Smooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.<\/p>\n
\u201cThe Human Trace\u201d tableware set was produced on a factory production line by workers wearing gloves whose fingertips were dipped in cobalt salts. The traces of their touch remain almost invisible until firing, when they appear on the porcelain body, as the cobalt turns dark blue. In this way the porcelain tableware keeps the touch of the workers\u2019 hands, revealing the role of the \u201chuman factor\u201d in industrial manufacturing. The set is the result of the cooperation of the anthropologist and the ceramist, accompanying the research on various types of knowledge used at work in the factory and on the methods of assessing the value of this work.<\/p>\n
The set has been manufactured as a part of the project \u201cPeople from the porcelain factory\u201d, carried out in one of the oldest ceramic factories in Poland. The factory in \u0106miel\u00f3w, established in 1790, has been active in fine porcelain production since 1838 and is currently owned by Polskie Fabryki Porcelany \u0106miel\u00f3w i Chodzie\u017c S.A. The project was financed by the Polish Ministry of Science and Higher Education within the framework of the National Programme of Development in Humanities.<\/p>\n
The exhibition was created on the initiative of, and in cooperation with the Adam Mickiewicz Institute. It was presented successfully at the Design March in Iceland (2016), Designblok in the Czech Republic (2017) and during the Triennial Ceramics UNICUM 2018 at the Slovenian Ethnographic Museum in Ljubljana.<\/p>\n
Curators: Ewa Klekot, Arkadiusz Szwed
Production: Monika Brauntsch
Visual identification: Bartosz Grzes\u0301kowiak
Exhibition design: Jarek Hulb\u00f3j
Photos by: Arkadiusz Szwed
Video: Micha\u0142 Reich<\/p>\n
- \n
- OPENING: 16. 01. 2019, WEDNESDAY, 6 P. M., PLATAN GALLERY<\/strong>
OPENING SPEECH BY KITTI MAYER, DESIGN THEORIST<\/strong><\/li>\n<\/ul>\nMAYER KITTI MEGNYIT\u00d3BESZ\u00c9DE<\/strong><\/h3>\n
EMBEREK A PORCEL\u00c1NGY\u00c1RB\u00d3L<\/strong><\/p>\n
<\/p>\n
Engedj\u00e9k meg, hogy r\u00f6viden bemutassam az \u201eEmberek a porcel\u00e1ngy\u00e1rb\u00f3l\u201d projektet, pontosabban: hogy seg\u00edtsek annak \u00e9rtelmez\u00e9s\u00e9ben.<\/p>\n
<\/p>\n
Mert mi az, amit itt l\u00e1tunk?<\/p>\n
<\/p>\n
T\u00e1rgyak, porcel\u00e1nb\u00f3l. Te\u00e1skanna, levesest\u00e1l, tejki\u00f6nt\u0151 kancs\u00f3, cukortart\u00f3, cs\u00e9sz\u00e9k \u00e9s cs\u00e9szealjak, s\u00f3sz\u00f3r\u00f3k, mer\u0151kanalak. Egy \u00fcnnepi \u00e9tk\u00e9szlet. Mindegyik finom, kecses darab, rajtuk leheletnyi aranyoz\u00e1s, dombor\u00fa mint\u00e1zat, \u00e9s ez a m\u00e9lyk\u00e9k sz\u00edn\u0171 defini\u00e1lhatatlan fest\u00e9kfolt. A v\u00e9letlen m\u0171ve lenne? Vagy igenis sz\u00e1nd\u00e9kolt? Tal\u00e1n egy kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9sz cser\u00e9lte porcel\u00e1n t\u00e1rgyakra megunt fest\u0151v\u00e1szn\u00e1t? Az \u00f6tlet, ha jobban belegondolunk, kor\u00e1ntsem l\u00e9gb\u0151l kapott, hiszen \u00d6n\u00f6k is \u00e9s \u00e9n is egy ki\u00e1ll\u00edt\u00f3t\u00e9rben vagyunk, egy ki\u00e1ll\u00edt\u00e1son, \u00e9ppen most nyitom meg.<\/p>\n
<\/p>\n
Akkor sem \u00e1llunk messze az igazs\u00e1gt\u00f3l, ha az itt l\u00e1that\u00f3 t\u00e1rgyak kapcs\u00e1n Daniel Spoerri csapdak\u00e9peire gondolunk. \u00c1m ez\u00fattal \u2013 a vacsora maradv\u00e1nyai helyett \u2013 tapintatlanul \u00f6sszefogdosott cs\u00e9sz\u00e9k, t\u00e1ny\u00e9rok, s\u00f3sz\u00f3r\u00f3k \u0151rzik az emberi jelenl\u00e9t, valamif\u00e9le m\u00faltb\u00e9li t\u00f6rt\u00e9n\u00e9s nyomait.<\/p>\n
<\/p>\n
De gondolhatjuk azt is, hogy egy b\u0171nt\u00e9ny helysz\u00edn\u00e9r\u0151l gy\u0171jt\u00f6tt\u00e9k \u00f6ssze a koll\u00e9g\u00e1k a t\u00e1rgyi bizony\u00edt\u00e9kokat. \u00cdme. Mi pedig igencsak szerencs\u00e9s helyzetben vagyunk: a tettes (vagy tettesek) azonos\u00edt\u00e1s\u00e1hoz m\u00e9gcsak UV l\u00e1mp\u00e1ra sincs sz\u00fcks\u00e9g\u00fcnk. A t\u00e1rgyakon hanyagul ottfelejtett \u201en\u00e9vjegy\u00fck\u201d mindent el\u00e1rul. Vagy mindez sz\u00e1nd\u00e9kolt f\u00e9lrevezet\u00e9s lenne?<\/p>\n
<\/p>\n
