\":\"2022-02-09T10:24:30+02:00\",\"dateModified\":\"2024-04-08T07:20:44+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2022-06-17\",\"endDate\":\"2022-06-26\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"&lt;&lt;&lt; Descrierea filmelor \u0219i informa\u021bii despre bilete &lt;&lt;&lt;\\nFin observator al tr\u0103irilor umane \u0219i un maestru al a\u0219a-numitului ,,cinema al nelini\u0219tii morale\u2019\u2019, Kie\u015blowski s-a n\u0103scut \u00een 1941 la Var\u0219ovia, a absolvit prestigioasa \u0219coal\u0103 de film de la \u0141\u00f3d\u017a \u0219i \u0219i-a \u00eenceput cariera ca autor de documentare. ,,Fiecare om vrea s\u0103 schimbe lumea ori de c\u00e2te ori depune efortul de a face ceva. Eu n-am crezut niciodat\u0103 c\u0103 lumea poate fi literalmente schimbat\u0103. Am sim\u021bit mai degrab\u0103 c\u0103 ea poate fi descris\u0103.\u2019\u2019\\nDup\u0103 un prim film de fic\u021biune realizat pentru televiziune, Kie\u015blowski semneaz\u0103 Cicatricea (Blizna, 1976), considerat adev\u0103ratul s\u0103u debut \u00een cinema, o mostr\u0103 de realism social filmat\u0103 \u00een stil documentar, cu mul\u021bi actori neprofesioni\u0219ti, care surprinde bariera dintre cet\u0103\u021beni \u0219i autorit\u0103\u021bi pe fundalul unui or\u0103\u0219el amenin\u021bat de un proiect industrial deficitar. \u00cen Amatorul (Amator, 1979), comedia neagr\u0103 distins\u0103 cu Marele Premiu la Moscova, regizorul abordeaz\u0103 teme precum rolul artei \u00een lume, cenzura \u0219i pre\u021bul libert\u0103\u021bii de crea\u021bie, urm\u0103rind povestea unui cameraman amator care se opune ideii de manipulare a realit\u0103\u021bii prin intermediul imaginilor. Cenzura a avut un impact direct \u00een crea\u021bia lui Kie\u015blowski, multe dintre filmele sale fiind modificate sau pur \u0219i simplu interzise, la cererea Guvernului Polonez. De o astfel de soart\u0103 a avut parte Noroc chior (Przypadek, 1981), care prezint\u0103 trei urm\u0103ri posibile ale aceluia\u0219i incident banal, goana unui b\u0103rbat s\u0103 prind\u0103 trenul, \u0219i care a ajuns pe marile ecrane abia \u00een 1987.\\nF\u0103r\u0103 sf\u00e2r\u0219it (Bez ko\u0144ca, 1985) e un film eminamente politic \u0219i controversat, despre procesele din timpul legii mar\u021biale din Polonia, \u0219i a fost criticat la vremea lui at\u00e2t de guvern, c\u00e2t \u0219i de biseric\u0103 \u0219i diziden\u021bi. El marcheaz\u0103 \u00eenceputul colabor\u0103rii cu Krzysztof Piesiewicz (al\u0103turi de care Kie\u015blowski va scrie ulterior scenariul uneia dintre cele mai aclamate serii TV din toate timpurile) \u0219i cu compozitorul Zbigniew Preisner. Premiat la Vene\u021bia \u0219i San Sebasti\u00e1n, Decalogul (Dekalog, 1988) cuprinde 10 filme inspirate de cele zece porunci din Vechiul Testament. Dou\u0103 dintre cele zece episoade au fost lansate \u0219i pe marele ecran \u0219i vor fi proiectate \u0219i la TIFF: Un scurt film despre omor (Kr\u00f3tki film o zabijaniu, 1988) a fost desemnat cel mai bun film la European Film Awards \u0219i a cucerit dou\u0103 distinc\u021bii importante la Cannes, \u00een timp ce Un scurt film despre iubire (Kr\u00f3tki film o mi\u0142o\u015bci, 1988) a fost recompensat cu dou\u0103 premii la San Sebasti\u00e1n.