{"id":3256,"date":"2016-05-12T15:16:55","date_gmt":"2016-05-12T13:16:55","guid":{"rendered":"https:\/\/instytutpolski.pl\/budapest\/?p=3256"},"modified":"2020-05-06T15:58:30","modified_gmt":"2020-05-06T13:58:30","slug":"forest","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/","title":{"rendered":"FOREST"},"content":{"rendered":"\n

Ki\u00e1ll\u00edt\u00e1s l\u00e1togathat\u00f3 m\u00e1jus 12-t\u00f3l juni\u00fas 23-ig

\u0141ukasz Pastuszka<\/strong>\u00a0(lengyel \u00e9p\u00edt\u00e9sz – Moomoo Architects) \u00e9s\u00a0Ill\u00e9s Zs\u00f3fia Szonja\u00a0<\/strong>(magyar k\u00e9pz\u0151m\u0171v\u00e9sz – Collective Plant) interakt\u00edv install\u00e1ci\u00f3i a k\u00f6z\u00f6ss\u00e9ggel \u00e9s k\u00f6z\u00f6ss\u00e9gi alkot\u00e1s folyamat\u00e1val foglalkoznak. A k\u00e9t l\u00e1tsz\u00f3lag k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletr\u0151l \u00e9s kult\u00far\u00e1b\u00f3l \u00e9rkez\u0151 alkot\u00f3 a fenntarthat\u00f3 design \u00e9s \u00e9tkez\u00e9si kult\u00fara k\u00f6z\u00f6ss\u00e9gi aspektusainak f\u00f3kusz\u00e1ban tal\u00e1lta meg az alkot\u00e1sban a k\u00f6z\u00f6s hangot. Munk\u00e1ik az \u00e9p\u00edt\u00e9szet, design, install\u00e1ci\u00f3, k\u00e9pz\u0151m\u0171v\u00e9szet \u00e9s gasztron\u00f3mia hat\u00e1rain tett izgalmas k\u00eds\u00e9rletek, melyeknek els\u0151dleges c\u00e9lja az alkot\u00f3i \u00e9s befogad\u00f3i attit\u0171d\u00f6k \u00e9s hagyom\u00e1nyos szerepek, illetve a hagyom\u00e1nyos gal\u00e9riat\u00e9r \u00e1trendez\u00e9se, \u00fajra\u00e9rtelmez\u00e9se.<\/p>\n

FOREST c. install\u00e1ci\u00f3juk fa elemekb\u0151l, vide\u00f3b\u00f3l, zajokb\u00f3l, \u00edzekb\u0151l, illatokb\u00f3l \u00e9p\u00edtkezve, a l\u00e1togat\u00f3 akt\u00edv bevon\u00e1s\u00e1val, az \u00e9rz\u00e9kszervi megtapasztal\u00e1sra \u00e9p\u00edtve (hall\u00e1s, l\u00e1t\u00e1s, tapint\u00e1s, szagl\u00e1s, \u00edzlel\u00e9s) hozza el egy belv\u00e1rosi galleria ter\u00e9be az erd\u0151 \u00e9s a term\u00e9szet \u00e9lm\u00e9ny\u00e9t. A hagyom\u00e1nyosan vett gal\u00e9riat\u00e9r \u00e1talakul, \u00e9s a l\u00e1togat\u00f3 a szeml\u00e9l\u0151d\u0151 szerep\u00e9b\u0151l az akt\u00edvan megtapasztal\u00f3 r\u00e9sztvev\u0151 szerep\u00e9be ker\u00fcl \u00e1t, hiszen csak az \u0151 interakci\u00f3ja \u00e1ltal v\u00e1lik \u00e9l\u0151v\u00e9 \u00e9s m\u0171k\u00f6d\u0151v\u00e9 az install\u00e1ci\u00f3.

A k\u00e9t alkot\u00f3 kor\u00e1bban a 2015-\u00f6s Hello Wood Project Village-re k\u00e9sz\u00edtett food-install\u00e1ci\u00f3t (Tea Totem)

K\u00f6zrem\u00fck\u00f6d\u0151k \/ vide\u00f3, zaj: Mladin Bence, Hal\u00e1sz D\u00e1niel<\/p>\n

T\u00e1mogat\u00f3k:\u00a0Hello Wood, Technika, Pipacs P\u00e9ks\u00e9g<\/p>\n

Az alkot\u00f3k:<\/p>\n

Ill\u00e9s Zs\u00f3fia Szonja
www.zsofiasonia.com<\/a>
www.collectiveplant.com<\/a>

\u0141ukasz Pastuszka
http:\/\/moomoo.pl\/<\/a><\/p>\n

———————————————————————————————<\/p>\n

Bringing back the forest feeling<\/strong><\/p>\n

New project of Platan Gallery plays with wide range of associations related to woods, while all the hints lead to the interdisciplinary exposition prepared by Polish architect \u00a0\u0141ukasz Pastuszka and Hungarian photographer\u00a0<\/strong>Zs\u00f3fia Szonja Ill\u00e9s<\/strong>. This time successful duo\u00a0<\/strong>works with nature experience and architectural settings to create a perfect scenery for human interactions. Their exhibition \u201cForest\u201d combines the wood elements, videos, sounds, even forest food<\/strong>\u00a0<\/strong>and aims to recall community making rituals.<\/strong><\/p>\n

Patrycja Rup: \u201cForest\u201d is your sequent project after successful \u201cTea totem\u201d created during last edition of Hello Wood. How did your collaboration begin?<\/strong><\/p>\n

\u0141ukasz Pastuszka:<\/strong>\u00a0We met thanks to amazing Hello Wood team and we have spent some time together on the camp and as well in Budapest, so this even is the next step and continuation of our cooperation. I love to work with Zsofi, cause she knows so much about food and plants, and that brings the architecture experiments to another level.<\/p>\n

Zs\u00f3fia Szonja Ill\u00e9s<\/strong>: The collaboration began during last year Hello Wood Project Village (2015). I work with food and sustainability projects (Collective Plant), and was invited to work with \u0141ukasz at HW to develop together a sustainable marketplace idea. The Tea Totem plan originates from the idea of the smallest market unit of the world: one which is based on the interaction just between a vendor and a buyer plus a product (which in this case was the herbal tea, dried and prepared right there in the tower – a herb drying tower regarding its function).<\/p>\n

PR: How the \u201cForest\u201d project was born? What was the main source of inspiration for you?<\/strong><\/p>\n

Zs<\/strong>: \u0141ukasz already had a \u201cForest in the city\u201d plan for a while ago, and my Collective Plant project is just about the same issue, so it wasn\u2019t hard to find a common subject for our exhibition.<\/p>\n

\u0141:<\/strong>\u00a0I think although I am architect, we both with Zsofi like to experiment with things related to architecture, food, space, and we prefer that more than the very technical approach to architecture. We love spending time outside and as Hello Wood was always an amazing time during the year, we wanted to get similar feeling in the city.<\/p>\n

PR: What are the most significant values for you as designers?<\/strong><\/p>\n

Zs<\/strong>: Simplicity, community, re+inter\/action, message.<\/p>\n

PR: Nowadays we can observe popularisation of \u2018architecture and food\u2019 activities, interdisciplinary projects exploring bounds between cuisine, design and architecture expand in London, Copenhagen, New York and Puerto Rico, just to name few locations. Do you think it has a potential to turn into the world-wide movement?<\/strong><\/p>\n

