{"id":7917,"date":"2015-09-16T10:26:04","date_gmt":"2015-09-16T08:26:04","guid":{"rendered":"https:\/\/instytutpolski.pl\/budapest\/?p=7917"},"modified":"2020-05-20T10:35:20","modified_gmt":"2020-05-20T08:35:20","slug":"abnormal-results-2","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/budapest\/2015\/09\/16\/abnormal-results-2\/","title":{"rendered":"ABNORMAL RESULTS"},"content":{"rendered":"\n<p style=\"font-weight: 400\">Ki\u00e1ll\u00edt\u00e1s megny\u00edt\u00f3 szeptember 16-\u00e1n 19.00 \u00f3rakor<\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: inherit\">Megny\u00edtja: <strong>Zsikla M\u00f3nika<\/strong> m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz<\/span><\/p>\n<p style=\"font-weight: 400\">2007 MFA Industrial Design and Visual Communication at Academy of Fine Arts, Warsaw, PL<br \/>2006 BFA Industrial Design and Visual Communication at Academy of Fine Arts Warsaw, PL<br \/>2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT<br \/>2001 J.Elsner High School of Music, department of Music Theory, Warsaw, PL<\/p>\n<p style=\"font-weight: 400\">SOLO SHOWS<br \/>2015 The (im)mortals, Polish Institute in Budapest, HU (upcoming)<br \/>2015 Neoplastic Disease, Oslo Prosjectroom, Oslo, NO<br \/>2014 Abnormal Results, Leipzig International Art Programme, Leipzig, DE<br \/>2014 Once upon a time..the life, Starak Foundation, Warsaw, PL<br \/>2011 Excessive, Program Gallery, Warsaw, PL<br \/>2009 Excessive: esthetique de la rupture, Able Gallery, Berlin, DE<br \/>2008 Inverted, Residencia Coraz\u00f3n, La Plata, Buenos Aires, AR<br \/>2006 Transit Zones,Waiting Areas, Plumba Contemporary Art, Porto, PT<br \/>2005 Maess, ESAD Matosinhos, Porto, PT<br \/>2005 Portografia, Poetria, Porto, PT<\/p>\n<p style=\"font-weight: 400\">GROUP SHOWS<br \/>2014 The Intuitionists, Drawing Center, New York, US<br \/>2014 The day is too short, BWA Kielce, Kielce, PL<br \/>2014 The day is too short, BWA Sok\u00f3\u0142, Nowy S\u0105cz, PL<br \/>2014 Asteroid, Leipzig International Art Programme, Leipzig, DE<br \/>2014 The day is too short, City Gallery Arsenal, Poznan, PL<br \/>2013 The day is too short, Galeria BWA, Jelenia G\u00f3ra, PL<br \/>2013 The day is too short, Wroclaw Contemporary Museum, Wroclaw, PL<br \/>2013 Avaries, Wroclaw Contemporary Museum, Wroclaw, PL<br \/>2012 FID Est Ouest, Twilightzone Gallery, Tournai, BE<br \/>2012 Ca\u0142o Palenia, Krasinski Art Space,Warsaw, PL<br \/>2012 Recapitulation, Krasinski Art Space ,Warsaw, PL<br \/>2011 Zwyk\u0142e drobiazgi, Program Gallery, Warsaw, PL<br \/>2010 Fukt in Warsaw, curated by M.Dobkowska, Center of Contemporary Art, Warsaw, PL<br \/>2010 The Mazurka: of Poland or of the world organized by Chopin Museum, Parco della Musica,<br \/>Rome, IT<br \/>2010 Mazurka: of Poland or of the world, organized by Chopin Museum,<br \/>The Sejm of the Republic of Poland, Warsaw, PL<br \/>2001 Postworkshop exhibition, Synagogue in Toledo, ES<br \/><br \/>ART FAIRS<br \/>2012 Volta Show, Basel, CH<br \/>2011 Berlin Preview Emerging Art Fair, Berlin, DE<\/p>\n<p style=\"font-weight: 400\">GRANTS\/AWARDS\/Residencies<br \/>2015 Oslo Prosjektrom Residency, Oslo, Norway<br \/>2014 Adam Mickiewicz Institute grant (for an exhibition at the Drawing Center NY)<br \/>2014 Leipzig International Art Programme Residency, DE<br \/>2013 Strabag International Art Award, shortlisted, Vienna, AT<br \/>2012 Foire Internationale du Dessin, Paris, FR (Grand prix nomin\u00e9e)<br \/>2008 Residency at Residencia Coraz\u00f3n, La Plata, Buenos Aires, AR<br \/>2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT<\/p>\n<p style=\"font-weight: 400\">PRESS<br \/>How to draw a sound? Vice Warsaw, 2014<br \/>Maess\u2019 travel sketchbook, Anna Zawadzka, Obieg.pl, 2014<br \/>Interview, Karolina Felberg, Natemat.pl, 2014<br \/>Interview, Ma\u0142gorzata Rybarczyk, Why Art.pl, 2014<br \/>There\u2019s no art without artists, Anna Stec, Obieg.pl, 2013<br \/>Galleries\u2019 participation in international art fairs promotesPolish artists on a global market , Kama Zboralska, 29.11.2012, Rzeczpospolita, 297\/F ,Warsaw<br \/>Compass of Young Polish Art (ranking) 20th position, Rzeczpospolita, 2012<br \/>You can have it all in Basel, Art Regards, Heidi Kiener, 2012<br \/>Fascinating discoveries fuel VOLTA8 day one, Volta Show Press Release,Brian Fee, 2012<br \/>Polish galleries at Basel Art Fairs, Culture.pl, 2012<br \/>Maess United Networks, Fabio Sebastianelli, File Magazine, 2012<br \/>Maess, Arte, Antropolog\u00eda Visual y Comisariado, Ana Palacio &#8211; Sanchez, 2011<br \/>Meestal zie ik het gewoon de tekeningen van Maess, Mister Motley, Marianne Plug, 2011<br \/>Inverted by Maess, Emilio Gomariz, Triangulation Blog, 2011<br \/>Rencontres asimetriques; Maess et Marie Anne Franqueville<br \/>Blog du Dessin, Serghei Lirvin Manoliu, 2010<br \/>Dessin: Maess: Alexandra De Lapierre, J\u2019ai fl\u00e2n\u00e9 pour