Ez az asztal, ez a b\u0151s\u00e9g szinte azonnal rabul ejt, s m\u00e1r els\u0151 pillant\u00e1sra zavarba hoz minket (engem legal\u00e1bbis eg\u00e9szen biztosan). Elszoktunk m\u00e1r, vagy nem is eml\u00e9ksz\u00fcnk, nem is ismert\u00fck soha az eff\u00e9le ter\u00edtett asztalokat. Az asztalnem\u0171, s kiv\u00e1ltk\u00e9pp az ilyen porcel\u00e1n \u00e9tk\u00e9szletek l\u00e1tv\u00e1nya – a t\u00e1rgyak sokas\u00e1g\u00e1n kereszt\u00fcl – az \u00e9tkez\u00e9sre, vagyis az egym\u00e1sra ford\u00edtott id\u0151t rejti mag\u00e1ban.<\/p>\n
<\/p>\n
Tulajdonk\u00e9ppen pontatlanul fogalmazok, mikor azt mondom: ter\u00edtett asztal. Hiszen \u00e9tkez\u00e9sr\u0151l itt sz\u00f3 sincs. Nincsenek kijel\u00f6lt \u00fcl\u0151helyek az asztal k\u00f6r\u00fcl, se h\u00edmzett ter\u00edt\u0151, sem egy\u00e9b, az \u00e9tkez\u00e9shez sz\u00fcks\u00e9ges b\u00e1rminem\u0171 eszk\u00f6z (p\u00e9ld\u00e1ul ev\u0151eszk\u00f6z vagy szalv\u00e9ta). Ez teh\u00e1t sokkal ink\u00e1bb terepasztal.<\/p>\n
<\/p>\n
A k\u00f6vetkez\u0151 s egyben az egyik legfontosabb (b\u00e1r ban\u00e1lisnak t\u0171n\u0151) k\u00e9rd\u00e9s: ki \u00e9s mikor fogdosta \u00f6ssze ezeket a t\u00e1rgyakat? Tulajdonk\u00e9ppen az erre a k\u00e9rd\u00e9sre adott v\u00e1lasz d\u00f6nti el, mif\u00e9le jelens\u00e9ggel is \u00e1llunk szemben.<\/p>\n
<\/p>\n
Ewa Klekot antropol\u00f3gus. Arkadiusz Szwed keramikus, designer. Mindketten ennek a projektnek, ennek a ki\u00e1ll\u00edt\u00e1snak a kur\u00e1torai. S tulajdonk\u00e9ppen itt pontot is tehetn\u00e9k a megnyit\u00f3 v\u00e9g\u00e9re. (Vicc n\u00e9lk\u00fcl) Magukra hagyhatn\u00e1m \u00d6n\u00f6ket azzal, hogy gondolkodjanak el: mi lehetett ennek a k\u00e9t, foglalkoz\u00e1s\u00e1ban elt\u00e9r\u0151 embernek a c\u00e9lja ezekkel a holmikkal? De persze, term\u00e9szetesen, ahogy \u00edg\u00e9rtem \u2013 \u00e9s mert sz\u00edvtelen sem vagyok \u2013 seg\u00edtek egy kicsit. Pontosabban nem is \u00e9n, hanem a t\u00e1rgyakhoz szorosan kapcsol\u00f3d\u00f3 tabl\u00f3k mes\u00e9lik el az itt bemutatott porcel\u00e1nok t\u00f6rt\u00e9net\u00e9t. Ez viszonylag egyszer\u0171.<\/p>\n
<\/p>\n
Az \u2019Emberek a porcel\u00e1ngy\u00e1rb\u00f3l\u2019 ki\u00e1ll\u00edt\u00e1s \u00e9s\/vagy projekt az emberi interakci\u00f3r\u00f3l sz\u00f3l. T\u00e1rgy \u00e9s k\u00e9sz\u00edt\u0151je kapcsolat\u00e1r\u00f3l. Ezek a t\u00e1rgyak a gy\u00e1rt\u00f3sor mellett sz\u00fclettek, emberek, n\u0151k \u00e9s f\u00e9rfiak keze alatt. Nem egy otthon, vagy egy poros kis m\u0171hely f\u00e9lrees\u0151 zug\u00e1ban – amire szemrebben\u00e9s n\u00e9lk\u00fcl mondan\u00e1nk \u201ek\u00e9zm\u0171ves\u201d \u2013 hanem egy nagy, piaci ig\u00e9nyeket kiszolg\u00e1l\u00f3, haszn\u00e1lati t\u00e1rgyakat el\u0151\u00e1ll\u00edt\u00f3 \u00fczemben k\u00e9sz\u00fcltek \u00e9s k\u00e9sz\u00fclnek nap mint nap.<\/p>\n
<\/p>\n
A kur\u00e1torok alkalmasabb terepet aligha tal\u00e1lhattak volna: a cmielowi gy\u00e1r Lengyelorsz\u00e1g egyik legr\u00e9gebben m\u0171k\u00f6d\u0151 porcel\u00e1ngy\u00e1ra, 1790-ben alap\u00edtott\u00e1k. Te\u00e1s, k\u00e1v\u00e9s \u00e9s \u00e9tk\u00e9szleteik sz\u00e9les v\u00e1laszt\u00e9k\u00e1val k\u00e9pesek kiszolg\u00e1lni az orsz\u00e1g \u00e9s Eur\u00f3pa ig\u00e9nyeit.<\/p>\n
<\/p>\n
A kur\u00e1torok c\u00e9lja az volt, hogy bemutass\u00e1k: a gy\u00e1r nem csup\u00e1n egy arctalan g\u00e9pezet, hanem emberek, g\u00e9pek \u00e9s nyersanyagok k\u00fcl\u00f6nleges \u00f6sszj\u00e1t\u00e9ka, s mint ilyen, emberi sorsok \u00e9s t\u00f6rt\u00e9netek gy\u0171jt\u0151helye: az eredetileg k\u00f6zgazd\u00e1sz v\u00e9gzetts\u00e9g\u0171 modellez\u0151\u00e9, akinek \u00e1lmatlan \u00e9jszak\u00e1kat okozott egy rosszul siker\u00fclt Rokok\u00f3 v\u00e1za, vagy a d\u00edsz\u00edt\u0151 fest\u0151\u00e9, aki imm\u00e1r 35 \u00e9ve dolgozik a gy\u00e1rt\u00f3soron.<\/p>\n
<\/p>\n
Sz\u00f3val, amit itt l\u00e1tunk, az tulajdonk\u00e9ppen ez: antropol\u00f3giai esettanulm\u00e1ny kaolinb\u00f3l, kvarcb\u00f3l \u00e9s f\u00f6ldp\u00e1tb\u00f3l. Haszn\u00e1lati t\u00e1rgyak, n\u00e9mi csavarral, sz\u00e9ps\u00e9ghib\u00e1val vagy felki\u00e1lt\u00f3jellel. Sz\u00e1momra legink\u00e1bb az ut\u00f3bbival, mert eml\u00e9keztet arra, hogy tal\u00e1n orsz\u00e1ghat\u00e1rainkon bel\u00fcl is \u00e9rdemes lenne hasonl\u00f3 projektbe belev\u00e1gni, s megmutatni azt, ami a felhaszn\u00e1l\u00f3 sz\u00e1m\u00e1ra l\u00e1thatatlan.<\/p>\n