Zs:<\/strong>\u00a0I do not think we should put anything in a box like that. I don\u2019t believe it is a movement, or a popularised activity, I think it is just a very human need emerging and being realised recently (not just by artists or architects) – by the effects of our very impersonalised and online society: the need for community and personal interactions. And food can actually be a very pleasant channel for creating community (if you think about city community gardens etc.) Getting back to our roots on one hand, and turning it into some kind of arts in the other hand – in the creative activity meaning of it – it can really bring back the qualities of arts and creativity into our lives. The whole idea of my project (Collective Plant) started thanks to this personal motivation – I didn\u2019t plan \u201cto make arts\u201d, or anything fancy, just wanted to make my own life better. This project is also much more about a community work, a community creating process – I have been enjoying it much more recently than creating alone and individually. I have been a lonely photographer, and haven\u2019t enjoyed it that much anymore. I realised that what I really enjoyed, was creating in community (this is what we have in common with Lukasz), and creating interdisciplinary, because I believe it can have a great impact in any kind of work – even if it was about arts or architecture.<\/p>\n

PR: Eating in the public sphere became a performative experience, fancy places serving food in Europe try to add narrations to meal consumption turning it in some cases into special celebration emphasized by the unique interior design. Do you find it as a manifestation of consumerism or rather as coming back to roots of tradition when meals had special symbolic and community-making values?<\/strong><\/p>\n

Zs:<\/strong>\u00a0For me personally, it is more about getting back to our very basic human needs of being in community, as I mentioned, and creating (or just enjoying) something collectively created with our two bare hands. It is a kind of experience we do not get often in modern cities nowadays, but seems that we really need it.<\/p>\n

PR:<\/strong>\u00a0You create in the Platan Gallery an interactive and immersive zone recalling nature. Visitors are brought to the dreamy and relaxing forest experience, but the installation itself is highly technologically processed: prepared meals, processed wood and finally the imitative large scale screening. What is the main aim of this illusion? How would you like to involve the visitor?<\/strong><\/p>\n

Zs:<\/strong>\u00a0We wanted to bring a piece of forest to the city which seems something so far from our cities nowadays. A piece of forest through experiencing it with our senses: touching, tasting, smelling, watching, and listening. We would like to create a forest oasis in the centre – at a very unusual location, where normally fine art pieces are exhibited, so it is something special also in this sense. Transforming a gallery space into something unusual. I have been exhibiting as a photographer for about 10 years now and started to find it boring due to lack of interactions: I have found it boring both as an artist and also as a visitor. What fascinates me most is interaction. My mind works this way: I can understand an art piece (or anything) much more if it is a kind of experience I can take part in (it is something like a good education should be). So the installation starts to work through being in interaction with the visitors: those who will actually taste it, touch it, transform it.<\/p>\n

The food will not be really processed by the way: \u00a0what I am going to prepare is just as natural and raw as it could be (wild food from our forests).<\/p>\n

PR: As your project is highly sensorial, you are designers of the visitor\u2019s experience. Temporary public meal events are strongly influencing social relations and help to initiate new interactions, while architecture creates the space for these activities. Would you call your project rather a social or an aesthetic experimentation?<\/strong><\/p>\n

ZS:<\/strong>\u00a0It is both: needs social interaction (otherwise makes no sense), but the artistic\/visual representation\/design makes it work for the visitors.<\/p>\n

\u0141:<\/strong>\u00a0It’s nice to have a chance to connect all those elements together, bring forest inside the city. And the fact that it happens in the art gallery is totally crazy.<\/p>\n

Interview by:<\/em>\u00a0Patrycja Rup – Polish culture manager & journalist. Lives and works in Budapest.<\/em>\u00a0<\/p>\n

ARTGUIDEEAST\u00a0 http:\/\/artguideeast.com\/forest-platan-gallery-budapest.html<\/strong><\/p>\n