vous, 2010<br \/>On Contemporary Drawing, Micha\u0142 Fopp, Rzeczpospolita Online, 2010<br \/>Drawings of Maess, Micha\u0142 Fopp, Foppreview, 2010<\/p>\n<p style=\"font-weight: 400\">PUBLICATIONS:<br \/>The Intuitionists Drawing Papers 116, The Drawing Center, New york 2014<br \/>ISBN 0780942324877, p.46 i 104, ed. Margaret Sundell<br \/>THE DAY IS NOT ENOUGH, Catalogue, O\u015brodek Kultury\u00a0i Sztuki ; Wroc\u0142aw ; 2013, ed. Magdalena Ujma, ISBN 978836229065<br \/>Volta 8 Basel Catalogue , Hauser und Schwarz, 2012<br \/>Kuba Przyby\u0142owski, Interiew with artist, Lampa i Iskra Boza,\u00a0Poland, Lampa Magazine 05, 2011 p 73-73, ISSN 1732-4661<br \/>PREVIEW BERLIN 2011, (Published by Kristian Jarmuschek,\u00a0R\u00fcdiger Lange, Ralf Schmitt) Seltmann GmbH Druckereibetrieb, L\u00fcdenscheid, 2011\u00a0ISBN: 978-3-942831-20-8<br \/>FUKT Magazine for Contemporary Drawing 8\/9:\u00a0Bj\u00f6rn Hegardt, Revolver Publishing, Berlin, 2010, ISBN-10: 3868950885<\/p>\n<p style=\"font-weight: 400\">Maess Malgorzata Anand fiatal lengyel k\u00e9pz\u0151m\u0171v\u00e9sz els\u0151 hazai bemutatkoz\u00f3 ki\u00e1ll\u00edt\u00e1s\u00e1nak m\u0171vei nem csak els\u0151, hanem m\u00e1sodik pillant\u00e1sra is kozmikus l\u00e1tk\u00e9pek gy\u0171jtem\u00e9ny\u00e9nek t\u0171nik a l\u00e1thatatlan birodalm\u00e1b\u00f3l. \u00c9s ezt a percepci\u00f3t a ki\u00e1ll\u00edt\u00e1s c\u00edme\u00a0<i><em style=\"font-weight: inherit\">Abnormal Result<\/em><\/i>\u00a0n\u00e9mileg balj\u00f3s el\u0151\u00e9rzettel f\u0171szerezi meg\u2026de kezdetben persze fogalmunk sem lehet arr\u00f3l, hogy adott esetben mire is vonatkozhatnak a \u201enem norm\u00e1lis\u201d \u00e9s a \u201ev\u00e9geredm\u00e9ny\u201d jel\u00f6letek?<\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: inherit\">A m\u0171vek megk\u00f6zel\u00edt\u00e9sekor befogad\u00f3k\u00e9nt izgalmas kalandba r\u00e9szes\u00fclhet\u00fcnk, ha a fel\u00fcletek letapogat\u00e1sakor a m\u0171v\u00e9sz makro l\u00e9pt\u00e9kb\u0151l a mikro fel\u00e9 tart\u00f3 alkot\u00f3i m\u00f3dszer\u00e9t adopt\u00e1ljuk. Maess kutat\u00e1sainak makro dimenzi\u00f3j\u00e1t a vil\u00e1gh\u00e1l\u00f3n zajl\u00f3 r\u00e1kkutat\u00e1si diskurzus \u00edrott \u00e9s vizu\u00e1lis adatb\u00e1zia adja, melyet hossz\u00fa \u00e9vek \u00f3ta elm\u00e9ly\u00fclten kutat \u00e9s m\u0171vei k\u00e9sz\u00edt\u00e9sekor felhaszn\u00e1l. A r\u00e1kkutat\u00e1s \u00fajabb \u00e9s \u00fajabb kutat\u00e1si eredm\u00e9nyeket prezent\u00e1l\u00f3 f\u00f3rumainak virtu\u00e1lis t\u00e9r\u00e9ben magtal\u00e1lt k\u00f3ros elv\u00e1ltoz\u00e1sokr\u00f3l k\u00e9sz\u00fclt hisztopatol\u00f3gikus felv\u00e9telek makro, mikro \u00e9s nano elemz\u00e9seit a m\u0171v\u00e9sz els\u0151k\u00e9nt begy\u0171jti, majd a sz\u00e1m\u00e1ra vizu\u00e1lisan vagy ment\u00e1lisan legfontosabb k\u00f3rsz\u00f6vettani felv\u00e9teleket sz\u00e1m\u00edt\u00f3g\u00e9pes programok seg\u00edts\u00e9g\u00e9vel rajzai kiindul\u00e1si alapj\u00e1v\u00e1, rajzt\u00e9rk\u00e9peiv\u00e9 v\u00e1ltoztatja.\u00a0<\/span><span style=\"font-weight: inherit\">\u00a0\u00a0<\/span><span style=\"font-weight: inherit\">\u00a0<\/span><\/p>\n<p style=\"font-weight: 400\">Ha n\u00e9z\u0151k\u00e9nt a makro l\u00e9pt\u00e9k fel\u0151l k\u00f6zel\u00edt\u00fcnk, akkor a Lengyel Int\u00e9zet nagym\u00e9ret\u0171 kirakat\u00fcveg\u00e9n betekintve a t\u00e1volb\u00f3l els\u0151k\u00e9nt a m\u0171vek gesztus jellege, \u00e9s a v\u00f6r\u00f6s fel\u00fcletek m\u00e9rhetetlen vibr\u00e1ci\u00f3ja ejti szem\u00fcnket rabul. A ki\u00e1ll\u00edt\u00f3t\u00e9rbe l\u00e9pve ez a vibr\u00e1l\u00e1s tov\u00e1bb fokoz\u00f3dik, de a m\u0171vek k\u00f6zels\u00e9g\u00e9ben a rajzolt fel\u00fcletek prec\u00edzen vezetett vonalrendszere k\u00f6zelr\u0151l l\u00e1ttatja, hogy gesztusr\u00f3l, vagy gesztusszer\u0171 mozdulatokr\u00f3l sz\u00f3 sincs. S\u0151t, \u00e9pp ellenkez\u0151leg, a k\u00fcl\u00f6nb\u00f6z\u0151 technik\u00e1kkal megmunk\u00e1lt finom vonalh\u00e1l\u00f3zatok tudatosan \u00e9p\u00edtett komplexumok, amelyek n\u00e9z\u00e9se k\u00f6zben eszm\u00e9lhet\u00fcnk r\u00e1, hogy m\u00e1r tudattalanul is l\u00e9pt\u00e9ket v\u00e1ltottunk. Csak\u00fagy, mint a m\u0171v\u00e9sz, aki a vil\u00e1gh\u00e1l\u00f3r\u00f3l gy\u0171jt\u00f6tt felv\u00e9teleket els\u0151k\u00e9nt saj\u00e1t mikrovil\u00e1g\u00e1nak r\u00e9szek\u00e9nt manipul\u00e1lja, egyszer a s\u00edk rajzolatoknak 3 dimenzi\u00f3s tereket ad, perspekt\u00edv\u00e1t, m\u00e1skor meghagyja azokat s\u00edk fel\u00fcletekk\u00e9nt, n\u00e9ha pedig a rem\u00e9ny szavaival eg\u00e9sz\u00edti ki, vagy fikt\u00edv gy\u00f3gy\u00edt\u00f3 sz\u00f6vethalmazokkal l\u00e1tja el a k\u00f3ros sz\u00f6vetk\u00e9peket.