{"id":7596,"date":"2005-09-16T12:21:00","date_gmt":"2005-09-16T10:21:00","guid":{"rendered":"https:\/\/instytutpolski.pl\/duesseldorf\/?p=7596"},"modified":"2022-10-12T12:25:57","modified_gmt":"2022-10-12T10:25:57","slug":"deutsch-polnisches-jazzkonzert-oles-jorgensmann-maurer-oles-miniature-rathaus-der-stadt-xanten-karthaus-2-46509-xanten","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/duesseldorf\/2005\/09\/16\/deutsch-polnisches-jazzkonzert-oles-jorgensmann-maurer-oles-miniature-rathaus-der-stadt-xanten-karthaus-2-46509-xanten\/","title":{"rendered":"DEUTSCH-POLNISCHES JAZZKONZERT OLES &#8211; J\u00d6RGENSMANN &#8211; MAURER &#8211; OLES MINIATURE Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten"},"content":{"rendered":"\n<h3 class=\"h3_title\">\u00a0<\/h3>\n<div class=\"edytor programm\">\n<p class=\"news-info\"><strong>Fr 16.09.2005 <\/strong>Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten<\/p>\nTheo J\u00f6rgensmann &#8211; clarinet<br \/>Albrecht Maurer &#8211; violin<br \/>Marcin Ole\u015b \u2013 bass<br \/>Bartlomiej Ole\u015b \u2013 drums<br \/><br \/>Marcin und Bartlomiej Ole\u015b geh\u00f6ren zu den auff\u00e4lligsten polnischen Musikern der Gegenwart. Sie bilden eine feste Rhythmusgruppe, die von zahlreichen internationalen Jazzmusikern angefragt wird. Sie spielten mit Theo J\u00f6rgensmann, Erik Friedlander, Rudi Mahall, Jean-Luc Cappozzo, David Murray, Mark Taylor, Anthony Coleman, Ken Vandermark, Kent Kessler, Dave Rempis, Stanley Jordan, Piotr Wojtasik, Maciej Sika\u0142a und vielen anderen. Dabei gastierten Sie in \u201eMontreux Jazz Festival\u201c, \u201eJazz En Nord\u201c, \u201eJazz D\u2019OR\u201c, \u201eEra Jazzu\u201c [honorary partonage of Krzysztof Penderecki], \u201eGdynia Summer Jazz Days\u201c, \u201eAlbaimpro\u201c, \u201eJazz Jantar\u201c, \u201eFortalicje\u201c, \u201ePepsi Music Siget\u201c, \u201eJazz Forum Festival\u201c, um nur einige zu nennen.<br \/><br \/>Theo J\u00f6rgensmann \u2013 clarinet<br \/>He numbers among the leading European clarinetists in both contemporary jazz as well as in border areas of jazz and New Music. With others he brought about the renaissance of the clarinet in contemporary improvised music and made both practical and theoretical contributions to the theme of present day music (also in form of the \u201eEthics of Improvisation\u201c, which he wrote with Rolf Dieter Weyer). \u201eIn Germany Theo Joergensmann carries on in the tradition of Dolphy. The musician making a guest appearance in the \u201aAlte Oper\u2018 is one of the German jazz solists of international repute.\u201c (FAZ \/ 1987) \u201eWith him the clarinet is not just defined by the tone-colour, he works beyond pregiven, instrumentally interchangeable compositions \u2013 with passages typical for this instrument: the musical content is all important, form fades into the background; hardly anyone is further. Theo Joergensmann sways as he leaves the stage. People like him cannot live without their music \u2013 and neither can we.\u201c (Frankfurter Rundschau\u201c \/ 1987).<br \/><br \/>Albrecht Maurer \u2013 violin<br \/>The violinist and composer Albrecht Maurer studied violin at the Musikhochschule K\u00f6ln and taught himself the piano, which he then later studied. In addition, he pursued the study of non-European tonal systems and computer music and music science. He gathered his experience with new and experimental music through intensive work with many composers. In his early days he was involved in various classical and jazz ensembles as pianist, synthesizer programmer, violinist, and singer. Albrecht Maurer has performed through Europe as a solist as well as in various groups. He has worked with many jazz musicians including Charlie Mariano, Karl Berger, Steve Arg\u00fcelles, Lauren Newton, Benoit Delbecq, Barre Phillips and Markus Stockhausen to name but a few.