<\/p>\n
Mayer Kitti, design-teoretikus<\/p>\n
<\/p>\n
Elhangzott 2019. janu\u00e1r 16-\u00e1n, a ki\u00e1ll\u00edt\u00e1s megnyit\u00f3j\u00e1n.<\/p>\n
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<\/figure><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"Smooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup […]<\/p>\n","protected":false},"author":1,"featured_media":593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[134],"tags":[],"class_list":["post-624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"yoast_head":"\n
People from the Porcelain Factory - Instytut Polski w Budapeszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"People from the Porcelain Factory - Instytut Polski w Budapeszcie\" \/>\n<meta property=\"og:description\" content=\"Smooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/\" \/>\n<meta property=\"og:site_name\" content=\"Instytut Polski w Budapeszcie\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-03T16:49:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-11T19:39:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"232\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"sienkiewiczl.disabled\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"sienkiewiczl.disabled\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"event\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/\",\"url\":\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/\",\"name\":\"People from the Porcelain Factory\",\"isPartOf\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#primaryimage\"},\"image\":[\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\",\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0-300x199.jpg\",\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\",\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\"],\"thumbnailUrl\":\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\",\"datePublished\":\"2019-06-03T16:49:56+02:00\",\"dateModified\":\"2019-06-11T19:39:36+02:00\",\"author\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/0d8a0025312a17e346e67e3c446cf459\"},\"breadcrumb\":{\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#breadcrumb\"},\"inLanguage\":\"pl-PL\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/\"]}],\"@context\":\"https:\/\/schema.org\",\"startDate\":\"2019-01-16\",\"endDate\":\"2019-02-28\",\"eventStatus\":\"EventScheduled\",\"eventAttendanceMode\":\"OfflineEventAttendanceMode\",\"location\":{\"@type\":\"place\",\"name\":\"\",\"address\":\"\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"\",\"longitude\":\"\"}},\"description\":\"Smooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.\\nWednesday 16 January, 6:00 pm \u2014 Thursday 28 February 2019, 6:00 pm\\nGaleria Platan\\nBudapest, VI. Andr\u00e1ssy \u00fat 32.\\nSmooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.\\nSmooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.\\n\u201cThe Human Trace\u201d tableware set was produced on a factory production line by workers wearing gloves whose fingertips were dipped in cobalt salts. The traces of their touch remain almost invisible until firing, when they appear on the porcelain body, as the cobalt turns dark blue. In this way the porcelain tableware keeps the touch of the workers\u2019 hands, revealing the role of the \u201chuman factor\u201d in industrial manufacturing. The set is the result of the cooperation of the anthropologist and the ceramist, accompanying the research on various types of knowledge used at work in the factory and on the methods of assessing the value of this work.\\nThe set has been manufactured as a part of the project \u201cPeople from the porcelain factory\u201d, carried out in one of the oldest ceramic factories in Poland. The factory in \u0106miel\u00f3w, established in 1790, has been active in fine porcelain production since 1838 and is currently owned by Polskie Fabryki Porcelany \u0106miel\u00f3w i Chodzie\u017c S.A. The project was financed by the Polish Ministry of Science and Higher Education within the framework of the National Programme of Development in Humanities.