\\nUltimele patru lungmetraje ale lui Kie\u015blowski (prezentate la TIFF \u00een versiuni restaurate 4K) au fost cele care i-au consolidat pozi\u021bia pe lista celor mai aprecia\u021bi autori ai cinematografiei interna\u021bionale. Via\u021ba dubl\u0103 a Veronic\u0103i (Podw\u00f3jne \u017cycie Weroniki, 1992), povestea celor dou\u0103 femei identice care nu se cunosc, dar \u00eentre care exist\u0103 o leg\u0103tur\u0103 emo\u021bional\u0103 misterioas\u0103, a ob\u021binut patru distinc\u021bii la Cannes, una dintre ele acordat\u0103 actri\u021bei elve\u021biene Ir\u00e8ne Jacob, dar \u0219i dou\u0103 nominaliz\u0103ri la edi\u021bia din 1992 a premiilor C\u00e9sar. Cel mai ambi\u021bios proiect al regizorului \u0219i una dintre capodoperele cinematografiei moderne, trilogia Trei culori - Albastru, Alb, Ro\u0219u (Trzy kolory - Niebieski, Bia\u0142y, Czerwony), inspirat\u0103 din culorile steagului francez, reprezentative pentru idealurile Revolu\u021biei Franceze, a avut parte de o distribu\u021bie de excep\u021bie, din care au f\u0103cut parte actori precum Juliette Binoche, Julie Delpy sau Jean-Louis Trintignant. Criticul Roger Ebert le-a descris ca fiind, fiecare \u00een parte, o anti-tragedie, o anti-comedie \u0219i o anti poveste de dragoste. Aceste trei filme, odat\u0103 cu care autorul \u0219i-a anun\u021bat inten\u021bia de a se retrage din lumea cinematografiei, au ob\u021binut o serie impresionant\u0103 de nominaliz\u0103ri \u0219i premii interna\u021bionale, printre care Leul de Aur la Vene\u021bia (Albastru, 1993), Ursul de Argint pentru cel mai bun regizor la Berlin (Alb, 1994) \u0219i trei nominaliz\u0103ri la Premiile Oscar (Ro\u0219u, 1995).\\n\u00cen 1996, dispari\u021bia lui subit\u0103, la doar 56 de ani, a \u0219ocat \u00eentreaga lume a filmului, care \u00eel consider\u0103 ast\u0103zi unul dintre cei mai influen\u021bi regizori europeni ai epocii, cu o contribu\u021bie unic\u0103 de peste 40 de titluri la cinematografia mondial\u0103.\\nClose-up Krzysztof Kie\u015blowski \u00eenseamn\u0103 filme cu teme dificile, dileme morale, adev\u0103ruri fundamentale \u0219i universale despre complexitatea tr\u0103irilor umane, prezentate la TIFF.21 cu sprijinul Institutului Polonez la Bucure\u0219ti, \u00een cadrul programului special &lt;&lt;&lt; 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Descrierea filmelor \u0219i informa\u021bii despre bilete &lt;&lt;&lt; Fin observator al tr\u0103irilor umane \u0219i un maestru al a\u0219a-numitului ,,cinema al nelini\u0219tii morale\u2019\u2019, Kie\u015blowski s-a n\u0103scut \u00een 1941 la Var\u0219ovia, a absolvit prestigioasa \u0219coal\u0103 de film de la \u0141\u00f3d\u017a \u0219i \u0219i-a \u00eenceput cariera ca autor de documentare. ,,Fiecare om vrea s\u0103 schimbe lumea ori de c\u00e2te [&hellip;]","og_url":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/","og_site_name":"Instytut Polski w Bukareszcie","article_published_time":"2022-02-09T10:24:30+00:00","article_modified_time":"2024-04-08T07:20:44+00:00","og_image":[{"width":2240,"height":1260,"url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png","type":"image\/png"}],"author":"mirelal","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"mirelal","Szacowany czas czytania":"5 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/","url":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/","name":"Retrospectiv\u0103 Krzysztof Kie\u015blowski la TIFF 2022","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner-300x169.png","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner-1024x576.png","https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png","datePublished":"2022-02-09T10:24:30+02:00","dateModified":"2024-04-08T07:20:44+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/"]}],"@context":"https:\/\/schema.org","startDate":"2022-06-17","endDate":"2022-06-26","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"&lt;&lt;&lt; Descrierea