Samu Szemerey \u00e9pit\u00e9sz, urbanista megnyit\u00f3 besz\u00e9de:<\/strong>
<\/strong>Nagyrabecs\u00fclt lak\u00f3t\u00e1rsak, tiszteletre m\u00e9lt\u00f3 nemzets\u00e9gek, kedves erdei testv\u00e9reim!\u00a0
Az\u00e9rt gy\u0171lt\u00fcnk most \u00f6ssze, hogy ism\u00e9t megeml\u00e9kezz\u00fcnk \u00e1lmaink k\u00f6z\u00f6s ter\u00e9r\u0151l. Az\u00e9rt vagyunk itt, hogy egy\u00fctt l\u00e9pj\u00fcnk be a helyre, amit id\u0151tlen id\u0151k \u00f3ta \u00e9p\u00edt\u00fcnk a k\u00e9pzelet terhes munk\u00e1j\u00e1val. Egy\u00fctt \u2013 hangs\u00falyozom, hiszen b\u00e1r szem\u00e9lyes er\u0151fesz\u00edt\u00e9sek n\u00e9lk\u00fcl semmire sem jutn\u00e1nk, de el\u0151 kell l\u00e9pn\u00fcnk a mag\u00e1ny k\u00e9nyelm\u00e9b\u0151l, \u00e9s meg kell osztanunk egym\u00e1ssal a tud\u00e1sunkat, hogy \u00f6ssze\u00e9p\u00fclhessen a M\u0171.\u00a0Hogy \u0151ssze\u00e9p\u00fclhessen, \u00e9s hogy fennmaradhasson. Hogy elker\u00fclhess\u00fck a bajt, miel\u0151tt visszaford\u00edthatatlann\u00e1 v\u00e1lik.\u00a0Nincs bennem k\u00e9ts\u00e9g \u2013 nyilv\u00e1n tudj\u00e1tok, hogy a v\u00e1rosr\u00f3l besz\u00e9lek.\u00a0A v\u00e1ros \u2013 v\u00e1gyaink \u00e9s eml\u00e9kezet\u00fcnk legf\u0151bb t\u00e1rgya. Mi\u00f3ta \u00e1lmodjuk m\u00e1r, van-e b\u00e1rki az \u00e1llatok k\u00f6z\u00f6tt, aki ne lenne r\u00e9szese, l\u00e9trehoz\u00f3ja?\u00a0A v\u00e1ros \u2013 k\u00f6z\u00f6s alkot\u00e1sunk, \u0151seink k\u00e9pzelet\u00e9ben sz\u00fcletett, hogy azut\u00e1n sz\u00e1molatlan nemzets\u00e9g \u00e1lmai n\u00f6vessz\u00e9k \u00e9s terjessz\u00e9k el szerte a lombok alatt.\u00a0A v\u00e1ros a k\u00f6z\u00f6ss\u00e9g\u00fcnk szebbik arca, a hely, ahol az \u00f6szt\u00f6n\u00f6k k\u00e9nyszereit levetve v\u00e9gre felszabad\u00edthatjuk az \u00e9rz\u00e9keinket, \u00e9s az alkot\u00e1s, a tiszta \u00e9lm\u00e9nyek, a tapasztalat teljess\u00e9g\u00e9vel gazdag\u00edthatjuk egym\u00e1st.\u00a0A v\u00e1ros a mi teremtm\u00e9ny\u00fcnk.\u00a0\u00c9s m\u00e9gis, t\u00f6bb ezer vir\u00e1gz\u00e1s \u00f3ta n\u00e9zz\u00fck t\u00e9tlen\u00fcl, ahogy a v\u00e1rosb\u00f3l kiszorultunk. T\u00f6bb ezer lombhull\u00e1s \u00f3ta szolg\u00e1k m\u00f3dj\u00e1ra, p\u00f3r\u00e1zon, f\u00e9lszegen, szervezetlen\u00fcl keress\u00fck a m\u00f3dj\u00e1t annak, ahogy a v\u00e1rost \u00fajra magunk\u00e9v\u00e1 tegy\u00fck.\u00a0\u00c9s mindek\u00f6zben mi t\u00f6rt\u00e9nik? Azt hallani, hogy az \u00e1lmaink elbitorolt vil\u00e1g\u00e1t egyesek f\u00e1kkal, s\u0151t, erd\u0151kkel \u201cz\u00f6ld\u00edten\u00e9k” ki! S\u0151t, m\u00e1sok azt mondj\u00e1k, hogy lombokkal, feny\u0151illattal, f\u00fcvekkel kell \u201cgazdag\u00edtani\u201d a k\u00e9pzelet\u00fcnket! Hogy \u201cparkokban\u201d lehet csak igaz\u00e1n \u00e9lni! \u201cTerm\u00e9szetr\u0151l” \u00e9s \u201cegyens\u00falyr\u00f3l” besz\u00e9lnek \u2013 h\u00e1t n\u00e9zzetek k\u00f6r\u00fcl, mif\u00e9le term\u00e9szetet, mif\u00e9le egyens\u00falyt l\u00e1ttok itt a lombok alatt?\u00a0R\u00e1ad\u00e1sul mindezt akkor, amikor v\u00e9gre eljutottunk oda, hogy teljes\u00fclj\u00f6n a r\u00e9gi c\u00e9l \u2013 hogy a v\u00e1rosaink minden\u00fctt jelen legyenek \u00e9s mindennel \u00f6sszekapcsol\u00f3djanak.\u00a0Nem v\u00e1rhatunk tov\u00e1bb. Elj\u00f6tt az id\u0151, hogy visszafoglaljuk \u00e9s megv\u00e9dj\u00fck a legfontosabb \u00e9rt\u00e9ket, amit \u00f6r\u00f6ks\u00e9g\u00fcl kaptunk. Folytatnunk kell az \u00e9p\u00edtkez\u00e9st.\u00a0De el\u0151bb, az alapokn\u00e1l kell kezden\u00fcnk. Vannak k\u00f6z\u00f6tt\u00fcnk, sajnos egyre t\u00f6bben, akik m\u00e1ra szinte elfelejtett\u00e9k a m\u00e1mor\u00edt\u00f3 \u00e9lm\u00e9nyt, ami az els\u0151 tal\u00e1lkoz\u00e1s ut\u00e1n csak egyre er\u0151s\u00f6dik. Ez\u00e9rt j\u00f6tt\u00fcnk most itt \u00f6ssze, hogy felid\u00e9zz\u00fck, meg\u00e9lhess\u00fck a v\u00e1rost, hogy az k\u00f6z\u00f6s \u00e1lom kiv\u00e9teles ter\u00e9t hozzuk l\u00e9tre.\u00a0
N\u00e9zzetek k\u00f6r\u00fcl, \u00e9les\u00edts\u00e9tek az \u00e9rz\u00e9keiteket, \u00e9s ne f\u00e9ljetek megmer\u00edtkezni az \u00e9lm\u00e9nyben.\u00a0
Elfogyasztjuk a v\u00e1rost. K\u00f6rbeszagoljuk a v\u00e1rost. Hozz\u00e1d\u00f6rg\u00f6l\u0151z\u00fcnk a v\u00e1roshoz. Elmer\u00fcl\u00fcnk a v\u00e1ros f\u00e9nyeiben. Az\u00e9rt vagyunk itt, hogy ezt megtapasztalhassuk.\u00a0Felel\u0151ss\u00e9ggel tartozunk a v\u00e1ros ir\u00e1nt.\u00a0Legyetek b\u00e1trak, \u00e1llhatatosak, ravaszak \u00e9s figyelmesek.\u00a0A beton legyen veletek.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ki\u00e1ll\u00edt\u00e1s l\u00e1togathat\u00f3 m\u00e1jus 12-t\u00f3l juni\u00fas 23-ig \u0141ukasz Pastuszka\u00a0(lengyel \u00e9p\u00edt\u00e9sz – Moomoo Architects) \u00e9s\u00a0Ill\u00e9s Zs\u00f3fia Szonja\u00a0(magyar k\u00e9pz\u0151m\u0171v\u00e9sz – Collective Plant) interakt\u00edv install\u00e1ci\u00f3i a k\u00f6z\u00f6ss\u00e9ggel \u00e9s k\u00f6z\u00f6ss\u00e9gi alkot\u00e1s folyamat\u00e1val foglalkoznak. A k\u00e9t l\u00e1tsz\u00f3lag k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletr\u0151l \u00e9s kult\u00far\u00e1b\u00f3l \u00e9rkez\u0151 alkot\u00f3 a fenntarthat\u00f3 design \u00e9s \u00e9tkez\u00e9si kult\u00fara k\u00f6z\u00f6ss\u00e9gi aspektusainak f\u00f3kusz\u00e1ban tal\u00e1lta meg az alkot\u00e1sban a k\u00f6z\u00f6s hangot. Munk\u00e1ik az […]<\/p>\n","protected":false},"author":124,"featured_media":3257,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[48,169,36],"tags":[],"class_list":["post-3256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kiallitas","category-platan-galeria","category-program"],"yoast_head":"\nFOREST - Instytut Polski w Budapeszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FOREST - Instytut Polski w Budapeszcie\" \/>\n<meta property=\"og:description\" content=\"Ki\u00e1ll\u00edt\u00e1s l\u00e1togathat\u00f3 m\u00e1jus 12-t\u00f3l juni\u00fas 23-ig \u0141ukasz Pastuszka\u00a0(lengyel \u00e9p\u00edt\u00e9sz – Moomoo Architects) \u00e9s\u00a0Ill\u00e9s Zs\u00f3fia Szonja\u00a0(magyar k\u00e9pz\u0151m\u0171v\u00e9sz – Collective Plant) interakt\u00edv install\u00e1ci\u00f3i a k\u00f6z\u00f6ss\u00e9ggel \u00e9s k\u00f6z\u00f6ss\u00e9gi alkot\u00e1s folyamat\u00e1val foglalkoznak. A k\u00e9t l\u00e1tsz\u00f3lag k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletr\u0151l \u00e9s kult\u00far\u00e1b\u00f3l \u00e9rkez\u0151 alkot\u00f3 a fenntarthat\u00f3 design \u00e9s \u00e9tkez\u00e9si kult\u00fara k\u00f6z\u00f6ss\u00e9gi aspektusainak f\u00f3kusz\u00e1ban tal\u00e1lta meg az alkot\u00e1sban a k\u00f6z\u00f6s