<\/p>\n<p style=\"font-weight: 400\"><span style=\"font-weight: inherit\">Ezen rejtett kozmikus vil\u00e1g k\u00e9peit (j\u00f3 esetben) szinte sohasem l\u00e1thatjuk, de a m\u0171vek n\u00e9z\u00e9sekor m\u00e9gis ismer\u0151s konnot\u00e1tumok sokas\u00e1ga z\u00fadul r\u00e1nk: ismer\u0151s a v\u00e9r v\u00f6r\u00f6s sz\u00edne, a horizont n\u00e9lk\u00fcli terekben \u00f6rv\u00e9nyl\u0151 l\u00fcktet\u00e9s, amelyet valami bels\u0151 dinamika tart \u00f6ssze, az egyszerre szab\u00e1lyos \u00e9s szab\u00e1lytalan rajzolat, a fr\u00f6ccsen\u00e9s \u00e9s csap\u00f3d\u00e1s fodrozata, s ez mind-mind a hum\u00e1n test megv\u00e1ltozott \u00e9rzeteinek asszoci\u00e1ci\u00f3j\u00e1t keltheti. \u00c9s nem j\u00e1runk messze az igazs\u00e1gt\u00f3l, mert a rajzok k\u00f6z\u00f6tt val\u00f3ban van olyan, amely transzform\u00e1ci\u00f3 n\u00e9lk\u00fcl, v\u00e1ltozatlanul adja vissza egy \u00e1tt\u00e9tes k\u00f3rsz\u00f6vettan k\u00e9p\u00e9t\u2026\u00e9s ezzel egy\u00fctt a test dr\u00e1m\u00e1j\u00e1t.<\/span><\/p>\n<p style=\"font-weight: 400\">De hogy a dr\u00e1m\u00e1ban a rem\u00e9ny l\u00e9tjogosults\u00e1g\u00e1ra is figyelj\u00fcnk, m\u00e9ly\u00fclj\u00fcnk el a szemk\u00f6zti f\u0151 fal jobb sz\u00e9ls\u0151 k\u00e9p\u00e9ben, amely az \u00e9vek \u00f3ta rajzol\u00f3d\u00f3 tematika legutols\u00f3, s egyben legsz\u00ednesebb darabja! A k\u00f3rk\u00e9p rajzolat\u00e1ba \u00e9kel\u0151d\u00f6tt sz\u00ednek, pedig az elv\u00e1ltozott sejtk\u00e9pek kezel\u00e9sekor a v\u00e9rbe juttatott kemik\u00e1li\u00e1kat jel\u00f6lik, mert az eredm\u00e9ny lehet \u201eabnorm\u00e1lis\u201d, de a \u201ev\u00e9g\u201d az utols\u00f3 pillanatig maradhat rem\u00e9nyteli\u2026<\/p>\n<p style=\"font-weight: 400\">Menj\u00fcnk h\u00e1t k\u00f6zel, vagy n\u00e9zz\u00fcnk csak a t\u00e1volb\u00f3l, mindenkit arra b\u00e1tor\u00edtan\u00e9k, hogy ha a ki\u00e1ll\u00edtott munk\u00e1kkal kapcsolatban k\u00e9rd\u00e9se lenne, k\u00e9rdezzen egyenesen a m\u0171v\u00e9szt\u0151l, aki nagy \u00f6r\u00f6m\u00fcnkre a megnyit\u00f3n jelen van!<br \/>K\u00f6sz\u00f6n\u00f6m a figyelmet!\u00a0Zsikla M\u00f3nika<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9752.jpg\" alt=\"\" data-id=\"6643\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9752.jpg\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/dsc9752\/\" class=\"wp-image-6643\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9752.jpg 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9752-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9768_0.jpg\" alt=\"\" data-id=\"6642\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9768_0.jpg\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/dsc9768_0\/\" class=\"wp-image-6642\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9768_0.jpg 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9768_0-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9766_0.jpg\" alt=\"\" data-id=\"6641\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9766_0.jpg\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/dsc9766_0\/\" class=\"wp-image-6641\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9766_0.jpg 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/dsc9766_0-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/tv1.jpg\" alt=\"\" data-id=\"6640\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/tv1.jpg\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/tv1\/\" class=\"wp-image-6640\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/tv1.jpg 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/tv1-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/aa3_0.jpg\" alt=\"\" data-id=\"6639\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/aa3_0.jpg\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/aa3_0\/\" class=\"wp-image-6639\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/aa3_0.jpg 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/aa3_0-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/23_1.jpg\" alt=\"\" data-id=\"6638\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/23_1.jpg\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/23_1\/\" class=\"wp-image-6638\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/23_1.jpg 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/23_1-150x150.jpg 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/21_2.jpg\" alt=\"\" data-id=\"6637\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/21_2.jpg\" 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class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/d.png\" alt=\"\" data-id=\"6622\" data-full-url=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/d.png\" data-link=\"https:\/\/instytutpolski.pl\/budapest\/pl\/2015\/09\/16\/abnormal-results\/d\/\" class=\"wp-image-6622\" srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/d.png 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/d-150x150.png 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"160\" height=\"160\" src=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/b.png\" alt=\"\" data-id=\"6621\" 