{"version":"1.0","provider_name":"Instytut Polski w Londynie","provider_url":"https:\/\/instytutpolski.pl\/london","author_name":"ochamanskij","author_url":"https:\/\/instytutpolski.pl\/london\/author\/ochamanskij\/","title":"Zbigniew Namys\u0142owski Quintet - Instytut Polski w Londynie","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"A6e7eZ7Zfk\"><a href=\"https:\/\/instytutpolski.pl\/london\/2019\/11\/25\/zbigniew-namyslowski-quintet\/\">Zbigniew Namys\u0142owski Quintet<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/instytutpolski.pl\/london\/2019\/11\/25\/zbigniew-namyslowski-quintet\/embed\/#?secret=A6e7eZ7Zfk\" width=\"600\" height=\"338\" title=\"&#8222;Zbigniew Namys\u0142owski Quintet&#8221; &#8212; Instytut Polski w Londynie\" data-secret=\"A6e7eZ7Zfk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/instytutpolski.pl\/london\/wp-content\/uploads\/sites\/23\/2020\/01\/csm_Maria_Namyslowska_19337f5f68.jpg","thumbnail_width":397,"thumbnail_height":400,"description":"This concert is a part of the series of events \u201cTomasz Furmanek invites\u2026\u201d Zbigniew Namys\u0142owski, a phenomenal saxophonist and composer, is an icon of Polish jazz and the first Polish musician who ever recorded an album in the Western Europe (Lola for Decca, 1964). He is an unsurpassed master of Polish jazz dialect, who managed [&hellip;]"}