hangot. Munk\u00e1ik az […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Budapeszcie\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-12T13:16:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-06T13:58:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"343\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"takacsm\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"takacsm\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/\",\"url\":\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/\",\"name\":\"FOREST\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png\",\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan-300x294.png\",\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png\",\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png\",\"datePublished\":\"2016-05-12T13:16:55+02:00\",\"dateModified\":\"2020-05-06T13:58:30+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/35a72b339f128b3c51da8e0ac2c9c8fe\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2016-05-12\",\"endDate\":\"2016-06-23\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Ki\u00e1ll\u00edt\u00e1s l\u00e1togathat\u00f3 m\u00e1jus 12-t\u00f3l juni\u00fas 23-ig\u0141ukasz Pastuszka\u00a0(lengyel \u00e9p\u00edt\u00e9sz - Moomoo Architects) \u00e9s\u00a0Ill\u00e9s Zs\u00f3fia Szonja\u00a0(magyar k\u00e9pz\u0151m\u0171v\u00e9sz - Collective Plant) interakt\u00edv install\u00e1ci\u00f3i a k\u00f6z\u00f6ss\u00e9ggel \u00e9s k\u00f6z\u00f6ss\u00e9gi alkot\u00e1s folyamat\u00e1val foglalkoznak. A k\u00e9t l\u00e1tsz\u00f3lag k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletr\u0151l \u00e9s kult\u00far\u00e1b\u00f3l \u00e9rkez\u0151 alkot\u00f3 a fenntarthat\u00f3 design \u00e9s \u00e9tkez\u00e9si kult\u00fara k\u00f6z\u00f6ss\u00e9gi aspektusainak f\u00f3kusz\u00e1ban tal\u00e1lta meg az alkot\u00e1sban a k\u00f6z\u00f6s hangot. Munk\u00e1ik az \u00e9p\u00edt\u00e9szet, design, install\u00e1ci\u00f3, k\u00e9pz\u0151m\u0171v\u00e9szet \u00e9s gasztron\u00f3mia hat\u00e1rain tett izgalmas k\u00eds\u00e9rletek, melyeknek els\u0151dleges c\u00e9lja az alkot\u00f3i \u00e9s befogad\u00f3i attit\u0171d\u00f6k \u00e9s hagyom\u00e1nyos szerepek, illetve a hagyom\u00e1nyos gal\u00e9riat\u00e9r \u00e1trendez\u00e9se, \u00fajra\u00e9rtelmez\u00e9se.\\nFOREST c. install\u00e1ci\u00f3juk fa elemekb\u0151l, vide\u00f3b\u00f3l, zajokb\u00f3l, \u00edzekb\u0151l, illatokb\u00f3l \u00e9p\u00edtkezve, a l\u00e1togat\u00f3 akt\u00edv bevon\u00e1s\u00e1val, az \u00e9rz\u00e9kszervi megtapasztal\u00e1sra \u00e9p\u00edtve (hall\u00e1s, l\u00e1t\u00e1s, tapint\u00e1s, szagl\u00e1s, \u00edzlel\u00e9s) hozza el egy belv\u00e1rosi galleria ter\u00e9be az erd\u0151 \u00e9s a term\u00e9szet \u00e9lm\u00e9ny\u00e9t. A hagyom\u00e1nyosan vett gal\u00e9riat\u00e9r \u00e1talakul, \u00e9s a l\u00e1togat\u00f3 a szeml\u00e9l\u0151d\u0151 szerep\u00e9b\u0151l az akt\u00edvan megtapasztal\u00f3 r\u00e9sztvev\u0151 szerep\u00e9be ker\u00fcl \u00e1t, hiszen csak az \u0151 interakci\u00f3ja \u00e1ltal v\u00e1lik \u00e9l\u0151v\u00e9 \u00e9s m\u0171k\u00f6d\u0151v\u00e9 az install\u00e1ci\u00f3.A k\u00e9t alkot\u00f3 kor\u00e1bban a 2015-\u00f6s Hello Wood Project Village-re k\u00e9sz\u00edtett food-install\u00e1ci\u00f3t (Tea Totem)K\u00f6zrem\u00fck\u00f6d\u0151k \/ vide\u00f3, zaj: Mladin Bence, Hal\u00e1sz D\u00e1niel\\nT\u00e1mogat\u00f3k:\u00a0Hello Wood, Technika, Pipacs P\u00e9ks\u00e9g\\nAz alkot\u00f3k:\\nIll\u00e9s Zs\u00f3fia Szonjawww.zsofiasonia.comwww.collectiveplant.com\u0141ukasz Pastuszkahttp:\/\/moomoo.pl\/\\n---------------------------------------------------------------------------------------------\\nBringing back the forest feeling\\nNew project of Platan Gallery plays with wide range of associations related to woods, while all the hints lead to the interdisciplinary exposition prepared by Polish architect \u00a0\u0141ukasz Pastuszka and Hungarian photographer\u00a0Zs\u00f3fia Szonja Ill\u00e9s. This time successful duo\u00a0works with nature experience and architectural settings to create a perfect scenery for human interactions. Their exhibition \u201cForest\u201d combines the wood elements, videos, sounds, even forest food\u00a0and aims to recall community making rituals.\\nPatrycja Rup: \u201cForest\u201d is your sequent project after successful \u201cTea totem\u201d created during last edition of Hello Wood. How did your collaboration begin?\\n\u0141ukasz Pastuszka:\u00a0We met thanks to amazing Hello Wood team and we have spent some time together on the camp and as well in Budapest, so this even is the next step and continuation of our cooperation. I love to work with Zsofi, cause she knows so much about food and plants, and that brings the architecture experiments to another level.\\nZs\u00f3fia Szonja Ill\u00e9s: The collaboration began during last year Hello Wood Project Village (2015). I work with food and sustainability projects (Collective Plant), and was invited to work with \u0141ukasz at HW to develop together a sustainable marketplace idea. The Tea Totem plan originates from the idea of the smallest market unit of the world: one which is based on the interaction just between a vendor and a buyer plus a product (which in this case was the herbal tea, dried and prepared right there in the tower - a herb drying tower regarding its function).\\nPR: How the \u201cForest\u201d project was born? What was the main source of inspiration for you?\\nZs: \u0141ukasz already had a \u201cForest in the city\u201d plan for a while ago, and my Collective Plant project is just about the same issue, so it wasn\u2019t hard to find a common subject for our exhibition.\\n\u0141:\u00a0I think although I am architect, we both with Zsofi like to experiment with things related to architecture, food, space, and we prefer that more than the very technical approach to architecture. We love spending time outside and as Hello Wood was always an amazing time during the year, we wanted to get similar feeling in the city.\\nPR: What are the most significant values for you as designers?\\nZs: Simplicity, community, re+inter\/action, message.\\nPR: Nowadays we can observe popularisation of \u2018architecture and food\u2019 activities, interdisciplinary projects exploring bounds between cuisine, design and architecture expand in London, Copenhagen, New York and Puerto Rico, just to name few locations. Do you think it has a potential to turn into the world-wide movement?