{"id":5417,"date":"2006-12-04T11:56:00","date_gmt":"2006-12-04T10:56:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/duesseldorf\/?p=5417"},"modified":"2021-07-12T12:00:34","modified_gmt":"2021-07-12T10:00:34","slug":"elektro-jazz-aus-polen-robotobibok","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/duesseldorf\/2006\/12\/04\/elektro-jazz-aus-polen-robotobibok\/","title":{"rendered":"ELEKTRO – JAZZ AUS POLEN ROBOTOBIBOK"},"content":{"rendered":"\n

\u00a0<\/h3>\n
\n

Mo 04.12.2006 <\/strong>zakk, Fichtenstra\u00dfe 40, D\u00fcsseldorf<\/p>\nAus der Underground-Szene Polens haben sich Robotobibok heraufgespielt bis zu Festivalauftritten in den USA sowie ins Vorprogramm von Nils Petter Molvaer.
Das Quartett kn\u00fcpft nahtlos an die Urspr\u00fcnge des Elektro-Jazz der 1970er Jahre an, vermeidet aber jedwede Wiederholung. Die Gruppe aus Polen ist im Bereich der neuen elektronischen Musik einzuordnen. Stets auf der Suche nach neuen Formen und Strukturen, die heute elektronisch m\u00f6glich sind, integriert sie bewusst Instrumente der analogen \u00c4ra in ihre St\u00fccke.
Live sind Robotobibok atemberaubend, und ihre Tourneen durch die Niederlande, Belgien und Frankreich haben ihre Fangemeinde wieder vervielfacht. Auf einigen der wichtigsten europ\u00e4ischen Festivals sind sie vertreten gewesen: „XI Warsaw Summer Jazz Days 2002”, „Sergey Kuryokhin International Festival 2003” in Berlin, „Eurosonic Festival 2004” in Groningen, „16th Dour Festival” in Dour, „26th Jazzfestival Saalfelden 2004”, „Leipziger Jazztage 2005″, ” Sziget Festival 2005″.

„Robotobibok beeindruckten mit energiegeladenen, exzellent durchdachten und durchkomponierten Arrangements und Improvisationen, meistens auf einer polyrhythmischen D\u2019n\u2019B-Unterlage im Wahnsinnstempo.” – Concerto\/\u00d6sterreich \u00fcber den Festivalauftritt in Saalfelden





Robotobibok (a blend of two Polish words for robot and skiver) was formed in 1998 in Wroc\u0142aw, Poland. From the very beginning, their music has seemed to combine modern electronic music with the energy of improvised jazz. Strong and acoustic drums, double bass and trumpet intertwine with dreamy vibraphone, electric guitar and characteristic 70’s analogue electronica.

The result evokes the atmosphere of 70’s electric jazz and early electroacoustic experiments. The core of Robotobibok’s music is their post-jazz rhythm section, ostensibly inspired by the newest electronica, but going further and building more intricate structures. Robotobibok also try to develop their own language in improvisation; individual instruments sometimes do solo, but none of them dominates in the end.