<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Fr 16.09.2005 Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten Theo J\u00f6rgensmann &#8211; clarinetAlbrecht Maurer &#8211; violinMarcin Ole\u015b \u2013 bassBartlomiej Ole\u015b \u2013 drums Marcin und Bartlomiej Ole\u015b geh\u00f6ren zu den auff\u00e4lligsten polnischen Musikern der Gegenwart. Sie bilden eine feste Rhythmusgruppe, die von zahlreichen internationalen Jazzmusikern angefragt wird. Sie spielten mit Theo J\u00f6rgensmann, Erik Friedlander, [&hellip;]<\/p>\n","protected":false},"author":103,"featured_media":7597,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-7596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musik"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DEUTSCH-POLNISCHES JAZZKONZERT OLES - J\u00d6RGENSMANN - MAURER - OLES MINIATURE Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten - Instytut Polski w Dusseldorfie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/duesseldorf\/2005\/09\/16\/deutsch-polnisches-jazzkonzert-oles-jorgensmann-maurer-oles-miniature-rathaus-der-stadt-xanten-karthaus-2-46509-xanten\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DEUTSCH-POLNISCHES JAZZKONZERT OLES - J\u00d6RGENSMANN - MAURER - OLES MINIATURE Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten - Instytut Polski w Dusseldorfie\" \/>\n<meta property=\"og:description\" content=\"\u00a0 Fr 16.09.2005 Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten Theo J\u00f6rgensmann &#8211; clarinetAlbrecht Maurer &#8211; violinMarcin Ole\u015b \u2013 bassBartlomiej Ole\u015b \u2013 drums Marcin und Bartlomiej Ole\u015b geh\u00f6ren zu den auff\u00e4lligsten polnischen Musikern der Gegenwart. Sie bilden eine feste Rhythmusgruppe, die von zahlreichen internationalen Jazzmusikern angefragt wird. 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Sie bilden eine feste Rhythmusgruppe, die von zahlreichen internationalen Jazzmusikern angefragt wird. Sie spielten mit Theo J\u00f6rgensmann, Erik Friedlander, Rudi Mahall, Jean-Luc Cappozzo, David Murray, Mark Taylor, Anthony Coleman, Ken Vandermark, Kent Kessler, Dave Rempis, Stanley Jordan, Piotr Wojtasik, Maciej Sika\u0142a und vielen anderen. Dabei gastierten Sie in \u201eMontreux Jazz Festival\u201c, \u201eJazz En Nord\u201c, \u201eJazz D\u2019OR\u201c, \u201eEra Jazzu\u201c [honorary partonage of Krzysztof Penderecki], \u201eGdynia Summer Jazz Days\u201c, \u201eAlbaimpro\u201c, \u201eJazz Jantar\u201c, \u201eFortalicje\u201c, \u201ePepsi Music Siget\u201c, \u201eJazz Forum Festival\u201c, um nur einige zu nennen.Theo J\u00f6rgensmann \u2013 clarinetHe numbers among the leading European clarinetists in both contemporary jazz as well as in border areas of jazz and New Music. With others he brought about the renaissance of the clarinet in contemporary improvised music and made both practical and theoretical contributions to the theme of present day music (also in form of the \u201eEthics of Improvisation\u201c, which he wrote with Rolf Dieter Weyer). \u201eIn Germany Theo Joergensmann carries on in the tradition of Dolphy. The musician making a guest appearance in the \u201aAlte Oper\u2018 is one of the German jazz solists of international repute.\u201c (FAZ \/ 1987) \u201eWith him the clarinet is not just defined by the tone-colour, he works beyond pregiven, instrumentally interchangeable compositions \u2013 with passages typical for this instrument: the musical content is all important, form fades into the background; hardly anyone is further. Theo Joergensmann sways as he leaves the stage. 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Sie bilden eine feste Rhythmusgruppe, die von zahlreichen internationalen Jazzmusikern angefragt wird. Sie spielten mit Theo J\u00f6rgensmann, Erik Friedlander, Rudi Mahall, Jean-Luc Cappozzo, David Murray, Mark Taylor, Anthony Coleman, Ken Vandermark, Kent Kessler, Dave Rempis, Stanley Jordan, Piotr Wojtasik, Maciej Sika\u0142a und vielen anderen. Dabei gastierten Sie in \u201eMontreux Jazz Festival\u201c, \u201eJazz En Nord\u201c, \u201eJazz D\u2019OR\u201c, \u201eEra Jazzu\u201c [honorary partonage of Krzysztof Penderecki], \u201eGdynia Summer Jazz Days\u201c, \u201eAlbaimpro\u201c, \u201eJazz Jantar\u201c, \u201eFortalicje\u201c, \u201ePepsi Music Siget\u201c, \u201eJazz Forum Festival\u201c, um nur einige zu nennen.Theo J\u00f6rgensmann \u2013 clarinetHe numbers among the leading European clarinetists in both contemporary jazz as well as in border areas of jazz and New Music. With others he brought about the renaissance of the clarinet in contemporary improvised music and made both practical and theoretical contributions to the theme of present day music (also in form of the \u201eEthics of Improvisation\u201c, which he wrote with Rolf Dieter Weyer). \u201eIn Germany Theo Joergensmann carries on in the tradition of Dolphy. The musician making a guest appearance in the \u201aAlte Oper\u2018 is one of the German jazz solists of international repute.