filmelor \u0219i informa\u021bii despre bilete &lt;&lt;&lt;\nFin observator al tr\u0103irilor umane \u0219i un maestru al a\u0219a-numitului ,,cinema al nelini\u0219tii morale\u2019\u2019, Kie\u015blowski s-a n\u0103scut \u00een 1941 la Var\u0219ovia, a absolvit prestigioasa \u0219coal\u0103 de film de la \u0141\u00f3d\u017a \u0219i \u0219i-a \u00eenceput cariera ca autor de documentare. ,,Fiecare om vrea s\u0103 schimbe lumea ori de c\u00e2te ori depune efortul de a face ceva. Eu n-am crezut niciodat\u0103 c\u0103 lumea poate fi literalmente schimbat\u0103. Am sim\u021bit mai degrab\u0103 c\u0103 ea poate fi descris\u0103.\u2019\u2019\nDup\u0103 un prim film de fic\u021biune realizat pentru televiziune, Kie\u015blowski semneaz\u0103 Cicatricea (Blizna, 1976), considerat adev\u0103ratul s\u0103u debut \u00een cinema, o mostr\u0103 de realism social filmat\u0103 \u00een stil documentar, cu mul\u021bi actori neprofesioni\u0219ti, care surprinde bariera dintre cet\u0103\u021beni \u0219i autorit\u0103\u021bi pe fundalul unui or\u0103\u0219el amenin\u021bat de un proiect industrial deficitar. \u00cen Amatorul (Amator, 1979), comedia neagr\u0103 distins\u0103 cu Marele Premiu la Moscova, regizorul abordeaz\u0103 teme precum rolul artei \u00een lume, cenzura \u0219i pre\u021bul libert\u0103\u021bii de crea\u021bie, urm\u0103rind povestea unui cameraman amator care se opune ideii de manipulare a realit\u0103\u021bii prin intermediul imaginilor. Cenzura a avut un impact direct \u00een crea\u021bia lui Kie\u015blowski, multe dintre filmele sale fiind modificate sau pur \u0219i simplu interzise, la cererea Guvernului Polonez. De o astfel de soart\u0103 a avut parte Noroc chior (Przypadek, 1981), care prezint\u0103 trei urm\u0103ri posibile ale aceluia\u0219i incident banal, goana unui b\u0103rbat s\u0103 prind\u0103 trenul, \u0219i care a ajuns pe marile ecrane abia \u00een 1987.\nF\u0103r\u0103 sf\u00e2r\u0219it (Bez ko\u0144ca, 1985) e un film eminamente politic \u0219i controversat, despre procesele din timpul legii mar\u021biale din Polonia, \u0219i a fost criticat la vremea lui at\u00e2t de guvern, c\u00e2t \u0219i de biseric\u0103 \u0219i diziden\u021bi. El marcheaz\u0103 \u00eenceputul colabor\u0103rii cu Krzysztof Piesiewicz (al\u0103turi de care Kie\u015blowski va scrie ulterior scenariul uneia dintre cele mai aclamate serii TV din toate timpurile) \u0219i cu compozitorul Zbigniew Preisner. Premiat la Vene\u021bia \u0219i San Sebasti\u00e1n, Decalogul (Dekalog, 1988) cuprinde 10 filme inspirate de cele zece porunci din Vechiul Testament. Dou\u0103 dintre cele zece episoade au fost lansate \u0219i pe marele ecran \u0219i vor fi proiectate \u0219i la TIFF: Un scurt film despre omor (Kr\u00f3tki film o zabijaniu, 1988) a fost desemnat cel mai bun film la European Film Awards \u0219i a cucerit dou\u0103 distinc\u021bii importante la Cannes, \u00een timp ce Un scurt film despre iubire (Kr\u00f3tki film o mi\u0142o\u015bci, 1988) a fost recompensat cu dou\u0103 premii la San Sebasti\u00e1n.\nUltimele patru lungmetraje ale lui Kie\u015blowski (prezentate la TIFF \u00een versiuni restaurate 4K) au fost cele care i-au consolidat pozi\u021bia pe lista celor mai aprecia\u021bi autori ai cinematografiei interna\u021bionale. Via\u021ba dubl\u0103 a Veronic\u0103i (Podw\u00f3jne \u017cycie Weroniki, 1992), povestea celor dou\u0103 femei identice care nu se cunosc, dar \u00eentre care exist\u0103 o leg\u0103tur\u0103 emo\u021bional\u0103 misterioas\u0103, a ob\u021binut patru distinc\u021bii la Cannes, una dintre ele acordat\u0103 actri\u021bei elve\u021biene Ir\u00e8ne