{"version":"1.0","provider_name":"Instytut Polski w Lipsku","provider_url":"https:\/\/instytutpolski.pl\/leipzig","author_name":"Rainer Mende","author_url":"https:\/\/instytutpolski.pl\/leipzig\/author\/mender\/","title":"Polish Art Philharmonic &amp; Michael Maciaszczyk - Instytut Polski w Lipsku","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qmcmqTgkn3\"><a href=\"https:\/\/instytutpolski.pl\/leipzig\/2023\/01\/04\/polish-art-philharmonic-michael-maciaszczyk\/\">Polish Art Philharmonic &amp; Michael Maciaszczyk<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/leipzig\/2023\/01\/04\/polish-art-philharmonic-michael-maciaszczyk\/embed\/#?secret=qmcmqTgkn3\" width=\"600\" height=\"338\" title=\"&#8222;Polish Art Philharmonic &amp; Michael Maciaszczyk&#8221; &#8212; Instytut Polski w Lipsku\" data-secret=\"qmcmqTgkn3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/leipzig\/wp-content\/uploads\/sites\/29\/2022\/05\/Die-vier-Jahreszeiten-Andreas-Lander_cut.jpg","thumbnail_width":2000,"thumbnail_height":981,"description":"04.01.2024 \/ 19:30 \/ Halle (Saale) \/ H\u00e4ndel-Halle (Tickets)10.01.2024 \/ 19:00 \/ Dresden \/ Kulturpalast (Tickets) Das 43-k\u00f6pfige Orchester und der Maestro Michael Maciaszczyk als musikalischer Leiter und Moderator sind die Hauptdarsteller des Wiener Neujahrskonzerts. Hier verschmelzen Pr\u00e4zision und Leidenschaft, Spielfreude und Harmonie. Wiener Schm\u00e4h und gro\u00dfartige Orchestermusiker geben dem Wiener Neujahrskonzert die au\u00dfergew\u00f6hnliche W\u00fcrze. [&hellip;]"}