{"id":10736,"date":"2025-06-16T10:59:28","date_gmt":"2025-06-16T08:59:28","guid":{"rendered":"https:\/\/instytutpolski.pl\/london\/?p=10736"},"modified":"2025-06-20T12:11:43","modified_gmt":"2025-06-20T10:11:43","slug":"biennale-sessions-polish-pavilion-panel-discussion-19th-june-2025","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/london\/2025\/06\/16\/biennale-sessions-polish-pavilion-panel-discussion-19th-june-2025\/","title":{"rendered":"Biennale Sessions | Polish Pavilion – Panel Discussion 19th June 2025"},"content":{"rendered":"\n

19th June 2025, 17:30 – 19:00, Somerset House Screening Room<\/strong><\/p>\n\n\n\n

Tickets:<\/strong> https:\/\/my.somersethouse.org.uk\/8647\/9042<\/a><\/p>\n\n\n\n

This panel examines how the exhibition Records of Waiting reframes traditional Polish Highland woodcarving as a tool for recording and visualising time. Bridging design, sociology, and material culture, the conversation will explore how ornament can reflect both statistical data and lived experience.<\/p>\n\n\n\n

Panelists include:<\/strong><\/p>\n\n\n\n

Peter Hall<\/strong> \u2013 Design Researcher and Suthor of Critical Visualization: Rethinking the Representation of Data
Marcin Nowicki <\/strong>\u2013 Graphic designer, artist, educator, and co-founder of the interdisciplinary Noviki Studio
Marta Foresti <\/strong>\u2013 Founder and CEO of LAGO Collective, researcher, and data expert<\/p>\n\n\n\n

Together, they will consider how contemporary design can translate temporal inequalities into aesthetic and material forms. The panel will be chaired by Victoria Broackes<\/strong>, Director of London Design Biennale.<\/p>\n\n\n\n

Tickets:<\/strong> https:\/\/my.somersethouse.org.uk\/8647\/9042<\/a><\/p>\n\n\n\n

Biographies:<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Peter A. Hall<\/strong> \u2013 Reader in Graphic Design at Camberwell College of Arts and Chelsea College of Arts, University of the Arts London (UAL). His research focuses on mapping and visualisation as critical and participatory practices. He has authored and co-authored several notable publications, including Critical Visualization: Rethinking the Representation of Data <\/em>(2022), co-authored with Patricio D\u00e1vila; Sagmeister: Made You Look <\/em>(2009); Else\/Where: Mapping \u2013 New Cartographies of Networks and Territories <\/em>(2005), co-edited with Janet Abrams; and Tibor Kalman: Perverse Optimist <\/em>(2002). <\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

Marta Foresti<\/strong> \u2013 Founder and CEO of LAGO, a research and creative collective on migration, culture and the arts. Before creating LAGO Marta spent most of her career as an executive and senior advisor in leading research and policy organisations at global and national level. She was Managing and Executive Director at ODI, a leading global affairs think tank where she established and led the institute migration and governance work and established ODI Europe. Marta is Chair of the Global Creative Economy Council, Senior Visiting Fellow at ODI Global and Senior Advisor at the Moleskine Foundation.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

<\/p>\n\n\n\n

Marcin Nowicki <\/strong>\u2013 Graphic designer, artist, educator, and co-founder of the interdisciplinary Noviki Studio. His work bridges graphic design, contemporary art, and advanced technologies, often employing artificial intelligence and algorithmic image generation. He has led over 200 design projects for cultural institutions, earning numerous international awards. Nowicki regularly teaches and lectures at institutions including the Royal Academy of Art in The Hague and the School of Form in Warsaw. He is the author of the graphic interpretation of the Polish Pavilion at the London Graphic Biennale, and this year, the laureate of the European Design Awards in the Digital Installations category.<\/p>\n\n\n

\n
\"\"<\/figure><\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

19th June 2025, 17:30 – 19:00, Somerset House Screening Room Tickets: https:\/\/my.somersethouse.org.uk\/8647\/9042 This panel examines how the exhibition Records of Waiting reframes traditional Polish Highland woodcarving as a tool for recording and visualising time. Bridging design, sociology, and material culture, the conversation will explore how ornament can reflect both statistical data and lived experience. Panelists […]<\/p>\n","protected":false},"author":180,"featured_media":10754,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[7,13],"tags":[],"class_list":["post-10736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-visual-arts"],"yoast_head":"\nBiennale Sessions | Polish Pavilion - Panel Discussion 19th June 2025 - Instytut Polski w Londynie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/london\/2025\/06\/16\/biennale-sessions-polish-pavilion-panel-discussion-19th-june-2025\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biennale Sessions | Polish Pavilion - Panel Discussion 19th June 2025 - Instytut Polski w Londynie\" \/>\n<meta property=\"og:description\" content=\"19th June 2025, 17:30 – 19:00, Somerset House Screening Room Tickets: https:\/\/my.somersethouse.org.uk\/8647\/9042 This panel examines how the exhibition Records of Waiting reframes traditional Polish Highland woodcarving as a tool for recording and visualising time. 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