\\nZs:\u00a0I do not think we should put anything in a box like that. I don\u2019t believe it is a movement, or a popularised activity, I think it is just a very human need emerging and being realised recently (not just by artists or architects) - by the effects of our very impersonalised and online society: the need for community and personal interactions. And food can actually be a very pleasant channel for creating community (if you think about city community gardens etc.) Getting back to our roots on one hand, and turning it into some kind of arts in the other hand - in the creative activity meaning of it - it can really bring back the qualities of arts and creativity into our lives. The whole idea of my project (Collective Plant) started thanks to this personal motivation - I didn\u2019t plan \u201cto make arts\u201d, or anything fancy, just wanted to make my own life better. This project is also much more about a community work, a community creating process - I have been enjoying it much more recently than creating alone and individually. I have been a lonely photographer, and haven\u2019t enjoyed it that much anymore. I realised that what I really enjoyed, was creating in community (this is what we have in common with Lukasz), and creating interdisciplinary, because I believe it can have a great impact in any kind of work - even if it was about arts or architecture.\\nPR: Eating in the public sphere became a performative experience, fancy places serving food in Europe try to add narrations to meal consumption turning it in some cases into special celebration emphasized by the unique interior design. Do you find it as a manifestation of consumerism or rather as coming back to roots of tradition when meals had special symbolic and community-making values?\\nZs:\u00a0For me personally, it is more about getting back to our very basic human needs of being in community, as I mentioned, and creating (or just enjoying) something collectively created with our two bare hands. It is a kind of experience we do not get often in modern cities nowadays, but seems that we really need it.\\nPR:\u00a0You create in the Platan Gallery an interactive and immersive zone recalling nature. Visitors are brought to the dreamy and relaxing forest experience, but the installation itself is highly technologically processed: prepared meals, processed wood and finally the imitative large scale screening. What is the main aim of this illusion? How would you like to involve the visitor?\\nZs:\u00a0We wanted to bring a piece of forest to the city which seems something so far from our cities nowadays. A piece of forest through experiencing it with our senses: touching, tasting, smelling, watching, and listening. We would like to create a forest oasis in the centre - at a very unusual location, where normally fine art pieces are exhibited, so it is something special also in this sense. Transforming a gallery space into something unusual. I have been exhibiting as a photographer for about 10 years now and started to find it boring due to lack of interactions: I have found it boring both as an artist and also as a visitor. What fascinates me most is interaction. My mind works this way: I can understand an art piece (or anything) much more if it is a kind of experience I can take part in (it is something like a good education should be). So the installation starts to work through being in interaction with the visitors: those who will actually taste it, touch it, transform it.\\nThe food will not be really processed by the way: \u00a0what I am going to prepare is just as natural and raw as it could be (wild food from our forests).\\nPR: As your project is highly sensorial, you are designers of the visitor\u2019s experience. Temporary public meal events are strongly influencing social relations and help to initiate new interactions, while architecture creates the space for these activities. Would you call your project rather a social or an aesthetic experimentation?\\nZS:\u00a0It is both: needs social interaction (otherwise makes no sense), but the artistic\/visual representation\/design makes it work for the visitors.\\n\u0141:\u00a0It's nice to have a chance to connect all those elements together, bring forest inside the city. And the fact that it happens in the art gallery is totally crazy.\\nInterview by:\u00a0Patrycja Rup - Polish culture manager & journalist. Lives and works in Budapest.\u00a0\\nARTGUIDEEAST\u00a0 http:\/\/artguideeast.com\/forest-platan-gallery-budapest.html\\nSamu Szemerey \u00e9pit\u00e9sz, urbanista megnyit\u00f3 besz\u00e9de:Nagyrabecs\u00fclt lak\u00f3t\u00e1rsak, tiszteletre m\u00e9lt\u00f3 nemzets\u00e9gek, kedves erdei testv\u00e9reim!\u00a0Az\u00e9rt gy\u0171lt\u00fcnk most \u00f6ssze, hogy ism\u00e9t megeml\u00e9kezz\u00fcnk \u00e1lmaink k\u00f6z\u00f6s ter\u00e9r\u0151l. Az\u00e9rt vagyunk itt, hogy egy\u00fctt l\u00e9pj\u00fcnk be a helyre, amit id\u0151tlen id\u0151k \u00f3ta \u00e9p\u00edt\u00fcnk a k\u00e9pzelet terhes munk\u00e1j\u00e1val. Egy\u00fctt \u2013 hangs\u00falyozom, hiszen b\u00e1r szem\u00e9lyes er\u0151fesz\u00edt\u00e9sek n\u00e9lk\u00fcl semmire sem jutn\u00e1nk, de el\u0151 kell l\u00e9pn\u00fcnk a mag\u00e1ny k\u00e9nyelm\u00e9b\u0151l, \u00e9s meg kell osztanunk egym\u00e1ssal a tud\u00e1sunkat, hogy \u00f6ssze\u00e9p\u00fclhessen a M\u0171.\u00a0Hogy \u0151ssze\u00e9p\u00fclhessen, \u00e9s hogy fennmaradhasson. Hogy elker\u00fclhess\u00fck a bajt, miel\u0151tt visszaford\u00edthatatlann\u00e1 v\u00e1lik.\u00a0Nincs bennem k\u00e9ts\u00e9g \u2013 nyilv\u00e1n tudj\u00e1tok, hogy a v\u00e1rosr\u00f3l besz\u00e9lek.\u00a0A v\u00e1ros \u2013 v\u00e1gyaink \u00e9s eml\u00e9kezet\u00fcnk legf\u0151bb t\u00e1rgya. Mi\u00f3ta \u00e1lmodjuk m\u00e1r, van-e b\u00e1rki az \u00e1llatok k\u00f6z\u00f6tt, aki ne lenne r\u00e9szese, l\u00e9trehoz\u00f3ja?\u00a0A v\u00e1ros \u2013 k\u00f6z\u00f6s alkot\u00e1sunk, \u0151seink k\u00e9pzelet\u00e9ben sz\u00fcletett, hogy azut\u00e1n sz\u00e1molatlan nemzets\u00e9g \u00e1lmai n\u00f6vessz\u00e9k \u00e9s terjessz\u00e9k el szerte a lombok alatt.\u00a0A v\u00e1ros a k\u00f6z\u00f6ss\u00e9g\u00fcnk szebbik arca, a hely, ahol az \u00f6szt\u00f6n\u00f6k k\u00e9nyszereit levetve v\u00e9gre felszabad\u00edthatjuk az \u00e9rz\u00e9keinket, \u00e9s az alkot\u00e1s, a tiszta \u00e9lm\u00e9nyek, a tapasztalat teljess\u00e9g\u00e9vel gazdag\u00edthatjuk egym\u00e1st.\u00a0A v\u00e1ros a mi teremtm\u00e9ny\u00fcnk.