{"id":10783,"date":"2025-06-23T18:10:51","date_gmt":"2025-06-23T16:10:51","guid":{"rendered":"https:\/\/instytutpolski.pl\/london\/?p=10783"},"modified":"2025-06-23T18:11:49","modified_gmt":"2025-06-23T16:11:49","slug":"zbigniew-preisner-my-life-preisners-music-featuring-lisa-gerrard","status":"publish","type":"post","link":"https:\/\/instytutpolski.pl\/london\/2025\/06\/23\/zbigniew-preisner-my-life-preisners-music-featuring-lisa-gerrard\/","title":{"rendered":"Zbigniew Preisner My Life &#8211; Preisner\u2019s Music featuring Lisa Gerrard"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>28th September,<\/strong> <strong>8pm, Barbican<\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">For many years,\u00a0<strong>Zbigniew Preisner<\/strong>\u00a0collaborated with the late director Krzysztof Kie\u015blowski and scriptwriter Krzysztof Piesiewicz, creating multi-hued soundtracks that shaped the mood of existential despair in\u00a0<em>Three Colours<\/em>, stirring scores that oscillate between diegetic and non-diegetic music in\u00a0<em>Dekalog<\/em>, and haunting operatic compositions in\u00a0<em>The Double Life of Veronique<\/em>.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">In celebration of Preisner\u2019s 70th birthday, this concert will feature works from his extensive collaborations with Kie\u015blowski, along with music from his album&nbsp;<em>Requiem for My Friend<\/em>, in memory of the late director.<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Zbigniew will be joined on stage by&nbsp;<strong>Lisa Gerrard<\/strong>\u2014founding member, singer, and composer of the iconic band Dead Can Dance\u2014a hand-selected group of collaborators, and the&nbsp;<strong>Guildhall Session Orchestra and Choir<\/strong>.<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Tickets: <a href=\"https:\/\/www.barbican.org.uk\/whats-on\/2025\/event\/zbigniew-preisner\">Zbigniew Preisner | Barbican<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>28th September, 8pm, Barbican For many years,\u00a0Zbigniew Preisner\u00a0collaborated with the late director Krzysztof Kie\u015blowski and scriptwriter Krzysztof Piesiewicz, creating multi-hued soundtracks that shaped the mood of existential despair in\u00a0Three Colours, stirring scores that oscillate between diegetic and non-diegetic music in\u00a0Dekalog, and haunting operatic compositions in\u00a0The Double Life of Veronique. In celebration of Preisner\u2019s 70th birthday, [&hellip;]<\/p>\n","protected":false},"author":180,"featured_media":10784,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[7,15,11],"tags":[],"class_list":["post-10783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-film","category-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Zbigniew Preisner My Life - Preisner\u2019s Music featuring Lisa Gerrard - Instytut Polski w Londynie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/instytutpolski.pl\/london\/2025\/06\/23\/zbigniew-preisner-my-life-preisners-music-featuring-lisa-gerrard\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Zbigniew Preisner My Life - Preisner\u2019s Music featuring Lisa Gerrard - Instytut Polski w Londynie\" \/>\n<meta property=\"og:description\" content=\"28th September, 8pm, Barbican For many years,\u00a0Zbigniew Preisner\u00a0collaborated with the late director Krzysztof Kie\u015blowski and scriptwriter Krzysztof Piesiewicz, creating multi-hued soundtracks that shaped the mood of existential despair in\u00a0Three Colours, stirring scores that oscillate between diegetic and non-diegetic music in\u00a0Dekalog, and haunting operatic compositions in\u00a0The Double Life of Veronique. 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