\\nThe exhibition was created on the initiative of, and in cooperation with the Adam Mickiewicz Institute. It was presented successfully at the Design March in Iceland (2016), Designblok in the Czech Republic (2017) and during the Triennial Ceramics UNICUM 2018 at the Slovenian Ethnographic Museum in Ljubljana.\\nCurators: Ewa Klekot, Arkadiusz SzwedProduction: Monika BrauntschVisual identification: Bartosz Grzes\u0301kowiakExhibition design: Jarek Hulb\u00f3jPhotos by: Arkadiusz SzwedVideo: Micha\u0142 Reich\\nOPENING: 16. 01. 2019, WEDNESDAY, 6 P. M., PLATAN GALLERYOPENING SPEECH BY KITTI MAYER, DESIGN THEORIST\\nMAYER KITTI MEGNYIT\u00d3BESZ\u00c9DE\\nEMBEREK A PORCEL\u00c1NGY\u00c1RB\u00d3L\\n \\nEngedj\u00e9k meg, hogy r\u00f6viden bemutassam az \u201eEmberek a porcel\u00e1ngy\u00e1rb\u00f3l\u201d projektet, pontosabban: hogy seg\u00edtsek annak \u00e9rtelmez\u00e9s\u00e9ben.\\n \\nMert mi az, amit itt l\u00e1tunk?\\n \\nT\u00e1rgyak, porcel\u00e1nb\u00f3l. Te\u00e1skanna, levesest\u00e1l, tejki\u00f6nt\u0151 kancs\u00f3, cukortart\u00f3, cs\u00e9sz\u00e9k \u00e9s cs\u00e9szealjak, s\u00f3sz\u00f3r\u00f3k, mer\u0151kanalak. Egy \u00fcnnepi \u00e9tk\u00e9szlet. Mindegyik finom, kecses darab, rajtuk leheletnyi aranyoz\u00e1s, dombor\u00fa mint\u00e1zat, \u00e9s ez a m\u00e9lyk\u00e9k sz\u00edn\u0171 defini\u00e1lhatatlan fest\u00e9kfolt. A v\u00e9letlen m\u0171ve lenne? Vagy igenis sz\u00e1nd\u00e9kolt? Tal\u00e1n egy kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9sz cser\u00e9lte porcel\u00e1n t\u00e1rgyakra megunt fest\u0151v\u00e1szn\u00e1t? Az \u00f6tlet, ha jobban belegondolunk, kor\u00e1ntsem l\u00e9gb\u0151l kapott, hiszen \u00d6n\u00f6k is \u00e9s \u00e9n is egy ki\u00e1ll\u00edt\u00f3t\u00e9rben vagyunk, egy ki\u00e1ll\u00edt\u00e1son, \u00e9ppen most nyitom meg.\\n \\nAkkor sem \u00e1llunk messze az igazs\u00e1gt\u00f3l, ha az itt l\u00e1that\u00f3 t\u00e1rgyak kapcs\u00e1n Daniel Spoerri csapdak\u00e9peire gondolunk. \u00c1m ez\u00fattal \u2013 a vacsora maradv\u00e1nyai helyett \u2013 tapintatlanul \u00f6sszefogdosott cs\u00e9sz\u00e9k, t\u00e1ny\u00e9rok, s\u00f3sz\u00f3r\u00f3k \u0151rzik az emberi jelenl\u00e9t, valamif\u00e9le m\u00faltb\u00e9li t\u00f6rt\u00e9n\u00e9s nyomait.\\n \\nDe gondolhatjuk azt is, hogy egy b\u0171nt\u00e9ny helysz\u00edn\u00e9r\u0151l gy\u0171jt\u00f6tt\u00e9k \u00f6ssze a koll\u00e9g\u00e1k a t\u00e1rgyi bizony\u00edt\u00e9kokat. \u00cdme. Mi pedig igencsak szerencs\u00e9s helyzetben vagyunk: a tettes (vagy tettesek) azonos\u00edt\u00e1s\u00e1hoz m\u00e9gcsak UV l\u00e1mp\u00e1ra sincs sz\u00fcks\u00e9g\u00fcnk. A t\u00e1rgyakon hanyagul ottfelejtett \u201en\u00e9vjegy\u00fck\u201d mindent el\u00e1rul. Vagy mindez sz\u00e1nd\u00e9kolt f\u00e9lrevezet\u00e9s lenne?\\n \\nEz az asztal, ez a b\u0151s\u00e9g szinte azonnal rabul ejt, s m\u00e1r els\u0151 pillant\u00e1sra zavarba hoz minket (engem legal\u00e1bbis eg\u00e9szen biztosan). Elszoktunk m\u00e1r, vagy nem is eml\u00e9ksz\u00fcnk, nem is ismert\u00fck soha az eff\u00e9le ter\u00edtett asztalokat. Az asztalnem\u0171, s kiv\u00e1ltk\u00e9pp az ilyen porcel\u00e1n \u00e9tk\u00e9szletek l\u00e1tv\u00e1nya - a t\u00e1rgyak sokas\u00e1g\u00e1n kereszt\u00fcl - az \u00e9tkez\u00e9sre, vagyis az egym\u00e1sra ford\u00edtott id\u0151t rejti mag\u00e1ban.\\n \\nTulajdonk\u00e9ppen pontatlanul fogalmazok, mikor azt mondom: ter\u00edtett asztal. Hiszen \u00e9tkez\u00e9sr\u0151l itt sz\u00f3 sincs. Nincsenek kijel\u00f6lt \u00fcl\u0151helyek az asztal k\u00f6r\u00fcl, se h\u00edmzett ter\u00edt\u0151, sem egy\u00e9b, az \u00e9tkez\u00e9shez sz\u00fcks\u00e9ges b\u00e1rminem\u0171 eszk\u00f6z (p\u00e9ld\u00e1ul ev\u0151eszk\u00f6z vagy szalv\u00e9ta). Ez teh\u00e1t sokkal ink\u00e1bb terepasztal.\\n \\nA k\u00f6vetkez\u0151 s egyben az egyik legfontosabb (b\u00e1r ban\u00e1lisnak t\u0171n\u0151) k\u00e9rd\u00e9s: ki \u00e9s mikor fogdosta \u00f6ssze ezeket a t\u00e1rgyakat? Tulajdonk\u00e9ppen az erre a k\u00e9rd\u00e9sre adott v\u00e1lasz d\u00f6nti el, mif\u00e9le jelens\u00e9ggel is \u00e1llunk szemben.