\u00a0\u00c9s m\u00e9gis, t\u00f6bb ezer vir\u00e1gz\u00e1s \u00f3ta n\u00e9zz\u00fck t\u00e9tlen\u00fcl, ahogy a v\u00e1rosb\u00f3l kiszorultunk. T\u00f6bb ezer lombhull\u00e1s \u00f3ta szolg\u00e1k m\u00f3dj\u00e1ra, p\u00f3r\u00e1zon, f\u00e9lszegen, szervezetlen\u00fcl keress\u00fck a m\u00f3dj\u00e1t annak, ahogy a v\u00e1rost \u00fajra magunk\u00e9v\u00e1 tegy\u00fck.\u00a0\u00c9s mindek\u00f6zben mi t\u00f6rt\u00e9nik? Azt hallani, hogy az \u00e1lmaink elbitorolt vil\u00e1g\u00e1t egyesek f\u00e1kkal, s\u0151t, erd\u0151kkel \u201cz\u00f6ld\u00edten\u00e9k\\\" ki! S\u0151t, m\u00e1sok azt mondj\u00e1k, hogy lombokkal, feny\u0151illattal, f\u00fcvekkel kell \u201cgazdag\u00edtani\u201d a k\u00e9pzelet\u00fcnket! Hogy \u201cparkokban\u201d lehet csak igaz\u00e1n \u00e9lni! \u201cTerm\u00e9szetr\u0151l\\\" \u00e9s \u201cegyens\u00falyr\u00f3l\\\" besz\u00e9lnek \u2013 h\u00e1t n\u00e9zzetek k\u00f6r\u00fcl, mif\u00e9le term\u00e9szetet, mif\u00e9le egyens\u00falyt l\u00e1ttok itt a lombok alatt?\u00a0R\u00e1ad\u00e1sul mindezt akkor, amikor v\u00e9gre eljutottunk oda, hogy teljes\u00fclj\u00f6n a r\u00e9gi c\u00e9l \u2013 hogy a v\u00e1rosaink minden\u00fctt jelen legyenek \u00e9s mindennel \u00f6sszekapcsol\u00f3djanak.\u00a0Nem v\u00e1rhatunk tov\u00e1bb. Elj\u00f6tt az id\u0151, hogy visszafoglaljuk \u00e9s megv\u00e9dj\u00fck a legfontosabb \u00e9rt\u00e9ket, amit \u00f6r\u00f6ks\u00e9g\u00fcl kaptunk. Folytatnunk kell az \u00e9p\u00edtkez\u00e9st.\u00a0De el\u0151bb, az alapokn\u00e1l kell kezden\u00fcnk. Vannak k\u00f6z\u00f6tt\u00fcnk, sajnos egyre t\u00f6bben, akik m\u00e1ra szinte elfelejtett\u00e9k a m\u00e1mor\u00edt\u00f3 \u00e9lm\u00e9nyt, ami az els\u0151 tal\u00e1lkoz\u00e1s ut\u00e1n csak egyre er\u0151s\u00f6dik. Ez\u00e9rt j\u00f6tt\u00fcnk most itt \u00f6ssze, hogy felid\u00e9zz\u00fck, meg\u00e9lhess\u00fck a v\u00e1rost, hogy az k\u00f6z\u00f6s \u00e1lom kiv\u00e9teles ter\u00e9t hozzuk l\u00e9tre.\u00a0N\u00e9zzetek k\u00f6r\u00fcl, \u00e9les\u00edts\u00e9tek az \u00e9rz\u00e9keiteket, \u00e9s ne f\u00e9ljetek megmer\u00edtkezni az \u00e9lm\u00e9nyben.\u00a0Elfogyasztjuk a v\u00e1rost. K\u00f6rbeszagoljuk a v\u00e1rost. Hozz\u00e1d\u00f6rg\u00f6l\u0151z\u00fcnk a v\u00e1roshoz. Elmer\u00fcl\u00fcnk a v\u00e1ros f\u00e9nyeiben. 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Munk\u00e1ik az […]","og_url":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/","og_site_name":"Instytut Polski w Budapeszcie","article_published_time":"2016-05-12T13:16:55+00:00","article_modified_time":"2020-05-06T13:58:30+00:00","og_image":[{"width":350,"height":343,"url":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png","type":"image\/png"}],"author":"takacsm","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"takacsm","Szacowany czas czytania":"11 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/","url":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/","name":"FOREST","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/budapest\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png","https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan-300x294.png","https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png","https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png","datePublished":"2016-05-12T13:16:55+02:00","dateModified":"2020-05-06T13:58:30+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/35a72b339f128b3c51da8e0ac2c9c8fe"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/"]}],"@context":"https:\/\/schema.org","startDate":"2016-05-12","endDate":"2016-06-23","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Ki\u00e1ll\u00edt\u00e1s l\u00e1togathat\u00f3 m\u00e1jus 12-t\u00f3l juni\u00fas 23-ig\u0141ukasz Pastuszka\u00a0(lengyel \u00e9p\u00edt\u00e9sz - Moomoo Architects) \u00e9s\u00a0Ill\u00e9s Zs\u00f3fia Szonja\u00a0(magyar k\u00e9pz\u0151m\u0171v\u00e9sz - Collective Plant) interakt\u00edv install\u00e1ci\u00f3i a k\u00f6z\u00f6ss\u00e9ggel \u00e9s k\u00f6z\u00f6ss\u00e9gi alkot\u00e1s folyamat\u00e1val foglalkoznak. A k\u00e9t l\u00e1tsz\u00f3lag k\u00fcl\u00f6nb\u00f6z\u0151 ter\u00fcletr\u0151l \u00e9s kult\u00far\u00e1b\u00f3l \u00e9rkez\u0151 alkot\u00f3 a fenntarthat\u00f3 design \u00e9s \u00e9tkez\u00e9si kult\u00fara k\u00f6z\u00f6ss\u00e9gi aspektusainak f\u00f3kusz\u00e1ban tal\u00e1lta meg az alkot\u00e1sban a k\u00f6z\u00f6s hangot. Munk\u00e1ik az \u00e9p\u00edt\u00e9szet, design, install\u00e1ci\u00f3, k\u00e9pz\u0151m\u0171v\u00e9szet \u00e9s gasztron\u00f3mia hat\u00e1rain tett izgalmas k\u00eds\u00e9rletek, melyeknek els\u0151dleges c\u00e9lja az alkot\u00f3i \u00e9s befogad\u00f3i attit\u0171d\u00f6k \u00e9s hagyom\u00e1nyos szerepek, illetve a hagyom\u00e1nyos gal\u00e9riat\u00e9r \u00e1trendez\u00e9se, \u00fajra\u00e9rtelmez\u00e9se.\nFOREST c. install\u00e1ci\u00f3juk fa elemekb\u0151l, vide\u00f3b\u00f3l, zajokb\u00f3l, \u00edzekb\u0151l, illatokb\u00f3l \u00e9p\u00edtkezve, a l\u00e1togat\u00f3 akt\u00edv bevon\u00e1s\u00e1val, az \u00e9rz\u00e9kszervi megtapasztal\u00e1sra \u00e9p\u00edtve (hall\u00e1s, l\u00e1t\u00e1s, tapint\u00e1s, szagl\u00e1s, \u00edzlel\u00e9s) hozza el egy belv\u00e1rosi galleria ter\u00e9be az erd\u0151 \u00e9s a term\u00e9szet \u00e9lm\u00e9ny\u00e9t. A hagyom\u00e1nyosan vett gal\u00e9riat\u00e9r \u00e1talakul, \u00e9s a l\u00e1togat\u00f3 a szeml\u00e9l\u0151d\u0151 szerep\u00e9b\u0151l az akt\u00edvan megtapasztal\u00f3 r\u00e9sztvev\u0151 szerep\u00e9be ker\u00fcl \u00e1t, hiszen csak az \u0151 interakci\u00f3ja \u00e1ltal v\u00e1lik \u00e9l\u0151v\u00e9 \u00e9s m\u0171k\u00f6d\u0151v\u00e9 az install\u00e1ci\u00f3.A k\u00e9t alkot\u00f3 kor\u00e1bban a 2015-\u00f6s Hello Wood Project Village-re k\u00e9sz\u00edtett food-install\u00e1ci\u00f3t (Tea Totem)K\u00f6zrem\u00fck\u00f6d\u0151k \/ vide\u00f3, zaj: Mladin Bence, Hal\u00e1sz D\u00e1niel\nT\u00e1mogat\u00f3k:\u00a0Hello Wood, Technika, Pipacs P\u00e9ks\u00e9g\nAz alkot\u00f3k:\nIll\u00e9s Zs\u00f3fia Szonjawww.zsofiasonia.comwww.collectiveplant.com\u0141ukasz Pastuszkahttp:\/\/moomoo.pl\/\n---------------------------------------------------------------------------------------------\nBringing back the forest feeling\nNew project of Platan Gallery plays with wide range of associations related to woods, while all the hints lead to the interdisciplinary exposition prepared by Polish architect \u00a0\u0141ukasz Pastuszka and Hungarian photographer\u00a0Zs\u00f3fia Szonja Ill\u00e9s. This time successful duo\u00a0works with nature experience and architectural settings to create a perfect scenery for human interactions. Their exhibition \u201cForest\u201d combines the wood elements, videos, sounds, even forest food\u00a0and aims to recall community making rituals.