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srcset=\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/a.png 160w, https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/a-150x150.png 150w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ki\u00e1ll\u00edt\u00e1s megny\u00edt\u00f3 szeptember 16-\u00e1n 19.00 \u00f3rakor Megny\u00edtja: Zsikla M\u00f3nika m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz 2007 MFA Industrial Design and Visual Communication at Academy of Fine Arts, Warsaw, PL2006 BFA Industrial Design and Visual Communication at Academy of Fine Arts Warsaw, PL2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT2001 J.Elsner High School of Music, department of Music Theory, [&hellip;]<\/p>\n","protected":false},"author":124,"featured_media":6644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[235,48,169,36],"tags":[],"class_list":["post-7917","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-esemenyek","category-kiallitas","category-platan-galeria","category-program"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ABNORMAL RESULTS - Instytut Polski w Budapeszcie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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Gal\u00e9ria, Andr\u00e1ssy \u00fat 32.\",\"address\":\"Plat\u00e1n Gal\u00e9ria, Andr\u00e1ssy \u00fat 32.\",\"geo\":{\"@type\":\"GeoCoordinates\",\"latitude\":\"0\",\"longitude\":\"0\"}},\"description\":\"Ki\u00e1ll\u00edt\u00e1s megny\u00edt\u00f3 szeptember 16-\u00e1n 19.00 \u00f3rakor\\nMegny\u00edtja: Zsikla M\u00f3nika m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz\\n2007 MFA Industrial Design and Visual Communication at Academy of Fine Arts, Warsaw, PL2006 BFA Industrial Design and Visual Communication at Academy of Fine Arts Warsaw, PL2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT2001 J.Elsner High School of Music, department of Music Theory, Warsaw, PL\\nSOLO SHOWS2015 The (im)mortals, Polish Institute in Budapest, HU (upcoming)2015 Neoplastic Disease, Oslo Prosjectroom, Oslo, NO2014 Abnormal Results, Leipzig International Art Programme, Leipzig, DE2014 Once upon a time..the life, Starak Foundation, Warsaw, PL2011 Excessive, Program Gallery, Warsaw, PL2009 Excessive: esthetique de la rupture, Able Gallery, Berlin, DE2008 Inverted, Residencia Coraz\u00f3n, La Plata, Buenos Aires, AR2006 Transit Zones,Waiting Areas, Plumba Contemporary Art, Porto, PT2005 Maess, ESAD Matosinhos, Porto, PT2005 Portografia, Poetria, Porto, PT\\nGROUP SHOWS2014 The Intuitionists, Drawing Center, New York, US2014 The day is too short, BWA Kielce, Kielce, PL2014 The day is too short, BWA Sok\u00f3\u0142, Nowy S\u0105cz, PL2014 Asteroid, Leipzig International Art Programme, Leipzig, DE2014 The day is too short, City Gallery Arsenal, Poznan, PL2013 The day is too short, Galeria BWA, Jelenia G\u00f3ra, PL2013 The day is too short, Wroclaw Contemporary Museum, Wroclaw, PL2013 Avaries, Wroclaw Contemporary Museum, Wroclaw, PL2012 FID Est Ouest, Twilightzone Gallery, Tournai, BE2012 Ca\u0142o Palenia, Krasinski Art Space,Warsaw, PL2012 Recapitulation, Krasinski Art Space ,Warsaw, PL2011 Zwyk\u0142e drobiazgi, Program Gallery, Warsaw, PL2010 Fukt in Warsaw, curated by M.Dobkowska, Center of Contemporary Art, Warsaw, PL2010 The Mazurka: of Poland or of the world organized by Chopin Museum, Parco della Musica,Rome, IT2010 Mazurka: of Poland or of the world, organized by Chopin Museum,The Sejm of the Republic of Poland, Warsaw, PL2001 Postworkshop exhibition, Synagogue in Toledo, ESART FAIRS2012 Volta Show, Basel, CH2011 Berlin Preview Emerging Art Fair, Berlin, DE\\nGRANTS\/AWARDS\/Residencies2015 Oslo Prosjektrom Residency, Oslo, Norway2014 Adam Mickiewicz Institute grant (for an exhibition at the Drawing Center NY)2014 Leipzig International Art Programme Residency, DE2013 Strabag International Art Award, shortlisted, Vienna, AT2012 Foire Internationale du Dessin, Paris, FR (Grand prix nomin\u00e9e)2008 Residency at Residencia Coraz\u00f3n, La Plata, Buenos Aires, AR2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT\\nPRESSHow to draw a sound? Vice Warsaw, 2014Maess\u2019 travel sketchbook, Anna Zawadzka, Obieg.pl, 2014Interview, Karolina Felberg, Natemat.pl, 2014Interview, Ma\u0142gorzata Rybarczyk, Why Art.pl, 2014There\u2019s no art without artists, Anna Stec, Obieg.pl, 2013Galleries\u2019 participation in international art fairs promotesPolish artists on a global market , Kama Zboralska, 29.11.2012, Rzeczpospolita, 297\/F ,WarsawCompass of Young Polish Art (ranking) 20th position, Rzeczpospolita, 2012You can have it all in Basel, Art Regards, Heidi Kiener, 2012Fascinating discoveries fuel VOLTA8 day one, Volta Show Press Release,Brian Fee, 2012Polish galleries at Basel Art Fairs, Culture.pl, 2012Maess United Networks, Fabio Sebastianelli, File Magazine, 2012Maess, Arte, Antropolog\u00eda Visual y Comisariado, Ana Palacio - Sanchez, 2011Meestal zie ik het gewoon de