\\n \\nEwa Klekot antropol\u00f3gus. Arkadiusz Szwed keramikus, designer. Mindketten ennek a projektnek, ennek a ki\u00e1ll\u00edt\u00e1snak a kur\u00e1torai. S tulajdonk\u00e9ppen itt pontot is tehetn\u00e9k a megnyit\u00f3 v\u00e9g\u00e9re. (Vicc n\u00e9lk\u00fcl) Magukra hagyhatn\u00e1m \u00d6n\u00f6ket azzal, hogy gondolkodjanak el: mi lehetett ennek a k\u00e9t, foglalkoz\u00e1s\u00e1ban elt\u00e9r\u0151 embernek a c\u00e9lja ezekkel a holmikkal? De persze, term\u00e9szetesen, ahogy \u00edg\u00e9rtem \u2013 \u00e9s mert sz\u00edvtelen sem vagyok \u2013 seg\u00edtek egy kicsit. Pontosabban nem is \u00e9n, hanem a t\u00e1rgyakhoz szorosan kapcsol\u00f3d\u00f3 tabl\u00f3k mes\u00e9lik el az itt bemutatott porcel\u00e1nok t\u00f6rt\u00e9net\u00e9t. Ez viszonylag egyszer\u0171.\\n \\nAz \u2019Emberek a porcel\u00e1ngy\u00e1rb\u00f3l\u2019 ki\u00e1ll\u00edt\u00e1s \u00e9s\/vagy projekt az emberi interakci\u00f3r\u00f3l sz\u00f3l. T\u00e1rgy \u00e9s k\u00e9sz\u00edt\u0151je kapcsolat\u00e1r\u00f3l. Ezek a t\u00e1rgyak a gy\u00e1rt\u00f3sor mellett sz\u00fclettek, emberek, n\u0151k \u00e9s f\u00e9rfiak keze alatt. Nem egy otthon, vagy egy poros kis m\u0171hely f\u00e9lrees\u0151 zug\u00e1ban - amire szemrebben\u00e9s n\u00e9lk\u00fcl mondan\u00e1nk \u201ek\u00e9zm\u0171ves\u201d \u2013 hanem egy nagy, piaci ig\u00e9nyeket kiszolg\u00e1l\u00f3, haszn\u00e1lati t\u00e1rgyakat el\u0151\u00e1ll\u00edt\u00f3 \u00fczemben k\u00e9sz\u00fcltek \u00e9s k\u00e9sz\u00fclnek nap mint nap.\\n \\nA kur\u00e1torok alkalmasabb terepet aligha tal\u00e1lhattak volna: a cmielowi gy\u00e1r Lengyelorsz\u00e1g egyik legr\u00e9gebben m\u0171k\u00f6d\u0151 porcel\u00e1ngy\u00e1ra, 1790-ben alap\u00edtott\u00e1k. Te\u00e1s, k\u00e1v\u00e9s \u00e9s \u00e9tk\u00e9szleteik sz\u00e9les v\u00e1laszt\u00e9k\u00e1val k\u00e9pesek kiszolg\u00e1lni az orsz\u00e1g \u00e9s Eur\u00f3pa ig\u00e9nyeit.\\n \\nA kur\u00e1torok c\u00e9lja az volt, hogy bemutass\u00e1k: a gy\u00e1r nem csup\u00e1n egy arctalan g\u00e9pezet, hanem emberek, g\u00e9pek \u00e9s nyersanyagok k\u00fcl\u00f6nleges \u00f6sszj\u00e1t\u00e9ka, s mint ilyen, emberi sorsok \u00e9s t\u00f6rt\u00e9netek gy\u0171jt\u0151helye: az eredetileg k\u00f6zgazd\u00e1sz v\u00e9gzetts\u00e9g\u0171 modellez\u0151\u00e9, akinek \u00e1lmatlan \u00e9jszak\u00e1kat okozott egy rosszul siker\u00fclt Rokok\u00f3 v\u00e1za, vagy a d\u00edsz\u00edt\u0151 fest\u0151\u00e9, aki imm\u00e1r 35 \u00e9ve dolgozik a gy\u00e1rt\u00f3soron.\\n \\nSz\u00f3val, amit itt l\u00e1tunk, az tulajdonk\u00e9ppen ez: antropol\u00f3giai esettanulm\u00e1ny kaolinb\u00f3l, kvarcb\u00f3l \u00e9s f\u00f6ldp\u00e1tb\u00f3l. Haszn\u00e1lati t\u00e1rgyak, n\u00e9mi csavarral, sz\u00e9ps\u00e9ghib\u00e1val vagy felki\u00e1lt\u00f3jellel. Sz\u00e1momra legink\u00e1bb az ut\u00f3bbival, mert eml\u00e9keztet arra, hogy tal\u00e1n orsz\u00e1ghat\u00e1rainkon bel\u00fcl is \u00e9rdemes lenne hasonl\u00f3 projektbe belev\u00e1gni, s megmutatni azt, ami a felhaszn\u00e1l\u00f3 sz\u00e1m\u00e1ra l\u00e1thatatlan.\\n \\nMayer Kitti, design-teoretikus\\n \\nElhangzott 2019. janu\u00e1r 16-\u00e1n, a ki\u00e1ll\u00edt\u00e1s megnyit\u00f3j\u00e1n.\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg\",\"width\":350,\"height\":232},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/budapest\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"People from the Porcelain Factory\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/budapest\/\",\"name\":\"Instytut Polski w Budapeszcie\",\"description\":\"Instytuty Polskie\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/instytutpolski.pl\/budapest\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"pl-PL\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/0d8a0025312a17e346e67e3c446cf459\",\"name\":\"sienkiewiczl.disabled\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/37c03cac7512c34f5dfeba093c3631c1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/37c03cac7512c34f5dfeba093c3631c1?s=96&d=mm&r=g\",\"caption\":\"sienkiewiczl.disabled\"},\"url\":\"https:\/\/instytutpolski.pl\/budapest\/author\/msz\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"People from the Porcelain Factory - Instytut Polski w Budapeszcie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/","og_locale":"pl_PL","og_type":"article","og_title":"People from the Porcelain Factory - Instytut Polski w Budapeszcie","og_description":"Smooth, shining porcelain evokes cleanliness and perfection. 