\nPatrycja Rup: \u201cForest\u201d is your sequent project after successful \u201cTea totem\u201d created during last edition of Hello Wood. How did your collaboration begin?\n\u0141ukasz Pastuszka:\u00a0We met thanks to amazing Hello Wood team and we have spent some time together on the camp and as well in Budapest, so this even is the next step and continuation of our cooperation. I love to work with Zsofi, cause she knows so much about food and plants, and that brings the architecture experiments to another level.\nZs\u00f3fia Szonja Ill\u00e9s: The collaboration began during last year Hello Wood Project Village (2015). I work with food and sustainability projects (Collective Plant), and was invited to work with \u0141ukasz at HW to develop together a sustainable marketplace idea. The Tea Totem plan originates from the idea of the smallest market unit of the world: one which is based on the interaction just between a vendor and a buyer plus a product (which in this case was the herbal tea, dried and prepared right there in the tower - a herb drying tower regarding its function).\nPR: How the \u201cForest\u201d project was born? What was the main source of inspiration for you?\nZs: \u0141ukasz already had a \u201cForest in the city\u201d plan for a while ago, and my Collective Plant project is just about the same issue, so it wasn\u2019t hard to find a common subject for our exhibition.\n\u0141:\u00a0I think although I am architect, we both with Zsofi like to experiment with things related to architecture, food, space, and we prefer that more than the very technical approach to architecture. We love spending time outside and as Hello Wood was always an amazing time during the year, we wanted to get similar feeling in the city.\nPR: What are the most significant values for you as designers?\nZs: Simplicity, community, re+inter\/action, message.\nPR: Nowadays we can observe popularisation of \u2018architecture and food\u2019 activities, interdisciplinary projects exploring bounds between cuisine, design and architecture expand in London, Copenhagen, New York and Puerto Rico, just to name few locations. Do you think it has a potential to turn into the world-wide movement?\nZs:\u00a0I do not think we should put anything in a box like that. I don\u2019t believe it is a movement, or a popularised activity, I think it is just a very human need emerging and being realised recently (not just by artists or architects) - by the effects of our very impersonalised and online society: the need for community and personal interactions. And food can actually be a very pleasant channel for creating community (if you think about city community gardens etc.) Getting back to our roots on one hand, and turning it into some kind of arts in the other hand - in the creative activity meaning of it - it can really bring back the qualities of arts and creativity into our lives. The whole idea of my project (Collective Plant) started thanks to this personal motivation - I didn\u2019t plan \u201cto make arts\u201d, or anything fancy, just wanted to make my own life better. This project is also much more about a community work, a community creating process - I have been enjoying it much more recently than creating alone and individually. I have been a lonely photographer, and haven\u2019t enjoyed it that much anymore. I realised that what I really enjoyed, was creating in community (this is what we have in common with Lukasz), and creating interdisciplinary, because I believe it can have a great impact in any kind of work - even if it was about arts or architecture.\nPR: Eating in the public sphere became a performative experience, fancy places serving food in Europe try to add narrations to meal consumption turning it in some cases into special celebration emphasized by the unique interior design. Do you find it as a manifestation of consumerism or rather as coming back to roots of tradition when meals had special symbolic and community-making values?\nZs:\u00a0For me personally, it is more about getting back to our very basic human needs of being in community, as I mentioned, and creating (or just enjoying) something collectively created with our two bare hands. It is a kind of experience we do not get often in modern cities nowadays, but seems that we really need it.\nPR:\u00a0You create in the Platan Gallery an interactive and immersive zone recalling nature. Visitors are brought to the dreamy and relaxing forest experience, but the installation itself is highly technologically processed: prepared meals, processed wood and finally the imitative large scale screening. What is the main aim of this illusion? How would you like to involve the visitor?\nZs:\u00a0We wanted to bring a piece of forest to the city which seems something so far from our cities nowadays. A piece of forest through experiencing it with our senses: touching, tasting, smelling, watching, and listening. We would like to create a forest oasis in the centre - at a very unusual location, where normally fine art pieces are exhibited, so it is something special also in this sense. Transforming a gallery space into something unusual. I have been exhibiting as a photographer for about 10 years now and started to find it boring due to lack of interactions: I have found it boring both as an artist and also as a visitor. What fascinates me most is interaction. My mind works this way: I can understand an art piece (or anything) much more if it is a kind of experience I can take part in (it is something like a good education should be). So the installation starts to work through being in interaction with the visitors: those who will actually taste it, touch it, transform it.\nThe food will not be really processed by the way: \u00a0what I am going to prepare is just as natural and raw as it could be (wild food from our forests).\nPR: As your project is highly sensorial, you are designers of the visitor\u2019s experience. Temporary public meal events are strongly influencing social relations and help to initiate new interactions, while architecture creates the space for these activities. Would you call your project rather a social or an aesthetic experimentation?\nZS:\u00a0It is both: needs social interaction (otherwise makes no sense), but the artistic\/visual representation\/design makes it work for the visitors.