tekeningen van Maess, Mister Motley, Marianne Plug, 2011Inverted by Maess, Emilio Gomariz, Triangulation Blog, 2011Rencontres asimetriques; Maess et Marie Anne FranquevilleBlog du Dessin, Serghei Lirvin Manoliu, 2010Dessin: Maess: Alexandra De Lapierre, J\u2019ai fl\u00e2n\u00e9 pour vous, 2010On Contemporary Drawing, Micha\u0142 Fopp, Rzeczpospolita Online, 2010Drawings of Maess, Micha\u0142 Fopp, Foppreview, 2010\\nPUBLICATIONS:The Intuitionists Drawing Papers 116, The Drawing Center, New york 2014ISBN 0780942324877, p.46 i 104, ed. Margaret SundellTHE DAY IS NOT ENOUGH, Catalogue, O\u015brodek Kultury\u00a0i Sztuki ; Wroc\u0142aw ; 2013, ed. Magdalena Ujma, ISBN 978836229065Volta 8 Basel Catalogue , Hauser und Schwarz, 2012Kuba Przyby\u0142owski, Interiew with artist, Lampa i Iskra Boza,\u00a0Poland, Lampa Magazine 05, 2011 p 73-73, ISSN 1732-4661PREVIEW BERLIN 2011, (Published by Kristian Jarmuschek,\u00a0R\u00fcdiger Lange, Ralf Schmitt) Seltmann GmbH Druckereibetrieb, L\u00fcdenscheid, 2011\u00a0ISBN: 978-3-942831-20-8FUKT Magazine for Contemporary Drawing 8\/9:\u00a0Bj\u00f6rn Hegardt, Revolver Publishing, Berlin, 2010, ISBN-10: 3868950885\\nMaess Malgorzata Anand fiatal lengyel k\u00e9pz\u0151m\u0171v\u00e9sz els\u0151 hazai bemutatkoz\u00f3 ki\u00e1ll\u00edt\u00e1s\u00e1nak m\u0171vei nem csak els\u0151, hanem m\u00e1sodik pillant\u00e1sra is kozmikus l\u00e1tk\u00e9pek gy\u0171jtem\u00e9ny\u00e9nek t\u0171nik a l\u00e1thatatlan birodalm\u00e1b\u00f3l. \u00c9s ezt a percepci\u00f3t a ki\u00e1ll\u00edt\u00e1s c\u00edme\u00a0Abnormal Result\u00a0n\u00e9mileg balj\u00f3s el\u0151\u00e9rzettel f\u0171szerezi meg\u2026de kezdetben persze fogalmunk sem lehet arr\u00f3l, hogy adott esetben mire is vonatkozhatnak a \u201enem norm\u00e1lis\u201d \u00e9s a \u201ev\u00e9geredm\u00e9ny\u201d jel\u00f6letek?\\nA m\u0171vek megk\u00f6zel\u00edt\u00e9sekor befogad\u00f3k\u00e9nt izgalmas kalandba r\u00e9szes\u00fclhet\u00fcnk, ha a fel\u00fcletek letapogat\u00e1sakor a m\u0171v\u00e9sz makro l\u00e9pt\u00e9kb\u0151l a mikro fel\u00e9 tart\u00f3 alkot\u00f3i m\u00f3dszer\u00e9t adopt\u00e1ljuk. Maess kutat\u00e1sainak makro dimenzi\u00f3j\u00e1t a vil\u00e1gh\u00e1l\u00f3n zajl\u00f3 r\u00e1kkutat\u00e1si diskurzus \u00edrott \u00e9s vizu\u00e1lis adatb\u00e1zia adja, melyet hossz\u00fa \u00e9vek \u00f3ta elm\u00e9ly\u00fclten kutat \u00e9s m\u0171vei k\u00e9sz\u00edt\u00e9sekor felhaszn\u00e1l. A r\u00e1kkutat\u00e1s \u00fajabb \u00e9s \u00fajabb kutat\u00e1si eredm\u00e9nyeket prezent\u00e1l\u00f3 f\u00f3rumainak virtu\u00e1lis t\u00e9r\u00e9ben magtal\u00e1lt k\u00f3ros elv\u00e1ltoz\u00e1sokr\u00f3l k\u00e9sz\u00fclt hisztopatol\u00f3gikus felv\u00e9telek makro, mikro \u00e9s nano elemz\u00e9seit a m\u0171v\u00e9sz els\u0151k\u00e9nt begy\u0171jti, majd a sz\u00e1m\u00e1ra vizu\u00e1lisan vagy ment\u00e1lisan legfontosabb k\u00f3rsz\u00f6vettani felv\u00e9teleket sz\u00e1m\u00edt\u00f3g\u00e9pes programok seg\u00edts\u00e9g\u00e9vel rajzai kiindul\u00e1si alapj\u00e1v\u00e1, rajzt\u00e9rk\u00e9peiv\u00e9 v\u00e1ltoztatja.\u00a0\u00a0\u00a0\u00a0\\nHa n\u00e9z\u0151k\u00e9nt a makro l\u00e9pt\u00e9k fel\u0151l k\u00f6zel\u00edt\u00fcnk, akkor a Lengyel Int\u00e9zet nagym\u00e9ret\u0171 kirakat\u00fcveg\u00e9n betekintve a t\u00e1volb\u00f3l els\u0151k\u00e9nt a m\u0171vek gesztus jellege, \u00e9s a v\u00f6r\u00f6s fel\u00fcletek m\u00e9rhetetlen vibr\u00e1ci\u00f3ja ejti szem\u00fcnket rabul. A ki\u00e1ll\u00edt\u00f3t\u00e9rbe l\u00e9pve ez a vibr\u00e1l\u00e1s tov\u00e1bb fokoz\u00f3dik, de a m\u0171vek k\u00f6zels\u00e9g\u00e9ben a rajzolt fel\u00fcletek prec\u00edzen vezetett vonalrendszere k\u00f6zelr\u0151l l\u00e1ttatja, hogy gesztusr\u00f3l, vagy gesztusszer\u0171 mozdulatokr\u00f3l sz\u00f3 sincs. S\u0151t, \u00e9pp ellenkez\u0151leg, a k\u00fcl\u00f6nb\u00f6z\u0151 technik\u00e1kkal megmunk\u00e1lt finom vonalh\u00e1l\u00f3zatok tudatosan \u00e9p\u00edtett komplexumok, amelyek n\u00e9z\u00e9se k\u00f6zben eszm\u00e9lhet\u00fcnk r\u00e1, hogy m\u00e1r tudattalanul is l\u00e9pt\u00e9ket v\u00e1ltottunk. Csak\u00fagy, mint a m\u0171v\u00e9sz, aki a vil\u00e1gh\u00e1l\u00f3r\u00f3l gy\u0171jt\u00f6tt felv\u00e9teleket els\u0151k\u00e9nt saj\u00e1t mikrovil\u00e1g\u00e1nak r\u00e9szek\u00e9nt manipul\u00e1lja, egyszer a s\u00edk rajzolatoknak 3 dimenzi\u00f3s tereket ad, perspekt\u00edv\u00e1t, m\u00e1skor meghagyja azokat s\u00edk fel\u00fcletekk\u00e9nt, n\u00e9ha pedig a rem\u00e9ny szavaival eg\u00e9sz\u00edti ki, vagy fikt\u00edv gy\u00f3gy\u00edt\u00f3 sz\u00f6vethalmazokkal l\u00e1tja el a k\u00f3ros sz\u00f6vetk\u00e9peket.