Robotobibok’s three records: Jogging (2000), Instytut Las (2003) and Nawyki Przyrody (2004) were released by its own label, Vytvornia OM (Technology in service of meditation), which also released other befriended projects (Tomasz Gwinci\u0144ski, AGD). For the last three years, the band has been relentlessly touring (among others, Knitting Factory -New York 2002, Paradiso – Amsterdam 2004; AB – Brussels 2004), also at various festivals: „XI Warsaw Summer Jazz Days 2002”, „Sergey Kuryokhin International Festival 2003” in Berlin, „Eurosonic Festival 2004” in Groningen, „16th Dour Festival” in Dour and „26th Saalfelden Jazz Festival”. Robotobibok have played next to Nils Peter Molvaer and Khamer, Chicago Underground Duo\/Trio, Tied and Tickled Trio, De Kift and Fennesz. In April 2002 they toured briefly in USA and since January 2004 have been regularly playing in Holland, Belgium, France and other European countries.<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Mo 04.12.2006 zakk, Fichtenstra\u00dfe 40, D\u00fcsseldorf Aus der Underground-Szene Polens haben sich Robotobibok heraufgespielt bis zu Festivalauftritten in den USA sowie ins Vorprogramm von Nils Petter Molvaer.Das Quartett kn\u00fcpft nahtlos an die Urspr\u00fcnge des Elektro-Jazz der 1970er Jahre an, vermeidet aber jedwede Wiederholung. Die Gruppe aus Polen ist im Bereich der neuen elektronischen Musik […]<\/p>\n","protected":false},"author":103,"featured_media":5418,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12,103],"tags":[],"class_list":["post-5417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musik","category-programm"],"yoast_head":"\nELEKTRO - JAZZ AUS POLEN ROBOTOBIBOK - Instytut Polski w Dusseldorfie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/duesseldorf\/2006\/12\/04\/elektro-jazz-aus-polen-robotobibok\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ELEKTRO - JAZZ AUS POLEN ROBOTOBIBOK - Instytut Polski w Dusseldorfie\" \/>\n<meta property=\"og:description\" content=\"\u00a0 Mo 04.12.2006 zakk, Fichtenstra\u00dfe 40, D\u00fcsseldorf Aus der Underground-Szene Polens haben sich Robotobibok heraufgespielt bis zu Festivalauftritten in den USA sowie ins Vorprogramm von Nils Petter Molvaer.Das Quartett kn\u00fcpft nahtlos an die Urspr\u00fcnge des Elektro-Jazz der 1970er Jahre an, vermeidet aber jedwede Wiederholung. 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Die Gruppe aus Polen ist im Bereich der neuen elektronischen Musik einzuordnen. Stets auf der Suche nach neuen Formen und Strukturen, die heute elektronisch m\u00f6glich sind, integriert sie bewusst Instrumente der analogen \u00c4ra in ihre St\u00fccke.Live sind Robotobibok atemberaubend, und ihre Tourneen durch die Niederlande, Belgien und Frankreich haben ihre Fangemeinde wieder vervielfacht. Auf einigen der wichtigsten europ\u00e4ischen Festivals sind sie vertreten gewesen: \"XI Warsaw Summer Jazz Days 2002\", \"Sergey Kuryokhin International Festival 2003\" in Berlin, \"Eurosonic Festival 2004\" in Groningen, \"16th Dour Festival\" in Dour, \"26th Jazzfestival Saalfelden 2004\", \"Leipziger Jazztage 2005\", \" Sziget Festival 2005\".\"Robotobibok beeindruckten mit energiegeladenen, exzellent durchdachten und durchkomponierten Arrangements und Improvisationen, meistens auf einer polyrhythmischen D\u2019n\u2019B-Unterlage im Wahnsinnstempo.\" - Concerto\/\u00d6sterreich \u00fcber den Festivalauftritt in SaalfeldenRobotobibok (a blend of two Polish words for robot and skiver) was formed in 1998 in Wroc\u0142aw, Poland. From the very beginning, their music has seemed to combine modern electronic music with the energy of improvised jazz. Strong and acoustic drums, double bass and trumpet intertwine with dreamy vibraphone, electric guitar and characteristic 70's analogue electronica.The result evokes the atmosphere of 70's electric jazz and early electroacoustic experiments. The core of Robotobibok's music is their post-jazz rhythm section, ostensibly inspired by the newest electronica, but going further and building more intricate structures. Robotobibok also try to develop their own language in improvisation; individual instruments sometimes do solo, but none of them dominates in the end.Robotobibok's three records: Jogging (2000), Instytut Las (2003) and Nawyki Przyrody (2004) were released by its own label, Vytvornia OM (Technology in service of meditation), which also released other befriended projects (Tomasz Gwinci\u0144ski, AGD). For the last three years, the band has been relentlessly touring (among others, Knitting Factory -New York 2002, Paradiso - Amsterdam 2004; AB - Brussels 2004), also at various festivals: \"XI Warsaw Summer Jazz Days 2002\", \"Sergey Kuryokhin International Festival 2003\" in Berlin, \"Eurosonic Festival 2004\" in Groningen, \"16th Dour Festival\" in Dour and \"26th Saalfelden Jazz Festival\". Robotobibok have played next to Nils Peter Molvaer and Khamer, Chicago Underground Duo\/Trio, Tied and Tickled Trio, De Kift and Fennesz. In April 2002 they toured briefly in USA and since January 2004 have been regularly playing in Holland, Belgium, France and other European countries."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/2006\/12\/04\/elektro-jazz-aus-polen-robotobibok\/#primaryimage","url":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-content\/uploads\/sites\/5\/2021\/07\/Robotobibok.jpg","contentUrl":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-content\/uploads\/sites\/5\/2021\/07\/Robotobibok.jpg","width":500,"height":370},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/2006\/12\/04\/elektro-jazz-aus-polen-robotobibok\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/duesseldorf\/"},{"@type":"ListItem","position":2,"name":"ELEKTRO – JAZZ AUS POLEN ROBOTOBIBOK"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/#website","url":"https:\/\/instytutpolski.pl\/duesseldorf\/","name":"Instytut Polski w Dusseldorfie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/duesseldorf\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/#\/schema\/person\/6b4b76776c5d49a1eb862046e311998e","name":"kolinskia","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9bb79075402c1d25f1e9e4e8260c2d13?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9bb79075402c1d25f1e9e4e8260c2d13?s=96&d=mm&r=g","caption":"kolinskia"},"url":"https:\/\/instytutpolski.pl\/duesseldorf\/author\/kolinskia\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts\/5417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/comments?post=5417"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts\/5417\/revisions"}],"predecessor-version":[{"id":5419,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts\/5417\/revisions\/5419"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/media\/5418"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/media?parent=5417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/categories?post=5417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/tags?post=5417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}