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We do not want to know if and how many times a cup […]","og_url":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/","og_site_name":"Instytut Polski w Budapeszcie","article_published_time":"2019-06-03T16:49:56+00:00","article_modified_time":"2019-06-11T19:39:36+00:00","og_image":[{"width":350,"height":232,"url":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg","type":"image\/jpeg"}],"author":"sienkiewiczl.disabled","twitter_card":"summary_large_image","twitter_misc":{"Napisane przez":"sienkiewiczl.disabled","Szacowany czas czytania":"7 minut"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"event","@id":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/","url":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/","name":"People from the Porcelain Factory","isPartOf":{"@id":"https:\/\/instytutpolski.pl\/budapest\/#website"},"primaryImageOfPage":{"@id":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#primaryimage"},"image":["https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg","https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0-300x199.jpg","https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg","https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg"],"thumbnailUrl":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg","datePublished":"2019-06-03T16:49:56+02:00","dateModified":"2019-06-11T19:39:36+02:00","author":{"@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/0d8a0025312a17e346e67e3c446cf459"},"breadcrumb":{"@id":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#breadcrumb"},"inLanguage":"pl-PL","potentialAction":[{"@type":"ReadAction","target":["https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/"]}],"@context":"https:\/\/schema.org","startDate":"2019-01-16","endDate":"2019-02-28","eventStatus":"EventScheduled","eventAttendanceMode":"OfflineEventAttendanceMode","location":{"@type":"place","name":"","address":"","geo":{"@type":"GeoCoordinates","latitude":"","longitude":""}},"description":"Smooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.\nWednesday 16 January, 6:00 pm \u2014 Thursday 28 February 2019, 6:00 pm\nGaleria Platan\nBudapest, VI. Andr\u00e1ssy \u00fat 32.\nSmooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.\nSmooth, shining porcelain evokes cleanliness and perfection. When fingers or lips have left a trace on a cup, we feel an almost compulsory need to wipe it off, eliminate, recover the perfection, conceal the evidence of contact with the imperfect human body. We do not want to know if and how many times a cup has been touched before.\n\u201cThe Human Trace\u201d tableware set was produced on a factory production line by workers wearing gloves whose fingertips were dipped in cobalt salts. The traces of their touch remain almost invisible until firing, when they appear on the porcelain body, as the cobalt turns dark blue. In this way the porcelain tableware keeps the touch of the workers\u2019 hands, revealing the role of the \u201chuman factor\u201d in industrial manufacturing. The set is the result of the cooperation of the anthropologist and the ceramist, accompanying the research on various types of knowledge used at work in the factory and on the methods of assessing the value of this work.\nThe set has been manufactured as a part of the project \u201cPeople from the porcelain factory\u201d, carried out in one of the oldest ceramic factories in Poland. The factory in \u0106miel\u00f3w, established in 1790, has been active in fine porcelain production since 1838 and is currently owned by Polskie Fabryki Porcelany \u0106miel\u00f3w i Chodzie\u017c S.A. The project was financed by the Polish Ministry of Science and Higher Education within the framework of the National Programme of Development in Humanities.\nThe exhibition was created on the initiative of, and in cooperation with the Adam Mickiewicz Institute. It was presented successfully at the Design March in Iceland (2016), Designblok in the Czech Republic (2017) and during the Triennial Ceramics UNICUM 2018 at the Slovenian Ethnographic Museum in Ljubljana.\nCurators: Ewa Klekot, Arkadiusz SzwedProduction: Monika BrauntschVisual identification: Bartosz Grzes\u0301kowiakExhibition design: Jarek Hulb\u00f3jPhotos by: Arkadiusz SzwedVideo: Micha\u0142 Reich\nOPENING: 16. 