\\nEzen rejtett kozmikus vil\u00e1g k\u00e9peit (j\u00f3 esetben) szinte sohasem l\u00e1thatjuk, de a m\u0171vek n\u00e9z\u00e9sekor m\u00e9gis ismer\u0151s konnot\u00e1tumok sokas\u00e1ga z\u00fadul r\u00e1nk: ismer\u0151s a v\u00e9r v\u00f6r\u00f6s sz\u00edne, a horizont n\u00e9lk\u00fcli terekben \u00f6rv\u00e9nyl\u0151 l\u00fcktet\u00e9s, amelyet valami bels\u0151 dinamika tart \u00f6ssze, az egyszerre szab\u00e1lyos \u00e9s szab\u00e1lytalan rajzolat, a fr\u00f6ccsen\u00e9s \u00e9s csap\u00f3d\u00e1s fodrozata, s ez mind-mind a hum\u00e1n test megv\u00e1ltozott \u00e9rzeteinek asszoci\u00e1ci\u00f3j\u00e1t keltheti. \u00c9s nem j\u00e1runk messze az igazs\u00e1gt\u00f3l, mert a rajzok k\u00f6z\u00f6tt val\u00f3ban van olyan, amely transzform\u00e1ci\u00f3 n\u00e9lk\u00fcl, v\u00e1ltozatlanul adja vissza egy \u00e1tt\u00e9tes k\u00f3rsz\u00f6vettan k\u00e9p\u00e9t\u2026\u00e9s ezzel egy\u00fctt a test dr\u00e1m\u00e1j\u00e1t.\\nDe hogy a dr\u00e1m\u00e1ban a rem\u00e9ny l\u00e9tjogosults\u00e1g\u00e1ra is figyelj\u00fcnk, m\u00e9ly\u00fclj\u00fcnk el a szemk\u00f6zti f\u0151 fal jobb sz\u00e9ls\u0151 k\u00e9p\u00e9ben, amely az \u00e9vek \u00f3ta rajzol\u00f3d\u00f3 tematika legutols\u00f3, s egyben legsz\u00ednesebb darabja! A k\u00f3rk\u00e9p rajzolat\u00e1ba \u00e9kel\u0151d\u00f6tt sz\u00ednek, pedig az elv\u00e1ltozott sejtk\u00e9pek kezel\u00e9sekor a v\u00e9rbe juttatott kemik\u00e1li\u00e1kat jel\u00f6lik, mert az eredm\u00e9ny lehet \u201eabnorm\u00e1lis\u201d, de a \u201ev\u00e9g\u201d az utols\u00f3 pillanatig maradhat rem\u00e9nyteli\u2026\\nMenj\u00fcnk h\u00e1t k\u00f6zel, vagy n\u00e9zz\u00fcnk csak a t\u00e1volb\u00f3l, mindenkit arra b\u00e1tor\u00edtan\u00e9k, hogy ha a ki\u00e1ll\u00edtott munk\u00e1kkal kapcsolatban k\u00e9rd\u00e9se lenne, k\u00e9rdezzen egyenesen a m\u0171v\u00e9szt\u0151l, aki nagy \u00f6r\u00f6m\u00fcnkre a megnyit\u00f3n jelen van!K\u00f6sz\u00f6n\u00f6m a figyelmet!\u00a0Zsikla M\u00f3nika\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"pl-PL\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2015\/09\/16\/abnormal-results-2\/#primaryimage\",\"url\":\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/g_-_kopia.png\",\"contentUrl\":\"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/g_-_kopia.png\",\"width\":350,\"height\":386},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/2015\/09\/16\/abnormal-results-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/instytutpolski.pl\/budapest\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ABNORMAL RESULTS\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/instytutpolski.pl\/budapest\/#website\",\"url\":\"https:\/\/instytutpolski.pl\/budapest\/\",\"name\":\"Instytut Polski w Budapeszcie\",\"description\":\"Instytuty 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Gal\u00e9ria, Andr\u00e1ssy \u00fat 32.","address":"Plat\u00e1n Gal\u00e9ria, Andr\u00e1ssy \u00fat 32.","geo":{"@type":"GeoCoordinates","latitude":"0","longitude":"0"}},"description":"Ki\u00e1ll\u00edt\u00e1s megny\u00edt\u00f3 szeptember 16-\u00e1n 19.00 \u00f3rakor\nMegny\u00edtja: Zsikla M\u00f3nika m\u0171v\u00e9szett\u00f6rt\u00e9n\u00e9sz\n2007 MFA Industrial Design and Visual Communication at Academy of Fine Arts, Warsaw, PL2006 BFA Industrial Design and Visual Communication at Academy of Fine Arts Warsaw, PL2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT2001 J.Elsner High School of Music, department of Music Theory, Warsaw, PL\nSOLO SHOWS2015 The (im)mortals, Polish Institute in Budapest, HU (upcoming)2015 Neoplastic Disease, Oslo Prosjectroom, Oslo, NO2014 Abnormal Results, Leipzig International Art Programme, Leipzig, DE2014 Once upon a time..the life, Starak Foundation, Warsaw, PL2011 Excessive, Program Gallery, Warsaw, PL2009 Excessive: esthetique de la rupture, Able Gallery, Berlin, DE2008 Inverted, Residencia Coraz\u00f3n, La Plata, Buenos Aires, AR2006 Transit Zones,Waiting Areas, Plumba Contemporary Art, Porto, PT2005 Maess, ESAD Matosinhos, Porto, PT2005 Portografia, Poetria, Porto, PT\nGROUP SHOWS2014 The Intuitionists, Drawing Center, New York, US2014 The day is too short, BWA Kielce, Kielce, PL2014 The day is too short, BWA Sok\u00f3\u0142, Nowy S\u0105cz, PL2014 Asteroid, Leipzig International Art Programme, Leipzig, DE2014 The day is too short, City Gallery Arsenal, Poznan, PL2013 The day is too short, Galeria BWA, Jelenia G\u00f3ra, PL2013 The day is too short, Wroclaw Contemporary Museum, Wroclaw, PL2013 Avaries, Wroclaw Contemporary Museum, Wroclaw, PL2012 FID Est Ouest, Twilightzone Gallery, Tournai, BE2012 Ca\u0142o Palenia, Krasinski Art Space,Warsaw, PL2012 Recapitulation, Krasinski Art Space ,Warsaw, PL2011 Zwyk\u0142e drobiazgi, Program Gallery, Warsaw, PL2010 Fukt in Warsaw, curated by M.Dobkowska, Center of Contemporary Art, Warsaw, PL2010 The Mazurka: of Poland or of the world organized by Chopin Museum, Parco della Musica,Rome, IT2010 Mazurka: of Poland or of the world, organized by Chopin Museum,The Sejm of the Republic of Poland, Warsaw, PL2001 Postworkshop exhibition, Synagogue in Toledo, ESART FAIRS2012 Volta Show, Basel, CH2011 Berlin Preview Emerging Art Fair, Berlin, DE\nGRANTS\/AWARDS\/Residencies2015 Oslo Prosjektrom