{"version":"1.0","provider_name":"Instytut Polski w Budapeszcie","provider_url":"https:\/\/instytutpolski.pl\/budapest","author_name":"jergert","author_url":"https:\/\/instytutpolski.pl\/budapest\/author\/jergert\/","title":"Polska Jazz 2021 - Instytut Polski w Budapeszcie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"v9muz5VfVc\"><a href=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2021\/10\/11\/polska-jazz-2021-7\/\">Polska Jazz 2021<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2021\/10\/11\/polska-jazz-2021-7\/embed\/#?secret=v9muz5VfVc\" width=\"600\" height=\"338\" title=\"&#8222;Polska Jazz 2021&#8221; &#8212; Instytut Polski w Budapeszcie\" data-secret=\"v9muz5VfVc\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2021\/10\/large_1111_semiotic_MG_4428.jpg","thumbnail_width":1200,"thumbnail_height":800,"description":"Pawe\u0142 Ma\u0144ka Semiotic Quintet powsta\u0142 w roku 2018 w Katowicach. Zesp\u00f3\u0142 \u0142\u0105czy koncepcje wsp\u00f3\u0142czesnych kompozytor\u00f3w klasycznych z wolno\u015bci\u0105 i j\u0119zykiem rytmicznym jazzu. Repertuar grupy stanowi\u0105 kompozycje lidera, w kt\u00f3rych g\u0119ste, wielowarstwowe, \u015bci\u015ble zapisane struktury kontrastuj\u0105 ze swobodn\u0105 improwizacj\u0105. Semiotyka zwana inaczej og\u00f3ln\u0105 teori\u0105 znak\u00f3w opisuje sk\u0142adowe komunikacji &#8211; kluczowego elementu muzyki improwizowanej. W roku 2020 [&hellip;]"}