{"version":"1.0","provider_name":"Instytut Polski w Lipsku","provider_url":"https:\/\/instytutpolski.pl\/leipzig","author_name":"Rainer Mende","author_url":"https:\/\/instytutpolski.pl\/leipzig\/author\/mender\/","title":"Polish Art Philharmonic &amp; Michael Maciaszczyk - Instytut Polski w Lipsku","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gHO6kIpYq3\"><a href=\"https:\/\/instytutpolski.pl\/leipzig\/2021\/05\/13\/polish-art-philharmonic\/\">Polish Art Philharmonic &amp; Michael Maciaszczyk<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/leipzig\/2021\/05\/13\/polish-art-philharmonic\/embed\/#?secret=gHO6kIpYq3\" width=\"600\" height=\"338\" title=\"&#8222;Polish Art Philharmonic &amp; Michael Maciaszczyk&#8221; &#8212; Instytut Polski w Lipsku\" data-secret=\"gHO6kIpYq3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/leipzig\/wp-content\/uploads\/sites\/29\/2022\/05\/Die-vier-Jahreszeiten-Andreas-Lander_cut.jpg","thumbnail_width":2000,"thumbnail_height":981,"description":"12.05. \/ 20:00 \/ Kulturpalast \/ Dresden13.05. \/ 19:30 \/ St. Markuskirche \/ Chemnitz Die vier ber\u00fchmtesten Violinkonzerte aus der Feder des italienischen Komponisten, der auch der \u201erote Priester\u201c genannt wurde, bilden zusammen den Zyklus \u201eDie vier Jahreszeiten\u201c. Das Meisterwerk wurde 1725 f\u00fcr das Orchester eines M\u00e4dchen-Waisenhauses komponiert und z\u00e4hlt zu den bekanntesten St\u00fccken der [&hellip;]"}