Residency, Oslo, Norway2014 Adam Mickiewicz Institute grant (for an exhibition at the Drawing Center NY)2014 Leipzig International Art Programme Residency, DE2013 Strabag International Art Award, shortlisted, Vienna, AT2012 Foire Internationale du Dessin, Paris, FR (Grand prix nomin\u00e9e)2008 Residency at Residencia Coraz\u00f3n, La Plata, Buenos Aires, AR2005 Scholarship at ESAD, faculty of Graphic Design, Porto, PT\nPRESSHow to draw a sound? Vice Warsaw, 2014Maess\u2019 travel sketchbook, Anna Zawadzka, Obieg.pl, 2014Interview, Karolina Felberg, Natemat.pl, 2014Interview, Ma\u0142gorzata Rybarczyk, Why Art.pl, 2014There\u2019s no art without artists, Anna Stec, Obieg.pl, 2013Galleries\u2019 participation in international art fairs promotesPolish artists on a global market , Kama Zboralska, 29.11.2012, Rzeczpospolita, 297\/F ,WarsawCompass of Young Polish Art (ranking) 20th position, Rzeczpospolita, 2012You can have it all in Basel, Art Regards, Heidi Kiener, 2012Fascinating discoveries fuel VOLTA8 day one, Volta Show Press Release,Brian Fee, 2012Polish galleries at Basel Art Fairs, Culture.pl, 2012Maess United Networks, Fabio Sebastianelli, File Magazine, 2012Maess, Arte, Antropolog\u00eda Visual y Comisariado, Ana Palacio - Sanchez, 2011Meestal zie ik het gewoon de tekeningen van Maess, Mister Motley, Marianne Plug, 2011Inverted by Maess, Emilio Gomariz, Triangulation Blog, 2011Rencontres asimetriques; Maess et Marie Anne FranquevilleBlog du Dessin, Serghei Lirvin Manoliu, 2010Dessin: Maess: Alexandra De Lapierre, J\u2019ai fl\u00e2n\u00e9 pour vous, 2010On Contemporary Drawing, Micha\u0142 Fopp, Rzeczpospolita Online, 2010Drawings of Maess, Micha\u0142 Fopp, Foppreview, 2010\nPUBLICATIONS:The Intuitionists Drawing Papers 116, The Drawing Center, New york 2014ISBN 0780942324877, p.46 i 104, ed. Margaret SundellTHE DAY IS NOT ENOUGH, Catalogue, O\u015brodek Kultury\u00a0i Sztuki ; Wroc\u0142aw ; 2013, ed. Magdalena Ujma, ISBN 978836229065Volta 8 Basel Catalogue , Hauser und Schwarz, 2012Kuba Przyby\u0142owski, Interiew with artist, Lampa i Iskra Boza,\u00a0Poland, Lampa Magazine 05, 2011 p 73-73, ISSN 1732-4661PREVIEW BERLIN 2011, (Published by Kristian Jarmuschek,\u00a0R\u00fcdiger Lange, Ralf Schmitt) Seltmann GmbH Druckereibetrieb, L\u00fcdenscheid, 2011\u00a0ISBN: 978-3-942831-20-8FUKT Magazine for Contemporary Drawing 8\/9:\u00a0Bj\u00f6rn Hegardt, Revolver Publishing, Berlin, 2010, ISBN-10: 3868950885\nMaess Malgorzata Anand fiatal lengyel k\u00e9pz\u0151m\u0171v\u00e9sz els\u0151 hazai bemutatkoz\u00f3 ki\u00e1ll\u00edt\u00e1s\u00e1nak m\u0171vei nem csak els\u0151, hanem m\u00e1sodik pillant\u00e1sra is kozmikus l\u00e1tk\u00e9pek gy\u0171jtem\u00e9ny\u00e9nek t\u0171nik a l\u00e1thatatlan birodalm\u00e1b\u00f3l. \u00c9s ezt a percepci\u00f3t a ki\u00e1ll\u00edt\u00e1s c\u00edme\u00a0Abnormal Result\u00a0n\u00e9mileg balj\u00f3s el\u0151\u00e9rzettel f\u0171szerezi meg\u2026de kezdetben persze fogalmunk sem lehet arr\u00f3l, hogy adott esetben mire is vonatkozhatnak a \u201enem norm\u00e1lis\u201d \u00e9s a \u201ev\u00e9geredm\u00e9ny\u201d jel\u00f6letek?\nA m\u0171vek megk\u00f6zel\u00edt\u00e9sekor befogad\u00f3k\u00e9nt izgalmas kalandba r\u00e9szes\u00fclhet\u00fcnk, ha a fel\u00fcletek letapogat\u00e1sakor a m\u0171v\u00e9sz makro l\u00e9pt\u00e9kb\u0151l a mikro fel\u00e9 tart\u00f3 alkot\u00f3i m\u00f3dszer\u00e9t adopt\u00e1ljuk. Maess kutat\u00e1sainak makro dimenzi\u00f3j\u00e1t a vil\u00e1gh\u00e1l\u00f3n zajl\u00f3 r\u00e1kkutat\u00e1si diskurzus \u00edrott \u00e9s vizu\u00e1lis adatb\u00e1zia adja, melyet hossz\u00fa \u00e9vek \u00f3ta elm\u00e9ly\u00fclten kutat \u00e9s m\u0171vei k\u00e9sz\u00edt\u00e9sekor felhaszn\u00e1l. A r\u00e1kkutat\u00e1s \u00fajabb \u00e9s \u00fajabb kutat\u00e1si eredm\u00e9nyeket prezent\u00e1l\u00f3 f\u00f3rumainak virtu\u00e1lis t\u00e9r\u00e9ben magtal\u00e1lt k\u00f3ros elv\u00e1ltoz\u00e1sokr\u00f3l k\u00e9sz\u00fclt hisztopatol\u00f3gikus felv\u00e9telek makro, mikro \u00e9s nano elemz\u00e9seit a m\u0171v\u00e9sz els\u0151k\u00e9nt begy\u0171jti, majd a sz\u00e1m\u00e1ra vizu\u00e1lisan vagy ment\u00e1lisan legfontosabb k\u00f3rsz\u00f6vettani felv\u00e9teleket sz\u00e1m\u00edt\u00f3g\u00e9pes programok seg\u00edts\u00e9g\u00e9vel rajzai kiindul\u00e1si alapj\u00e1v\u00e1, rajzt\u00e9rk\u00e9peiv\u00e9 v\u00e1ltoztatja.