01. 2019, WEDNESDAY, 6 P. M., PLATAN GALLERYOPENING SPEECH BY KITTI MAYER, DESIGN THEORIST\nMAYER KITTI MEGNYIT\u00d3BESZ\u00c9DE\nEMBEREK A PORCEL\u00c1NGY\u00c1RB\u00d3L\n \nEngedj\u00e9k meg, hogy r\u00f6viden bemutassam az \u201eEmberek a porcel\u00e1ngy\u00e1rb\u00f3l\u201d projektet, pontosabban: hogy seg\u00edtsek annak \u00e9rtelmez\u00e9s\u00e9ben.\n \nMert mi az, amit itt l\u00e1tunk?\n \nT\u00e1rgyak, porcel\u00e1nb\u00f3l. Te\u00e1skanna, levesest\u00e1l, tejki\u00f6nt\u0151 kancs\u00f3, cukortart\u00f3, cs\u00e9sz\u00e9k \u00e9s cs\u00e9szealjak, s\u00f3sz\u00f3r\u00f3k, mer\u0151kanalak. Egy \u00fcnnepi \u00e9tk\u00e9szlet. Mindegyik finom, kecses darab, rajtuk leheletnyi aranyoz\u00e1s, dombor\u00fa mint\u00e1zat, \u00e9s ez a m\u00e9lyk\u00e9k sz\u00edn\u0171 defini\u00e1lhatatlan fest\u00e9kfolt. A v\u00e9letlen m\u0171ve lenne? Vagy igenis sz\u00e1nd\u00e9kolt? Tal\u00e1n egy kort\u00e1rs k\u00e9pz\u0151m\u0171v\u00e9sz cser\u00e9lte porcel\u00e1n t\u00e1rgyakra megunt fest\u0151v\u00e1szn\u00e1t? Az \u00f6tlet, ha jobban belegondolunk, kor\u00e1ntsem l\u00e9gb\u0151l kapott, hiszen \u00d6n\u00f6k is \u00e9s \u00e9n is egy ki\u00e1ll\u00edt\u00f3t\u00e9rben vagyunk, egy ki\u00e1ll\u00edt\u00e1son, \u00e9ppen most nyitom meg.\n \nAkkor sem \u00e1llunk messze az igazs\u00e1gt\u00f3l, ha az itt l\u00e1that\u00f3 t\u00e1rgyak kapcs\u00e1n Daniel Spoerri csapdak\u00e9peire gondolunk. \u00c1m ez\u00fattal \u2013 a vacsora maradv\u00e1nyai helyett \u2013 tapintatlanul \u00f6sszefogdosott cs\u00e9sz\u00e9k, t\u00e1ny\u00e9rok, s\u00f3sz\u00f3r\u00f3k \u0151rzik az emberi jelenl\u00e9t, valamif\u00e9le m\u00faltb\u00e9li t\u00f6rt\u00e9n\u00e9s nyomait.\n \nDe gondolhatjuk azt is, hogy egy b\u0171nt\u00e9ny helysz\u00edn\u00e9r\u0151l gy\u0171jt\u00f6tt\u00e9k \u00f6ssze a koll\u00e9g\u00e1k a t\u00e1rgyi bizony\u00edt\u00e9kokat. \u00cdme. Mi pedig igencsak szerencs\u00e9s helyzetben vagyunk: a tettes (vagy tettesek) azonos\u00edt\u00e1s\u00e1hoz m\u00e9gcsak UV l\u00e1mp\u00e1ra sincs sz\u00fcks\u00e9g\u00fcnk. A t\u00e1rgyakon hanyagul ottfelejtett \u201en\u00e9vjegy\u00fck\u201d mindent el\u00e1rul. Vagy mindez sz\u00e1nd\u00e9kolt f\u00e9lrevezet\u00e9s lenne?\n \nEz az asztal, ez a b\u0151s\u00e9g szinte azonnal rabul ejt, s m\u00e1r els\u0151 pillant\u00e1sra zavarba hoz minket (engem legal\u00e1bbis eg\u00e9szen biztosan). Elszoktunk m\u00e1r, vagy nem is eml\u00e9ksz\u00fcnk, nem is ismert\u00fck soha az eff\u00e9le ter\u00edtett asztalokat. Az asztalnem\u0171, s kiv\u00e1ltk\u00e9pp az ilyen porcel\u00e1n \u00e9tk\u00e9szletek l\u00e1tv\u00e1nya - a t\u00e1rgyak sokas\u00e1g\u00e1n kereszt\u00fcl - az \u00e9tkez\u00e9sre, vagyis az egym\u00e1sra ford\u00edtott id\u0151t rejti mag\u00e1ban.\n \nTulajdonk\u00e9ppen pontatlanul fogalmazok, mikor azt mondom: ter\u00edtett asztal. Hiszen \u00e9tkez\u00e9sr\u0151l itt sz\u00f3 sincs. Nincsenek kijel\u00f6lt \u00fcl\u0151helyek az asztal k\u00f6r\u00fcl, se h\u00edmzett ter\u00edt\u0151, sem egy\u00e9b, az \u00e9tkez\u00e9shez sz\u00fcks\u00e9ges b\u00e1rminem\u0171 eszk\u00f6z (p\u00e9ld\u00e1ul ev\u0151eszk\u00f6z vagy szalv\u00e9ta). Ez teh\u00e1t sokkal ink\u00e1bb terepasztal.\n \nA k\u00f6vetkez\u0151 s egyben az egyik legfontosabb (b\u00e1r ban\u00e1lisnak t\u0171n\u0151) k\u00e9rd\u00e9s: ki \u00e9s mikor fogdosta \u00f6ssze ezeket a t\u00e1rgyakat? Tulajdonk\u00e9ppen az erre a k\u00e9rd\u00e9sre adott v\u00e1lasz d\u00f6nti el, mif\u00e9le jelens\u00e9ggel is \u00e1llunk szemben.\n \nEwa Klekot antropol\u00f3gus. Arkadiusz Szwed keramikus, designer. Mindketten ennek a projektnek, ennek a ki\u00e1ll\u00edt\u00e1snak a kur\u00e1torai. S tulajdonk\u00e9ppen itt pontot is tehetn\u00e9k a megnyit\u00f3 v\u00e9g\u00e9re. (Vicc n\u00e9lk\u00fcl) Magukra hagyhatn\u00e1m \u00d6n\u00f6ket azzal, hogy gondolkodjanak el: mi lehetett ennek a k\u00e9t, foglalkoz\u00e1s\u00e1ban elt\u00e9r\u0151 embernek a c\u00e9lja ezekkel a holmikkal? De persze, term\u00e9szetesen, ahogy \u00edg\u00e9rtem \u2013 \u00e9s mert sz\u00edvtelen sem vagyok \u2013 seg\u00edtek egy kicsit. Pontosabban nem is \u00e9n, hanem a t\u00e1rgyakhoz szorosan kapcsol\u00f3d\u00f3 tabl\u00f3k mes\u00e9lik el az itt bemutatott porcel\u00e1nok t\u00f6rt\u00e9net\u00e9t. Ez viszonylag egyszer\u0171.