\u201c (FAZ \/ 1987) \u201eWith him the clarinet is not just defined by the tone-colour, he works beyond pregiven, instrumentally interchangeable compositions \u2013 with passages typical for this instrument: the musical content is all important, form fades into the background; hardly anyone is further. Theo Joergensmann sways as he leaves the stage. People like him cannot live without their music \u2013 and neither can we.\u201c (Frankfurter Rundschau\u201c \/ 1987).Albrecht Maurer \u2013 violinThe violinist and composer Albrecht Maurer studied violin at the Musikhochschule K\u00f6ln and taught himself the piano, which he then later studied. In addition, he pursued the study of non-European tonal systems and computer music and music science. He gathered his experience with new and experimental music through intensive work with many composers. In his early days he was involved in various classical and jazz ensembles as pianist, synthesizer programmer, violinist, and singer. Albrecht Maurer has performed through Europe as a solist as well as in various groups. He has worked with many jazz musicians including Charlie Mariano, Karl Berger, Steve Arg\u00fcelles, Lauren Newton, Benoit Delbecq, Barre Phillips and Markus Stockhausen to name but a few."},{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/2005\/09\/16\/deutsch-polnisches-jazzkonzert-oles-jorgensmann-maurer-oles-miniature-rathaus-der-stadt-xanten-karthaus-2-46509-xanten\/#primaryimage","url":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-content\/uploads\/sites\/5\/2022\/10\/Marcin-Oles.jpg","contentUrl":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-content\/uploads\/sites\/5\/2022\/10\/Marcin-Oles.jpg","width":160,"height":106},{"@type":"BreadcrumbList","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/2005\/09\/16\/deutsch-polnisches-jazzkonzert-oles-jorgensmann-maurer-oles-miniature-rathaus-der-stadt-xanten-karthaus-2-46509-xanten\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/instytutpolski.pl\/duesseldorf\/"},{"@type":"ListItem","position":2,"name":"DEUTSCH-POLNISCHES JAZZKONZERT OLES &#8211; J\u00d6RGENSMANN &#8211; MAURER &#8211; OLES MINIATURE Rathaus der Stadt Xanten, Karthaus 2, 46509 Xanten"}]},{"@type":"WebSite","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/#website","url":"https:\/\/instytutpolski.pl\/duesseldorf\/","name":"Instytut Polski w Dusseldorfie","description":"Instytuty Polskie","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/instytutpolski.pl\/duesseldorf\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"pl-PL"},{"@type":"Person","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/#\/schema\/person\/6b4b76776c5d49a1eb862046e311998e","name":"kolinskia","image":{"@type":"ImageObject","inLanguage":"pl-PL","@id":"https:\/\/instytutpolski.pl\/duesseldorf\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/9bb79075402c1d25f1e9e4e8260c2d13?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/9bb79075402c1d25f1e9e4e8260c2d13?s=96&d=mm&r=g","caption":"kolinskia"},"url":"https:\/\/instytutpolski.pl\/duesseldorf\/author\/kolinskia\/"}]}},"_links":{"self":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts\/7596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/users\/103"}],"replies":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/comments?post=7596"}],"version-history":[{"count":1,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts\/7596\/revisions"}],"predecessor-version":[{"id":7598,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/posts\/7596\/revisions\/7598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/media\/7597"}],"wp:attachment":[{"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/media?parent=7596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/categories?post=7596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/instytutpolski.pl\/duesseldorf\/wp-json\/wp\/v2\/tags?post=7596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}