\u00a0\u00a0\u00a0\u00a0\nHa n\u00e9z\u0151k\u00e9nt a makro l\u00e9pt\u00e9k fel\u0151l k\u00f6zel\u00edt\u00fcnk, akkor a Lengyel Int\u00e9zet nagym\u00e9ret\u0171 kirakat\u00fcveg\u00e9n betekintve a t\u00e1volb\u00f3l els\u0151k\u00e9nt a m\u0171vek gesztus jellege, \u00e9s a v\u00f6r\u00f6s fel\u00fcletek m\u00e9rhetetlen vibr\u00e1ci\u00f3ja ejti szem\u00fcnket rabul. A ki\u00e1ll\u00edt\u00f3t\u00e9rbe l\u00e9pve ez a vibr\u00e1l\u00e1s tov\u00e1bb fokoz\u00f3dik, de a m\u0171vek k\u00f6zels\u00e9g\u00e9ben a rajzolt fel\u00fcletek prec\u00edzen vezetett vonalrendszere k\u00f6zelr\u0151l l\u00e1ttatja, hogy gesztusr\u00f3l, vagy gesztusszer\u0171 mozdulatokr\u00f3l sz\u00f3 sincs. S\u0151t, \u00e9pp ellenkez\u0151leg, a k\u00fcl\u00f6nb\u00f6z\u0151 technik\u00e1kkal megmunk\u00e1lt finom vonalh\u00e1l\u00f3zatok tudatosan \u00e9p\u00edtett komplexumok, amelyek n\u00e9z\u00e9se k\u00f6zben eszm\u00e9lhet\u00fcnk r\u00e1, hogy m\u00e1r tudattalanul is l\u00e9pt\u00e9ket v\u00e1ltottunk. Csak\u00fagy, mint a m\u0171v\u00e9sz, aki a vil\u00e1gh\u00e1l\u00f3r\u00f3l gy\u0171jt\u00f6tt felv\u00e9teleket els\u0151k\u00e9nt saj\u00e1t mikrovil\u00e1g\u00e1nak r\u00e9szek\u00e9nt manipul\u00e1lja, egyszer a s\u00edk rajzolatoknak 3 dimenzi\u00f3s tereket ad, perspekt\u00edv\u00e1t, m\u00e1skor meghagyja azokat s\u00edk fel\u00fcletekk\u00e9nt, n\u00e9ha pedig a rem\u00e9ny szavaival eg\u00e9sz\u00edti ki, vagy fikt\u00edv gy\u00f3gy\u00edt\u00f3 sz\u00f6vethalmazokkal l\u00e1tja el a k\u00f3ros sz\u00f6vetk\u00e9peket.\nEzen rejtett kozmikus vil\u00e1g k\u00e9peit (j\u00f3 esetben) szinte sohasem l\u00e1thatjuk, de a m\u0171vek n\u00e9z\u00e9sekor m\u00e9gis ismer\u0151s konnot\u00e1tumok sokas\u00e1ga z\u00fadul r\u00e1nk: ismer\u0151s a v\u00e9r v\u00f6r\u00f6s sz\u00edne, a horizont n\u00e9lk\u00fcli terekben \u00f6rv\u00e9nyl\u0151 l\u00fcktet\u00e9s, amelyet valami bels\u0151 dinamika tart \u00f6ssze, az egyszerre szab\u00e1lyos \u00e9s szab\u00e1lytalan rajzolat, a fr\u00f6ccsen\u00e9s \u00e9s csap\u00f3d\u00e1s fodrozata, s ez mind-mind a hum\u00e1n test megv\u00e1ltozott \u00e9rzeteinek asszoci\u00e1ci\u00f3j\u00e1t keltheti. \u00c9s nem j\u00e1runk messze az igazs\u00e1gt\u00f3l, mert a rajzok k\u00f6z\u00f6tt val\u00f3ban van olyan, amely transzform\u00e1ci\u00f3 n\u00e9lk\u00fcl, v\u00e1ltozatlanul adja vissza egy \u00e1tt\u00e9tes k\u00f3rsz\u00f6vettan k\u00e9p\u00e9t\u2026\u00e9s ezzel egy\u00fctt a test dr\u00e1m\u00e1j\u00e1t.\nDe hogy a dr\u00e1m\u00e1ban a rem\u00e9ny l\u00e9tjogosults\u00e1g\u00e1ra is figyelj\u00fcnk, m\u00e9ly\u00fclj\u00fcnk el a szemk\u00f6zti f\u0151 fal jobb sz\u00e9ls\u0151 k\u00e9p\u00e9ben, amely az \u00e9vek \u00f3ta rajzol\u00f3d\u00f3 tematika legutols\u00f3, s egyben legsz\u00ednesebb darabja! A k\u00f3rk\u00e9p rajzolat\u00e1ba \u00e9kel\u0151d\u00f6tt sz\u00ednek, pedig az elv\u00e1ltozott sejtk\u00e9pek kezel\u00e9sekor a v\u00e9rbe juttatott kemik\u00e1li\u00e1kat jel\u00f6lik, mert az eredm\u00e9ny lehet \u201eabnorm\u00e1lis\u201d, de a \u201ev\u00e9g\u201d az utols\u00f3 pillanatig maradhat rem\u00e9nyteli\u2026\nMenj\u00fcnk h\u00e1t k\u00f6zel, vagy n\u00e9zz\u00fcnk csak a t\u00e1volb\u00f3l, mindenkit arra b\u00e1tor\u00edtan\u00e9k, hogy ha a ki\u00e1ll\u00edtott munk\u00e1kkal kapcsolatban k\u00e9rd\u00e9se lenne, k\u00e9rdezzen egyenesen a m\u0171v\u00e9szt\u0151l, aki nagy \u00f6r\u00f6m\u00fcnkre a megnyit\u00f3n jelen van!K\u00f6sz\u00f6n\u00f6m a figyelmet!\u00a0Zsikla M\u00f3nika"},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/budapest\/2015\/09\/16\/abnormal-results-2\/#primaryimage","url":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/g_-_kopia.png","contentUrl":"https:\/\/instytutpolski.pl\/budapest\/wp-content\/uploads\/sites\/21\/2020\/05\/g_-_kopia.png","width":350,"height":386},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/budapest\/2015\/09\/16\/abnormal-results-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/budapest\/"},{"@type":"ListItem","position":2,"name":"ABNORMAL RESULTS"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/budapest\/#website","url":"https:\/\/instytutpolski.pl\/budapest\/","name":"Instytut Polski w Budapeszcie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/budapest\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/35a72b339f128b3c51da8e0ac2c9c8fe","name":"takacsm","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/budapest\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/3cdc999881482fcdbe974296288ca419?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3cdc999881482fcdbe974296288ca419?s=96&d=mm&r=g","caption":"takacsm"},"url":"https:\/\/instytutpolski.pl\/budapest\/author\/takacsm\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/7917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/users\/124"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/comments?post=7917"}],"version-history":[{"count":2,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/7917\/revisions"}],"predecessor-version":[{"id":7919,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/posts\/7917\/revisions\/7919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/media\/6644"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/media?parent=7917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/categories?post=7917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/budapest\/wp-json\/wp\/v2\/tags?post=7917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}