\n\u0141:\u00a0It's nice to have a chance to connect all those elements together, bring forest inside the city. And the fact that it happens in the art gallery is totally crazy.\nInterview by:\u00a0Patrycja Rup - Polish culture manager & journalist. Lives and works in Budapest.\u00a0\nARTGUIDEEAST\u00a0 http:\/\/artguideeast.com\/forest-platan-gallery-budapest.html\nSamu Szemerey \u00e9pit\u00e9sz, urbanista megnyit\u00f3 besz\u00e9de:Nagyrabecs\u00fclt lak\u00f3t\u00e1rsak, tiszteletre m\u00e9lt\u00f3 nemzets\u00e9gek, kedves erdei testv\u00e9reim!\u00a0Az\u00e9rt gy\u0171lt\u00fcnk most \u00f6ssze, hogy ism\u00e9t megeml\u00e9kezz\u00fcnk \u00e1lmaink k\u00f6z\u00f6s ter\u00e9r\u0151l. Az\u00e9rt vagyunk itt, hogy egy\u00fctt l\u00e9pj\u00fcnk be a helyre, amit id\u0151tlen id\u0151k \u00f3ta \u00e9p\u00edt\u00fcnk a k\u00e9pzelet terhes munk\u00e1j\u00e1val. Egy\u00fctt \u2013 hangs\u00falyozom, hiszen b\u00e1r szem\u00e9lyes er\u0151fesz\u00edt\u00e9sek n\u00e9lk\u00fcl semmire sem jutn\u00e1nk, de el\u0151 kell l\u00e9pn\u00fcnk a mag\u00e1ny k\u00e9nyelm\u00e9b\u0151l, \u00e9s meg kell osztanunk egym\u00e1ssal a tud\u00e1sunkat, hogy \u00f6ssze\u00e9p\u00fclhessen a M\u0171.\u00a0Hogy \u0151ssze\u00e9p\u00fclhessen, \u00e9s hogy fennmaradhasson. Hogy elker\u00fclhess\u00fck a bajt, miel\u0151tt visszaford\u00edthatatlann\u00e1 v\u00e1lik.\u00a0Nincs bennem k\u00e9ts\u00e9g \u2013 nyilv\u00e1n tudj\u00e1tok, hogy a v\u00e1rosr\u00f3l besz\u00e9lek.\u00a0A v\u00e1ros \u2013 v\u00e1gyaink \u00e9s eml\u00e9kezet\u00fcnk legf\u0151bb t\u00e1rgya. Mi\u00f3ta \u00e1lmodjuk m\u00e1r, van-e b\u00e1rki az \u00e1llatok k\u00f6z\u00f6tt, aki ne lenne r\u00e9szese, l\u00e9trehoz\u00f3ja?\u00a0A v\u00e1ros \u2013 k\u00f6z\u00f6s alkot\u00e1sunk, \u0151seink k\u00e9pzelet\u00e9ben sz\u00fcletett, hogy azut\u00e1n sz\u00e1molatlan nemzets\u00e9g \u00e1lmai n\u00f6vessz\u00e9k \u00e9s terjessz\u00e9k el szerte a lombok alatt.\u00a0A v\u00e1ros a k\u00f6z\u00f6ss\u00e9g\u00fcnk szebbik arca, a hely, ahol az \u00f6szt\u00f6n\u00f6k k\u00e9nyszereit levetve v\u00e9gre felszabad\u00edthatjuk az \u00e9rz\u00e9keinket, \u00e9s az alkot\u00e1s, a tiszta \u00e9lm\u00e9nyek, a tapasztalat teljess\u00e9g\u00e9vel gazdag\u00edthatjuk egym\u00e1st.\u00a0A v\u00e1ros a mi teremtm\u00e9ny\u00fcnk.\u00a0\u00c9s m\u00e9gis, t\u00f6bb ezer vir\u00e1gz\u00e1s \u00f3ta n\u00e9zz\u00fck t\u00e9tlen\u00fcl, ahogy a v\u00e1rosb\u00f3l kiszorultunk. T\u00f6bb ezer lombhull\u00e1s \u00f3ta szolg\u00e1k m\u00f3dj\u00e1ra, p\u00f3r\u00e1zon, f\u00e9lszegen, szervezetlen\u00fcl keress\u00fck a m\u00f3dj\u00e1t annak, ahogy a v\u00e1rost \u00fajra magunk\u00e9v\u00e1 tegy\u00fck.\u00a0\u00c9s mindek\u00f6zben mi t\u00f6rt\u00e9nik? Azt hallani, hogy az \u00e1lmaink elbitorolt vil\u00e1g\u00e1t egyesek f\u00e1kkal, s\u0151t, erd\u0151kkel \u201cz\u00f6ld\u00edten\u00e9k\" ki! S\u0151t, m\u00e1sok azt mondj\u00e1k, hogy lombokkal, feny\u0151illattal, f\u00fcvekkel kell \u201cgazdag\u00edtani\u201d a k\u00e9pzelet\u00fcnket! Hogy \u201cparkokban\u201d lehet csak igaz\u00e1n \u00e9lni! \u201cTerm\u00e9szetr\u0151l\" \u00e9s \u201cegyens\u00falyr\u00f3l\" besz\u00e9lnek \u2013 h\u00e1t n\u00e9zzetek k\u00f6r\u00fcl, mif\u00e9le term\u00e9szetet, mif\u00e9le egyens\u00falyt l\u00e1ttok itt a lombok alatt?\u00a0R\u00e1ad\u00e1sul mindezt akkor, amikor v\u00e9gre eljutottunk oda, hogy teljes\u00fclj\u00f6n a r\u00e9gi c\u00e9l \u2013 hogy a v\u00e1rosaink minden\u00fctt jelen legyenek \u00e9s mindennel \u00f6sszekapcsol\u00f3djanak.\u00a0Nem v\u00e1rhatunk tov\u00e1bb. Elj\u00f6tt az id\u0151, hogy visszafoglaljuk \u00e9s megv\u00e9dj\u00fck a legfontosabb \u00e9rt\u00e9ket, amit \u00f6r\u00f6ks\u00e9g\u00fcl kaptunk. Folytatnunk kell az \u00e9p\u00edtkez\u00e9st.\u00a0De el\u0151bb, az alapokn\u00e1l kell kezden\u00fcnk. Vannak k\u00f6z\u00f6tt\u00fcnk, sajnos egyre t\u00f6bben, akik m\u00e1ra szinte elfelejtett\u00e9k a m\u00e1mor\u00edt\u00f3 \u00e9lm\u00e9nyt, ami az els\u0151 tal\u00e1lkoz\u00e1s ut\u00e1n csak egyre er\u0151s\u00f6dik. Ez\u00e9rt j\u00f6tt\u00fcnk most itt \u00f6ssze, hogy felid\u00e9zz\u00fck, meg\u00e9lhess\u00fck a v\u00e1rost, hogy az k\u00f6z\u00f6s \u00e1lom kiv\u00e9teles ter\u00e9t hozzuk l\u00e9tre.\u00a0N\u00e9zzetek k\u00f6r\u00fcl, \u00e9les\u00edts\u00e9tek az \u00e9rz\u00e9keiteket, \u00e9s ne f\u00e9ljetek megmer\u00edtkezni az \u00e9lm\u00e9nyben.\u00a0Elfogyasztjuk a v\u00e1rost. K\u00f6rbeszagoljuk a v\u00e1rost. Hozz\u00e1d\u00f6rg\u00f6l\u0151z\u00fcnk a v\u00e1roshoz. Elmer\u00fcl\u00fcnk a v\u00e1ros f\u00e9nyeiben. Az\u00e9rt vagyunk itt, hogy ezt megtapasztalhassuk.\u00a0Felel\u0151ss\u00e9ggel tartozunk a v\u00e1ros ir\u00e1nt.\u00a0Legyetek b\u00e1trak, \u00e1llhatatosak, ravaszak \u00e9s figyelmesek.\u00a0A beton legyen veletek."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/#primaryimage","url":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png","contentUrl":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/02\/forest_platan.png","width":350,"height":343},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/budapest\/2016\/05\/12\/forest\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/budapest\/"},{"@type":"ListItem","position":2,"name":"FOREST"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/budapest\/#website","url":"https:\/\/instytutpolski.pl\/budapest\/","name":"Instytut Polski w Budapeszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/budapest\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/35a72b339f128b3c51da8e0ac2c9c8fe","name":"takacsm","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3cdc999881482fcdbe974296288ca419?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3cdc999881482fcdbe974296288ca419?s=96&d=mm&r=g","caption":"takacsm"},"url":"https:\/\/instytutpolski.pl\/budapest\/author\/takacsm\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/3256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/users\/124"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/comments?post=3256"}],"version-history":[{"count":3,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/3256\/revisions"}],"predecessor-version":[{"id":6136,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/3256\/revisions\/6136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/media\/3257"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/media?parent=3256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/categories?post=3256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/tags?post=3256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}