Jacob, dar \u0219i dou\u0103 nominaliz\u0103ri la edi\u021bia din 1992 a premiilor C\u00e9sar. Cel mai ambi\u021bios proiect al regizorului \u0219i una dintre capodoperele cinematografiei moderne, trilogia Trei culori - Albastru, Alb, Ro\u0219u (Trzy kolory - Niebieski, Bia\u0142y, Czerwony), inspirat\u0103 din culorile steagului francez, reprezentative pentru idealurile Revolu\u021biei Franceze, a avut parte de o distribu\u021bie de excep\u021bie, din care au f\u0103cut parte actori precum Juliette Binoche, Julie Delpy sau Jean-Louis Trintignant. Criticul Roger Ebert le-a descris ca fiind, fiecare \u00een parte, o anti-tragedie, o anti-comedie \u0219i o anti poveste de dragoste. Aceste trei filme, odat\u0103 cu care autorul \u0219i-a anun\u021bat inten\u021bia de a se retrage din lumea cinematografiei, au ob\u021binut o serie impresionant\u0103 de nominaliz\u0103ri \u0219i premii interna\u021bionale, printre care Leul de Aur la Vene\u021bia (Albastru, 1993), Ursul de Argint pentru cel mai bun regizor la Berlin (Alb, 1994) \u0219i trei nominaliz\u0103ri la Premiile Oscar (Ro\u0219u, 1995).\n\u00cen 1996, dispari\u021bia lui subit\u0103, la doar 56 de ani, a \u0219ocat \u00eentreaga lume a filmului, care \u00eel consider\u0103 ast\u0103zi unul dintre cei mai influen\u021bi regizori europeni ai epocii, cu o contribu\u021bie unic\u0103 de peste 40 de titluri la cinematografia mondial\u0103.\nClose-up Krzysztof Kie\u015blowski \u00eenseamn\u0103 filme cu teme dificile, dileme morale, adev\u0103ruri fundamentale \u0219i universale despre complexitatea tr\u0103irilor umane, prezentate la TIFF.21 cu sprijinul Institutului Polonez la Bucure\u0219ti, \u00een cadrul programului special &lt;&lt;&lt; Focus Polonia &lt;&lt;&lt;.\nhttps:\/\/youtu.be\/sDx_EVnEr_A\n\u00a0"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/#primaryimage","url":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png","contentUrl":"https:\/\/instytutpolski.pl\/bucuresti\/wp-content\/uploads\/sites\/11\/2022\/02\/banner.png","width":2240,"height":1260},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/bucuresti\/2022\/02\/09\/retrospectiva-krzysztof-kieslowski-la-tiff-2022\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/bucuresti\/"},{"@type":"ListItem","position":2,"name":"Retrospectiv\u0103 Krzysztof Kie\u015blowski la TIFF 2022"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#website","url":"https:\/\/instytutpolski.pl\/bucuresti\/","name":"Instytut Polski w Bukareszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/bucuresti\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/36eba23bd65c4ed8774deeb285a19272","name":"mirelal","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/bucuresti\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5838c7614d071fe473f8aeb2de72beb4?s=96&d=mm&r=g","caption":"mirelal"},"url":"https:\/\/instytutpolski.pl\/bucuresti\/author\/mirelal\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/7597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/comments?post=7597"}],"version-history":[{"count":23,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/7597\/revisions"}],"predecessor-version":[{"id":8248,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/posts\/7597\/revisions\/8248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media\/7606"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/media?parent=7597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/categories?post=7597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/bucuresti\/wp-json\/wp\/v2\/tags?post=7597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}