{"id":3379,"date":"2016-07-19T14:35:00","date_gmt":"2016-07-19T12:35:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/budapest\/?p=3379"},"modified":"2020-05-11T13:43:52","modified_gmt":"2020-05-11T11:43:52","slug":"after-eden","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/budapest\/2016\/07\/19\/after-eden\/","title":{"rendered":"AFTER EDEN"},"content":{"rendered":"\n<div class=\"content\">\n<p>\u201c\u201dI think I understand what you\u2019re driving at\u201d, said Redgrave;<\/p>\n<p>\u201cyou mean, I suppose, that this world is something like Eden before the fall&#8230;\u201d<br \/>&#8211; Honeymoon in Space, George Griffith, 1900<\/p>\n<p><strong>Ki\u00e1llit\u00e1s megnyit\u00f3 augusztus 25-\u00e9n 19.00 \u00f3rakor<\/strong><\/p>\n<p><strong>M\u0171v\u00e9szek:<\/strong>\u00a0Beata Filipowicz (PL), Tha\u00efs Lenkiewicz (UK), Sarah Knobel (USA), Lee McDonald (UK), Bex Ilsley (UK), Kathy Rose (USA), Klaus Pinter (A), Thomas C. Chung (AUS), Angela Darby (IRL), Katrina Stamatopoulos (AUS), Silvia Amancei &amp; Bogdan Armanu (RO), Duncan Poulton (UK), F\u00e1bi\u00e1n Em\u0151ke (HU)<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>Thais Lenkiewicz is a British-born artist of Polish decent who has been living and working in Budapest for almost 2 years. After Eden is a curatorial project involving international artists on a subject of global importance. Participating artists hail from Poland, England, Ireland, Romania, USA, Austria, Australia, China. After Eden will be an experimental exhibition based on the concept of Venus as Earth\u2019s future and Earth as Venus\u2019 past. The show has a subtext of global climate issues and the human relationship with the natural world.<\/p>\n<p>Here lie scenes and objects from another point in time. Whether they are from the past or the future is not evident. Is this the aftermath of the un-checked human impact on the Earth? Some dystopian premonition? A warning? Is this Earth? There is what appears to be a time machine, or a space craft, it\u2019s not clear. These objects may be the archive of findings brought \u2018back\u2019 from it\u2019s travels, or perhaps we are standing at it\u2019s final destination, in a place or time distant to our own.<\/p>\n<p>The planet Venus has been a constant source of inspiration to mankind throughout history; both mythical and scientific. It has kept it\u2019s mystery with it\u2019s thick covering of cloud that could not be penetrated by telescope. Up to the 1960\u2019s before the Venera missions of Soviet Russia, visions of Venus\u2019s surface in both popular and scientific communities ranged from Carboniferous swamplands to arid deserts, to vast oceans of carbonated water. In earlier 20th century England, Christian Victorians wondered if there were also people there, and if so, had Christ visited, and suffered for their sins too? All of these romances were brought to an end when the first probe landed and sent back the message: Venus is hell. Those thick clouds were not raining seltzer, but sulphuric acid. The atmosphere was so dense, and the surface temperatures so hot, that the probe was destroyed within the hour.<\/p>\n<p>Venus has commonly been called Earth\u2019s twin. Relatively speaking in it\u2019s size, mass and gravity, Venus has much in common with Earth. In spite of it\u2019s being closer to the Sun, Venus would not be significantly hotter than the Earth due to those thick clouds reflecting much of the Sun\u2019s heat. Venus\u2019s scorching temperature and uninhabitable terrain actually come from a runaway greenhouse effect.<\/p>\n<p>In the face of what we now know about the threats of global warming on our own planet, Griffith\u2019s character\u2019s supposition could be applied to Earth today, rather than a mythical Venus of the past. Could Venus be a vision of Earth\u2019s distant future, left unchecked? Venus: our evil twin; a stark warning against the dangers of neglecting our better judgement for the sake of short-term convenience.<\/p>\n<p class=\"node-date\">2016. augusztus 25. (cs\u00fct\u00f6rt\u00f6k), 19.00<\/p>\n<p class=\"node-place\">1061 Budapest, Andr\u00e1ssy \u00fat. 32<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201c\u201dI think I understand what you\u2019re driving at\u201d, said Redgrave; \u201cyou mean, I suppose, that this world is something like Eden before the fall&#8230;\u201d&#8211; Honeymoon in Space, George Griffith, 1900 Ki\u00e1llit\u00e1s megnyit\u00f3 augusztus 25-\u00e9n 19.00 \u00f3rakor M\u0171v\u00e9szek:\u00a0Beata Filipowicz (PL), Tha\u00efs Lenkiewicz (UK), Sarah Knobel (USA), Lee McDonald (UK), Bex Ilsley (UK), Kathy Rose (USA), Klaus [&hellip;]<\/p>\n","protected":false},"author":124,"featured_media":3581,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[48,36],"tags":[],"class_list":["post-3379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kiallitas","category-program"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>AFTER EDEN - Instytut Polski w Budapeszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/budapest\/2016\/07\/19\/after-eden\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"AFTER EDEN - Instytut Polski w Budapeszcie\" \/>\n<meta property=\"og:description\" content=\"\u201c\u201dI think I understand what you\u2019re driving at\u201d, said Redgrave; 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