{"version":"1.0","provider_name":"Instytut Polski w Lipsku","provider_url":"https:\/\/instytutpolski.pl\/leipzig","author_name":"Rainer Mende","author_url":"https:\/\/instytutpolski.pl\/leipzig\/author\/mender\/","title":"Wszystkie nasze strachy \/ Alle unsere \u00c4ngste - Instytut Polski w Lipsku","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"8ABY81PHbi\"><a href=\"https:\/\/instytutpolski.pl\/leipzig\/2021\/11\/08\/wszystkie-nasze-strachy-all-our-fears\/\">Wszystkie nasze strachy \/ Alle unsere \u00c4ngste<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/leipzig\/2021\/11\/08\/wszystkie-nasze-strachy-all-our-fears\/embed\/#?secret=8ABY81PHbi\" width=\"600\" height=\"338\" title=\"&#8222;Wszystkie nasze strachy \/ Alle unsere \u00c4ngste&#8221; &#8212; Instytut Polski w Lipsku\" data-secret=\"8ABY81PHbi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/leipzig\/wp-content\/uploads\/sites\/29\/2022\/11\/Foto-Wszystkie-nasze-strachy-2-Jaroslaw-Sosinski.jpg","thumbnail_width":2047,"thumbnail_height":1020,"description":"Drama, R: \u0141ukasz Ronduda &amp; \u0141ukasz Gutt, 94 min, OmdU, anschl. Gespr\u00e4ch mit Tobias Gubsch (Nei\u00dfe Filmfestival) In Daniel Rycharski scheinen zwei Welten aufeinander zu prallen. Einerseits sind seine Aktionen und Installationen fester Bestandteil der urbanen Kunstszene, wo auch sein Bekenntnis zur Homosexualit\u00e4t kein gro\u00dfes Thema ist. Andererseits lebt er nach wie vor in der [&hellip;]"}