\n \nAz \u2019Emberek a porcel\u00e1ngy\u00e1rb\u00f3l\u2019 ki\u00e1ll\u00edt\u00e1s \u00e9s\/vagy projekt az emberi interakci\u00f3r\u00f3l sz\u00f3l. T\u00e1rgy \u00e9s k\u00e9sz\u00edt\u0151je kapcsolat\u00e1r\u00f3l. Ezek a t\u00e1rgyak a gy\u00e1rt\u00f3sor mellett sz\u00fclettek, emberek, n\u0151k \u00e9s f\u00e9rfiak keze alatt. Nem egy otthon, vagy egy poros kis m\u0171hely f\u00e9lrees\u0151 zug\u00e1ban - amire szemrebben\u00e9s n\u00e9lk\u00fcl mondan\u00e1nk \u201ek\u00e9zm\u0171ves\u201d \u2013 hanem egy nagy, piaci ig\u00e9nyeket kiszolg\u00e1l\u00f3, haszn\u00e1lati t\u00e1rgyakat el\u0151\u00e1ll\u00edt\u00f3 \u00fczemben k\u00e9sz\u00fcltek \u00e9s k\u00e9sz\u00fclnek nap mint nap.\n \nA kur\u00e1torok alkalmasabb terepet aligha tal\u00e1lhattak volna: a cmielowi gy\u00e1r Lengyelorsz\u00e1g egyik legr\u00e9gebben m\u0171k\u00f6d\u0151 porcel\u00e1ngy\u00e1ra, 1790-ben alap\u00edtott\u00e1k. Te\u00e1s, k\u00e1v\u00e9s \u00e9s \u00e9tk\u00e9szleteik sz\u00e9les v\u00e1laszt\u00e9k\u00e1val k\u00e9pesek kiszolg\u00e1lni az orsz\u00e1g \u00e9s Eur\u00f3pa ig\u00e9nyeit.\n \nA kur\u00e1torok c\u00e9lja az volt, hogy bemutass\u00e1k: a gy\u00e1r nem csup\u00e1n egy arctalan g\u00e9pezet, hanem emberek, g\u00e9pek \u00e9s nyersanyagok k\u00fcl\u00f6nleges \u00f6sszj\u00e1t\u00e9ka, s mint ilyen, emberi sorsok \u00e9s t\u00f6rt\u00e9netek gy\u0171jt\u0151helye: az eredetileg k\u00f6zgazd\u00e1sz v\u00e9gzetts\u00e9g\u0171 modellez\u0151\u00e9, akinek \u00e1lmatlan \u00e9jszak\u00e1kat okozott egy rosszul siker\u00fclt Rokok\u00f3 v\u00e1za, vagy a d\u00edsz\u00edt\u0151 fest\u0151\u00e9, aki imm\u00e1r 35 \u00e9ve dolgozik a gy\u00e1rt\u00f3soron.\n \nSz\u00f3val, amit itt l\u00e1tunk, az tulajdonk\u00e9ppen ez: antropol\u00f3giai esettanulm\u00e1ny kaolinb\u00f3l, kvarcb\u00f3l \u00e9s f\u00f6ldp\u00e1tb\u00f3l. Haszn\u00e1lati t\u00e1rgyak, n\u00e9mi csavarral, sz\u00e9ps\u00e9ghib\u00e1val vagy felki\u00e1lt\u00f3jellel. Sz\u00e1momra legink\u00e1bb az ut\u00f3bbival, mert eml\u00e9keztet arra, hogy tal\u00e1n orsz\u00e1ghat\u00e1rainkon bel\u00fcl is \u00e9rdemes lenne hasonl\u00f3 projektbe belev\u00e1gni, s megmutatni azt, ami a felhaszn\u00e1l\u00f3 sz\u00e1m\u00e1ra l\u00e1thatatlan.\n \nMayer Kitti, design-teoretikus\n \nElhangzott 2019. janu\u00e1r 16-\u00e1n, a ki\u00e1ll\u00edt\u00e1s megnyit\u00f3j\u00e1n."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#primaryimage","url":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg","contentUrl":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2019\/06\/proces_-_research-22_0.jpg","width":350,"height":232},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/budapest\/2019\/06\/03\/people-from-the-porcelain-factory\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/budapest\/"},{"@type":"ListItem","position":2,"name":"People from the Porcelain Factory"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/budapest\/#website","url":"https:\/\/instytutpolski.pl\/budapest\/","name":"Instytut Polski w Budapeszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/budapest\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/0d8a0025312a17e346e67e3c446cf459","name":"sienkiewiczl.disabled","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/37c03cac7512c34f5dfeba093c3631c1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/37c03cac7512c34f5dfeba093c3631c1?s=96&d=mm&r=g","caption":"sienkiewiczl.disabled"},"url":"https:\/\/instytutpolski.pl\/budapest\/author\/msz\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/comments?post=624"}],"version-history":[{"count":4,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/624\/revisions"}],"predecessor-version":[{"id":1100,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/624\/revisions\/1100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/media\/593"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/media?parent=624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/categories?post=624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/tags?post=624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}